Punch, or the London Charivari, Volume 156, June 18, 1919
Date: 2004-03-02T00:00:00+00:00
Keywords: English wit and humor -- Periodicals

The Project Gutenberg eBook of Punch, or the London Charivari, Volume 156, June 18, 1919

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Punch, or the London Charivari, Volume 156, June 18, 1919

Author: Various

Release date: March 1, 2004 [eBook #11630]
Most recently updated: October 28, 2024

Language: English

Credits: E-text prepared by Malcolm Farmer, Sandra Brown, and the Project Gutenberg Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 156, JUNE 18, 1919 ***

The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 156, June 18, 1919, by Various, Edited by Owen Seamen

E-text prepared by Malcolm Farmer, Sandra Brown,
and the Project Gutenberg Online Distributed Proofreading Team

PUNCH,
OR THE LONDON CHARIVARI.

Vol. 156.

June 18, 1919.

CHARIVARIA

.

Professor THATCHER of New York describes President WILSON as one of the five greatest men in the world. Sir ERIC GEDDES is anxious to know who the other three are.

"The Jazz boom is dying out," says Mr. HERMAN DAREWSKI, "but the next boom will be an Oriental one." There seems nothing to do about it except to bear up.

The fact that for some time no arrest was made for the Plaistow safe robbery seems to indicate that the thieves desired to remain anonymous.

Like soothing balm from the dear old days comes the intimation that Sir THOMAS LIPTON is confident of lifting the America Cup in 1920.

Up to the time of going to Press it had not been officially decided what new uniform will be designed for the R.A.F. to be worn during the Peace Celebrations.

The City of Philadelphia has decreed that sitting-out places in ball-rooms must be adequately lighted. Following upon the unauthorised publication of the Peace Terms, this is a further blow at secret covenants.

Forty thousand children visited the Zoo on Whit-Monday, and one anxious father who had mislaid a couple of infants stayed for a long time in the reptile-house, looking suspiciously at the swollen appearance of the boa constrictor.

"The people of London have never understood that wisdom is not concentrated here," said Sir GEORGE LUNN at the conference of Associated Education Committees. These cheap sneers at Sir FREDERICK BANBURY are beneath his notice.

The Vicar of South Acton suggests that a huge prize should be offered for the invention of a good temperance drink. We regret to say that this is not the first studied insult that has been offered to Government ale.

A new race, who had never seen a white man before, is reported to have been found on Prince Albert Land, and one of them is being taken to Maine, U.S.A. That ought to teach them to be discovered again.

Incidentally so many errors have been made of late in executing people in Russia that in future all orders for executions will be signed by LENIN and will bear the words, "Errors and Omissions Excepted."

The Bolshevists have their trials just like human beings. One of them last week was mistaken for a bourgeois and shot.

Civil servants engaged by the various Ministries will in future be required to have special qualifications for their work. We have always thought that this would be an advantage.

Señor FERNANDEZ denies the allegation that Mexico is not now at war with any nation. It is supposed to have been spread by jealous rivals.

In the Isle of Sheppey there is not a single person who is drawing the unemployment donation. There seems to be no excuse whatever for this apathy. Full particulars have appeared in the Press.

The embargo on the export of gold from the United States is to be raised almost immediately; meanwhile all shipments will be carefully watched, the stuff being now nearly worth its weight in coal.

County Tyrone has a dog specially trained to trace whiskey. Several people in this country have already offered it a good home, where it will be treated as one of the family.

Asked to describe the cuckoo the other day, a small boy said it was the bird which put its eggs out to be laid by another bird.

At last an obliging taxi-driver has been discovered. His clock registered six shillings and his passenger had only five-and-sixpence, so he offered to reverse his engine in order to wipe off the deficit.

We now hear that the authorities have decided that, if a child should fall into any lake or river and be in peril of drowning, any dog may be allowed to remove its muzzle for the purpose of effecting a rescue.

During the removal of a safe weighing three hundredweight some burglars last week used cushions and mats to deaden the sound. We are greatly pleased to note a tendency to study residents a little. After all it is most irritating to be awakened by noisy burglars in the house.

The No-Treating Order was revoked on June 4th, and it is generally expected that this date will be made an annual, public holiday in Scotland.

Small Bagsnatcher. "RIGHT-O, GUV'NOR. I SEE YER BEEN WOUNDED. I SHAN'T KNOCK 'YER ABAHT."

There was an impenitent duke

Who would not submit to rebuke—

Not even from SMILLIE,

But called him a wily

Text-mongering Bolshi-Bazouk.

"PERSONAL.

"Major C. ——, late R.A.V.C., who is now disembodied, has returned to ——, and will resume his practice as heretofore."—Yorkshire Observer.

Now then, Sir OLIVER LODGE and Sir ARTHUR CONAN DOYLE, get busy.

THE BALAAM STAKES

.

They were speeding along in the train to the Dispersal Area, and, having moved heaven and earth to achieve demobilisation, were now absolutely miserable on nearing their goal.

"Like to pick your fancy for the Derby, Docker?" asked Jimmy Ferguson, proffering his daily paper with an air of acute cheerfulness.

"Not fer me," said Docker Morgan dismally; "I sworn off after the Balaam Stakes."

"I never 'eard tell of that race," said Jimmy.

"Well, it ain't one of the classic events. It were run over there." Docker jerked a thumb vaguely in the direction of France. "At a 'Concours Hippique,' which is posh fer 'Race Meeting.' Our orficers arranged it just afore our troops left the area, and nacherally fixed it fer the most awkward time fer me an' Nigger Rolf, being just between paydays. After payin' to go on the course we'd only got five francs left fer investment purposes. Nigger wanted to plunge right away, but I stopped 'im.

"'No,' says I; 'we don't know 'orses, but we does know mules, leastways as much as anyone does know mules. Let's scoop on this.'

"'An' I showed 'im the programme, which said:—

"'5.30.—THE BALAAM STAKES. For Government Mules ridden or driven by British N.C.O.'s and men during the War.'

"We walked round the course an' tumbled acrost Ping Brown, got up ong chevalier.

"'Aw-aw, Donoghue' says I, 'is it worth while backing you for a cool thou for the Balaam?'

"'Well,' says he, 'I'm riding Perishing Percy. If it wus a clog-dancing competition it 'ud be easy money, but bein' a race, back any one, even the starter, sooner than me.'

"Then I met Spruggy Boyce, who useter drive with me in the Umpteenth Field Ambulance.

"'Glory, Docker,' says he, falling on my neck, his top-boots being a bit loose, 'I was looking for you.'

"'I ain't got no money,' says I.

"'But you can 'ave,' he whispers confidential, like they do in the pictures. 'I'm riding Red Liz in the Balaam.'

"'Well,' I replies, 'I'm not denying that Red Liz is a perfect lady; but that's 'er trouble—she's too ladylike to pass anyone.'

"'Docker,' he hisses, 'do you remember driving 'er one day down the Menin Road when Fritz started shelling?'

"'Don't I just! Why, she didn't fetch up till nearly at St. Omer, and the shells lost heart becos they couldn't catch 'er. But,' I says regretfully, it takes shells to start Red Liz, an' we ain't got none.'

"'No, we 'aven't got shells,' whispers Spruggy, 'but I 've got some crackers; an' if you sprinkle some on the course, it's a cert.'

"'Right-o!' says I. 'Me an' Nigger will see it through, if you'll lend us another five francs to invest.'

"Then I went to cherchay a bookie, but I couldn't find one anywheres.

"'They don't 'ave 'em 'ere,' says Nigger. 'You invests at the sheds over there—the Paree Mutual.'

"'That's an insurance company,' answers I. 'I want to put a bit on, not take out a life policy.'

"'That's the place, I tells you,' says Nigger; 'the Paree Mutual or the Total Liza. If you don't 'urry you won't get it on before the race starts.'

"So I fights my way through the surging mob to the counter.

"'What odds for Red Liz in the five-thirty?' says I.

"'Je ne comprong pas,' says the bet merchant, and before I could say another word the crowd swept me away. I went back to Nigger.

"'Look 'ere, Nigger,' says I indignantly, 'I don't like this way. I likes to speckerlate with a bookie—one with a wooden leg as can't run for preference—who tells you what odds 'e's going to give an' doesn't 'ave to work it out in vulgar fractions afterwards.'

"'You 'eart-breaking turnip!' says Nigger; 'give me the money.'

"'E came back in a few minutes with a bit o' card that looked like a pawn-ticket.

"'That's done,' he says. 'If it wins we just takes this ticket an' 'e pays out on it. An' now let's go an' see 'em come out.'

