The Project Gutenberg eBook of Indian Legends and Other Poems

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Indian Legends and Other Poems

Author: Mary Gardiner Horsford

Release date: August 21, 2006 [eBook #19096]

Language: English

Credits: Produced by David Edwards, Lisa Reigel, and the Online

Distributed Proofreading Team at http://www.pgdp.net (This

book was produced from scanned images of public domain

material from the Google Print project.)

*** START OF THE PROJECT GUTENBERG EBOOK INDIAN LEGENDS AND OTHER POEMS ***

INDIAN LEGENDS

AND

OTHER POEMS.

INDIAN LEGENDS

AND

Other Poems.

BY

MARY GARDINER HORSFORD.

NEW YORK:

J. C. DERBY, 119 NASSAU STREET.

BOSTON: PHILLIPS, SAMPSON, & CO.

CINCINNATI: H. W. DERBY.

1855.

Entered according to Act of Congress, in the year 1855, by

MARY GARDINER HORSFORD,

in the Clerk's Office of the District Court of the District of Massachusetts.

HOLMAN & GRAY, Printers and Stereotypers.

TO MY FATHER,

SAMUEL S. GARDINER, ESQ.,

This Volume is Inscribed,

AS A

SLIGHT TESTIMONIAL OF A DAUGHTER'S GRATITUDE

AND AFFECTION.

CONTENTS.

INDIAN LEGENDS.

PAGE

THE THUNDERBOLT

11

THE PHANTOM BRIDE

16

THE LAUGHING WATER

23

THE LAST OF THE RED MEN

27

MISCELLANEOUS.

THE PILGRIM'S FAST

37

PLEURS

41

THE LEGEND OF THE IRON CROSS

47

MY NATIVE ISLE

54

THE LOST PLEIAD

58

THE VESPER CHIME

61

THE MANIAC

69

THE VOICE OF THE DEAD

73

"A DREAM THAT WAS NOT ALL A DREAM"

76

THE JUDGMENT OF THE DEAD

79

THE HIGHLAND GIRL'S LAMENT

83

TO MY SISTER ON HER BIRTHDAY

89

THE POET'S LESSON

92

MADELINE.—A LEGEND OF THE MOHAWK

95

THE DEFORMED ARTIST

104

THE CHILD'S APPEAL

110

THE DYING YEAR

115

SONG OF THE NEW YEAR

119

I WOULD NOT LIVE ALWAY

123

THE FALL OF JERUSALEM

126

THE FIRST LOOK

132

THE DAUGHTER OF JEPHTHAH AMONG THE MOUNTAINS

135

MONA LISA

141

SPRING LILIES

145

LINES TO D. G. T., OF SHERWOOD

149

LITTLE KATE

152

A THOUGHT OF THE STARS

155

A MOTHER'S PRAYER

160

NOTES

164

INDIAN LEGENDS.

THE THUNDERBOLT.

There is an artless tradition among the Indians, related by Irving, of a warrior who saw the thunderbolt lying upon the ground, with a beautifully wrought moccasin on each side of it. Thinking he had found a prize, he put on the moccasins, but they bore him away to the land of spirits, whence he never returned.

Loud pealed the thunder

From arsenal high,

Bright flashed the lightning

Athwart the broad sky;

Fast o'er the prairie,

Through torrent and shade,

Sought the red hunter

His hut in the glade.

Deep roared the cannon

Whose forge is the sun,

And red was the chain

The thunderbolt spun;

O'er the thick wild wood

There quivered a line,

Low 'mid the green leaves

Lay hunter and pine.

Clear was the sunshine,

The hurricane past,

And fair flowers smiled in

The path of the blast;

While in the forest

Lay rent the huge tree,

Up rose the red man,

All unharmed and free.

Bright glittered each leaf

With sunlight and spray,

And close at his feet

The thunder-bolt lay,

And moccasins, wrought

With the beads that shine,

Where the rainbow hangeth

A wampum divine.

Wondered the hunter

What spirit was there,

Then donned the strange gift

With shout and with prayer;

But the stout forest

That echoed the strain,

Heard never the voice of

That red man again.

Up o'er the mountain,

As torrents roll down,

Marched he o'er dark oak

And pine's soaring crown;

Far in the bright west

The sunset grew clear,

Crimson and golden

The hunting-grounds near:

Light trod the chieftain

The tapestried plain,

There stood his good horse

He'd left with the slain;

Gone were the sandals,

And broken the spell;

A drop of clear dew

From either foot fell.

Long the dark maiden

Sought, tearful and wide;

Never the red man

Came back for his bride;

With the forked lightning

Now hunts he the deer,

Where the Great Spirit

Smiles ever and near.

THE PHANTOM BRIDE.

During the Revolutionary war, a young American lady was murdered, while dressed in her bridal robe, by a party of Indians, sent by her betrothed to conduct her to the village where he was encamped. After the deed was done, they carried her long hair to her lover, who, urged by a frantic despair, hurried to the spot to assure himself of the truth of the tale, and shortly after threw himself, in battle, on the swords of his countrymen. After this event, the Indians were never successful in their warfare, the spectre of their victim presenting itself continually between them and the enemy.

The worn bird of Freedom had furled o'er our land

The shattered wings, pierced by the despot's rude hand,

And stout hearts were vowing, 'mid havoc and strife,

To Liberty, fortune, fame, honor, and life.

The red light of Morning had scarcely betrayed

The sweet summer blossoms that slept in the glade,

When a horseman rode forth from his camp in the wood,

And paused where a cottage in loneliness stood.

The ruthless marauder preceded him there,

For the green vines were torn from the trellis-work fair,

The flowers in the garden all hoof-trodden lay,

And the rafters were black with the smoke of the fray:

But the desolate building he heeded not long,

Was it echo, the wind, or the notes of a song?

One moment for doubt, and he stood by the side

Of the dark-eyed young maiden, his long-promised bride.

Few and short were their words, for the camp of the foe

Was but severed from them, by a stream's narrow flow,

And her fair cheek grew pale at the forest bird's start,

But he said, as he mounted his steed to depart,

"Nay, fear not, but trust to the chief for thy guide,

And the light of the morrow shall see thee my bride."

Why faltered the words ere the sentence was o'er?

Why trembled each heart like the surf on the shore?

In a marvellous legend of old it is said,

That the cross where the Holy One suffered and bled

Was built of the aspen, whose pale silver leaf,

Has ever more quivered with horror and grief;

And e'er since the hour, when thy pinion of light

Was sullied in Eden, and doomed, through a night

Of Sin and of Sorrow, to struggle above,

Hast thou been a trembler, O beautiful Love!

'T was the deep hush of midnight; the stars from the sky

Looked down with the glance of a seraph's bright eye,

When it cleaveth in vision from Deity's shrine

Through infinite space and creation divine,

As the maiden came forth for her bridal arrayed,

And was led by the red men through forest and shade,

Till they paused where a fountain gushed clear in its play,

And the tall pines rose dark and sublime o'er their way.

Alas for the visions that, joyous and pure,

Wove a vista of light through the Future's obscure!

Contention waxed fierce 'neath the evergreen boughs,

And the braves of the chieftain were false to his vows;

In vain knelt the Pale-Face to merciless wrath,

The tomahawk gleamed on her desolate path,

One prayer for her lover, one look towards the sky,

And the dark hand of Death closed the love-speaking eye.

They covered with dry leaves the cold corpse and fair,

And bore the long tresses of soft, golden hair,

In silence and fear, through the dense forest wide,

To the home that the lover had made for his bride.

He knew by their waving those tresses of gold,

Now damp with the life-blood that darkened each fold,

And, mounting his steed, pausing never for breath

Sought the spot where the huge trees stood sentries of Death;

Tore wildly the leaves from the loved form away,

And kissed the pale lips of inanimate clay.

But hark! through the green wood what sounded afar,

'T was the trumpet's loud peal—the alarum of war!

Again on his charger, through forest, o'er plain,

The soldier rode swift to his ranks 'mid the slain:

They faltered, they wavered, half turning to fly

As their leader dashed frantic and fearlessly by,

The damp turf grew crimson wherever he trod,

Where his sword was uplifted a soul went to God.

But that brave arm alone might not conquer in strife,

The madness of grief was conflicting with Life;

His steed fell beneath him, the death-shot whizzed by,

And he rushed on the swords of the victors to die.

'Neath the murmuring pine trees they laid side by side,

The gallant young soldier, the fair, murdered bride:

And never again from that traitorous night,

The red man dared stand in the battle's fierce storm,

For ever before him a phantom of light,

Rose up in the white maiden's beautiful form;

And when he would rush on the foe from his lair,

Those locks of pale gold floated past on the air.

THE LAUGHING WATER.

The Indian name for the Falls of St. Anthony signifies "Laughing Water," and here tradition says that a young woman of the Dahcotah tribe, the father of her children having taken another wife, unmoored her canoe above the fall, and placing herself and children in it, sang her death-song as she went over the foaming declivity.

