Punch, or the London Charivari, Volume 159, December 29, 1920
Date: 2007-01-11T00:00:00+00:00
Keywords: English wit and humor -- Periodicals

The Project Gutenberg eBook of Punch, or the London Charivari, Volume 159, December 29, 1920

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Punch, or the London Charivari, Volume 159, December 29, 1920

Author: Various

Editor: Owen Seaman

Release date: January 11, 2007 [eBook #20334]

Language: English

Credits: Produced by Lesley Halamek, Jonathan Ingram and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 159, DECEMBER 29, 1920 ***

PUNCH,
OR THE LONDON CHARIVARI.

Vol. 159.

29th December, 1920.

CHARIVARIA.

No newspapers were published on Saturday, Sunday or Monday. We did not begrudge them their holiday, but we do think The Daily Mail might have issued occasional bulletins respecting the weather at Thanet, as we consider three days is too long to keep their readers in suspense.

The most popular indoor game this winter seems to be Battledore-and-Juttlecock.

A woman informed a London magistrate last Tuesday that her husband thrashed her at Easter, Whitsuntide and on August Bank Holiday. Our thoughts were constantly with her during the recent Yuletide festivities.

Readers should not be alarmed if a curious rustling noise is heard next Saturday morning. It will be simply the sound of new leaves being turned over.

In view of the possible increase of their salaries it is not the intention of Members of Parliament to solicit Christmas-boxes. Householders, therefore, should be on their guard against men passing themselves off as M.P.s.

Our attention is drawn to the fact that the latest photograph of Mr. Lloyd George shows him to be smoking a cigar with the band on. We can only say that Cromwell wouldn't have done it.

Our magistrates appear to be made of poor stuff these days. A man named Snail was last week summoned before the Feltham magistrates for exceeding the speed limit, yet no official joke was made. Incidentally, why is it that Mr. Justice Darling never gets a real chance like this?

A New York policeman has been arrested in the act of removing a safe from a large drapery store. It is said that upon being seen by another policeman he offered to run and fetch a burglar.

Mme. Delysia has been bitten by a dog in New York. The owner's defence, that the animal had never tasted famous dancer before, is not likely to be accepted.

Like a soothing balm just before the old year dies comes the intimation from Mr. Lovat Fraser that there is a bright side to things.

With reference to the opening of the pantomime season it is reported that a couple of new jokes have been found nesting in a Glasgow theatre.

Psychologists are inclined to attribute the recent night stampede of sheep in the Midlands, when thousands of them jumped their hurdles, to the influence of a large number of people concentrating on a well-known remedy for sleeplessness.

It is stated that rabies does not exist in Ireland. Our opinion is that it wouldn't be noticed if it did.

Very few English Christmas customs, we hear, are prevalent out in Russia. We have always felt that the custom of clients giving Christmas-boxes to their executioners will never become very popular.

It is rumoured that the repeated assassinations of General Villa have made it necessary for him to resign his position as Permanent Chief Insurgent to the State of Mexico.

The Morning Post has remarked that nowadays the Eton boy is often reduced to travelling third-class. It is hoped to persuade Sir Eric Geddes to disguise himself as an Eton boy during the holidays to see how it feels.

It is now admitted that the plum-pudding which was badly mauled by a small boy in the Hoxton district on Christmas Day began it by inviting his assailant to "come on."

D'Annunzio is reported to be coming to a more reasonable frame of mind. Apparently he is disposed to allow Italy a certain measure of independence.

People step out into the road and never look to right or left, says a London coroner. This makes things far too easy for motorists.

Dr. A. Graham Bell recently told a Derby audience how he invented the telephone. We note that he still refuses to say why.

We are informed that, on and after the 1st of January, Mr. Churchill cannot undertake to refute the opinions of any writer who has not been officially recognised as a best seller.

A scientist has succeeded in putting a pea to sleep with electro-magnetism. The clumsy old method of drowning it in a plate of soup should now be a thing of the past.

General Townshend says that with seventy thousand men he could have conquered half Asia. But then he might have lost Mr. Horatio Bottomley.

What we want now is something to make the world safe for those who made the world safe for democracy.

There is now on the market a new patent contrivance which gives warning when the contents of an oven are on the point of burning. We have secured a sample, but unfortunately our cook still relies on her sense of smell.

"Leather is now much cheaper," we read. Yet we have noticed no drop in the price of restaurant steak.

On January 1st the Ministry of Munitions will enter upon its second year of winding up.

OUR GOGGLERS.

First Girl in grandmotherly spectacles (to second ditto). "How frightfully out of date that woman is. Fancy—lorgnettes!"

THE HAPPY HOOTS.

Yes, it is nearly twelve now. In ten minutes we shall hear the bells—I mean the hooters. I wonder if there were hooters when Tennyson wrote those popular lines about ringing in the New Year. Very likely he didn't hear them if there were, as there's nothing to show that he ever really stayed up late enough to see the New Year in. It's a pity, because the hooters would have fitted in to that poem most beautifully. The hooting idea is just what is wanted to give a dramatic contrast to the sugary ringing business.

"Ring out the false, ring in the true"

doesn't convince somehow; it's too impartial. One doesn't say to the footman, "Show the Rector up, please, and show this blackmailer out," even at the Lyceum. One says, "Kick this black-hearted hound out," and the footman realises then that you have something against the fellow. Just so one doesn't gather from the above line that the poet has any strong preference as between the false and the true, except that there is no good rhyme to "the false," unless you can count "waltz"; but what about—

Hoot out the old, ring in the new;

Hoot out the false, ring in the true?

Magnificent! There's some sting in that; it "gets over," and it brings the whole poem into harmony with modern practice.

Come on, we'd better have another dance before the great moment. I wonder if Tennyson ever saw the New Year in at two guineas a head. I don't expect so. For that matter it's the first time we've done it at an expensive public "Revel" ourselves; but then this is the first year we've been absolutely bankrupt. Up till now we've been rather well off, and have celebrated cheaply at home. Do you realise that this is our wedding-day? I believe you'd forgotten; women never remember these things. Yes, it's six years ... Six years. And this is the first year we've been bankrupt. All the same, as I say, it's the first year we've come out and had a jolly good supper. Reckless? Yes, I'm afraid we are. But we've caught it from the Government ... However, to-morrow we'll start a new cheque-book.

Have you made your resolutions yet? I have. Do you remember this time last year? You said you'd keep accounts, and I said I wouldn't smoke so much. And all the year through our resolution has never wavered. I've got evidence of that. Look at my diary. Here we are:—

January 1st.—G. started keeping accounts. Gave up smoking.

And here we are again:—

March 20th.—G. started accounts.

March 29th.—Knocked off smoking.

That shows it was no mere flash-in-the-pan, doesn't it?

And we went on like that. Look at this:—

June 6th.—Gave up smoking.

June 7th.—Only one pipe since yesterday.

June 30th.—Cut myself down to four pipes a day.