"There wus ten starters, and four changed their minds at the post. Perishing Percy did some neat an' effective steps that would 'ave gone better with music, an' then stopped dead to listen for the applause. Whips nor spurs weren't allowed in the race, an' peaceful persuasion don't go far with a mule; but about five of 'em pursued the narrow and straight path that leads to the winning-post. A big, raw-boned animal, named Gentle Maggot, floundering along with one foot in the franc side an' tother in the enclosure, with two other feet that couldn't be simultaneously located, was leading, an' a chestnut named Coughdrop was a good second. Red Liz was flapping her long ears an' coming along very genteelly in the rear. When they wus nearly level to us, Nigger whispers to me to get the cracker ready; but me hands were trembling so with excitement that I couldn't light it.

"'Give 'em to me, you idjut!' says Nigger, and he plunked one neatly by Red Liz's ribs. She started, and Nigger plants another one behind 'er. Then she put 'er 'ead down and tore along like mad. She passed three, got level with Coughdrop, passed 'er, an' thirty yards from home was neck with Gentle Maggot. Both Jocks were whooping like mad, but just as everyone was swearing it was going to be a dead-heat, I thumped Nigger hard on the back an' yelled out, 'We've won!'

"Spruggy 'ad jerked Red Liz's head down just at the post, an' she 'ad won by an ear!"

"Well, that was good enough, wasn't it?" said Jimmy, as Docker finished his narrative with a mournful downward inflexion of voice.

"It would 'ave been," replied Docker; "only Nigger 'ad put the ticket in 'is mouth while 'e lighted the cracker, an' when I thumped 'im on the back it startled 'im, an'—'e swallered it."

SONGS OF SIMLA

.

IV.—MRS. HAWKSBEE.

Hazards beset her social groove;

Dilemmas rise—she wriggles free;

Landslip or earthquake cannot move

Her imperturbability.

Where 'er she goes her presence thrills,

And in her youthfulness there shines

The everlasting of our hills,

The evergreenness of our pines.

Hung in a poise that knows no law

The kestrels watch above the trees,

But never was kestrel yet that saw

The half that Mrs. Hawksbee sees.

Rosy and smiling mid her furs

Along the Mall her way she trips

With subalterns whose worship stirs

The cynic swiftness of her lips.

When Jakko-wards her rickshaw sweeps,

The monkeys scamper o'er the grass,

And breathlessly each rascal peeps

To see the Queen of mischief pass.

Our Viceroys know the call of Fate;

Our Generals pass nor question why;

Councils dissolve and Staffs migrate,

But Mrs. Hawksbee shall not die.

J.M.S.

"So far from the wage-earning classes being shown the necessity for a revival in our industry, the Prime Minister talks nonsense about 'removing the sceptre of unemployment.'"—Morning Paper.

This will comfort those who were afraid that it was permanently enthroned.

THE FINISHING TOUCH.

Small Brother (to rejected lover). "BUT JOHN, DIDN'T YOU TELL HER YOU'D PLAYED FOR ESSEX?"

THE POET.

In a distant country, at a remote epoch, was born of humble parents a poet. "Born" advisedly, since the poet is always born, not made. Even before he could write he composed little poems, which he would recite aloud. The simple pleasures of the poor, among whom he grew up—intoxication, pugilism, funeral merry-makings—furnished the themes of his verse.

Upon reaching man's estate he adopted the calling of night-watchman, an occupation which provided him at once with a livelihood and ample opportunities for meditation. It is to this period that the "Nocturnes" belong.

Now it happened that the poet's work reached the eye of the Prince, who, anxious to encourage genius, appointed him to some minor place about Court and endowed it with a pension. Moreover, to complete his happiness he gave him in marriage a beautiful and accomplished maiden, for whom the poet had long cherished an ardent but hopeless passion. So, as by enchantment, the course of the poet's existence was changed. He no longer waked while others slept. On the contrary he seldom left his couch until a late hour in the morning, and when at last he rose it was often to pass the rest of the day in a Turkish bath.

Yet in spite of altered circumstances he still remained a poet, for the poet is born, not made, or unmade. The tenor of his poetry however was changed. Instead of the rude and vigorous subjects which formerly engaged his lyre he would now employ his art in verse of the daintiest, to celebrate flowers, ladies' eyebrows and similar trivialities.

This style however was not altogether to the taste of the munificent Prince. He had expected something stronger, something more in the grand manner. So he consulted a Wise Man, an adept in the ways of poets, one greatly in demand as a writer of biographical prefaces to poetical reprints.

The Wise Man heard him to the end and replied as follows: "Sire, you have been ill-advised. Who ever heard of a happy poet? Poetry and prosperity are incompatible. Instead of trying to make your protégé joyful you should have heaped sorrow upon him. It is well known that sorrow ennobles a man and enlarges his emotional experience. 'Poets learn in suffering what they teach in song' sang one of them who knew.

"However it is not too late. When next he seeks your Presence, indicate to him with that tact which is the birthright of princes that he no longer enjoys your favour. At the same time stop his pension and allow him to taste once more the life from which your bounty removed him. Could you contrive that he loses the affection of his wife, and that he falls into a consumption, so much the better. In addition, if it please your Highness, I will arrange that all his work is unfavourably noticed in the Press and that calumnies concerning his private life are circulated in the personal paragraph columns."

"Thanks very much," said the Prince, and dismissed the Wise Man with a handsome fee.

A few days later, when the poet presented himself at Court, the monarch rose from his throne, took a short run and kicked him in a vulnerable part. Breathless the poet was borne by lackeys from the royal presence, wherein he never again showed himself. At the next meeting of the Council the Prince annulled his pension by a stroke of the pen. Thus the poet was thrust back into the cold world.

Now began a period for him of intense unhappiness. Having lost his old business connection he could no longer obtain employment in his original vocation. He had therefore no alternative to avert starvation but to follow the precarious calling of a cab-runner. These events, it will be recalled, happened in a bygone age, before the motor superseded the horse. Often, after a weary trail half across the town behind a luggage-laden Cab, only to find that the family kept a man-servant, he would return to the cellar that was now his home, penniless and exhausted.

Long hours spent over the washtub, to eke out their scanty earnings, had rendered his wife—once the "Fay" of the "Love Songs"—both muscular and short-tempered. On such occasions she would lay hands on the poet and thrash him till he wept. But throughout all he remained a poet, for the poet is born not made. Every tear in falling turned to a sonnet. His sorrows were transmuted into poems—poems now suffused with the concentrated emotions of the human race.

Nevertheless each one as it appeared was brutally slated in the organs controlled by the literary adviser to the Crown, and himself belittled and ridiculed. When, as luck would have it, his wife eloped with a wrestler, a flood of melody poured from his soul which, connoisseurs have assured us, ranks high amongst the lyrical masterpieces of the world. These verses will be found amongst the collection known as "Swan Songs," published posthumously, for, not long after, the poet unfortunately developed phthisis and died.

But though he was thus cut-off in early manhood his name will live for ever. It is borne by a square in the boarding-house quarter of the capital and by a cravat which, though, alas, no longer in the fashion, is still worn every Sunday by countless artisans.

His poems too have achieved immortality. Showily bound they make a favourite school prize and have given entertainment to generations of cultured refined persons, who have never paused in their reading to give a thought to the author of their enjoyment, the sagacious Prince to whose action they owe their emotional treat. His royal Highness's reward was his own aesthetic satisfaction. "By Heaven, this is more like," he rapturously exclaimed as he laid down the last volume of the collected works; "this verse has got some stuff in it." And on the occasion of his next birthday he conferred the Companionship of a Household Order upon the poet's publisher.

"Lord Basil's scratching is said to be due to soreness."—Daily Sketch.

It frequently is.

OUR WEALTHY WORKERS.

Host (to guest with Socialistic opinions). "I hope you'll be careful what you have to say about the moneyed classes. Our maid is very sensitive."

BIRD-LORE.

I.—THE CUCKOO.

The Cuckoo is a tell-tale,

A mischief-making bird;

She flies to East, she flies to West

And whispers into every nest

The wicked things she's heard;

She loves to spread her naughty lies;

She laughs about it as she flies:

"Cuckoo," she cries, "cuckoo, cuckoo,

It's true, it's true."

And when the fairies catch her

Her busy wings they dock,

They shut her up for evermore

(She may not go beyond the door)

Inside a German clock;

Inside a wooden clock she cowers

And has to tell the proper hours—

"Cuckoo," she cries, "cuckoo, cuckoo,

It's true, it's true."

R.F.

"The Silent Service."