The sun went down the west

As a warrior to his grave,

And touched with crimson hue

The "Laughing Water's" wave;

And where the current swept

A quick, convulsive flood,

Serene upon the brink

An Indian mother stood.

With calm and serious gaze

She watched the torrent blue

And then with skilful hand

Unmoored the birch canoe,

Seized the light oar, and placed

Her infants by her side,

And steered the fragile bark

On through the rushing tide.

Then fitfully and wild

In thrilling notes of woe

Swept down the rapid stream

The death-song sad and low;

And gathered on the marge,

From many a forest glen,

With frantic gestures rude,

The red Dahcotah men.

But onward sped the bark

Until it reached the height,

Where mounts the angry spray

And raves the water's might

And whirling eddies swept

Into the gulf below

The smiles of infancy

And youth's maturer glow;

The priestess of the rock

And white-robed surges bore

The wronged and broken heart

To the far off Spirit Shore.

And often when the night

Has drawn her shadowy veil,

And solemn stars look forth

Serenely pure and pale,

A spectre bark and form

May still be seen to glide,

In wondrous silence down

The Laughing Water's tide.

And mingling with the breath

Of low winds sweeping free,

The night-bird's fitful plaint,

And moaning forest tree,

Amid the lulling chime

Of waters falling there,

The death-song floats again

Upon the laden air.

THE LAST OF THE RED MEN.

Travellers in Mexico have found the form of a serpent invariably pictured over the doorways of the Indian Temples, and on the interior walls, the impression of a red hand.

The superstitions attached to the phenomena of the thunderstorm and Aurora Borealis, alluded to in the poem, are well authenticated.

I saw him in vision,—the last of that race

Who were destined to vanish before the Pale-face,

As the dews of the evening from mountain and dale,

When the thirsty young Morning withdraws her dark veil;

Alone with the Past and the Future's chill breath,

Like a soul that has entered the valley of Death.

He stood where of old from the Fane of the Sun,

While cycles unnumbered their centuries run,

Never quenched, never fading, and mocking at Time,

Blazed the fire sacerdotal far o'er the fair clime;

Where the temples o'ershadowed the Mexican plain,

And the hosts of the Aztec were conquered and slain;

Where the Red Hand still glows on pilaster and wall,

And the serpent keeps watch o'er the desolate hall.

He stood as an oak, on the bleak mountainside,

The lightning hath withered and scorched in its pride

Most stately in death, and refusing to bend

To the blast that ere long must its dry branches rend;

With coldness and courage confronting Life's care,

But the coldness, the courage, that's born of despair.

I marked him where, winding through harvest-crowned plain,

The "Father of Waters" sweeps on to the main,

Where the dark mounds in silence and loneliness stand,

And the wrecks of the Red-man are strewn o'er the land:

The forests were levelled that once were his home,

O'er the fields of his sires glittered steeple and dome;

The chieftain no longer in greenwood and glade

With trophies of fame wooed the dusky-haired maid,

And the voice of the hunter had died on the air

With the victor's defiance and captive's low prayer;

But the winds and the waves and the firmament's scroll,

With Divinity still were instinct to his soul;

At midnight the war-horse still cleaved the blue sky,

As it bore the departed to mansions on high;

Still dwelt in the rock and the shell and the tide

A tutelar angel, invisible guide;

Still heard he the tread of the Deity nigh,

When the lightning's wild pinion gleamed bright on the eye,

And saw in the Northern-lights, flashing and red,

The shades of his fathers, the dance of the dead.

And scorning the works and abode of his foe,

The pilgrim raised far from that valley of woe

His dark, eagle gaze, to the sun-gilded west,

Where the fair "Land of Shadows" lay viewless and blest.

Again I beheld him where swift on its way

Leaped the cataract, foaming, with thunder and spray,

To the whirlpool below from the dark ledge on high,

While the mist from its waters commixed with the sky.

The dense earth thrilled deep to the voice of its roar,

And the "Thunder of Waters" shook forest and shore,

As he steered his frail bark to the horrible verge,

And, chanting his death-song, went down with the surge.

"On, on, mighty Spirit!

I welcome thy spray

As the prairie-bound hunter

The dawning of day;

No shackles have bound thee,

No tyrant imprest

The mark of the Pale face

On torrent and crest.

"His banners are waving

O'er hill-top and plain,

The stripes of oppression

Blood-red with our slain;

The stars of his glory

And greatness and fame,

The signs of our weakness,

The signs of our shame.

"The hatchet is broken,

The bow is unstrung;

The bell peals afar

Where the war-whoop once rung:

The council-fires burn

But in thoughts of the Past,

And their ashes are strewn

To the merciless blast.

"But though we have perished

As leaves when they fall,

Unhonored with trophies,

Unmarked by a pall,

When our names have gone out

Like a flame on the wave,

The Pale race shall weep

'Neath the curse of our brave.

"On, on, mighty Spirit!

Unchecked in thy way;

I smile on thine anger,

And sport with thy spray;

The soul that has wrestled

With Life's darkest form,

Shall baffle thy madness

And pass in the storm."

MISCELLANEOUS.

THE PILGRIMS' FAST.

The historical incident related in this poem is recorded in Cheever's "JOURNAL OF THE PILGRIMS."

'T was early morn, the low night-wind

Had fled the sun's fierce ray,

And sluggishly the leaden waves

Rolled over Plymouth Bay.

No mist was on the mountain-top,

No dew-drop in the vale;

The thirsting Summer flowers had died

Ere chilled by Autumn's wail.

The giant woods with yellow leaves

The blighted turf had paved,

And o'er the brown and arid fields

No golden harvest waved;

But calm and blue the cloudless sky

Arched over earth and sea,

As in their humble house of prayer,

The Pilgrims bowed the knee.

There gray-haired ministers of God

In supplication bent,

And artless words from childhood's lips

Sought the Omnipotent.

There woman's lip and cheek grew pale

As on the broad day stole;

And manhood's polished brow was damp

With fervency of soul.

The sultry noon-tide came and went

With steady, fervid glare;

"O God, our God, be merciful!"

Was still the Pilgrims' prayer.

They prayed as erst Elijah prayed

Before the sons of Baal,

When on the waiting sacrifice

He called the fiery hail:

They prayed as once the prophet prayed

On Carmel's summit high,

When the little cloud rose from the sea

And blackened all the sky.

And when around that spireless church

The shades of evening fell,

The customary song went up

With clear and rapturous swell:

And while each heart was thrilling with

The chant of Faith sublime,

The rude, brown rafters of the roof

Rang with a joyous chime.

The rain! the rain! the blessed rain!

It watered field and height,

And filled the fevered atmosphere,

With vapor soft and white.

Oh! when that Pilgrim band came forth

And pressed the humid sod,

Shone not each face as Moses' shone

When "face to face" with God?

PLEURS.

The town of Pleurs, situated among the Alps and containing about two thousand five hundred inhabitants, was overwhelmed in 1618 by the falling of Mount Conto. The avalanche occurred in the night, and no trace of the village or any of its inhabitants could ever after be discovered.

'T was eve; and Mount Conto

Reflected in night

The sunbeams that fled

With the monarch of light;

As great souls and noble

Reflect evermore

The sunshine that gleams

From Eternity's shore.

A slight crimson veil

Robed the snow-wreath on high,

The shadow an angel

In passing threw by;

And city and valley,

In mantle of gray,

Seemed bowed like a mourner

In silence to pray.

And the sweet vesper bell,

With a clear, measured chime,

Like the falling of minutes

In the hour-glass of Time,

From mountain to mountain

Was echoed afar,

Till it died in the distance

As light in a star.

The young peasant mother

Had cradled to rest

The infant that carolled

In peace on her breast;

The laborer, ere seeking

His couch of repose,

Told his beads in the shade of

A fortress of snows.

Up the cloudless serene

Moved the silver-sphered Night;

The reveller's palace

Was flooded with light;

And the cadence of music,

The dancer's gay song,

In harmony wondrous,

Went up, 'mid the throng.

The criminal counted,

With visage of woe,

The chiming of hours

That were left him below;

And the watcher so pale,

In the chamber of Death,

Bent over the dying

With quick, stifled breath.

The watchman the midnight

Had told with shrill cry,

When through the deep silence

What sounded on high,

With a terrible roar,

Like the thunders sublime,

Whose voices shall herald

The passing of Time?

On came the destroyer;—

One crash and one thrill—

Each pulse in that city

For ever stood still.

The blue arch with glory

Was mantled by day,

When the traveller passed

On his perilous way;—

Lake, valley, and forest

In sunshine were clear,

But when of that village,

In wonder and fear,

He questioned the landscape

With terror-struck eye,

The mountains in majesty

Pointed on high!

The strong arm of Love

Struggled down through the mould;

The miner dug deep

For the jewels and gold;

And workmen delved ages

That sepulchre o'er,

But found of the city

A trace never more.