July 1st-9th.—G. keeping accounts; knocked off smoking.

But I wonder why I kept writing it down. Even in September, you see, I wasn't taking it for granted:—

September 29th.—Quarter-Day. Not smoking this quarter. G. began new system of accounts.

It looks like bragging, doesn't it? But I don't think I can have meant it that way. Still, it is rather marvellous, when you come to think of it—here we are, after all these months, twelve of them, and we still stick doggedly to the same unswerving resolution. Nothing can alter it. That's what I call tenacity of purpose.

You don't think I'm serious? But I am. I'm just as serious as I was last year. This year I shall give up smoking. Only I think you ought to give up your hot-water bottle in sympathy. You won't? No, I know you won't. You're a slave of the bottle, you see. It doesn't do you any harm? Oh, yes it does. It makes your backbone flabby, and it makes you susceptible to colds, and it gives you chilblains, and, anyhow, it's morally pernicious, because it's an indulgence ... If I'd known you were a hot-water-bottle woman before we were married ... However, we needn't go into that. But if you won't give up your bottle I shan't give up smoking after all.

Look, they're opening the windows. We shall all catch cold. Can you hear anything? I can hear those people eating. What a draught! Can you hear anything? I can hear the eaters quite plainly now. Here comes Father Christmas. I believe he is going to give us all gifts.

Can you hear anything yet? I have been given a diary. What have you got? Another diary? Is yours for 1921? So is mine. How dull! Christmas will be on a Sunday next year, I see. So will our wedding-day. I hope you'll remember it this time. And they have arranged for the Spring to begin on March 21st. Think of it! Spring—in less than three months!

There they go.

Hoot out, wild hooters, to the wild sky!

What a jolly noise! Much better than bells, really much more accurate as an expression of one's feelings. There's a sort of "faint but pursuing" note about it. And that's how I feel, rather. It was a dreadful year, really, wasn't it?—that last one, I mean. No money, no clothes—nothing but rates and dentists and small accounts respectfully submitted for our esteemed favour. One long crisis.... But we kept the flag flying. This year——

Hallo! somebody 's going to recite. What do you think it will be? You'll never guess. Yes, you're quite right.

Ring out a slowly-dying cause

And ancient forms of party strife.

That sounds like a bit of Government propaganda. Disgraceful, I call it. If I was a Wee Free——

Ring in the nobler modes of life,

With sweeter manners——

That's a hit at somebody, too, I shouldn't wonder. Somebody must have written a topical verse for the occasion. Those people are still eating. I expect they are doing Hog-money, or whatever it is....

Are you still as obstinate as ever about that hot-water bottle? Very well, then, I shall now have the first smoke of the New Year. Oh, no; we 've got to do Auld Lang Syne first. I never can smoke while I'm singing.

"Should auld acquaintance ..." Do you know any of the people here? No? Do you ever want to see any of them again? No? Never mind, they've all paid a lot of money to hold our hands; let them have their money's worth ... "A right gude willie-waucht ..." Waiter! One large willie-waucht, please, and a small pint stoup ... Do you realise that this is the only night in the year when you can get a willie-waucht at this hour? What a world!

Six years. Do you see that nice couple over there? I bet they haven't been married as long as we have. And I bet they're not so bankrupt. This is going to be a dreadful year. I can see that at once. But we'll keep the flag flying.

Ah, here come the willie-wauchts. Thank you, waiter.

Well, my dear—a cup of kindness with you. Here's luck!

A. P. H.

Natural History on the Football Field.

"St. Columb's Court and North-End met at The Farm, when St. Columb's Court were the victors by three goats to one."

—Irish Paper.

"Harry —— (19), described as a comedian, was bound over in £5 for six months under the rug, the property of Hilda ——."

Provincial Paper.

It seems that Harry was not the only comedian in court.

A BOXING NIGHTMARE.

The Good Fairy Georgina. "I WAVE MY WAND—UTOPIA DOTH APPEAR ...

(extemporising) SOMETHING'S GONE WRONG. O DEAR! O DEAR! O DEAR!"

Post-War Sportsman. "The hounds meet on the lawn to-morrow, my dear. We must give them a stirrup-cup."

Wife. "I hope the chef knows how to make it. If not I suppose claret-cup would do?"

ELIZABETH'S CHRISTMAS.

"I've always thort 'ow I'd love to 'ave a reel nice Christmas," remarked Elizabeth—"a jolly proper kind o' one, you know, 'm."

"Don't you find Christmas a pleasant time, then?" I inquired.

"Well, you see, 'm, I bin in service ever since I was turned fifteen, an' you know wot Christmas in service is. An extry tip, I will say, but a lot of extry work to go along with it—and wot washin' up! Some'ow it orl seems so different in books an' on the pictures."

She sighed as she spoke and a look that was almost human crept into the arid region of her countenance. A feeling of compunction swept over me. Was it possible that this poor simple girl concealed depths of conviviality in her nature and a genial disposition which I, in common with all her former employers, had carelessly overlooked? I will admit that this unexpected phase in Elizabeth's character touched and interested me.

"Elizabeth," I cried in a sudden glow of enthusiasm, "you shall have your jolly Christmas—I will provide it. You shall have your turkey, plum-pudding, mince-pies, crackers, mistletoe and all the rest of it." Cheeryble in his most beneficent mood could not have felt more expansive than I did just then. "You can invite your friends; we shall not be at home, so you will have the place to yourself."

"Lor!" she ejaculated. "D'ye reerly mean it, 'm?"

"I do, Elizabeth. Let me know the sort of Christmas you've always longed for and I'll see that you get it."

She drew up her lank form and her face shone. "Well, 'm, I don't know where you get 'em, but for one thing I've often thort as 'ow I'd like to 'ave a festlebord."

"What's that?" I asked, puzzled. "Is it in the Stores' list?"

"I don't know, 'm, but there's always a lot about it in the books. When the Squire's son comes 'ome repentant at Christmas-tide they always gathers round a festlebord and rejoices."

I began to see light. "You mean a 'festal board'?"

"That's wot I sed, 'm."

"Well, you shall have one, Elizabeth, I'll see to that. I'd let you have a Squire's son as well, but unfortunately the only ones I know are not repentant—as yet. And now tell me which of your friends you would like to invite."

"There's my sister-in-lor 'ud like to come—'er that I 'aven't been on speakin' terms with for five years—but she shan't. An' my friend isn't comin'; I'll see to that arter the things she sed about me to my young man's cousin—sorcy baggage! As for my two aunts they don't set foot under the same roof as me arter the way——"

"Never mind about the people you're not inviting," I broke in; "we don't need a list of them. Who do you want to come?"

"Well, there's Mrs. Spurge, the char—a real nice lady, as you know, 'm. Then I'd like to arsk Polly, the sister of the cook wot lives in the 'ouse at the corner with red 'air; an' there's Mary Baxter. An' isn't it lucky my sailor-brother will be 'ome for the first time in ten years? Can 'e come too, 'm? 'E's been round the world twice."