"Horace ——, labourer, was charged with using insulting language. He was said to be training for the Navy and the case was accordingly dismissed."—Local Paper.

"If people would wear the same underclothing all the year round, and with or without the aid of a thermometer against their bedroom window vary their outer garments only, they would never be inconvenienced by changes of temperature."—Letter in Daily Paper.

And they would make an appreciable saving in their laundry bills.

THE MUD LARKS.

"Gurr finny," says T. Atkins, and there seems no doubt about the well-known War being over at last. Home-keeping folk, who imagine it ended when the whistle blew at the eleventh hour of November 11th, are wide, very wide, of the mark. We have experienced some of its direst horrors since then. Why, at one time (and not so long ago) we were without the bare necessities of life itself.

I have seen hardy old soldiers; banded like zebras with wound-stripes and field-service chevrons, offering to barter a perfectly good horse for a packet of Ruby Queen cigarettes, or swap a battery of Howitzers for a flagon of Scotch methylated. Then came the Great Downfall. Nabobs, who for years had been purring about back areas in expensive cars, dressed up like movie-kings, were suddenly debussed and dismantled. Brigadiers sorrowfully plucked the bâtons from off their shoulder-straps and replaced them in their knapsacks. The waste-paper baskets brimmed with red flannelette and gilt edging. Field officers cast down their golden crowns and crept slowly back to their original units as substantive lieutenants.

And now all are gone, some home to England to write for The Times (Appointments Required column) and some to watch the Rhine and see that it gets up to no irregularities, such as running the wrong way or dry. Here, on the fringe of the old battle-grounds, only the merest handful of us remain, deserted by the field armies, apparently forgotten by the management.

It has happened before. Bob, our Camp Commandant, swears that a battalion of his regiment, while garrisoning some ocean isle, got mislaid for years and years, and they would have been there to this day, chatting to the crabs and watering the palm-trees with their tears, if some junior subaltern had not sent his birthday-book to KITCHENER with the request that the Field-Marshal would inscribe some verses therein.

Occasionally the boom of explosions coming from the devastated areas tells us that our brave allies the Chinese are still on deck, salvaging ammunition after their own unique fashion of rapping shells smartly over the nose-caps with sledge-hammers to test whether they be really duds or no.

Although a very courageous man, I do not linger in their whereabouts unless I have to. I don't follow their line of thought. One of them unearthed a MILLS bomb the other day. It gave off blue smoke and fizzed prettily. When last seen he was holding it to the ear of a chum, who was smiling entrancedly, as a child smiles at the croon of a conch-shell.

By the way, whilst we are on the subject, who is this MILLS? The illustrated papers have shown us THE MAN WHO WON THE WAR, the thousand-and-one sole and only inventors of Tinribs the Tank; their prattle-pages are crammed daily with portraits of war-worn flag-sellers, heroic O.B.E.'s, and so on; but what of our other benefactors, the names of whom are far more familiar to the average Atkins than are those of the Twelve Apostles or his own Generals? I confess, to a great desire to behold the features of Mr. MILLS, the bombster (I picture him a benevolent-looking old gentleman with a flowing white beard), Mr. STOKES of the gun, Mrs. AYRTON of the gas-fan, and Messrs. ARMSTRONG and NISSEN, the hutters. Can no enterprising picture-paper supply the want?

But to return to ourselves. With the exception of the faithful Celestial, the land is empty of human interest. The roads that once rumbled unceasingly with wheels and swarmed with merry men now run bare under a sad sky. The deepway side drains, in which our lorries used to play at submarines, now harbour nothing more exciting than tadpoles. We are hard-pressed to find mischief for our idle hands to do.

Sherlock the Sleuth keeps himself in fair fettle by prowling round the countryside and trying to restrain the aborigines from pinching what little British material they have not already pinched. Yesterday he came upon a fatigue party of Gauls staggering down a by-way under the shell of an Armstrong hut. He whooped and gave chase. The Gauls, sighting the A.P.M. brassard, promptly dumped the hut and dived through a wire fence. Sherlock hitched his horse to a post and followed afoot, snorting fire and brimstone. They led him at a smart trot over four acres of boggy plough, through a brambly plantation, two prickly hedges and a richly-perfumed drain and went to ground inextricably in some mine buildings. He returned, blown, battered and baffled, to the starting-point, to find that some third party had in the meantime removed the Armstrong hut—also his horse.

Ronald, our only remaining Red Hat, saves his soul from boredom by keeping all the H.Q. departments open and conducting, on his own, a brisk correspondence between them. As there are about thirty of these and he conducts them all himself it will be understood that this entails a certain amount of movement on his part.

Bob, the Camp Commandant, spends his time trying to square his returns and interviewing Violet. Violet is a middle-aged gentleman who came to us from some Labour unit and refuses to leave. He has an enormous head, a walrus moustache, a hairy nose, and feet which flap as they walk. His métier is to keep the place tidy and the incinerator fires burning. He prowls about at night, accompanied by a large ginger tom-cat, harpooning loose scraps of paper. Any dust he meets he deals with on the blotting-paper principle, by rolling in it and absorbing it. When his clothes are so stiff with dirt that they will stand up without any inside assistance from Violet, they are sawn off him and consigned to the incinerator and he is given a new suit. Whenever his back hair has grown so long that it is liable to impede his movements, a posse of grooms is despatched to his lair to rope, throw and shear him with horse-clippers. Last time they did it they swear they lost the instrument twice and that two bats and an owl flew out of his tresses.

He is allowed out only at night, because the German prisoners laugh at him, which is bad for his moral and good for theirs. He lives, he and his cat, deep in the chateau woods in a tiny semi-subterranean cabin he has constructed of odds and ends of tin and tar-paper. He was supposed to have been demobilised ages ago, but we cannot get him off the premises.

Bob goes and interviews him on the subject about three times a day—all to no avail. "'Tain't a bit o' use you comin' an' flappin' them there paperses at me, Mister" (all officers, irrespective of rank, are "Mister" to Violet), says he to Bob; "you know very well I aren't no scholard an' I won't sign nothin' I can't read, even if I could sign, which I can't, bein' no scholard; so there's the end of it, as I've told you scores of times before, with all due respect, of course, as the sayin' is."

He doesn't want to go home and he won't go home, he says. His wife beats him "somethink crool," he says; in fact he never knew what real peace meant until war broke out. Furthermore she has been putting on a lot of muscle of late and demobilisation means certain death. He is going to stay where he is. What with the ginger cat's poaching proclivities and the bully beef he has buried in the plantation he can hold out almost indefinitely, he says; so there is no cause for us to be anxious on his behalf. When we come back for the next war we shall find him on the old stand, ready to resume business, he says, and for his part the next war can't break out any too soon.

The remainder of Bob's time, as I said before, is occupied in trying to square his establishment returns. Some time ago he discovered that he was a water-cart short. This was serious, very. A water-cart is a large and expensive item, and as far as he could see it would end in his having to make good the loss out of his own pocket, which at that moment contained ten centimes and a corkscrew.

However he was determined he would see what a little applied cunning would do first. He locked himself into his office and took thought. After an hour's violent mental disturbance he penned a letter to the authorities, saying that his establishment was complete in all details, with the exception of one water-bottle. As, however, he had come by several superfluous knives, spoons and forks considerably exceeding the water-bottle in value, might they be taken in exchange and the account squared? The Government would be greatly the gainer thereby.

Four days later he was notified that the transaction was approved. After waiting till he was reasonably certain that the correspondence was safely lost, burnt or consigned to impenetrable archives, he sent the following wire:—

"Reference my R.L.217, dated April 1st, for 'bottle' read 'cart.'"

The reply came back, "Noted."

PATLANDER.

ANOTHER TUBE CRUSH.

Instructress. "ALL YOU WANT NOW IS A LITTLE POLISHING."

Our Wonderful World.

"Three Geese and Gander, Four Chicks and Drake; all laying."— Bolton Evening News

"Mr. Marston, the President [of the Policemen's Union], stated that the time for action will arrive after the tripe alliance at Southport on June 24."——Provincial Paper

An offal prospect.

"The pages were in the khaki uniform of the Cadet Corps of the 1st-5th crepe de chine, trimmed with cream lace and blue crepe de chine, trimmed with cream lace and blue ribbons, and carried directoire silver-knobbed sticks, tied with blue ribbon and pink roses, gifts of the bridegroom."—Mid-Devon Times.

The 1st-5th have always been famous for their dressiness.

THE ARCHAEOLOGISTS;

OR, THE FIGHT AGAINST REACTION.