And now, on the height

Of that fathomless tomb,

The fair Alpine flowers

In loveliness bloom;

And the water-falls chant,

Through their minster of snow,

A mass for the spirits

That slumber below.

THE LEGEND OF THE IRON CROSS.

"There dwelt a nun in Dryburgh bower

Who ne'er beheld the day."

Twilight o'er the East is stealing,

And the sun is in the vale:

'T is a fitting moment, stranger,

To relate a wondrous tale.

'Neath this moss-grown rock and hoary

We will pause awhile to rest;

See, the drowsy surf no longer

Beats against its aged breast.

Years ago, traditions tell us,

When rebellion stirred the land,

And the fiery cross was carried

O'er the hills from band to band,—

And the yeoman at its summons

Left his yet unfurrowed field,

And the leader from his fortress

Sallied forth with sword and shield,—

Where the iron cross is standing

On yon rude and crumbling wall,

Dwelt a chieftain's orphan daughter,

In her broad ancestral hall.

And her faith to one was plighted,

Lord of fief and domain wide,

Who, ere he went forth undaunted

War's disastrous strife to bide,

'Mid his armed and mounted vassals

Paused before her castle gate,

While she waved a last adieu

From the battlements in state.

But when nodding plume and banner

Faded from her straining sight,

And the mists from o'er the mountains

Crept like phantoms with the night,—

Low before the sacred altar

At the crucifix she bowed,

And, with fervent supplication

To the Holy Mother, vowed

That, till he returned from battle,

Scotland's hills and passes o'er,

Saved by her divine protection,

She would see the sun no more!

In a low and vaulted chapel,

Where no sunbeam entrance found,

Many a day was passed in penance,

Kneeling on the cold, damp ground.

Autumn blanched the flowers of Summer,

And the forest robes grew sere;

Still in darkness knelt the maiden,

Pleading, "Mary! Mother! hear!"

Cold blasts through the valleys hurried,

Dry leaves fluttered on the gale;

But of him, the loved and absent,

Leaf and tempest told no tale.

Still and pale, a dreamless slumber

Slept he on the battle-plain,—

Steed beneath and vassal o'er him,—

Lost amid the hosts of slain.

Spring, with tranquil breath and fragrant,

Called the primrose from its grave,

Woke the low peal of the harebell,

Bade the purple heather wave;—

Lilies to the warm light opened,

Surges, sparkling, kissed the shore;

But the chieftain's orphan daughter

Saw the sunbeam—never more!

Suitors sent, her hand to purchase,

Some with wealth and some with fame;

But the vow was on her spirit,

And she shrank not from its claim.

Yet when starry worlds looked downwards,

Spirit-like, from realms on high,

And the violets in the valleys

Closed in sleep each dewy eye,—

While the night in wondrous beauty

O'er the softened landscape lay,

She came forth, with noiseless footstep

Moving 'mid the shadows gray,

Gazing ever towards the summit,

Where the gleam of scarf and plume

Faded in the hazy distance,

Leaving her to prayer and gloom.

Years, by her unmarked, unnumbered,

Crossed the dial-plate of Time;

Then she passed, one quiet midnight,

To the unseen Spirit-Clime.

But the twilight has departed,

And the moon is up on high;

Stranger, pass not, in thy journey,

Yon deserted court-yard by;

For it is whispered that, at evening,

Oft a misty form is seen,

In its silent progress casting

Not a shadow on the green,

'Neath the iron cross that standeth

On the mouldering wall and rude,

Like a noble thought uplifted

In the Past's deep solitude.

MY NATIVE ISLE.

My native isle! my native isle!

For ever round thy sunny steep

The low waves curl, with sparkling foam,

And solemn murmurs deep;

While o'er the surging waters blue

The ceaseless breezes throng,

And in the grand old woods awake

An everlasting song.

The sordid strife and petty cares

That crowd the city's street,

The rush, the race, the storm of Life,

Upon thee never meet;

But quiet and contented hearts

Their daily tasks fulfil,

And meet with simple hope and trust

The coming good or ill.

The spireless church stands, plain and brown,

The winding road beside;

The green graves rise in silence near,

With moss-grown tablets wide;

And early on the Sabbath morn,

Along the flowery sod,

Unfettered souls, with humble prayer,

Go up to worship God.

And dearer far than sculptured fane

Is that gray church to me,

For in its shade my mother sleeps,

Beneath the willow-tree;

And often, when my heart is raised

By sermon and by song,

Her friendly smile appears to me

From the seraphic throng.

The sunset glow, the moonlit stream,

Part of my being are;

The fairy flowers that bloom and die,

The skies so clear and far:

The stars that circle Night's dark brow,

The winds and waters free,

Each with a lesson all its own,

Are monitors to me.

The systems in their endless march

Eternal truth proclaim;

The flowers God's love from day to day

In gentlest accents name;

The skies for burdened hearts and faint

A code of Faith prepare;

What tempest ever left the Heaven

Without a blue spot there?

My native isle! my native isle!

In sunnier climes I've strayed,

But better love thy pebbled beach

And lonely forest glade,

Where low winds stir with fragrant breath

The purple violet's head,

And the star-grass in the early Spring

Peeps from the sear leaf's bed.

I would no more of strife and tears

Might on thee ever meet,

But when against the tide of years

This heart has ceased to beat,

Where the green weeping-willows bend

I fain would go to rest,

Where waters chant, and winds may sweep

Above my peaceful breast.

THE LOST PLEIAD.

A void is in the sky!

A light has ceased the seaman's path to cheer,

A star has left its ruby throne on high,

A world forsook its sphere.

Thy sisters bright pursue their circling way,

But thou, lone wanderer! thou hast left our vault for aye.

Did Sin invade thy bowers,

And Death with sable pinion sweep thine air,

Blasting the beauty of thy fairest flowers,

And God admit no prayer?

Didst thou, as fable saith, wax faint and dim

With the first mortal breath between thy zone and Him?

Did human love, with all

Its passionate might and meek endurance strong,—

The love that mocks at Time and scorns the pall,

Through conflict fierce and long,—

Live in thy soul, yet know no future's ray?

Then, mystic world! 't was well that thou shouldst pass away.

Perchance a loftier fate

Removed thy radiance from our feeble sight.

Did HE, whose Spirit wills but to create,

Far upward urge thy flight

From this low fraction of expiring time,

To realms where ages roll, as hours, in peace sublime?

E'en there does science soar

With trembling pinion, bright and eager eye,

Striving to reach the still-receding shore

That bounds the vision high:

Immortal longings fill the fettered mind;

Unfathomed glory lies around it, veiled and shrined!

Oh! when the brooding cloud

Shall pass like mist from o'er our straining sight,

And, as the sun-born insect, from its shroud

The soul speed forth in might,

From phase to phase in Being's endless day,

Shall we behold thy light, and learn thy future way?

THE VESPER CHIME.

She dwelt within a convent wall

Beside the "blue Moselle,"

And pure and simple was her life

As is the tale I tell.

She never shrank from penance rude,

And was so young and fair,

It was a holy, holy thing,

To see her at her prayer.

Her cheek was very thin and pale;

You would have turned in fear,

If 't were not for the hectic spot

That glowed so soft and clear.

And always, as the evening chime

With measured cadence fell,

Her vespers o'er, she sought alone

A little garden dell.

And when she came to us again,

She moved with lighter air;

We thought the angels ministered

To her while kneeling there.

One eve I followed on her way,

And asked her of her life.

A faint blush mantled cheek and brow,

The sign of inward strife

And when she spoke, the zephyrs caught

The words so soft and clear,

And told them over to the flowers

That bloomed in beauty near.

"I know not," thus she said to me,

"If my young cheek is pale,

But daily do I feel within

This life of mine grow frail.

"There is a flower that hears afar

The coming tempest knell,

And folds its tiny leaves in fear,—

The scarlet Pimpernel:

"And thus my listening spirit heard

The rush of Death's cold wing,

And tremulously folded close,

In childhood's early Spring.

"I never knew a parent's care,

A sister's gentle love:

They early left this world of ours

For better lands above.

"And so I loved not earthly joys,

The merry dance and play,

But sought to commune with the stars,

And learn the wind's wild lay.

"The pure and gentle flowers became

As sisters fair to me:

I needed no interpreter

To read their language free.

"And 'neath the proud and grand old trees

That seemed to touch the sky,

We prayed, alike with lowly head,

The violets and I.

"And years rolled on and brought to me

But woman's lot below,

Intensest hours of happiness,

Intensest hours of woe.

"For one there was whose word and smile

Had power to thrill my heart:

One eve the summons came for him

To battle to depart.

"And when again the setting sun

In crimson robed the west,

They bore him to his childhood's home,—

The life-blood on his breast.

"Another day, at vesper chime,

They laid him low to sleep,

And always at that fated hour

I kneel to pray and weep.

"'T is said the radiant stars of night,

When viewed through different air,

Appear not all in golden robes,

But various colors wear.