"In that case, Elizabeth, he certainly ought to be invited. He may even have returned home repentant, so you will be able to rejoice at the festal board in proper style."

"Oh, 'm, isn't it luverly? I won't 'arf have a beano this Christmas. Wot a time we'll 'ave, wot a time!"

For my part I did not pass a very blithesome Christmas. Henry's aunt, who invited us, is rich, but she is also dull, and several times I found myself rather envying Elizabeth. While Aunt Jane nodded in her chair, Henry and I pictured those boisterous revels of Elizabeth and her friends, their boundless mirth, their unrestrained gaiety. We imagined them too gathered round the sailor-brother, listening with rapt delight as he told them stories of the far-off wonder-lands he had known. Henry sighed then and said there were times when he envied the so-called lower classes their capacity for enjoyment.

When we returned home Elizabeth greeted us with beaming countenance. "I 'ope you 'ad a good time," she said; "I know I 'ad."

"Then it really was as nice as you thought it would be, Elizabeth?"

"It was first-rate, 'm. Leastways orl went well until arter dinner, when we begins chippin' each other and ends in 'avin' a few words. My sailor-brother started it by chaffin' Polly about 'er red 'air an' arskin' why she didn't cut it orf, an' she told 'im then that if 'e'd such an objection to red she wondered 'e didn't cut 'is own nose orf. Arter that one thing led to another; we took sides an'——"

"Oh, Elizabeth, you don't mean to say you quarrelled?" I interrupted sorrowfully.

"Oh, no, it wasn't quarrellin', 'm—just bargin', you know. Any'ow it ended in Polly an' Mary an' my brother goin' off early. I was chilly to Mrs. Spurge owin' to 'er 'avin' said that she didn't believe my sailor-brother 'd ever been further than Wapping in a coal-barge. I shouldn't 'ave spoke to 'er again that evenin' if the book 'adn't brought us together again friendly, like."

"What book?" I asked, bewildered.

"One of yours that I got out of the study, 'm. Oh, wot a book! Sorter ghost story in a manner o' speakin'. I laughed an' I cried over it, turn about. So did Mrs. Spurge. You see we read bits out to each other—kep it up till three o'clock in the mornin', we did. It was luverly!"

"And what was the book called?" I inquired.

"It's called A Christmas Car'l, 'm, by Mr. Dickings. Why didn't nobody tell me about it afore? It's far better 'n the pictures. 'Just like 'eaven,' Mrs. Spurge said."

"I'm glad you enjoyed yourself, Elizabeth."

"It's the 'appiest Christmas I ever 'ad, 'm. That there Mr. Dickings is a one! 'E do know wot's wot in festlebords."

Patient. "My missis sent me fur a bottle o' medicine fur me corf. She says it keeps her awake o' nights. I says, 'You've nobbut to lie awake. I've got to lie awake an' corf.'"

HOW, WHY AND WHAT.

(Being the Tragedy of the Conscientious Inquirer who fell among Philistines.)

There was an old man who said, "How

Can I link the To-Be with the Now?"

But they said, "Poor old thing!

You've been reading Dean Inge,

And you're not high enough in the brow."

But in spite of this check he said, "Why

Is my Ego the same as my I?"

So they put him to bed

And placed ice on his head
till the cerebral storm had passed by.

Now I'm told he is asking them, "What

Use has psycho-analysis got?"

And they answer, "N.E.

If you're not an M.D.,

Or a novelist minus a plot."

"A cargo of 800 German pianos arrived at the Tyne from Hamburg on Saturday."

Daily Paper.

Another key industry in danger.

UNFINISHED DRAWING FOR "PUNCH" BY THE LATE F. H. TOWNSEND.

The figure of the little girl was sketched on the morning of his death. The legend which this picture was to illustrate is not known.

MAYBIRDS.

I can see some justification for keeping peacocks, especially if you have shaven lawns and terraces and sundials, though sundials, I imagine, are rather a nuisance now-a-days, because of the trouble of having them reset for summer and winter time. Peacocks at any rate are beautiful, and, if their voices are apt in England to become a little hoarse, that is only because they screech when the weather is going to be bad.

The pheasant is also a useful and beautiful fowl. One may put down bread-crumbs to attract the pheasant to one's garden when he is alive, or to one's plate when he is dead.

But I can see no justification whatever for keeping maybirds, for they are neither useful nor beautiful. Perhaps you do not know what a maybird is. I have five maybirds. I have them because people here would keep saying to me, "Look at the price of fresh eggs, and how much nicer it is to have your own." It is a curious thing about the country that people are always giving one disinterested advice in the matter of domestic economy. In London it is different. In London people let you take a twopenny bus ticket to Westminster instead of walking across the Park, and go to ruin in your own sweet way. They rather admire your dash. But in the country they tell you about these things.

So I went to a man and confessed to him my trouble about fresh eggs.

"I see," he said; "you want maybirds."

"No, I don't," I said; "I want hens."

"It's the same thing," he told me. "How many would you like?"

"Five," I said. I thought five would be an unostentatious number and make it clear that I was not trying to compete with the wholesale egg-dealers.

He segregated five maybirds and explained their points to me.

It appeared that one of them was a Buff Orpington and three were white Wyandottes and one had no particular politics. I should say now that it was an Independent. It has speckles and is the one that keeps getting into the garden.

I asked him when the creatures would begin to enter upon their new duties, and he said they would do so at once.

"What is their maximum egg-laying velocity?" I inquired.

"They'll lay about three eggs a day between them," he said, "these five birds."

"Why between them?" I enquired. But I consented to buy his birds, and he said if I liked he would run round to my garden at once and run up a hen-house and a hen-run for me. "Run" seemed rather a word with him.

I said, "Yes, by all means."

He came round that evening and hewed down an apple-tree under the light of the moon to make room for the maybird-run, and in the morning he brought a large roll of wire-netting, and the next day he built a wooden house, and the day after that he brought his five maybirds, and the day after that he came round and asked for some cinders. He sprinkled these all over the enclosure, and I watched him while he worked.

"What is that for?" I asked.

"They want something to scratch in when they run about," he explained. "Exercise is what they need."

"They seem to be scratching already, but they don't seem to be running," I said. "Wouldn't it have been better to put a cinder-track all round the edge and train them to run races round it?"

He said that he hadn't thought of that, but I could try it if I liked. Then he gave me a bag of food, which he said was particularly efficacious for maybirds, and produced his bill.

All this happened about a month ago, and for the last four weeks the principal preoccupation of my household has been the feeding of these five birds. I have had to lay a gravel-path from the aviary to the back premises in order to sustain the weight of the traffic. Huge bowls of hot food are constantly being mixed and carried to them, without any apparent consciousness on their part of their reciprocal responsibilities. What I mean to say is that there are no eggs. The food which they eat resembles Christmas-pudding at the time when it is stirred, and I have suggested that a sixpence should be concealed in it every now and then—sixpence being apparently the current price of an egg—in order to indicate the nature of our hopes.