MY DEAR KNOTT,—It has occurred to me that since the closing of our little V.A.D. depôt there is a good deal of energy in Filby without a suitable outlet, and I am writing to you on the matter as I feel sure you will have some helpful suggestion to make.

Of course a great deal of this energy might be profitably expended on the ever-increasing spiritual needs of the parish, but I feel that if some society of a secular character were got up just now it would be helpful, especially to the female portion of our community.

Miss Timlin has suggested a Philatelic Society, and I shall be pleased to hear your views on her proposal.

Believe me,    Yours ever sincerely,

THEODORE BLAND.

"DEAR VICAR,—I have your letter and quite agree as to the advisability of starting some society for working off the latent energy which has accumulated since the demise of the War and the consequent closing down of War activities. I do not however fancy Philately as a safety-valve. I suppose one could stand up to stick stamps in a book, and would get a certain amount of physical exercise in going about swapping duds and duplicates, but generally speaking it is a sedentary occupation and, to my mind, a selfish one.

As you ask for a suggestion from me, I propose an Archaeological Society. The pursuit of Archaeology has this advantage: it connotes digging, an aptitude for which has been distinctly fostered here by the allotment habit.

As for our objective, without going further than Filby there is the alleged tunnel leading from the ruins of the nunnery to no one knows where. It would be interesting to know whether the thirteenth-century Lord of Filby had a private way (on the score of feudalities) to the Ursuline convent, or whether the good nuns had a back-way to the Old Swan for the conveyance of mead, sack and such other strong waters as the times and licensing laws afforded. But perhaps the tunnel, like most things, is controlled, and a mandamus (which, I take it, is a kind of ecclesiastical coupon) would be required before we could touch it.

Of course there are a mound and the foundations of an old wall in my paddock which the Society are welcome to tackle. Don't you think they would do to begin on?

Yours sincerely,

ARCHIBALD C. KNOTT.

MY DEAR KNOTT,—Many thanks for your valuable help. I think you may expect quite a good turn up of members on Tuesday. I have always thought that the tumulus in your field might yield some interesting archaeological find. The land and a former mansion were part of the Convent demesne, as you probably know. I am sorry that I shall not be present as I have to attend the Bishop's Conference at Bray Chester, which is expected to last a week or two.

Wishing you all success and with kind regards to yourself and Mrs. Knott,

I am,    Yours ever sincerely,

THEODORE BLAND.

MY DEAR VICAR,—Thanks for yours. I am very sorry you have been called away at such a time.

The first meeting was so successful that a second was fixed for Wednesday. But enthusiasm seemed to flag on Wednesday evening, as nothing of interest had been discovered.

A few die-hards agreed to put in some hours' digging on Thursday, when Colonel Stacey and Mrs. Cottingham each dug up a Roman bronze coin (both denarii, I fancy) from the mound. This of course acted as a great stimulant, and we had a bumper meeting on Friday. Stacey, I understand, intends to read a paper, at the first indoor meeting of the society, on the Roman occupation of Filby-in-the-Wold. The mound is now levelled, and the wall foundations have all been dug up and carted away; but the latter yielded nothing of interest.

Hoping that the Conference is going as you would wish,

I am,    Yours sincerely,

ARCHIBALD C. KNOTT.

P.S.—Couldn't you touch up the Bishop on the subject of the Convent tube?

DEAR VICAR,—We have had an archaeological strike. The mound is levelled, the wall foundations have disappeared, and so have the diggers. I am afraid the Society are now awaiting your return to give them a lead. My grounds, alas, have produced nothing beyond the two denarii.

Yours sincerely,

ARCHIBALD C. KNOTT.

[Extract.]

DEAR BOY,—Your mother and I are delighted that you will be demobbed in about a week from now.... By the way you will be glad to hear that we can start making that second tennis-court in the paddock as soon as you get back. I have had the remains of what was known as Knott's Folly in your great-grandfather's day removed, at a total cost of two denarii (which had been lying in a drawer in my dressing-room for years); not so bad, considering the present cost of labour. But of this more anon.

Your affectionate

FATHER.

A CRICKET BARGAIN.

(Before the match.)

We meet as foes, my James, this summer weather,

But sterner summers saw us twain in league;

Shoulder to shoulder have we stood together

On Q.M.S. fatigue.

So, when (ninth wicket down) to-day I enter

Upon my tenure of the crease and gaze

Nervously at you, having taken centre,

Remember bygone days.

Abate your skill, so shall my nerves grow firmer,

Till driving seems the easiest of jobs,

And passers-by shall pause and haply murmur,

"Golly, can that be HOBBS?"

Do this for me, and you'll discover later

How fame awaits the generous and good;

A few long hops shall win a glory greater

Than ever break-back could.

If for a ball or two you let me smite you,

Running amok with dashing bat and bold,

My Muse shall have instructions to requite you

Even an hundredfold.

You shall she hymn in strains that do not falter,

Proclaim of you for all who run to read:—

"He sacrificed his length on friendship's altar;

He was a pal indeed."

FOR THE CHILDREN.

At this season, when their own children are already counting the days that lie between them and their holidays, Mr. Punch appeals to his kind readers not to forget the greater needs of the children in our elementary schools. The cost of sending them away to the sea or countryside for fresh air and change of scene is constantly increasing and the Children's Country Holidays Fund cannot keep up its good work without generous help. There can be no better way of making a Peace-offering than by helping to build up the health and strength of the new generation. Mr. Punch begs that liberal gifts may be sent to the Secretary of the Fund at 18, Buckingham Street, Strand, W.C.2.

SCENES FROM OUR GREAT FILM: "AUDACITY DOWN THE AGES."

MYTHICAL ENGINEER MAKING A SUGGESTION TO SISYPHUS. | | GLADIATOR CALLING FOR MORE AND LARGER LIONS.

ANCIENT BRITON DEFYING HIS CHIEF, AND REFUSING TO WOAD. | | ROMAN COMMERCIAL TRAVELLER TRYING TO SELL SAFETY RAZORS TO THE DRUIDS.

KNIGHT, ABOUT TO UNDERGO THE "TRIAL BY COMBAT," OFFERING TO BACK HIMSELF "TO WIN OR A PLACE." | | AMBIDEXTROUS FLOWER-GIRL SELLING RED AND WHITE FAVOURS DURING THE WARS OF THE ROSES.

Milliner. "THAT MODEL IS FIFTEEN GUINEAS, MODOM."     Customer. "HOW MUCH WOULD IT BE IF THE FEATHER WERE REMOVED?"

Milliner. "FIFTEEN-AND-A-HALF GUINEAS, MODOM. YOU SEE, LABOUR IS SO DEAR."

ON THE HIGH C.'S.

Doubtless you have often heard

Of the thrush, that gladsome bird,

Who will warble any day,

Be it cold or wet or gray.

I suppose her mother taught her

That the worms are fond of water,

So that neither sleet nor slush

Bridles that eupeptic thrush.

Such a one was Johnny Carr

(Sub-Lieutenant R.N.R.).

I have never caught him yet

Out of sorts when it was wet;

He will hum when tempests howl,

Whistle midst the thunder's growl,

And I've seen him sing for joy,

Clinging to a punctured buoy,

While his gallant T.B.D.

Sank beside him in the sea.

No one knows exactly when or

Why he came to call it tenor,

But the fact remains he sang

With a subtle nasal twang

Just because he liked to do so

(He was Carr, but not CARUSO),

And with such a force of lung

That, whatever tune he sung,

It was like a projectile

With a range of twenty mile.

'Twas the thirty-first of May.

On that memorable day,

Flitting like a restless ghost

Somewhere off the Danish coast,

His destroyer, all agog,

Butted through the clinging fog,

When for just a space the gray

Mists of morning rolled away.

Ah! but how their pulses beat

When they saw the High Seas Fleet

Nosing noiseless as a dream

Barely half-a-mile abeam;

Then the filmy mists anew

Blotted everything from view.

John, astounded at the sight,

Sang aloud with all his might.

But the German, seeing nought,

Only hearing what he thought

Must be twelve-inch guns at least

Firing at him from the East,

Felt that it was time to hook it,

Saw his chance and boldly took it.

Northward fast he sailed once more

Till he heard the Lion roar,

And before he could retreat he

Found himself engaged with BEATTY,

Who, as you already know,

Led him on to JELLICOE.

There I leave him, for, you see,

All the rest is history.

All the rest? Well, not quite all;

For perhaps you may recall

How, when night was falling fast,

A reverberating blast

Far away was dimly heard

Which, the sailormen averred,

Was the Germans who had strayed

In amongst the mines we laid.