"And through another atmosphere,

My spirit seemed to gaze

For never more wore life to me

The hues of other days.

"Once to my soul unbidden came

A strange and fiery guest,

That soon assumed an empire there,

And never is at rest.

"It binds the chords with arm of might,

And strikes with impulse strong;

I know not whence the visitant,

But mortals call it song.

"It never pants for earthly fame,

But chants a mournful wail

For ever o'er the loved and dead,

Like wind-harps in a gale."

She said no more, but lingered long

Upon that quiet spot,

With such a glory on her brow,

'T will never be forgot!

Next eve at nine, for prayers we met,

And missed her from her place;

We found her sleeping with the flowers,

But Death was on her face.

We buried her, as she had asked,

Just at the vesper chime;

The sunbeams seemed to stay their flight,

So holy was the time.

I've heard that when the rainbow fades

From parting clouds on high,

It leaves where smiled the radiant arch

A fragrance in the sky:

It may be fantasy, I know,

But round that hour of Death

I always found an aroma

On every zephyr's breath.

And this is why the twilight hour

Is holier far to me,

Than gorgeous burst of morning light,

Or moonbeams on the sea.

THE MANIAC.

A story is told in Spain, of a woman, who, by a sudden shock of domestic calamity, became insane, and ever after looked up incessantly to the sky.

O'er her infant's couch of death,

Bent a widowed mother low;

And the quick, convulsive breath

Marked the inward weight of woe.

Round the fair child's forehead clung

Golden tresses, damp and bright;

While Death's pinion o'er it hung,

And the parted lips grew white.

Reason left the mother's eye,

When the latest pang was o'er;

Then she raised her gaze on high,

Turned it earthward nevermore.

By the dark and silent tomb,

Where they laid the dead to rest;

By the empty cradle's gloom,

And the fireside once so blest;

In the lone and narrow cell,

Fettered by the clanking chain,

Where the maniac's piercing yell

Thrilled the heart with dread and pain;—

Upward still she fixed her gaze,

Tearless and bewildered too,

Speaking of the fearful night

Madness o'er the spirit threw;

Upward, upward,—till in love

Death removed the veil of Time,

Raised the broken heart above,

To the far-off healing clime.

Mortal! o'er the field of Life

Pressing with uncertain tread;

Mourning, in the torrent strife,

Blessings lost and pleasures fled;—

A sublimer faith was taught

By the maniac's frenzied eye,

Than Philosophy e'er caught

From intensest thought and high.

When the heart is crushed and broken

By the death-bell's sullen chime,

By the faded friendship's token,

Or the wild remorse of crime,

Turn to earth for succor never,

But beyond her light and shade,

Toward the blue skies look forever:

God, and God alone, can aid.

THE VOICE OF THE DEAD.

Oh! call us not silent,

The throng of the dead!

Though in visible being

No longer we tread

The pathways of earth,

From the grave and the sky,

From the halls of the Past

And the star-host on high,

We speak to the spirit

In language divine;

List, Mortal, our song,

Ere its burden be thine.

Our labor is finished,

Our race it is run;

The guerdon eternal

Is lost or is won;

A beautiful gift

Is the life thou dost share;

Bewail not its sorrow,

Despise not its care;

The rainbow of Hope

Spans the ocean of Time;

High triumph and holy

Makes conflict sublime.

Work ever! Life's moments

Are fleeting and brief;

Behind is the burden,

Before, the relief.

Work nobly! the deed

Liveth bright in the Past,

When the spirit that planned

Is at rest from the blast;

Work nobly! the Infinite

Spreads to thy sight,

The higher thou soarest

The stronger thy flight.

And when from thy vision

Loved faces shall wane,

And thy heart-strings thrill wildly

With anguish and pain;

The voices that now

Are as faint as the tone

Of the Zephyr, that stirs not

The rose on its throne,

Shall burst on thy soul,—

An orchestra divine,

With seraph and cherub

From Deity's shrine.

"A DREAM THAT WAS NOT ALL A DREAM."

Through the half-curtained window stole

An Autumn sunset's glow,

As languid on my couch I lay

With pulses weak and low.

And then methought a presence stood,

With shining feet and fair,

Amid the waves of golden light

That rippled through the air,

And laid upon my heaving breast,

With earnest glance and true,

A babe, whose fair and gentle brow

No shade of sorrow knew.

A solemn joy was in my heart,—

Immortal life was given

To Earth, upon her battle-field

To discipline for Heaven.

Soft music thrilled the quiet room,—

An unseen host were nigh,

Who left the infant pilgrim at

The threshold of our sky.

A new, strange love woke in my heart,

Defying all control,

As on the soft air rose and fell

That birth-hymn for a soul!

And now again the Autumn skies,

As on that evening, shine,

When, from a trance of agony,

I woke to joy divine.

That boundless love is in my heart,

That birth-hymn on the air;

I clasp in mine, with grateful faith,

A tiny hand in prayer.

And bless the God who guides my way,

That, mid this world so wide,

I day by day am walking with

An angel by my side.

THE JUDGMENT OF THE DEAD.

Diodorus has recorded an impressive Egyptian ceremonial, the judgment of the dead by the living. When the corpse, duly embalmed, had been placed by the margin of the Acherusian Lake, and before consigning it to the bark that was to bear it across the waters to its final resting-place, it was permitted to the appointed judges to hear all accusations against the past life of the deceased, and if proved, to deprive the corpse of the rites of sepulture. From this singular law not even kings were exempt.

With sable plume and nodding crest,

They bore him to his dreamless rest,

A cold and abject thing;

Before the whisper of whose name

Strong hearts had quailed in fear and shame,

While nations knelt to fling

The victor's laurel at his feet;

Now gorgeous pall and winding-sheet,

Were all that royalty could bring

To mark the despot and the king:

In solemn state they swept the glowing strand,

To meet the conclave of the judgment band.

And soon, with bright, exultant eye,

Where fierce revenge flashed wild and high,

Accusers gathered fast;

From prison-keep and living grave

Came forth the mutilated slave,

With faltering step aghast;

And sightless men with silver hair,

The record of their dungeon air,

Who for long years had sought to die,

And wrestled with their agony

Till thought grew wild and intellect grew dim,

The clanking fetters' mark on every limb.

With pallid cheek and eager prayer

And maniac laugh of dark despair

The widowed mother stood;

And, with white lips, an orphan throng

Rehearsed a fearful tale of wrong

And misery and blood.

And strong in virtue others came,

Unnumbered victims to proclaim

Of vengeance, perfidy, and dread,

Who slumbered with the silent dead.

The world might start, the sable plumes might wave,

But for that haughty king there was no grave.

O! ye who press life's crowded mart,

With hurrying step and bounding heart,

A solemn lesson glean;

Beware, lest, when ye cross that stream

Whose breaking surges farthest gleam,

No mortal eye hath seen,

Discordant voices wake the shore

The struggling spirit would explore,

And to the trembling soul deny

Its latest resting-place on high;

Our acts are Judges, that must meet us there

With seraph smiles of light, or fiendish glare.

THE HIGHLAND GIRL'S LAMENT.

The ancient Highlanders believed the spirits of their departed friends continually present, and that their imagined appearances and voices communicated warnings of approaching death.

Oh! set the bridal feast aside,

And bear the harp away;

The coronach must sound instead,

From solemn kirk-yard gray.

I heard last eve, at set of sun,

The death-bell on the gale.

It was no earthly melody:—

The eglantine grew pale;

And leaf and blossom seemed to thrill

With an unuttered prayer,

As, fraught with desolateness wild,

The strange notes stirred the air.

And on the rugged mountain height,

Where snow and sunbeam meet,

That never yet in storm or shine

Was trod by human feet,

A weird and spectral presence came

Between me and the light;

The waving of a shadowy hand

That faded into night.

I felt it was the first who left

Our little household band,—

The child, with waving locks of gold,

Now in the silent land.

And when the mist at morn arose

From Katrine's silvery wave,

A form of aspect ominous,

With pensive look and grave,

Moved from the waters towards the glen

Where stands the holly-tree;

'T was the brother who is sleeping low

Beneath the stormy sea.

And while to-night the curfew bell

Rang out with solemn chime,

As soundeth o'er the buried year,

The organ peal of time,

And, near the fragrant jessamine,

I mused in garden glade,

A phantom form appeared to me

Beneath the hawthorn shade.

The dews had wept their silent tears,

The moon was up on high,

And every star was sphered with calm,

Like an archangel's eye;

And melancholy music swept

With cadence low and sweet,

Such as ascends when spirit-wings

Around a death-bed meet.

O was it not a mother's heart

That gave that warning sign;

The loving heart that used to thrill

To every grief of mine?

I oft have deemed, in sunny hours,

When life with love was fraught,

The nearness of the dead to us

A fantasy of thought.

But, standing on the barrier

I used to view with pain,

I feel the chains of severed love

Are linking close again.

Another hand must smooth and bless

My father's silver hair;

Another voice must read to him

At morn and evening prayer.