I have made other valuable suggestions. I have suggested putting an anthracite stove in their sitting-room, and papering the walls with illustrations representing various methods of mass production, ordinary methods having failed. I notice that cabbages are suspended by a string across the top of the parade-ground in order that the birds may obtain exercise by springing at them. The cabbages are eaten, but I do not believe that the birds jump. I believe that they clamber up the wire with their claws, walk along the tight-rope and bite the cabbage off with their teeth.

Sometimes, as I think I have mentioned, the one with speckles escapes into the garden, and I have several times been asked to chase it home. Nothing makes one look more ridiculous than chasing an independent maybird of no particular views across an onion bed. The rest of the animals appear to spend most of their time in walking about the run with their hands in their pockets looking for things on the ground.

But every now and then one or other of them makes the loud cry which is usually associated with successful egg-production; the whole household troops beaming with anticipation along the gravel-path; and it is then discovered that the Buff has knocked one of the Whites off her perch, or that one of the Whites has scratched a cinder on which the Buff had set her eye, or that the Independent member has made a bitter speech which is deeply resented by the Coalition. But there are no eggs.

About a week ago the corn which apparently forms a part of the necessary nourishment of maybirds, and is kept in an outhouse, was attacked by rats. I was told that I must do something about this. I buttered some slices of bread with arsenic and laid them down on the outhouse floor. The rats ate the bread and arsenic and went on with the corn. Unless a great improvement is manifested in the New Year I have decided to butter the maybirds with arsenic and place them in the outhouse too.

Evoe.

Nurse. "Little gentlemen, Master Eric, leave the last mince-pie to their sisters."

Generous Little Girl. "O Nurse, do let him be a little cad."

Cyclone in the Channel Islands.

"Meteorological Notes.

Harbour Office, Jersey.

Wind      -      E.W.E.      -      Strong Breeze."

Jersey Paper.

"To get away, the man must have jumped from a height of about ten feet to the ground, then across a garden, and over a wall about eight feet high into a laneway."

—Irish Paper.

Some "lep," as they say in Ireland.

"In the House of Lords on Saturday, the expiring Lords Continuance Bill [was] read a third time and passed."

—Provincial Paper.

Trust the Peers for looking after themselves.

Child (saying prayers). "Give us this day our daily bread-and-butter."

Governess. "No, dear—not butter." Child. "Marge, then."

LETTERS I NEVER POSTED.

CONCERNING GOOD RESOLUTIONS.

To the girl at the Exchange.

The New Year is upon us and with it comes the determination to mend our bad habits and make serious efforts to turn over a new leaf. Perhaps you have already thought of this and have made some good resolutions; perhaps, on the other hand, you cannot think of anything amiss that needs correcting. In this case will you let me help you? In every other respect you may be perfection, but as an exchange operator, which is the only capacity in which (alas!) I know you, you are often lacking. I have no doubt that you are charming in private life and that we should get on famously if we met at dinner; but you have an irritating way of giving me the wrong number, which I do most cordially hope you will lose during 1921. When I protest, you merely say you are sorry, but what I suggest is that an ounce of careful listening at first is worth tons of sorrow later. Kingston doesn't really sound a bit like Brixton, and yet yesterday, when I asked for a Kingston number, you put me at once on to the same number in the other suburb. Constantly when I say I want 2365 you give me 2356. To give you your due you are always, I will admit, sorry; but ...

Another thing. Sometimes, when you ring me up and I answer, all you do is to ask, "Number, please," as though I had rung you. (It is then that I feel most that I should like to wring you.) When I reply, "But you rang me," you revert to your prevailing regretful melancholy and say, "Sorry you were troubled," and before I can go deeply into the question and discover how these things occur you ring off. Can't you make an effort during 1921 not to do this? Let it be a year of gladness.

Sometimes I am perfectly certain you don't ring up the number I want until after you have asked me once or twice if they have answered. Isn't that so? "I'll ring them again," you say with a kind of resigned adventurousness; but, knowing as I do that they have been waiting for my call, I am not taken in. But what I want to know is—what were you doing instead of ringing up at first? I suppose that these secrets will never be penetrated by the ordinary subscriber outside the sacred precincts; but I wish you would give me fewer of such problems to ponder during the year that is coming.

P.S.—Have you ever considered, with proper alarm, what would happen to a cinema story if a wrong number were provided by the operator, or if any delay whatever occurred? This should make you think.

To a Racing Journalist.

I suggest that you should include among your good resolutions for the New Year the decision not to allow your readers to participate in your special information as to which horse will come in first. Tell them all you like about yesterday's sport, but dangle no more "security tips" before their diminishing purses. If they must bet—which of course they must, as betting is now the principal national industry—let them at least have the fun of selecting the "also-ran" themselves.

To Many an Editor.

In contemplating your 1921 programme of regeneration could you not make a vow to dispense with all headlines that ask questions? Probably you never see the paper yourself and therefore have no feeling in the matter, but I can assure you that the habit can become very wearisome. "Will it freeze to-day?" "Can Beckett win?" "Will Hobbs reach his 3,000 runs?" "Are the Lords going to pass the Bill?" Won't you make an effort to do without this formula? It is futile in itself and has the unfortunate effect of raising what surely are undesirable doubts as to whether journalists are any more sensible than their readers.

To One Editor in Particular.

No comic hats in 1921, please.

To the P.M.G.

There is, as everyone (except possibly Mr. Austen Chamberlain and the cynic who professes to hate letters so much that he wishes that they cost a shilling a-piece to send) will agree, one good resolution which above all others you should concentrate upon for 1921, and that is to get back our penny postage. With so many comparatively unnecessary things still untaxed, it never should have been sacrificed.

To A Pork Butcher.

Among the problems of this latter day of discontents few are more pressing than speculating as to why sausages and pork-pies have so degenerated. Under the malign influence of Peace, sausages have become tasteless and pork-pies nothing but pies with pork in them; the crust chiefly plaster-of-Paris, and the meat not an essential element, soft and seductive and fused with the pastry, but an alien assortment of half-cooked cubes. I can understand that after a great war a certain deterioration must set in, but I fail to see why sausages and pork-pies, if made at all, should not be made as well as ever, especially as you get such a long price for them. Couldn't you—wouldn't you—try in 1921 to make them with some at least of the old care?

To a Cabinet Minister.

Might not a vow against writing for the papers be rather a nice one to observe during 1921? It is quite on the cards that one's duties to the State (not too inadequately paid for) ought to be sufficiently exacting to preclude journalism at all. There's a question of dignity too, although I hesitate to drag that in.

To the Chief of the Police.

Couldn't you (I hope I am addressing the right gentleman) arrange that before 1921 becomes 1922—twelve whole months—a simple device is made for taxis by which a square of red glass can be slipped over one of the lamps at night to indicate that the cab is free? I'm sure it wouldn't really be difficult, and the comfort of London would be enormously increased.