They were wrong. The fighting over,

Johnny's ship returned to Dover,

And the sound they heard afar

Was the jocund voice of Carr

Singing fit to burst his torso,

Like the song-thrush (only more so).

"ROYAL ARMY MEDICAL CORPS FUND.—At the Savoy Hotel, on June 11, at 8 p.m. Service dress—khaki with trousers—or evening dress, with miniatures."—Times.

The price of clothes was bound to lead to something of this sort.

From an article on "The Representative Man":—

"Gladstone and John Bright alike came out of Lancashire. How natural to fmgeine etther of those startling ogposites proclaiming with entire conviction, that when he samped himself he foundthimself to be a 'Typical Englishman.' The diversity of types however does not help us much."—Indian Paper.

True, we find it most confusing.

IN THE SUBSCRIPTION LISTS.

SAINT GEORGE COLLECTS FOR MERRIE ENGLAND.

THE PUFF UNIVERSAL.

["A Father," writing in The Times of June 10th, protests vigorously against the cult of "powdered noses."]

When the deadly sky-rover

Came frequently over

And London was darkened at night,

Girls powdered their noses

(Or so one supposes)

As lamp-posts were painted with white;

But now when full moons

Bring no bombs or maroons,

I ask is it proper or right?

Amanda's complexion

Will challenge inspection—

'Tis healthy and rosy and fine;

But she says that if powder

Were never allowed her

Her nose would infallibly shine.

Did Victorian Flossie

Or Gladys, when glossy

Of nose, to such methods incline?

No, they patiently scrubbed it,

Rough-towelled and rubbed it

Until it was brought into line.

We have long been acquainted

With ladies who painted

To mimic a juvenile mien;

But I'd ban sans compassion

The powdering fashion

When practised by sweet seventeen;

And I wish that wise mothers

And sensible brothers

Would let their abhorrence be seen.

I'm only "a father,"

Old-fashioned and rather

Deficient in stiffness of spine,

So, feeling unequal

To facing the sequel,

My name I'm unwilling to sign;

For the call for more powder

Grows stronger and louder

From every daughter of mine,

And any restriction

Of puffs or nose-friction

Would end in a general "shine."

Vicar. "I'M SORRY TO HEAR THAT YOUR HUSBAND IS IN GAOL AGAIN, MRS. STIBBS. STEALING A WATCH, EH?"

Mrs. Stibbs. "YES, SIR. BUT 'TAIN'T 'IS FAULT THIS TIME. THE MAGISTRATE SAID 'ISSELF THAT JOE DIDN'T KNOW THE DIFFERENCE BETWEEN 'MEUM AND TOOUM,' AN' IN 'IS IGNORANCE 'E'D DONE A BIT O' 'TOOUMING.'"

OUR MOVIE-MINISTERS.

(Deductions by a Political Expert.)

The admirable plan of transplanting Ministers admittedly doing excellent work in their departments just as they are settling down in the saddle, though generally commended by supporters of the Government, is meeting with a certain amount of criticism. Appointments which show "imagination" are, it is urged, shorn of their possibilities when the holders are moved on just when they are beginning to provide the public with sensation.

Speculations are rife as to the appointment of a new Minister of Education, and the best-informed opinion inclines to the view that Sir ERIC GEDDES, who has occupied his present position for quite a number of weeks, will succeed Mr. FISHER. Some experts however hold that the PREMIER has a magnificent opportunity for displaying his imagination by the choice of Mr. WELLS, who is burning to disprove the recent astounding allegation of General WILSON that the War could not have been won without the Universities. The chief objection to Mr. WELLS, however, is that he cannot be transferred, because he is not already in office; and this drawback also operates in the case of Mr. SMILLIE and Mr. BOTTOMLEY.

In this context it is to be noted that Lord READING (so at least we understand from the peculiarly plaintive smile which he wears in recent photographs) is much disappointed that the claims of Mr. T.P. O'CONNOR to the post of Ambassador at Washington have so far failed of due recognition. American antagonism over the Irish Question has not been conciliated by this strange oversight.

Things that might have been worded differently.

From the official organ of the Surplus Government Property Disposal Board:

"Sales by Auction of Surplus Horses by arrangement with the Food Production Department of the Board of Agriculture."

"A grand Mahogany Bedstead, 9-1/2' x 8', with posts and testers complete, meant for Rajas and Zemindars. Can also accommodate 4 middle-class people comfortably. Going for Rs. 500."—Advt. in Indian Paper.

Mr. KENNEDY JONES will kindly call the attention of the Middle Classes Union to this proposed congestion.

PLAYING THE 18TH—LAST ROUND OF THE DAY.

"YOU FOOL, CADDIE! HOW CAN I PLAY FROM THAT LIE WITH A WOODEN CLUB?"

"SORRY, SIR. I'VE JUST CLEANED THE IRONS."

THE ROOFS OF THE MIGHTY.

At the meeting held recently in the hall of the Worshipful Company of Hatters in Tile Street, the Chair was taken jointly (as in the old monarchical days at Brentford) by the Bishop of LINCOLN and Mr. ARNOLD BENNETT, and among the company were the SPEAKER, Lord RIBBLESDALE, Sir SQUIRE BANCROFT, Mr. WINSTON CHURCHILL and Mr. EUGENE CORRI.

The two Chairmen, speaking almost in unison, stated that the meeting had been convened in order that the views of the enlightened might be gathered regarding the proposed revival of the tall hat or topper. A recrudescence of this form of covering for the hair (or otherwise) was threatened under the name of the Victory Derby, and a paragraph in The Times announced that "so remarkable has been the revival in the silk-hat trade that old men who had gone into retirement in the Denton and Stockport districts are being asked to come back and give what productive energy they possess." What the meeting desired to ascertain was the views as to this revival that were held by those empowered to offer opinions.

Lord RIBBLESDALE said that there was no doubt that a tall hat was the most becoming headgear for a gentleman. But a certain regard for idiosyncracies was important. No gentleman should take without scrutiny what the hatter offered. Hats were individual things, and as the character changed and developed so should the hat. The hat that suited one at forty might be a sad anachronism at fifty. He himself had endeavoured not only to make his life correspond to his hats, but his hats correspond to his life. (Loud applause.) As the Master of the Buck-hounds he wore, as any visitor to the National Gallery at the present moment might see, at the head of the staircase on the left, a tall hat that was slightly lower than that which he wore to-day, now that he had relinquished that responsible and romantic post. He urged his hearers to encourage the silk hat revival.

Sir SQUIRE BANCROFT concurred with the illustrious nobleman who had just spoken. The choice of a hat should be the subject of the most earnest thought, even of prayer. (Cheers.) Not only the shape but the colour. There were hats that were black and hats that were white. (Shouts of "Hurrah!") There were even white hats with black trimming. (Sensation.) The older he grew the more convinced he was that an Englishman's hat was his castle.

Miss DAISY ASHFORD, author of The Young Visiters, said that she was all in favour of the top hat. No one who had read her famous novel could doubt that. In the society of Mr. Salteena and his friends to wear a tall hat was always the idear.

Mr. WINSTON CHURCHILL said that none of the speakers had mentioned the most essential desideratum of a hat, and that was that it should be too small. Whether it began by being too small, or became in time too small, depended upon the wearer; but there was something smug and cowardly about a hat that fitted. It suggested failure.

Mr. H.B. IRVING said that he was an impenitent advocate of the soft or Southern hat. It was the duty of a hat to afford not only covering for the head but shelter for the eyes, and no topper did this. A hat should have a flexible brim, which neither topper nor bowler possessed. It was absurd to wear a hat which could not sustain damage without showing it. Let there be a revival in the silk-hat industry by all means, but there must be no imposition of any one kind of hat on the public. The individual must be allowed perfect freedom to wear what he liked. (Hear, hear!) He personally hoped never to be seen either in a pith helmet or a Tam-o'-shanter, but if the whim took him to wear either—or indeed both—he claimed the right to do so. (Loud cheers.) Meanwhile he should adhere to his soft hat.

Mr. MASKELYNE, who followed, urged upon the company the desirability of the silk-hat mode. If tall hats, he said, went out of fashion, what would become of conjurers? Rabbits could be satisfactorily extracted only from tall hats. (Prolonged cheering.) An omelette made in a sombrero was unthinkable. (Renewed cheering.)

Mr. ARNOLD BENNETT said that all this talk about toppers was pernicious nonsense. The topper had become obsolete and should not be disinterred. The only honest form of hat for an honest straightforward man was a white bowler. A white bowler and a blue serge suit made as stylish and effective a garb as anyone needed. Soft hats no doubt were comfortable, but they were also slovenly. Moreover they were not practical. At a horse sale, for example, you could not rattle them. As for the plea that tall hats were of value to conjurers, he had no use for such arguments. Conjurers dealt in illusion and all illusion was retrograde. (Oh! Oh!).