The flowers that I have trained will bloom,

But at another's side;

And he I love will seek perchance,

A gentler, fairer bride.

And soon another shade will haunt

The echo and the gloom,

With pining heart of restless love,

And omens of the tomb.

Then set the festal board aside,

And bear the harp away;

The coronach must sound instead

From solemn kirk-yard gray.

TO MY SISTER.

ON HER BIRTHDAY.

'T is said that each succeeding year

Another circlet weaves

Within each living, waving tree;

Yet not in buds or leaves,—

But far within the silent core,

The tiny shuttles ply,

At Nature's ever-working loom,

Unseen by human eye.

And thus, within my "heart of hearts,"

Doth this returning day,

Another golden zone complete,

Another circle lay;

And when unto the shadowy past

In retrospect I flee,

I numerate the fleeting years

By deepening love for thee.

Since last we met this sunny day

How bright the hours have flown!

Youth, Love, and Hope, with fadeless light,

Around our way have shone;

And if a shadow from the past

Has floated o'er the dream,

'T was softened, like a violet cloud

Reflected in a stream.

Yet if an hour of bitter grief,

Should e'er thy spirit claim,

May it the trying ordeal pass,

As gold the fiery flame;

And may the years that bind our hearts

In love that cannot die,

Still draw us hourly nearer God,

And nearer to the sky.

THE POET'S LESSON.

"He who would write heroic poems, must make his whole life a heroic poem."—MILTON.

There came a voice from the realm of thought,

And my spirit bowed to hear,—

A voice with majestic sadness fraught,

By the grace of God most clear.

A mighty tone from the solemn Past,

Outliving the Poet-lyre,

Borne down on the rush of Time's fitful blast.

Like the cloven tongues of fire.

Wouldst thou fashion the song, O! Poet-heart,

For a mission high and free?

The drama of Life, in its every part,

Must a living poem be.

Wouldst thou speed the knight to the battle-field,

In a proven suit of mail?

On the world's highway, with Faith's broad shield,

The peril go forth to hail.

For the noble soul, there is noble strife,

And the sons of earth attain,

Through the wild turmoil and storm of Life,

To discipline, through pain.

Think not that Poesy liveth alone,

In the flow of measured rhyme;

The noble deed with a mightier tone

Shall sound through latest time.

Then poems two, at each upward flight,

In glorious measure fill;

Be the Poem in words, one of beauty and might,

But the Life one, loftier still.

MADELINE.

A LEGEND OF THE MOHAWK.

Where the waters of the Mohawk

Through a quiet valley glide,

From the brown church to her dwelling

She that morning passed a bride.

In the mild light of October

Beautiful the forest stood,

As the temple on Mount Zion

When God filled its solitude.

Very quietly the red leaves,

On the languid zephyr's breath,

Fluttered to the mossy hillocks

Where their sisters slept in death:

And the white mist of the Autumn

Hung o'er mountain-top and dale,

Soft and filmy, as the foldings

Of the passing bridal veil.

From the field of Saratoga

At the last night's eventide,

Rode the groom,—a gallant soldier

Flushed with victory and pride,

Seeking, as a priceless guerdon

From the dark-eyed Madeline,

Leave to lead her to the altar

When the morrow's sun should shine.

All the children of the village,

Decked with garland's white and red,

All the young men and the maidens,

Had been forth to see her wed;

And the aged people, seated

In the doorways 'neath the vine,

Thought of their own youth and blessed her,

As she left the house divine.

Pale she was, but very lovely,

With a brow so calm and fair,

When she passed, the benediction

Seemed still falling on the air.

Strangers whispered they had never

Seen who could with her compare,

And the maidens looked with envy

On her wealth of raven hair.

In the glen beside the river

In the shadow of the wood,

With wide-open doors for welcome

Gamble-roofed the cottage stood;

Where the festal board was waiting,

For the bridal guests prepared,

Laden with a feast, the humblest

In the little village shared.

Every hour was winged with gladness

While the sun went down the west,

Till the chiming of the church-bell

Told to all the hour for rest:

Then the merry guests departed,

Some a camp's rude couch to bide,

Some to bright homes,—each invoking

Blessings on the gentle bride.

Tranquilly the morning sunbeam

Over field and hamlet stole,

Wove a glory round each red leaf,

Then effaced the Frost-king's scroll:

Eyes responded to its greeting

As a lake's still waters shine,

Young hearts bounded,—and a gay group

Sought the home of Madeline.

Bird-like voices 'neath the casement

Chanted in the hazy air,

A sweet orison for wakening,—

Half thanksgiving and half prayer.

But no white hand drew the curtain

From the vine-clad panes before,

No light form, with buoyant footstep,

Hastened to fling wide the door.

Moments numbered hours in passing

'Mid that silence, till a fear

Of some unseen ill crept slowly

Through the trembling minstrels near,

Then with many a dark foreboding,

They, the threshold hastened o'er,

Paused not where a stain of crimson

Curdled on the oaken floor;

But sought out the bridal chamber.

God in Heaven! could it be

Madeline who knelt before them

In that trance of agony?

Cold, inanimate beside her,

By the ruthless Cow-boys slain

In the night-time whilst defenceless,

He she loved so well was lain;

O'er her bridal dress were scattered,

Stains of fearful, fearful dye,

And the soul's light beamed no longer

From her tearless, vacant eye.

Round her slight form hung the tresses

Braided oft with pride and care,

Silvered by that night of madness

With its anguish and despair.

She lived on to see the roses

Of another summer wane,

But the light of reason never

Shone in her sweet eyes again.

Once where blue and sparkling waters

Through a quiet valley run,

Fertilizing field and garden,

Wandered I at set of sun;

Twilight as a silver shadow

O'er the softened landscape lay,

When amid a straggling village

Paused I in my rambling way.

Plain and brown the church before me

In the little graveyard stood,

And the laborer's axe resounded

Faintly, from the neighboring wood.

Through the low, half-open wicket

Deeply worn, a pathway led:

Silently I paced its windings

Till I stood among the dead.

Passing by the grave memorials

Of departed worth and fame,

Long I paused before a record

That no pomp of words could claim:

Simple was the slab and lowly,

Shaded by a fragrant vine,

And the single name recorded,

Plainly writ, was "Madeline."

But beneath it through the clusters

Of the jessamine I read,

"Spes," engraved in bolder letters,—

This was all the marble said.

THE DEFORMED ARTIST.

The twilight o'er Italia's sky

Had spread a shadowy veil,

And one by one the solemn stars

Looked forth, serene and pale;

As quietly the waning light

Through a high casement stole,

And fell on one with silver hair,

Who shrived a passing soul.

No costly pomp or luxury

Relieved that chamber's gloom,

But glowing forms, by limner's art

Created, thronged the room:

And as the low winds carried far

The chime for evening prayer,

The dying painter's earnest tones

Fell on the languid air.

"The spectral form of Death is nigh,

The thread of life is spun:

Ave Maria! I have looked

Upon my latest sun.

And yet 't is not with pale disease

This frame is worn away;

Nor yet—nor yet with length of years;—

A child but yesterday,"

"I found within my father's hall

No fervent love to claim,

The curse that marked me at my birth

Devoted me to shame.

I saw that on my brother's brow

Angelic beauty lay;

The mirror gave me back a form

That thrilled me with dismay."

"And soon I learned to shrink from all,

The lowly and the high;

To see but scorn on every lip,

Contempt in every eye.

And for a time e'en Nature's smile

A bitter mockery wore,

For beauty stamped each living thing

The wide creation o'er,"

"And I alone was cursed and loathed:

'T was in a garden bower

I mused one eve, and scalding tears

Fell fast on many a flower;

And when I rose, I marked, with awe

And agonizing grief,

A frail mimosa at my feet

Fold close each fragile leaf."

"Alas! how dark my lot, if thus

A plant could shrink from me!

But when I looked again, I saw

That from the honey-bee,

The falling leaf, the bird's gay wing.

It shrank with pain or fear:

A kindred presence I had found,—

Life waxed sublimely clear."

"I climbed the lofty mountain height,

And communed with the skies,

And felt within my grateful heart

New aspirations rise.

Then, thirsting for a higher lore,

I left my childhood's home,

And stayed not till I gazed upon

The hills of fallen Rome."

"I stood amid the glorious forms

Immortal and divine,

The painter's wand had summoned from

The dim Ideal's shrine;

And felt within my fevered soul

Ambition's wasting fire,

And seized the pencil, with a vague

And passionate desire"

"To shadow forth, with lineaments

Of earth, the phantom throng

That swept before my sight in thought,

And lived in storied song.

Vain, vain the dream;—as well might I

Aspire to light a star,

Or pile the gorgeous sunset-clouds

That glitter from afar."

"The threads of life have worn away;

Discordantly they thrill;

And soon the sounding chords will be

For ever mute and still.