To A Taxi-Driver.

You will perhaps note what I have just said to the Chief of the Police. If you had any interest in your work you would, of course, long since have fixed up something of the kind for yourself. But let that pass. All I am suggesting to you as a 1921 amendment is that you should bank in a more accessible part of your clothing. Waiting for change in this weather (especially with the flag still down) can be an exasperating experience. Won't you make a resolution during the coming year to keep your money nearer the surface?

E. V. L.

Neighbour (bearer of message, to billiard enthusiast). "You're wanted at 'ome, Charlie. Yer wife's just presented yer with another rebate off yer income-tax."

How to deal with Windbags.

"The address was punctured throughout with cheers."

—West Indian Paper.

"There would be a grand dinner and music, and splendidly-dressed ladies to look at, and things to eat that strangely twisted the girls' paws when they tried to tell about them,"

Weekly Paper.

Mem.—Never try to talk the deaf-and-dumb language after dinner.

Profiteer (to his wife). "Pretty mixed lot at this hotel. 'Ere come some more o' them pre-war blighters."

THE BARKER THAT MISSED FIRE.

On hearing a shuffle of feet in the porch and the clearing of little throats, I exclaimed, "Those carols again!" If between "those" and "carols" I inserted another word, I withdraw it.

I went into the hall and barked like a dog.

I have often said that, if anyone could earn a hundred pounds a week on the stage by barking like a dog, I could. Children like to come to my house to tea merely for the thrill of listening to my imitation. I used to flatter myself that I could bark like a dog even better than Nelson Keys can imitate Gerald du Maurier.

I hardly gave the carol-singers time even to mention Royal David's city before I barked. Instantly one pair of little feet scuttled away towards the gate; then a voice called, "Don't be silly, Alfy; come on back."

Two small girls stood at the front-door as I opened it. One of them smiled up at me and said, "He thinks he's going to be bit." She appeared to be amused by the idea. Down by the gate was a small muffled figure carrying a Chinese lantern. "Come on back, Alfy," she called again, "and let's sing to the gentleman. You see," she explained to me in confidence, "he's got addleoids and can't sing loud, so we let him hold the lantern."

I was beginning to feel sorry that I had played a trick on such inoffensive children and was about to assure them that my savage bull-terrier was safely locked up in the kitchen when the brave little lass began chattering again.

"My dad keeps dogs—all sorts," she told me, "and sells them to gentlemen. So I'm used to dogs." Then she turned once more to the lantern-bearer and commanded, "Now come on and sing, Alfy. It ain't a dog at all; it's only the gentleman trying to make a noise like one."

"Rod Iron Red Mail Bird, year old; good breed; 16s."

—Provincial Paper.

We fancy it must be an armour-clad rooster of this species that, crossed with a Plymouth Rock, was responsible for the reinforced-concrete chicken that we met at dinner the other night.

"When once the exchanges of the world have righted themselves—and that is bound to come about sooner or later—then will follow such a reaction in the trade of the country that will exceed the expectations of the most sanguinary optimist."

—Trade Paper.

We think this must be intended as a hit at Trotsky.

NEW RHYMES FOR OLD CHILDREN.

The Oyster.

The oyster takes no exercise;

I don't believe she really tries;

And since she has no legs

I don't see why she should, do you?

Besides, she has a lot to do—

She lays a million eggs.

At any rate she doesn't stir;

Her food is always brought to her.

But sometimes through her open lips

A horrid little creature slips

Which simply will not go;

And that annoys the poor old girl;

It means she has to make a pearl—

It irritates, you know;

So, crooning some small requiem,

She turns the thing into a gem.

And when I meet the wives of Earls

With lovely necklaces of pearls

It makes me see quite red;

For every jewel on the chain

Some patient oyster had a pain

And had to stay in bed.

To think what millions men can make

Out of an oyster's tummy-ache!

A. P. H.

"At —— Hall, St. John's Wood, Tues., by auction, stock of a Furrier.—Cats. free."

Advt. in Daily Paper.

A case of adding insult to injury.

MICAWBER AND SON.

Senile Optimist. "AND TO YOU, MY BOY, I BEQUEATH—MY LIABILITIES. MAY YOU BE WORTHY OF THEM!"

Juvenile Ditto. "THAT'S ALL RIGHT, SIR. SOMETHING'S SURE TO TURN UP!"

ESSENCE OF PARLIAMENT

.

AT THE MILLENNIUM STORES.

Mr. Lloyd George (Chairman). "You've worked splendidly up to Christmas, and if you'll put your backs into it for the New Year trade I'll see if I can't give you a good long holiday in the autumn."

Mr. Bonar Law (Manager). "Or some other time."

Mr. Bonar Law, Mr. Lloyd George, Mr. Shortt, Mr. Chamberlain, Mr. Neal, Sir Eric Geddes, Sir Robert Horne, Mr. Churchill.

Monday, December 20th.—As the result of being tossed backwards and forwards between the two Houses the Government of Ireland Bill had already lost most of its awkward corners. The last two were rounded off to-day, when the Government secured that Southern Ireland should have three years, instead of two, in which to make up her mind whether to accept or refuse the proffered Parliament, and that in the meantime only a joint resolution of both Houses should prevent the Act from coming into operation. Lord Midleton pressed hard for a retention of the Lords' veto, but was thrown overboard by Lord Crewe, who was greatly impressed by the Lord Chancellor's reminder that within three years there must be a General Election.

In the Commons Sir Robert Horne performed his customary Monday dance among the fiscal egg-shells. He declined to give an estimate as to the number of British workmen unemployed owing to the importation of German goods—"no man who breathes could do it"—and judiciously evaded acceptance of Sir Frederick Hall's suggestion that one reason why Teuton manufacturers were snapping up Dominion contracts was that their employés worked eleven hours a day.

The close of one of the longest and weariest sessions on record finds the Government in a penitent mood. How long will it last? The Prime Minister told one of his supporters that he hoped next year's programme would be less exacting, and immediately promised another measure dealing with dumping and exchange; and when Sir F. Banbury helpfully suggested that the surest way to avoid an Autumn Session would be to introduce fewer Bills Mr. Bonar Law turned on him with the retort that "a surer way would be to introduce none."

An amusing duel between well-matched opponents took place over liquor control. Mr. Macquisten, whose voice, at once insinuating and penetrative, has been likened to a corkscrew, urged that the bonâ-fide frequenters of public-houses should be consulted in the settlement of the drink regulations. The present arrangement, in his view, was like entrusting the regulation of the Churches to avowed atheists. Lady Astor made full use of her shrill treble in retorting that it was the "victims"—by which apparently she meant the wives of Mr. Macquisten's protégés—who ought to have the last word. She herself had it in the series of incredulous "Oh's!"—uttered crescendo on a rising scale and accompanied by appropriate gesture—with which she received Mr. Macquisten's confident assertion that the working-men's clubs are the enemies of "the Trade."