The Bishop of LINCOLN said that he felt bound to dissociate himself from his, partner's remarks. He himself looked upon a silk hat as an essential. (A voice, "With rigging?") Yes, Sir, with rigging. But that was not why he advocated it. He advocated it because it was the proper coping-stone of a gentleman.

The SPEAKER, after eulogising the white tall hat, added that although he was glad that they had Sir SQUIRE BANCROFT with them (Hear, hear) he was bound to remark that not infrequently of late he had seen that illustrious histrion wearing in the streets of London a cloth cap more suitable to the golf-links or the Highlands. For the devotee of the white hat of a blameless life thus to descend gave him pain. So distinguished an edifice as Sir SQUIRE, he contended, should not trifle with its top-storey. (Cheers.)

Sir SQUIRE BANCROFT, rising again, expressed regret that his cloth cap should have caused any distress, He wore it, he was bound to admit, for convenience (Oh!) and comfort (Sensation). But he would not offend again. (Loud cheers.)

At this point the meeting adjourned, but doubtless, taking a hint from the Coal inquiry, it will often be resumed during the coming year.

JONES, WHO MAKES A POINT OF PADLOCKING HIS NEW CAR BY THE FRONT WHEEL TO A LAMP-POST, REALISES THE JUSTICE OF THE MAKERS' CLAIM THAT THE SPARE WHEEL WITH WHICH IT IS FITTED "CAN BE FIXED BY ANYONE IN TWO MINUTES."

"I Zingari will play a Household Cavalry team at Windsor on Saturday, June 21st. This was in years gone by an annual fixture, finishing up Ascot week. King Edward VI., when Prince of Wales, used to attend the match and go on to Virginia Water afterwards."—Local Paper.

Apart from the interest this paragraph will excite in the historians of the Army, the Turf, and the Cricket-field, it shows that HENRY VIII. must have been a more indulgent father than is generally suspected.

AT THE PLAY.

"L'AIGLON."

In a note given away with the programme Mr. LOUIS N. PARKER, describes L'Aiglon as "the Hamlet of the nineteenth century." Certainly they had in common the habits of introspection, and indecision; but the egoism of Hamlet was at least tempered by a knowledge of the world; he was a student; he had travelled and seen men and things outside the bounds of Elsinore; and he was capable of throwing off some quotable generalities out of his stock of philosophy. On the other hand the Eaglet, mewed in his Austrian cage, knew nothing of life at large, and had small chance of learning anything beyond the bowdlerised history which his tutors and warders thought good to have him stuffed with.

Somehow he had contrived surreptitiously to pick up the dates and leading facts of his father's campaigns (making a speciality of the Battle of Wagram), but the vague ambitions which they inspired only helped his little mind to prey upon itself. It was not "the times" (as with Hamlet) but his own nose that he found to be "out of joint."

The appeal of Hamlet is to the intelligence; that of L'Aiglon, so obviously pathetic in his own eyes, is rather to the heart. Indeed the intelligence of the audience is here often in trouble; for a certain acquaintance with history is required and both actors and stage-management offer little aid to the average ignorance. While the more obvious and melodramatic situations—such as the death of L'Aiglon or the business of the sentry—are treated at great leisure, it is assumed that all historical allusions, however necessary to an understanding of the situation, will be as tedious to the audience as to the players, and they are rushed through—as in the mirror scene—-at a pace that baffles our halting pursuit.

If any male character lends itself to interpretation by a woman, it is such a character as L'Aiglon, who, for all his spasms of martial ardour, was half feminine. And to this side of him, and not this side alone, Miss MARIE LÖHR did justice in a performance of which her high spirit had not underrated the difficulties. But it is a long and exigent part, and there were times in the play when her physical strength was overtaxed. It would have taken the voice of a strongish basso to drown the roar of a whole battlefield of ghostly warriors, with a military band thrown in.

I am not sure that Miss LÖHR quite realised for us the Duke of Reichstadt's personality. I should not care to have the task myself, for a good many complicated elements were mixed in his nature. As Mr. Louis PARKER reminds you, a French father supplied him with ambition and love of action, an Austrian grandfather with hesitancy, and Spanish ancestors with fatalism, a very trying combination for even the original Eaglet to handle—a mere boy who had never so much as heard of President WILSON'S League of Nation's. So it was excusable if Miss LÖHR failed to make us completely realise a personality which was almost certainly too much for the comprehension of its actual owner.

But she was always ah intriguing figure. Perhaps, indeed—for the apparel does not always proclaim the man, and the Eaglet was no Hamlet in the matter of his clothes—her rather striking costumes were a source of too much distraction.

THE LITTLE EAGLE TRIES TO FLY.
Miss Marie Löhr.

In a very large cast, whose identities were here and there a little shadowy, the interest was so distributed that nobody except Miss LÖHR had very much chance. But Mr. FISHER WHITE made a touching picture of the weak old Austrian Emperor, torn between love of his grandchild and fear of Metternich. Metternich himself, in the person of Mr. HENRY VIBART, seemed hardly sinister, enough for the part he had to play in keeping the Eaglet under the talons of the "two-headed fowl." But it is perhaps difficult to look really sinister in the full official uniform of a Chancellor.

Mr. LYN HARDING, as Flambeau, veteran of NAPOLEON'S Army, introduced a faint suggestion of badly-needed humour, and relieved the general atmosphere of Court artificiality by a touch of nature which almost reconciled us to the improbable burst of eloquence that ROSTAND, with his reckless prodigality, assigned to this rough soldier.

Miss LETTICE FAIRFAX gave a pleasant air of irresponsibility to the shallow Maria Louisa, and made her bear very lightly her cross of widowhood (with bar). The briefest possible vision of Miss BETTY FAIRE as Fanny Elssler made me want to see much more of her; but Mr. Louis PARKER had been Napoleonically ruthless with the text. His translation sounded well, though the delivery of it sometimes left me doubtful as to what was prose and what was verse. As for his production of the play, it showed the old skill of a Past-Master of Pageantry.

Altogether Miss MARIE LÖHR has been justified of her courage. In a happy little speech from which we learnt that every one of the voices (off) in the Wagram scene was a demobilised voice from the fighting fronts, she told us that her revival of L'Aiglon was intended as a tribute to Art after all these years of War. We were not, I think, meant to take this as a reflection upon the part played by the British Theatre in sustaining the nation's soul during the War. Anyhow, I for one shall read into her words just a brave promise—not, I hope, too sanguine—of what we may expect from the new birth of the Arts of Peace.

O.S.

ANOTHER PENDING INDEMNITY

.

It has been said that the man who for his daily shave resorts habitually to a barber has already become a subject for a drastic moral operation. That may or may not be so, but having chambers in Ryder Street and Alphonse residing within the precincts of St. James's, I would rather have been carved morally into mincemeat than have robbed such an artist of his self-expression.

That is how I felt about it in 1914 and in many preceding years, during which, under the magic spell of Alphonse, the razor fell upon my cheek like thistledown. Even to be lathered by him was an alluring form of hypnosis. Alphonse was a Hokusai of barbers, but he was also a true son of France; and there were Alsace and Lorraine and the arrogance of 1870 still to be accounted for. So Alphonse went, and in his place reigned Ferdinand.

Ferdinand, what there was of him, was a good fellow. He was an old fire-eater. He had lost a leg in Algeria and an eye somewhere else, and he could not comprehend why such trivial matters should disqualify a man for killing pigs. He was, as I have said, a good fellow, but his methods of using a razor were mediaeval. However we were not long for one another, and, as the R.N.V.R. tolerate such things, I grew a beard, an equable, regulation torpedo beard.

Omitting several super-emotional lifetimes, let us speak of a certain day not very remote when I stood, bereft of all sea power, at the top of St. James's Street, considering what was the very best worst thing to do to a body which was bored with the reaction that follows four years' strife upon the narrow seas. I fingered my beard meditatively. Yes, after all there was Alphonse. I had almost forgotten him. I turned my steps towards his exclusive retreat. I entered in, and behold! there as of yore, clothed in his samite raiment, stood the incomparable Alphonse. He had returned. Yet in appearance he was not quite the Alphonse of old. There was something less resilient about him, something more enduring had crept into his personality; his elasticity had somehow turned to bronze. He was slightly grey. Nevertheless he greeted me with a Gallic warmth that gave refreshment to my jaded spirit.