And in the spirit-land that lies

Beyond, so calm and gray,

I shall aspire with truer aim:—

Ave Maria! pray!"

THE CHILD'S APPEAL.

AN INCIDENT OF THE FRENCH REVOLUTION AND REIGN OF ROBESPIERRE.

Day dawned above a city's mart,

Yet not 'mid peace and prayer:

The shouts of frenzied multitudes

Were on the thrilling air.

A guiltless man to death was led,

Through crowded streets and wide,

And a fairy child, with waving curls,

Was clinging to his side.

The father's brow with pride was calm,

But, trusting and serene,

The child's was like the Holy One's

In Raphael's paintings seen.

She shrank not from the heartless throng,

Nor from the scaffold high;

But now and then, with beaming smile,

Addressed her parent's eye.

Athwart the golden flood of morn

Was poised the wing of Death,

As 'neath the fearful guillotine

The doomed one drew his breath.

Then all of fiercest agony

The human heart can bear,

Was suffered in the brief caress,

The wild, half-uttered prayer.

Then she, the child, beseechingly

Upraised her eyes of blue,

And whispered, while her cheek grew pale,

"I am to go with you!"

The murmur of impatient fiends

Rang in her infant ear,

And purpose strong woke in her heart,

And spoke in accent clear:—

"They tore my mother from our side,

In the dark prison's cell;

Her eyes were filled with tears,—she had

No time to say farewell.

"And you were all that loved me then,

And you are pale with care,

And every night a silver thread

Has mingled with your hair.

"My mother used to tell me of

A better land afar,

I've seen it through the prison bars

Where burns the evening star.

"O let us find a new home there,

I will be brave and true;

You cannot leave me here alone,

O let me die with you!"

The gentle tones were drowned by shrill

And long-protracted cries;

The father on his darling gazed,

The child looked on the skies.

Anon, far up the cloudless blue,

Unseen by mortal eye,

God's angels with two spirits passed

To purer realms on high.

The one was touched with earthly hues,

And dim with earthly care,

The other, as a lily's cup,

Unutterably fair.

THE DYING YEAR

With dirge-like music, low,

Sounds forth again the solemn harp of Time;

Mass for the buried hours, a funeral chime

O'er human joy and woe.

The sere leaves wail around thy passing bier,

Speed to thy dreamless rest, departing year!

Yet, ere thy sable pall

Cross the wide threshold of the mighty Past,

Give back the treasures on thy bosom cast;

Earth would her gems recall:

Give back the lily's bloom and violet's breath,

The summer leaves that bowed before the reaper Death.

Give back the dreams of fame,

The aspirations strong for glory won;

Hopes that went out perchance when set thy sun,

Nor left nor trace nor name:

Give back the wasted hours, half-uttered prayer,

The high resolves forgot that stained thine annals fair.

Give back the flow of thought,

That woke within the poet's yearning breast,

Soothing its wild and passionate unrest;

Love's rainbow-visions, wrought

Of youth's deep, fearless trust, that light the scroll

With an intenser glow,—records of heart and soul!

Give back—for thou hast more—

Give back the kindly words we loved so well,

Voices, whose music on the spirit fell,

But tenderness to pour;

The steps that never now around us tread,

Faces that haunt our sleep: give back, give back the dead.

Give back!—who shall explore

Creation's boundless realms to mark thy prey?

Who mount where man has never thought to sway,

Or science dared to soar?

Oh! who shall tell what suns have set for aye,

What worlds gone out, what systems passed away?

Not till the stars shall fall,

And earth and sky before God's mandate flee,

Shall human vision look, or spirit see,

Beneath thy mystic pall:

But hark! with accent clear, and flute-like swell,

Floats up the New Year's voice,—Departed one, farewell!

SONG OF THE NEW YEAR.

As the bright flowers start from their wintry tomb,

I've sprung from the depths of futurity's gloom;

With the glory of Hope on my unshadowed brow,

But a fear at my heart, earth welcomes me now.

I come and bear with me a measureless flow,

Of infinite joy and of infinite woe:

The banquet's light jest and the penitent prayer,

The sweet laugh of gladness, the wail of despair,

The warm words of welcome, and broken farewell,

The strains of rich music, the funeral knell,

The fair bridal wreath, and the robe for the dead,

O how will they meet in the path I shall tread!

O how will they mingle where'er I pass by,

As sunshine and storm in the rainbow on high!

Yet start not, nor shrink from the race I must run;

I've peace and repose for the heart-stricken one,

And strength for the weary who fail in the strife,

And falter before the great warfare of Life.

I've love for the friendless; a morrow of light

For him who is wrapped in adversity's night;

With trust for the doubting, a field for the soul,

That has dared from its loftier purpose to stroll,

To haste to the conflict, and blot out the shame

With the deeds of repentance, and resolute aim

To seek, 'mid the struggle with tempters and sin,

The high meed of virtue triumphant to win.

Unsullied and pure is the future's broad scroll,

And as leaf after leaf from its folds shall unroll,

The warp and the woof they are woven by me,

But the shadows and coloring rest, mortal, with thee.

'T is thine to cast over those leaves as they bloom,

The sunlight of morning or hues of the tomb;

Though moments of sorrow to all must be given,

There 's a vista of light that leads up to heaven;

Nor utterly starless the path thou hast trod,

Till thy heart prove a traitor to thee or to God.

I WOULD NOT LIVE ALWAY.

I looked upon the fair young flowers

That in our gardens bloom,

Gazed on their winning loveliness,

And then upon the tomb;

I looked upon the smiling earth,

The blue and cloudless sky,

And murmured in my spirit's depths,

"O I can never die!"

I heard my sister's joyous laugh,

As she danced lightly by,

Her heart was glad with love and hope,

Its pulse with youth beat high;

I sought my mother's quiet smile,

She fondly drew me nigh,

And still I said within my heart,

"O I can never die!"

Stern winter came,—the fairy flowers

Were swept by storms away,

And swiftly passed the verdant bloom

Of summer's lovely day;

My mother's smile grew more serene,

And brighter was her eye,

And now I know her only as

An angel in the sky.

And sorrow's wing had cast a shade

Upon my sister's smile,

Had checked the voice of gladsome mirth,

And bounding step the while;

And when the bright spring came again,

And clouds forsook the sky,

Then I knelt down and thanked my God

There was a time to die.

THE FALL OF JERUSALEM.

The sunset on Judah's high places grew pale,

And purple tints shadowed the gorge and the vale,

While Venus in beauty, with dilating eye,

Out-riding the star-host, looked down from the sky

On the city that struggled with foemen below,—

Jerusalem, peerless in grandeur and woe!

O'er the fast crumbling walls thronged the cohorts of Rome,

Their batteries thundered on palace and dome,

And the children of Israel in voiceless despair

At the foot of the Temple had breathed a last prayer;

For their armies were spent in the unequal strife,

And Famine was maddening the pulses of life,

The pestilence lurked in the zephyr's soft breath,

And the gall-drops were poured from the drawn sword of Death.

The Night with starred garments moved noiseless on high,

When they felt a hot blast on the cool air draw nigh;—

Did pinions infernal rejoicing sweep by?

They beheld a wild flash o'er the firmament shine;—

Came there aid from above,—a legation divine?

There is fire on the mount, there is smoke in the air;

The red flames shoot upward with bright, spectral glare;

Men of Jacob, draw nigh, but like Moses unshod,

'T is the shrine of Jehovah, the temple of God.

The cherubim drooped and the pomegranates lay

In the dust with the lamps that had glimmered all day;

The censers and altar the ashes must claim,

Though their unalloyed gold be the gold of Parvaim.

Fierce raged the consumer insatiate and strong,

And cursed was its light by that soul-stricken throng,

Who beheld their destruction and anguish and shame,

Engraved by the lurid and forked tongues of flame,

On pillar and pommel and chapiter high,

Distinct as the law they had dared to defy,

Was traced through the cloud where the Deity shone

By the finger of God on the tablets of stone;

They beheld e'en the Holy of Holies consume;

Then with frenzied bemoaning lamented their doom.

The cedars of Lebanon thrilled with the wail

That swept like a torrent Jehoshaphat's vale;

Mount Tabor and Zion re-echoed afar

The voice of lamenting for Judah's lost star;

The Kedron replied from its sanctified glade;

The olive-leaves shook in Gethsemane's shade;

And a strange world came forth from the regions of space

And hung like a sword o'er the grave of that race;

While the watchman, who terror-struck gazed on the sight,

Not a signal gave forth from his fire-girded height,

But breathlessly muttered, with cold lips and pale,

"'T is the tenth day of Lous,—Jerusalem, wail!"

Day dawned o'er Judea, but never again

Might the sunbeam in splendor flash back from her fane.