Supplementary Estimates produced a good deal of miscellaneous information. On the Vote for Road Transport Colonel Mildmay attacked the system of tar-spraying and told a melancholy story of a cow that skidded with fatal results. He was backed up by Sir F. Banbury, who said that he had found the ideal pavement in soft wood and awakened memories of an ancient jest by suggesting that something might be done if he and the Minister of Transport were to put their heads together.

Tuesday, December 21st.—Sir William Davison thundered against the Home Office for not taking steps to prevent the desecration of the Nelson Column by the delivery of seditious speeches. Sir John Baird explained that it was impossible to know beforehand what sort of speech was going to be delivered. But his critic would have none of this paltry excuse. "Did not the regulations provide," he boomed, "that the objects of the meetings must be specified?" Fortunately for the Minister, who had nearly been blown off the Treasury Bench, Mr. Hogge came to the rescue. "Is it not a fact," he inquired, "that the monument was erected to a man who turned a blind eye to orders?"

The strange case of Lord Rothermere and the Committee on Public Accounts was further investigated. The Committee had reported that a certain stationery contract for the Air Ministry had been extravagant and improper. The Air Minister at the time was the noble Lord who has lately been so eloquent about "squander-mania," but he has since, in a letter to the Press, declared that he never signed or initialled the order. Lieut.-Colonel Archer-Shee and Mr. Ormsby-Gore sought the opinion of the Treasury on the transaction, and Mr. Baldwin replied that it was certainly usual for a Minister to be held responsible for his expenditure, and that if subordinate officials were thrown over by their chiefs it would be bad for the Service.

The Lords' amendments to the Commons' amendments to the Lords' amendments to the Government of Ireland Bill were agreed to. Sir L. Worthington-Evans thought to improve the occasion by a neat little speech expressing goodwill to Ireland, and, much to his surprise, found himself in collision with the Speaker, who observed that this was not the time for First Reading speeches.

It was rather hard on Lord Peel, as the grandson of the great Sir Robert, to have to sponsor the Dyestuffs Bill. He frankly described it as "a disagreeable pill." Lord Emmott and other Peers showed a strong disinclination to take their medicine, but Lord Moulton said that the chemists—naturally enough—were all in favour of it, and persuaded the House to swallow the bolus.

In the course of an eleventh-hour effort to destroy the Agriculture Bill Lord Lincolnshire described the Prime Minister's Christmas motto as Tax Vobiscum; and the success of his jape served as a partial solace for the defeat of his motion.

Old Sea-dog (to nervous passenger). "Roll? She can roll! D'ye see them marks on the wall? That's our feet."

A WARNING FROM THE SKY.

[The latest form of mascot is a trinket-model of the sign of the zodiac under which one was born.]

'Twas Caution bade me: "Think a while;

Calm thought may prove your saviour;

You've only seen her gala style

And very best behaviour;

What though her form's divinely planned

And rightly you adore it,

Her character's an unknown land,

You'd better first explore it."

But such exploring baffled me—

She had, to my vexation,

No younger brother I could fee

For stable information—

Until at last I noted (worn

Mid baubles weird and various)

A mascot which announced her born

Beneath the sign Aquarius.

An ancient tome declared how this

Implied that, though a beauty,

The girl was careless, slack, remiss

And negligent of duty;

I stilled in time my cardiac stir

And ceased my adoration,

Thanking my lucky stars and her

Explicit constellation.

AT THE PLAY

.

"Peter Pan."

Peter Pan, the play, must by now have long overtaken the age of Peter Pan, the boy; but, like him, it never grows any older. The cast may change, but that seems to make hardly any difference. The new Peter (Miss Edna Best) is as good as any of them. Graceful of shape and lithe of limb, he is still essentially a boy, the realised figure of Barrie's fancy; a little aloof and inscrutable; romantic, too, in his very detachment from the sentiment of romance that he provokes. Miss Freda Godfrey, the new Wendy, would have seemed good if we had not known better ones. To be frank, she looked rather too mature for the part; she needed a more childlike air to give piquancy to her assumption of maternal responsibilities. It was pleasant to see Mr. Henry Ainley unbend to the task, simple for him, of playing Captain Hook and Mr. Darling. One admired his self-control in refusing to impose new subtleties upon established and sacred tradition.

Of familiar friends, age has not withered the compelling charms of Mr. Shelton's Smee, nor, in the person of Mr. Cleave, has custom staled the infinite futility of Slightly. I was glad, too, to find Miss Sybil Carlisle back in the part of Mrs. Darling, which she played most appealingly.

The lagoon scene was cut out this year; perhaps it was thought that there is enough lagoon in London just now. I could more willingly have spared the business of Mr. Darling and the kennel, the one blot in the play. My impression of this grotesquerie has not changed since I first saw Peter Pan.

Among new impressions was a feeling that the domestic details of the First Act are a little too leisurely, so that I appreciated the impatience of my little neighbour for the arrival of Peter Pan, whose acquaintance she had still to make. Also from the presence of children in my party I became conscious how much of the humour of the play—its burlesque, for example, of the stage villain—is only seizable by children who have grown up. Barrie wrote it, of course, to please the eternal child in himself, but forgot now and then what an unusual child it was.

O. S.

On Wednesday, January 5th, 1921, at 3.30 and 8 P.M., in the Hall of the Inner Temple, the "Time and Talents" Guild will give a series of "Action Tableaux," dramatised by Miss Wilson-Fox, in illustration of the history of Southwark and Old Bermondsey from Saxon times to the present day. There will be singing, in character, by the Stock Exchange Choir. The profits will go in aid of the Settlement in Bermondsey, which has been carried on for twenty-one years among the factory girls by members of "Time and Talents," and to-day includes a Hostel, Clubs, a Country Holiday Fund and a cottage in the country. Applications for tickets may be made to Miss Wilson-Fox, 17, De Vere Gardens, Kensington, W. 8.

THE GREAT RESOLVE

.

["When Chu Chin Chow reaches its 2,000th representation on the 29th, it will have run for 1,582 days, 26 days longer than the War."

Sunday Times.]

Behind its pendent curtain folds

We know not what the future holds;

We only know that worlds have gone

Since Chu Chin Chow was first put on.

Mid all our stress and strife and change

This strikes me as extremely strange;

I think when plays go on like this

There ought to be an artistice.

But, when we have another war

After the peace we've toiled so for,

And empires break and thrones are bust

And nations tumble in the dust,

And culture, rising from the East,

On tottering Europe is released,

And Chinamen at last shall rule

In Dublin, Warsaw and Stamboul,

Soon as the roar of cannon ends

And all men once again are friends,

I must fulfil my ancient vow

And go and visit Chu Chin Chow.

ST. CECILIA OF CREMONA.