"But M'sieu would be shaved.... Yes, a beard was permissible in time of War, but in Peace—pouf! it was barbaric."

I allowed myself to be robed and tucked comfortably into the chair. Alphonse busied himself with the instruments of his profession.

"Five years ago it was another world, M'sieu," he said, churning a wooden bowl to mountains of lather. "It is never again the same. The Marne ... Verdun ... Soissons. If M'sieu permits I would like to tell him of those years."

I nodded and he advanced upon me with the brush. He spoke of the retreat to Paris and the strategy of JOFFRE which so nearly overthrew three Prussian armies. He brandished his razor and swept the Boches back over the Marne, he swept them through Senlis, he swept them across the Aisne. His intensity was inspiring. The smouldering fires of bygone battles leapt into his eyes. But it was not the mesmeric shave of 1914. He apologised humbly and applied small pieces of plaster.

The next morning we fought a swaying battle in front of Rheims, and for some few following mornings we skirmished about painlessly in the same vicinity. Then came a sanguinary excursion to Flanders which nearly put me into blue overalls.

A few weeks of trench warfare gave me some respite and allowed my worst wounds to heal.

Then came the epic of Verdun. At least it was to have come, but at the last moment I lost my nerve.

To hear the story of that heroic defence from the lips of one who was concerned so intimately with it is one of my greatest desires. But I am a coward. I cannot face the extravaganza that Alphonse would improvise, neither dare I approach him for a mere haircut and so confess to having deserted his other form of artistry.

Yesterday I purchased a safety-razor and a packet of new blades.

Mary (stricken with remorse as minnow approaches her hook). "OH! OH! OH! I DON'T WANT TO CATCH IT; ITS MUMMY WOULD MISS IT SO."

A Little Supper with the Borgias.

"FRUIT SALAD.

"Make some syrup by boiling three-quarters of a pint of water, 1/2 lb. of castor sugar, and the juice from a tinned pineapple. Lay the pineapple in a glass bowl cut in small slices."—Weekly Paper.

ART IN THE ARCTIC.

To know that you can't draw and to be told so by your friends are two very different things. Honnell can't draw, but hates his inseparable Swan to tell him so. Honnell's sketches have hitherto been criticised only by people who also wanted their drawing flattered. Swan learned bluntness on the Yukon. So they are an odd pair to be chumming now in the Arctic circle. They are so friendly that they will tramp together for half a day and exchange scarcely so much as a grunt of conversation.

Swan, of course, feels quite at home in North Russia and smiles at the people who call it cold and its distances big. Honnell has lived in Edinburgh, so doesn't notice the temperature, though he misses the tramway system. Both can say about six words—the same—in Russian, and both have bought a pair of moccasins—Swan because he likes them, and Honnell because he would like to.

Recently they set off together from Kola on the Murman Coast to try to find a village from which jolly little Laplanders and Laplanderesses come sliding and skidding to market behind their stout-hearted reindeer. They left all their picturesque Arctic gear behind them except their moccasins, Swan being one of those trying people who don't care how they look, if only they "mush" along fast enough. Their provisions consisted of a tin of bully and four edible tiles or army biscuits, with some margarine in a Y.M.C.A. envelope.

The story they told on their return—for they did return and in good time for dinner—was mostly Honnell's, but I must admit that Swan could not be got to refute it. As they approached the village—some huts on a white hillside above a frozen lake—a representative of the dog-colony came to meet them, waving his tail with an anti-clockwise circular motion impossible to the dog of temperate zones. Having inspected them he escorted them on their way in a perfectly civilised and even courteous manner.

So far from being resisted, their entry was ignored save by the little fur-capped boys, who collected at their heels as if they had formed the vanguard of a circus, and the little brightly-kerchiefed girls, who bolted for cover. All the adult male inhabitants, fiercely-bearded little men like trolls done up in reindeer-skin from top to toe, appeared to be engrossed in the manufacture of sleighs, although the village was already littered and cluttered up with them; and all the ladies were indoors sewing reindeer-skin into trousers or making tea.

Having exchanged a noise like "Sdrastetye" (which in these parts seems to mean "Bon jour") with everybody they saw, our two friends sat on a log, and rested, while Honnell set about sketching, as he calls it, the primitive wooden church. The little boys, of course, formed a sort of pyramid on his shoulders to watch. Whether because his fingers were cold and so not completely under his control, or because the vibrations of the human pyramid communicated to his pencil some lucky jerks, the marks Honnell committed to (or on) his note-book were such as supplied the simple children of the snow with a clue as to his intentions, and he was intensely gratified to hear one say to another, "Tzerhof!"—knowing that noise to signify "church" in the local tongue.

Swan, perceiving the moral damage likely to be done to his friend by this flattering incident, sought to puncture Honnell's unhealthy pride by saying, "Plaho?" (or "bad") as a suggestion to the critics; but this only caused them to say repeatedly and with emphasis, "Dobra!"—which was one of Honnell's six words and means "good."

Thus the mischief was done. Honnell returned to his billet a man changed and as it were possessed. To hear him talk now one would suppose culture had fled from the Temperate to the Arctic zone. Of the Lapps' habits and their houses he knows nothing, cares nothing; all his enthusiasm is reserved for the honesty and the innate artistic perception of their children. So seriously has he been affected by this unaided and impartial recognition of the subject of his drawing that some of us wonder if he will not settle down amongst those who alone understand and appreciate him. Returning home what can he hope to be? At best a hero of the Relief Force. But in his Lapp village he could imagine himself an Artist.

"Canon Cooper O'Filley, known as the 'Walking Parson,' has decided to celebrate his seventieth birthday by walking from Yorkshire to Madrid."—Sunday Paper.

An even better-known "Walking Parson," Mr. COOPER, of Filey, will have to look to his laurels now that this Irish pedestrian has entered the lists.

"Mr. J.B. Fagan has decided to revive 'Twelfth Night' with the original cast at the Court Theatre."—Daily Graphic.

We trust that when Mr. FAGAN revives the "original cast" he will not omit to provide also against the inevitable call of "Author!" and settle the BACON-SHAKSPEARE controversy once for all.

THE VEGES ON STRIKE.

(A Dream.)

A noise arose of earnest men

Refusing imitation duck;

It was a dreadful moment when

The Beetroot-eaters struck,

And all around untasted stood

Rations of Mr. Kilo's favourite food.

For some forsook the sacred rules

And pulled, despite their master's word,

Ham sandwiches from reticules;

On every side one heard

The sharp staccato lettuce-crunch

Merged in the howls of carnivores at lunch.

And one conspirator leaped up

Amid the clash of tinkling spoons

And poured into a protose cup

His helping of stewed prunes;

And, blood-red presager of doom,

Half a tomato hissed across the room.

And angry "Pshaws" and long "Tut-tuts"

Proceeded from that concourse dense,

And "Nuts," they wailed, "we want more nuts—

More nuts at less expense!"

Till Mr. Ambrose Kilo came

And hushed the berserk banqueters to shame.

"Heroes," he cried, with lifted hand,

"And comrades of the meatless life,

Shall the great cause for which we stand"

(Here someone dropped a knife)

"Fall into disrepute?" (Loud roars

Of "No, not it," from contrite nucivores).

"Bearing aloft a stainless shield

That none may smirch without remorse,

This management declines to yield

To crude displays of force;

Yet, since it seems the general wish,

Mock-cutlets will be five-pence less per dish."

He ceased, and trembling fingers cleared

All vestiges of meat away;

The smiling handmaids reappeared

With mounds of buttered hay;

Silence replaced the storm-tossed scenes;

There was no sound save masticated beans.

EVOE.

From "Answers to Correspondents":

"A bellion, according to the French and American method of numeration, is a thousand millions, or 1,000,000,000. According to the English method, it is a million millions, or 1,000,000,000."—Irish Paper.

We should have liked to know the estimated value of a re-bellion, according to the Irish method, but we understand that there is no accounting for that.

Cinema Photographer."WOULD YOU MIND DOING THAT BIT AGAIN? I FORGOT TO TURN THE HANDLE."

OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

A book of little novels, or long-shorts, from the pen of Mr. ROBERT HICHENS, will be welcomed with pleasure by a very large public. Snake-Bite (CASSELL) contains a half-dozen various tales, all but one of which are eminently characteristic of their author. It sounds unkind to add that this one is for artistry the best of the bunch; but I mean no more than that Mr. HICHENS has here done very well a slight and delicate sketch of a style not generally associated with his work. In the name-piece his admirers will find themselves on more familiar ground—none other indeed than that well-known desert in which they have enjoyed such delicious thrills in the same company already. When Mr. HICHENS' characters get the sand in their eyes almost anything may be expected of them. Here he has given us a new version of the ancient scheme of two men and a woman, complicated in this instance by a cobra; the problem being, whether a doctor should cure his wife's lover of a snake-bite. More original is the longest story in the collection, one called "The Lost Faith," an affair of mental healing and love and crime too complex for compression. It is admirably told. It leads up to a situation as novel as it is dramatic—the confession of a young fanatic, who believes in a lady-healer so implicitly that he puts typhoid germs into the drink of a celebrated general in order to provide her with an impressive subject. As a sensation this wants some beating; though it failed to shake my own preference for the other story, which you will observe I have purposely left unnamed. You will, I hope, enjoy finding it for yourself.

Heritage (COLLINS) gives me much the same impression that one obtains from the spectacle of a man wire-walking in a sack or painting pictures with his toes—attempting, in short, any task under conditions of the greatest possible handicap. That certainly is what Miss V. SACKVILLE-WEST has been at pains to impose upon herself. With a straightforward, simple and interesting tale and some considerable gifts for reproducing character, she has deliberately sacrificed these advantages by telling her story in the most roundabout and awkward manner imaginable. The theme is the influence of heredity, as shown in the working out of a strain of Spanish blood in a Sussex peasant stock, the victims of this inconvenient blend being Ruth and the young cousin whom half-unwillingly she marries; with devastating results. Ruth, as I say, was attracted to Westmacott with only part of her being; the better (or at least less Spanish) elements in her were employed in making soft eyes at two other men, one of whom, Malory, is supposed to relate portions of the affair to the quite superfluous outsider who puts them down. This vivâ-voci recital is subsequently rounded off by Malory, in what is surely the least credible of all the unlikely letters in fiction, nearly a hundred printed pages of it. So you see the obstacles that Miss SACKSVILLE-WEST has placed in her own and her reader's path. That, despite them all, the interest, and passion of this first novel do get home is an encouraging omen for her success when she has learnt a greater simplicity of attack.

Wings of the Morning (HODDER AND STOUGHTON) might have been a most recommendable book, for it is in essentials a pleasant story of a great artist who for the crime of his hot-headed youth suffered imprisonment in the United States, and, having "covered his tracks," came home, fell in love with his delightful sister's delightful step-daughter and, after much suffering for them both, told his history and won his lady. But unfortunately the inessentials—and among these I have the temerity to include the great European War, or, at any rate, very much that is here told of it—are so harrowing that they do not accord with the pleasant story to which they are tacked on. I would not ask to be spared the knowledge of anything faced by other people while I sat immune at home, but there are many incidents which cannot with decency or dignity be served up in fiction to add a thrill to the enjoyment of an hour's light reading. Miss JOAN SUTHERLAND would have done well to have left detail to more serious exponents, and to have discarded entirely one scene of bestial cruelty which has no real bearing on her tale. Never in a novel—and seldom in historical accounts of fighting—have I been asked to wallow in so much gore. It is all the more regrettable because when Miss SUTHERLAND uses her imagination on less horrible subjects she is much more successful.

Mr. ARTHUR TURBERVILLE has taken almost over-elaborate pains with his sketch of a type which must have been common enough in the new armies—the young officer of pacifist leanings, who, intellectually convinced of the futility of war and by no means out of sympathy with the ultralogical or illogical (and anyway impossible) position of the Conscientious Objector, yet joins up and makes the very best of a bad job. Kenneth, Dugdale (METHUEN), the prize prig (according to the verdict of his Mess), became a brave and efficient subaltern; and the author's idea of bringing him by means of the discipline of war-training and war itself to a better understanding of the ordinary spontaneous fighting types, and of bringing these by the same discipline to a readier appreciation of the intellectual and idealist position, is well enough worked out. The character-drawing impressed me less favourably. The author, I should say, finds it rather difficult to understand the ordinary good or indifferent fellow with his qualities and their defects. I doubt the possibility of such a snake in the grass as Lieutenant Seymour carrying on without getting kicked. Nor do I think that that simple soldier man, Fortescue, V.C., would have so tamely accepted Dugdale's betrayal to the woman they both loved of the fact that he had just seen his rival putting a dubious young lady into a cab in Regent Street at midnight. There is a good deal of thoughtful work in this novel which should be interesting to amateur students of the psychology of war and men of war.

The latest of Mrs. J. B. BUCKROSE'S genial little comedies about a comfortable world is concerned with war-weddings, their cause, and some hints for their successful conduct. She calls it Marriage While You Wait (HODDER AND STOUGHTON), and illustrates her theme with the case of a young man and maiden, who dashed, like so many others, into matrimony in the breathless haste of short leave, and came dangerously near repenting at leisure. Only near, of course; Mrs. BUCKROSE is too confirmed an optimist not to make it clear that the blackest boredom has a silver lining; and I had never any real fear that her nice young couple were becoming more than quite temporarily estranged. Still, things went so far that Sophia left the cottage where she and Arthur and a cooing dove had proposed to live the idyllic life of happiness-ever-after, and betook herself to the mansion of the local villain; while Arthur cut the throat of the dove (there my sympathies were with him entirely) and relapsed into nervous breakdown. But Denyer, being only a BUCKROSE villain, which is a very mild variety, packed Sophia home again; Arthur, after the usual crisis, recovered; and the symbolic dove was the only inmate of the cottage for whom the little rift remained unhappily permanent. So there you are; with the gentlest short sermon to wind up, and a blessing to all concerned. Perhaps I have read stories more briskly entertaining from Mrs. BUCKROSE'S flowing pen; one feels that her intent here was not solely laughter. But as a smiling homily, preaching much the same moral that Sir ARTHUR PINERO once treated more caustically in perhaps his best play, her story, Marriage While You Wait, should have at least two sympathetic readers in many scores of homes.

Whenever I finish a book by Mr. S.P.B. MAIS I am left with the feeling that he has only to enlarge his horizon to write something worth reading and remembering. If The Education of a Philanderer (GRANT RICHARDS) had been written, by an unknown man I should have welcomed it as work of great promise. But the trouble with Mr. MAIS is that he seems to find it perilously easy to write about young school-masters who fall in and out of love with facility and who are financially at their wits' end. Rupert Blundell, the philanderer, described here, is a clear and clever picture of a young man who loved where he listed and listed quite a lot. As far as he goes he can be visualized perfectly both at Oxford and as a schoolmaster. But he does not go far enough and he belongs to a type of which one can easily tire. Mr. MAIS is not so callow as he once was in his judgement of people mentally distasteful to him, but he still needs a wider outlook on life and a wider knowledge, and I sincerely hope that he will take steps to remove the limitations which at present prevent him from giving entire satisfaction to his admirers.

Critic (writing a review during a hot spell). "TO SPEAK CANDIDLY, THIS BOOK LEAVES US COLD."

"THE LOST LEADER."

[In this new play, at the Court Theatre, PARNELL is represented as having survived his own death.]

Parnell at the Court sings the very same tune

As the sluggard of old—"You have waked me too soon."

"If, out of hand, one were asked who, now living, knows most about the Brontës in a personal way, the answer would probably be, Lord Crewe."—The Book Monthly.

We understand that on the question being put to the Editor of The Sphere his answer was Shorter still.

*** END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 156, JUNE 18, 1919 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- PUNCH, OR THE LONDON CHARIVARI.

- Vol. 156.

- June 18, 1919.

- CHARIVARIA

- THE BALAAM STAKES

- SONGS OF SIMLA

- THE FINISHING TOUCH.

- THE POET.

- OUR WEALTHY WORKERS.

- BIRD-LORE.

- "The Silent Service."

- THE MUD LARKS.

- Our Wonderful World.

- THE ARCHAEOLOGISTS;

- A CRICKET BARGAIN.

- FOR THE CHILDREN.

- SCENES FROM OUR GREAT FILM: "AUDACITY DOWN THE AGES."

- ON THE HIGH C.'S.

- IN THE SUBSCRIPTION LISTS.

- THE PUFF UNIVERSAL.

- OUR MOVIE-MINISTERS.

- Things that might have been worded differently.

- PLAYING THE 18TH—LAST ROUND OF THE DAY.

- THE ROOFS OF THE MIGHTY.

- AT THE PLAY.

- ANOTHER PENDING INDEMNITY

- A Little Supper with the Borgias.

- ART IN THE ARCTIC.

- THE VEGES ON STRIKE.

- OUR BOOKING-OFFICE.

- "THE LOST LEADER."

- THE FULL PROJECT GUTENBERG LICENSE