No prophet stood forth, and, with prescience sublime,

Told of light in the Future unkindled by Time:

No poet-king sounded his lyre o'er her tomb;

No ruler went up 'mid the cloud's awful gloom

And fervently plead with Jehovah's fierce ire;

No God on Mount Sinai descended in fire;

The eyes of the daughters of Rachel were dim;

The priesthood were anguished by visions of HIM

Who, patient and God-like, climbed Calvary's side;

The ancient men sorrowed by Siloah's tide,

And Israel to shame and oppression were sold,

To bondage and exile for ages untold;

And the hearts of the captives grew hollow and dry

As the fruit that o'er Sodom hangs fair to the eye.

THE FIRST LOOK.

I heard the strokes of the midnight bell

As they thrilled the quiet air,

And saw the soft, white curtains wave

In the lamp's uncertain glare;

And felt the breath of the July night,

Laden with fragrance and warmth and blight.

I knew that scarcely an hour before,

With plaintive and feeble wail,

A spirit had entered the gates of time,

A being helpless and frail;

That cradled beside me the stranger lay,

Though I had not dared o'er her face to pray.

But roused by the voice of the midnight chime,

O'er the little one I bent,

And soft, sweet eyes were upraised to mine,

As blue as the firmament,—

Eyes that had never beheld the day,

Or the chastened light of the moonbeam's ray.

O wonderful meeting, on the verge

Of Life and the dark BEYOND!

O wonderful glance from soul to soul

United by tenderest bond!

The one corroded with earth and care,

The other as falling snow-flakes fair;—

The one oppressed with contrition's tear,

Familiar with grief and sin,

The other with naught but the angel's face

Who ushered the human in;

The one a wrestler with Fate's decrees,

The other environed with saintly ease;—

The one acquainted with Death and change,

And with anguish faint and pale,

The other as fresh as the earliest rose

That opened in Eden's vale.

Dear Lord! that ever the blight should fall,

That sin should sully and Death appall!

THE DAUGHTER OF JEPHTHAH AMONG THE MOUNTAINS.

Night bent o'er the mountains

With aspect serene;

The deep waters slept

'Neath the moon's pallid sheen,

And the stars in their courses

Moved noiseless on high,

As a soul, when it cleaveth

In thought the blue sky.

The low winds were spent

With the fever of day,

And stirred scarce a leaf

Of the green wood's array;

And the white, fleecy clouds

Hovered light on the air,

Like an angel's wing, bent

For a penitent prayer.

Sleep hushed in the city

The tumult and strife,

And calmed in the spirit

The unrest of life:

But one, where Mount Lebanon

Lifted its snow,

Slumbered not till the morn

Wakened earth with its glow.

Beneath the dark cedars,

Majestic, sublime,

That for ages had mocked

Both at tempest and Time,

In whose tops the wild eagle

His eyrie had made,

She knelt with pale cheek

In the damp, mossy glade.

The small hands were folded

In worship divine,

And the silent leaves thrilled.

In that lone forest shrine,

With the voice of the pleader,

That, earnest and low,

Was sad as the sea-shell's

And plaintive with woe.

She prayed not for life,

Though Youth's early bloom

Glowed on her fair cheek,

And recoiled from the tomb;

But a heart pure and strong,

Sublimed by its pain,—

A spirit attuned

To the seraph's bright strain.

She saw not the dark boughs

That, spectral and hoar,

With lattice-work rude

Arched her wide temple o'er;

She marked not their shadows

Gigantic and dim;

Her soul was communing

In triumph with Him;—

With the Ancient of Days,

Who from mercy-seat high

Beheld the pale pleader

With vigilant eye;

And Peace with white pinion

Came down from His throne,

And the gleam of her wing

On that fair forehead shone.

O Thou that upholdest

The feeble and frail,

And leadest the pilgrim

Through Life's narrow vale!

When the days that are measured

My spirit below

Shall have ceased to the past

From the future to flow,—

May the Summoner find me

As placid and strong,

As meet for endurance

Of agony long,

With a faith as divine

And vision as clear,

As the watchers who wept

On the hills of Judæa!

MONA LISA.

Leonardo da Vinci is said to have been four years employed upon the portrait of Mona Lisa, a fair Florentine, without being able to come up to the idea of her beauty.

Artist! lay the brush aside;

Twilight gathers chill and gray;

Turn the picture to the wall,—

Thou hast wrought in vain to-day.

Thrice twelve months have hastened by

Since thy canvas first grew bright

With that brow's bewitching beauty,

And that dark eye's melting light.

But the early morning shineth

On thy tireless labors yet,

And the portrait stands before thee

Till the evening sun has set.

Faultless is the robe that falleth

Round that form of matchless grace;

Faultless is the softened outline

Of the fair and oval face.

Thou hast caught the wondrous beauty

Of the round cheek's roseate hue,

And the full, red lips are smiling

As this morn they smiled on you.

To that Lady thou hast given

Immortality below;

Wherefore then, with moody glances,

Dost thou from thy labor go?

From the living face of beauty

Beams the soul's expressive ray,

And with all thy god-like genius

This thou never canst portray.

Of the countless throng around me

Each hath labors like to thine,

Each, methinks, some Mona Lisa

In his spirit's inmost shrine.

Visions haunt us from our childhood

Of a love so pure, so true,

Time and tears, and care and anguish,

Leave it steadfast, fair and new;—

Visions that elude for ever,

As the silent years depart,

Some unhappy ones and weary,—

Mona Lisas of the heart.

Gleams of that divine completeness

God's angelic ones attain,

Pass amid our toils before us,

And we emulate in vain.

Poet fancies crowd the spirit,

We would print upon the scroll—

But that perfect utterance faileth—

Mona Lisas of the soul.

SPRING LILIES.

'Neath their green and cool cathedrals,

In the garden lilies bloom,

Casting to the fresh Spring Zephyrs

Peal on peal of sweet perfume.

Often have I, pausing near them

When the sunset flushed the sky,

Seen the coral bells vibrating

With their fragrant harmony.

And, within my quiet dwelling,

I have now a Lily fair,

Whose young spirit's sweet Spring budding

Watch I with unfailing care:

God, in placing her beside me,

Made my being most complete,

And my heart keeps time for ever

With the music of her feet.

I remember not, while gazing

In her earnest eyes of blue,

That the earth has aught of sorrow

Aught less innocent and true;

And the restlessness and longing

Wakened by the cares of day,

With the burden and the tumult,

In her presence fall away.

Shield my Lily, Holy Father!

Shield her from the whirlwind's might,

But protracted sunshine temper

With a soft and starry night;

'Neath the burning suns of Summer,

Withered, scorched, the spring-flower lies,

Human hearts contract, when strangers

Long to clouds and tearful eyes.

Give her purpose strong and holy,

Faith and self-devotion high;

These Life's common by-ways brighten

Every hope intensify.

Teach her all the brave endurance

That the sons of earth require;

May she, with a patient labor,

To the great and good aspire.

Should some mighty grief oppress her,

Heavier than she can bear,

Oh! sustain her by Thy presence,

Hear and answer Thou her prayer:

And whene'er the storms of winter

Round my precious Lily reign,

To a fairer clime transplant her,

There to live and bloom again.

LINES TO D. G. T., OF SHERWOOD.

Blessings on thee, noble boy!

With thy sunny eyes of blue,

Speaking in their cloudless depths

Of a spirit pure and true.

In thy thoughtful look and calm,

In thy forehead broad and high,

We have seemed to meet again

One whose home is in the sky.

Thou to Earth art still a stranger,

To Life's tumult and unrest;

Angel visitants alone

Stir the fountains in thy breast.

Thou hast yet no Past to shadow

With a fear the Future's light,

And the Present spreads before thee

Boundless as the Infinite.

But each passing hour must waken

Energies that slumber now,

Manhood with its fire and action

Stamp that fair, unfurrowed brow.

Into Life's sublime arena,

Opening through the world's broad mart,

Bear thy Mother's gentle spirit,

And her kind and loving heart.

With exalted hope and purpose,

To the great and good aspire;

Downward, in unsullied glory,

Hand the honor of thy sire,—

With that love for Truth and Justice,

Future annals shall declare

Highest proof of moral greatness;—

Nobly live and bravely dare.

Cloudless pass thine infant days,

Childhood bring thee naught but joy,

Manhood, thought, and dignity;

Blessings on thee, noble boy!

LITTLE KATE.

Beside me, in the golden light

That slants upon the floor,

She twines the many-colored silks

Her dimpled fingers o'er;

Uplifting now and then her eye,

Or praise or blame in mine to spy.

For her sweet sake I've cast aside

The books I've loved so well,

And given up my being to

Affection's mighty spell;

Ambition's visions vanish all,

Before the music of her call.

The fancy of the past, that lent

To jewels bright and rare

Ascendency at every birth

In this our planet's air,

Hath to October's children given

The opal with its hues of Heaven.

The golden sunlight in the sky,

The red leaf on the plain;

Beneath the opal's changeful light

Hope and Misfortune reign;

And mid gay leaves of wondrous dyes,

My darling first unclosed her eyes.

I cannot in the future look

The augury to prove,

But earthly joys and earthly woes

Must human spirits move;

And she, like all, must strive with care,

Disasters meet, and suffering bear.