Punch has no desire to plunge into the controversy which has arisen over the employment of women in professional orchestras, especially as the cause has already been practically won, and here, at any rate, the saying, "What Lancashire thinks to-day England will think to-morrow," has failed to justify itself. The example of Manchester is not being followed in London, and what is deemed advisable for the Free Trade Hall in one city is not to dominate the policy of the Queen's Hall in the other.

But without going into the arguable points of this latest duel of the sexes, Mr. Punch, already in the last year which completes his fourth score, may be allowed to indulge in an old man's privilege of retrospect and incidentally to congratulate the ladies on the wonderful and triumphant progress they have made in instrumental art since the roaring 'forties. For in the 'forties women, though still supreme on the lyric stage, had hardly begun to assert themselves as executants, save on the pianoforte. Punch well remembers Liszt—with the spelling of whose name he had considerable difficulty—in his meteoric pianofortitude. But the young Wilma Neruda, who visited London in 1849, escaped his benevolent notice. She was then only ten. It was not until twenty years later that, as Madame Norman-Neruda, she revisited London, proved that consummate skill could be combined with admirable grace in a woman-violinist, took her place as a leader of the quartet at the Monday "Pops," upset the tyranny of the pianoforte and harp as the only instruments suitable for the young person, and virtually created the professional woman-violinist. Indeed, she may be said to have at once made the fiddle fashionable and profitable for girls.

On its invasion of Mayfair the pencil of Du Maurier furnishes the best comment. Before 1869, woman-violinists were only single spies; now they are to be reckoned in battalions. And they no longer "play the easiest passages with the greatest difficulty," as was once said of an incompetent male pianist, but in all departments of technique and interpretation have fully earned Sir Henry Wood's tribute to their skill, sincerity and delicacy. When the eminent conductor goes on, in his catalogue of their excellences, to say, "They do not drink, and they do not smoke as much as men," he reminds Mr. Punch of two historic sayings of a famous foreign conductor. The first was uttered at a rehearsal of the Venusberg music from Tannhäuser: "Gentlemen, you play it as if you were teetotalers—which you are not." The other was his lament over a fine but uncertain wind-instrument player: "With —— it is always Quench, Quench, Quench."

Mr. Punch is old-fashioned enough to hope that, whether teetotalers or not, the ladies will leave trombones and tubas severely alone, and confine their instrumental energies mainly to the nice conduct of the leading strings—the aristocrats of the orchestra, the sovereigns of the chamber concert.

From a butcher's advertisement:—

"Special Pre-War Pork, and Beef, Sausages."

—Local Paper.

While all in favour of old-fashioned Christmas fare, here we draw the line.

"Enough butter to cover 265,000,000 slices of bread was produced in Manitoba this year. Of 8,250,000,000 pounds produced, 4,100,000 has been exported."

—Canadian Paper.

Thirty-one pounds of butter to the slice is certainly the most tempting inducement to Canadian immigration we have yet noticed.

THE INSPIRED MUSICIAN AND THE CHRISTMAS HAM.

OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

I can't help thinking that Mr. H. G. Hibbert has not chosen altogether the right name for his second volume of theatrical and Bohemian gossip, A Playgoer's Memories (Grant Richards). It is not so unsophisticated as the title had somehow led me to expect. Indeed "unsophisticated" is perhaps the last epithet that could justly be applied to Mr. Hibbert's memories. I fancy I had unconsciously been looking for something more in the style of my own ignorant playgoing. "How wonderful she was in that scene with the broker's man," or "Do you remember the opening of the Third Act?" Not thus Mr. Hibbert. For him the play itself is far less the thing than a peg upon which to hang all sorts of tags and bobtails of recollection, financial, technical and just not scandalous because of the discretion of the telling. His book is a repository of theatrical information, but the great part of it of more absorbing concern for the manager's-room or the stage-door than, say, the dress circle. But I must not be wanting in gratitude for the entertainment which, for all this carping, I certainly derived from it. As an expert on stage finance, for example, to-day and forty years back, Mr. Hibbert has revelations that may well cause the least concerned to marvel. And there is an appendix, which gives a list of Drury Lane pantomimes, with casts, for half a century, including, of course, the incomparable first one; but that is not a memory of this world. A book to be kept for odd references in two senses.

CULPABLE NEGLIGENCE ON THE PART OF AN EDITOR OF AN ILLUSTRATED PAPER. IMPENDING LIBEL ACTIONS.

Captain Eric Blightman, whose engagement to Lady Sarah Hubb has just been announced. | Basher Smith, ex-heavyweight champion of Stepney, who is to act as referee at the Corkery-Hackett fight on Friday.

What most interfered with my peace of mind over The Happy Highways (Heinemann) was, I think, its almost entire absence of highway, and the exceedingly unhappy nature of its confused and uncharted lanes. Indeed, I am wondering now if the title may not have been an instance of bitter irony on the part of Miss Storm Jameson. Certainly a more formless mass of writing never within my experience masqueraded as a novel. There are ideas and reflections—these last mostly angry and vaguely socialistic—and here and there glimpses of illusory narrative about a group of young persons, brothers and a girl-friend, who live at Herne Hill, attend King's College and talk (oh, but interminably) the worst pamphlet-talk of the pre-war age. It is, I take it, a reviewer's job to stifle his boredom and push on resolutely through the dust to find what good, if any, may be hidden by it. I will admit therefore some vague interest in the record of how the War hit such persons as these. Also (to the credit of the author as tale-teller) she does allow one of the young men to earn a scholarship, and for no sane reason to depart instantly thereupon before the mast of a sailing-ship; also another, the central figure, to fall in love with the girl. The book is in three parts, of which the third is superfluously specialized as "chaos." Whether Miss Jameson will yet write a story I am unable to say; I rather wonder, however, that Messrs. Heinemann did not suggest to her that these heterogeneous pages would furnish excellent material for the experiment.

I have discovered that Miss Peggy Webling has quite a remarkable talent for making ordinary places and people seem improbable. She achieves this in Comedy Corner (Hutchinson) by sketching in her scenery quite competently and then allowing her characters to live lives, amongst it, so fraught with coincidence, so swayed by the most unlikely impulses, that a small draper's shop, a West End "Hattery" and an almshouse for old actresses become the most extraordinary places on earth, where anything might happen and nobody would be surprised. Winnie, her heroine, behaves more improbably than anyone else, but she is such a dear little goose that most amiable readers will be quite glad that she doesn't have to suffer as much as such geese would if they existed in real life. You can see from this that it is one of those books that are full of real niceness and goodwill, and it has besides plenty of plot and lots of interesting characters, and yet somehow it gives you the feeling of being out of focus. You read on, expecting every moment that clever Miss Webling will give things a little push in the right direction and make them seem true, and, while you are reading and hoping, you come to the happy ending.