But I will teach her hopefully

To meet what Fate betides,

To live and labor earnestly,

In narrow path or wide;

And, with salt tears on paling cheek,

A benediction still to speak.

And if in some sweet inner sphere,

Some home of love apart,

An angel's duty she fulfil

With but a woman's heart,

Haply the red leaf, in its advent, may

Find Hope o'er sorrow dominant for aye.

A THOUGHT OF THE STARS.

I remember once, when a careless child,

I played on the mossy lea;

The stars looked forth in the shadowy west,

And I stole to my mother's knee,

With a handful of stemless violets, wet

With the drops of gathering dew,

And asked of the wonderful points of light

That shone in the distant blue.

She told me of numberless worlds, that rolled

Through the measureless depths above,

Created by infinite might and power,

Supported by infinite love.

She told of a faith that she called divine,

Of a fairer and happier home;

Of hope unsullied by grief or fear,

And a loftier life to come.

She told of seraphs, on wings of light,

That floated from star to star,

And were sometimes sent on a mission high

To a blighted orb afar.

And with childish sense, I forgot the worlds,

She had pointed out on high,

And deemed each wonderful beam of light

The glance of an angel's eye.

And when she knelt with her babes in prayer,—

I know each petition now,—

I saw the gleam of those wings of light

Lie beautiful on her brow.

Years passed, and in earliest youth I knelt

By my mother's dying bed;

The lips were mute that had spoken love,

And the eye's bright glance had fled.

And when I turned from that silent room

Where the latest word was spoken,

The shadow of death o'er my spirit lay,

And I thought that my heart was broken

I sought the hush of the midnight air,

And wept till the founts were dry;

The earth was clad in a wintry garb,

But the star host filled the sky.

And then I remembered the faith divine

And the loftier life to come,

And felt the shadow of Death depart

From my childhood's sacred home.

And often now when my heart is faint

With earth and its wearying care,

When my soul is sick with a feverish thirst

And burdened with contrite prayer,

I hasten forth to the starry gems,

That circle the brow of night,

And track with them the eloquent depths

Of the boundless Infinite.

They whisper low of a holier life

And a faith sublime and high;

And again I fancy each golden beam

The glance of a seraph's eye,

As in days of yore, when a careless child,

I stole to my mother's knee,

And asked of the wonderful points of light

That shone o'er the deep, blue sea.

A MOTHER'S PRAYER.

I knelt beside a little bed,

The curtains drew away,

And, 'mid the soft, white folds beheld,

Two rosy sleepers lay;

The one had seen three summers smile

And lisped her evening prayer;

The other,—only one year's shade

Was on her flaxen hair.

No sense of duties ill performed

Weighed on each heaving breast,

No weariness of work-day care

Disturbed their tranquil rest;

The stars to them as yet were in

The reach of baby hand,

Temptation, trial, grief, were words

They could not understand.

But in the coming years I saw

The turbulence of life

O'erwhelm this calm of innocence

With melancholy strife;

"From all the foes that lurk without,

From feebleness within,

What Sovereign guard from Heaven," I asked,

"Will strong beseeching win?"

Then to my soul a vision came,

Illuming, cheering all,

Of him who stood with shining front

On Dothan's ancient wall;

And, while his servant's heart grew faint

As he beheld with fear

The Syrian bands encompassing

The city far and near,

With lofty confidence to his

Sad questioning replied,

"Those armies are outnumbered far

By legions at our side:"

Then up from starry sphere to sphere,

Was borne the Prophet's prayer,

"Unfold to his blind sight, O God!

Thy glorious hosts and fair."

The servant's eyes bewildered gazed

On chariots of fire,

On seraphs clad in mails of light,

Resistless in their ire;

On ranks of angels marshalled close,

Where roving comets run,

On silver shields and rainbow wings,

Outspread before the sun.

I saw the Syrian hosts, at noon,

Led sightless through the land,

And longed to grasp the Prophet's robe

Within my feeble hand;

While my whole soul went out in deep

And passionate appeal,

That faith like his might set within

My babes' pure hearts its seal.

NOTES.

Page 66.

'T is said the radiant stars of night,

When viewed through different air,

Appear not all in golden robes,

But various colors wear.

In Syria, where the atmosphere is less humid than ours, the whole heavens are said to sparkle at night, as with various-colored gems.

Page 94.

MADELINE.—A Legend of the Mohawk.—The events narrated in this poem occurred during the struggle of the American Colonies for Independence, immediately after the battle of Saratoga, in a small village on the banks of the Mohawk.

Page 99.

By the ruthless Cow-boys slain.

"Cow-boys" was the term applied to the corps of freebooters attached to the British army.

Page 127.

And the gall-drops were poured from the drawn-sword of Death.

According to a Rabbinical tradition, gall-drops fall from the suspended sword of the Angel of Death on the lips of the dying.

Page 128.

The cherubim drooped and the pomegranates lay

In the dust with the lamps that had glimmered all day;

The censers, and altars, the ashes must claim,

Though their unalloyed gold be the gold of Parvaim.

2 Chronicles, 3:10: "And in the most holy house he made two Cherubims of image-work, and overlaid them with gold."

1 Kings, 7:20: "And the chapiters upon the two pillars had pomegranates also above: and the pomegranates were two hundred in rows round about upon the other chapiter."

2 Chronicles, 4:20: "Moreover the candlesticks with their lamps and the censers were of gold."

2 Chronicles, 3:6: "And he garnished the house with precious stones for beauty, and the gold was gold of Parvaim."

Page 129.

On pillar, and pommel, and chapiter high.

2 Chronicles, 4:11,12: "And Hiram finished the work that he was to make for King Solomon for the house of God."

"To wit: the two pillars and the pommels, and the chapiters which were on the top of the two pillars."

Page 129.

The Cedars of Lebanon thrilled with the wail,

That swept, like a torrent, Jehoshaphat's vale.

It is related by Josephus, that when the Jews perceived the conflagration of the Holy House, they broke out into such groans and outcries that all the mountains round about the city returned the echo.

Page 130.

And a strange world came forth from the regions of space

And hung like a sword o'er the grave of that race.

According to Josephus "a star resembling a sword stood over the city."

Page 130.

'T is the tenth day of Lous—Jerusalem wail!

The same month and day in which the Temple was burned by the Babylonians, and which, according to an oracle of the Jews, was to be a fatal one in their annals.

Page 136.

"And the said unto her father, Let me alone two months, that I may go up and down upon the mountains."—Judges 11:37.

Page 163.

2 Kings 6:15, 19.

Transcriber's Note:

In the Table of Contents, the page numbers listed for the following poems were one page off:

The Pilgrim's Feast

Pleurs

The Legend of the Iron Cross

My Native Isle

The Lost Pleiad

The Vesper Chime

The Maniac

The Voice of the Dead

The Highland Girl's Lament

Those page number references have been corrected. The page number for the start of the Notes section was also corrected.

*** END OF THE PROJECT GUTENBERG EBOOK INDIAN LEGENDS AND OTHER POEMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

INDIAN LEGENDS

AND

OTHER POEMS.

INDIAN LEGENDS

AND

Other Poems.

MARY GARDINER HORSFORD.

TO MY FATHER, SAMUEL S. GARDINER, Esq.,

AS A SLIGHT TESTIMONIAL OF A DAUGHTER'S GRATITUDE AND AFFECTION.

CONTENTS.

INDIAN LEGENDS.

THE THUNDERBOLT.

THE PHANTOM BRIDE.

THE LAUGHING WATER.

THE LAST OF THE RED MEN.

MISCELLANEOUS.

THE PILGRIMS' FAST.

PLEURS.

THE LEGEND OF THE IRON CROSS.

MY NATIVE ISLE.

THE LOST PLEIAD.

THE VESPER CHIME.

THE MANIAC.

THE VOICE OF THE DEAD.

"A DREAM THAT WAS NOT ALL A DREAM."

THE JUDGMENT OF THE DEAD.

THE HIGHLAND GIRL'S LAMENT.

TO MY SISTER.

ON HER BIRTHDAY.

THE POET'S LESSON.

MADELINE.

A LEGEND OF THE MOHAWK.

THE DEFORMED ARTIST.

THE CHILD'S APPEAL.

AN INCIDENT OF THE FRENCH REVOLUTION AND REIGN OF ROBESPIERRE.

THE DYING YEAR

SONG OF THE NEW YEAR.

I WOULD NOT LIVE ALWAY.

THE FALL OF JERUSALEM.

THE FIRST LOOK.

THE DAUGHTER OF JEPHTHAH AMONG THE MOUNTAINS.

MONA LISA.

SPRING LILIES.

LINES TO D. G. T., OF SHERWOOD.

LITTLE KATE.

A THOUGHT OF THE STARS.

A MOTHER'S PRAYER.

NOTES.

Transcriber's Note:

THE FULL PROJECT GUTENBERG LICENSE