Should you enter The Gates of Tien T'ze (Hodder and Stoughton) you will not regret it, but it is possible that you may be—as I was—a little breathless before the end of this vehement story is reached. The average tale of criminals and detectives is not apt to move slowly, but here Mr. Leslie Howard Gordon maintains the speed of a half-mile relay race. I am not going to reveal his mystery except to say that Tien T'ze was a Chinese organisation which perpetrated crimes, and that Donald Craig, Kyrle Durand—his secretary (female) and cousin—and Bruce MacIvor, superintendent of the Criminal Investigation Department, were employed in tracking it down and smashing it to pieces. Never have I met anyone in fiction (let fact alone) so clever as Kyrle in getting herself and her friends out of tight places. When Craig and MacIvor were so beset by Tien T'ze that their last hour seemed to have come I found myself saying, "It is time for Kyrle to emerge from her machine," and she emerged. In a novel of this genre it is essential that the excitement should never fall below fever-heat, but Mr. Gordon's book does better than that; its temperature would, I think, burst any ordinary thermometer.

"The Vicar's Study Circle is now engaged in considering the teaching of what is known as the 'Higher Criticism.' All interested are invited to attend, whatever sex they may claim to possess."

—Parish Magazine.

The Vicar evidently possesses the open mind so necessary for discussions of this sort.

AS WE SEE OTHERS: A CANDID APPRECIATION OF U.S.A.

The liner de luxe had swung in past Sandy Hook, and the tender had already come alongside with its mail and Press-gang. There ensued a furious race to interview the most distinguished passenger, and it was by the representative of The Democratic Elevator, who got there first, that the Sage, in the very act of recording the emotions provoked by his first sky-scraper, was abordé.

"Mr. Punch, I guess?" said he. "Pleased to meet you, Sir. And what do you think of the American nation?"

"Shall I tell you now," asked Mr. Punch, "or wait till I've actually seen it?"

"Right here," said the interviewer, and drew his note-book.

"Well," began Mr. Punch, "I think a good deal of it—I mean, I think a good deal about it. And it nearly always makes me smile. Of course you won't understand why it nearly always makes me smile, because we don't see fun in the same things. You don't appreciate our humour, and therefore you say that we haven't any. And if we don't appreciate your humour that proves again that we haven't any. So you'll never understand why it makes me smile, sometimes gently and sometimes rather bitterly, to think about your nation; but I'll tell you just the same.

"In the first place, what you call 'America' is only a small fraction of the American continent, not even as large as British North America. And in the second place what you call your 'nation'—well, some rude person once said of it that it isn't really a nation at all, but just a picnic. I won't go so far as that, but I hardly suppose you will be much better pleased if I call it a League of Nations. That is a phrase that you hate, because your President Wilson loves it.

"By the way, I must be very careful how I speak of your President, because you're so sensitive on that subject. You allow yourselves to abuse him as the head of a political party, but if other nations so much as question his omniscience he suddenly becomes the Head of a Sovereign State. An English Cabinet Minister once told me how an American gave vent in conversation to the most violent language in regard to the policy of the President of the day, and when at the end the Englishman very quietly said, 'I am inclined to agree with you,' the American turned on him in a fury, saying: 'Sir, I didn't come here to have my country insulted!'

"However, to return to your League of Nations. In England (where I come from) they are just now reviving a play by Mr. Israel Zangwill, in which, if I recall it rightly, he makes out your country to be the Melting Pot into which every sort of fancy alien type is thrown, and turned out a pattern American citizen, a member of a United Family. I wish I could believe it. It seems to us that your German, even after passing through the Melting Pot, remains a German; that your Irishman, however much he Americanises himself for purposes of political power and graft, remains an Irishman. You never seem to get together as a nation, except when you go to war, and even then you don't keep it up, for you're not together now, although you're still at war with Germany. The rest of the time you seem to spend in having Elections and 'placating' (I think that's what you call it) the German interest, or the negro interest, or the Sinn Fein interest.

"And this brings me to the point that makes me smile most of all—when it doesn't make me weep. Isn't it a pathetic thing that a really great and strong people like you should be so weak and little as to let your Press sympathise blatantly with the campaign of murder in Ireland; to suffer that campaign to be actively assisted by American gunmen; to look on while it is being financed by American money, here employed in conjunction with the resources of that very Bolshevism which you take care to treat as criminal in your own country?

"Isn't it pitiful that you should regard reprisals (hateful though they may be) as worse than the hideous murders which provoked them; forgetting your own addiction to lynch law; forgetting too (as some of our own people forget) that the sanctity of the law depends as much upon the goodwill and assistance of the populace as it does upon the police, and cannot else be maintained?

"Indeed your memory is not very good. Your Monroe Doctrine, which insists that nobody from outside shall interfere with your affairs, escapes you whenever you want to interfere with other people's. You even forget, at convenient times, your own Civil War. Just as there was not a protest made by you against the methods of our blockade of Germany for which an answer could not be found in some precedent set by you in that War of North and South, so now the best answer to your sympathy with the preposterous claims of an Irish Republic is to be found in those four years in which you fought so bloodily to preserve the integrity of your own Union.

"Yet you let men like De Valera go at large proclaiming the brutal tyranny of the alien Saxon and advertising his country as a Sovereign State—all because you have to 'placate' the Irish interest. I should very much like to hear what you would think of us if at our Elections we ran an Anti-You campaign and even made Intervention a plank in our platform (as one of your Parties did) for the sake of 'placating' the niggers or the Cubans or the Filipinos or any other sort of Dago in our midst.

"Of course we are told—and of course I believe it—that the 'best' American sentiment is all right. But, if so, it must be cherished by a very select few, or they would never tolerate a condition of things so rotten that, unless your coming President finds some cure for it, you are like to become the laughing-stock of Europe. I am almost tempted to go into the Melting Pot myself and show you, as none but an American citizen would ever be allowed to show you, how it is to be done. Unfortunately I am too busy elsewhere, putting my own country right.

"But to conclude—for I see that we are drawing close to the landing-stage—I do hope that in my desire to be genial I have not been too flattering. No true friend ever flatters. And in my heart, which has some of our common blood in it (notoriously thicker than water), I cannot help loving your country, and would love it better still if only it gave me a better chance. Indeed, I belong at home to a Society for the Promotion of Anglo-American Friendship. More than that"—and here the Sage was seen to probe into a voluminous and bulging breast-pocket—"I have brought with me a token of affection designed to stimulate a mutual cordiality."

"Not a flask of whisky?" exclaimed the representative of The Democratic Elevator, suddenly moved to animation.

"No, not that, not that, my child," said Mr. Punch, "but something far, far better for you; something that gives you, among other less serious matter, a record of the way in which we in England, with private troubles of our own no easier than yours to bear, and exhausted with twice as many years of sacrifice in the War of Liberty (whose colossal effigy I have just had the pleasure to remark), still try to play an honourable part in that society of nations from which you have apparently resolved, for your better ease and comfort, to cut yourselves off. Be good enough to accept, in the spirit of benevolence in which I offer it, this copy of my

Cartoons.

Partridge, Bernard |
Aladdin and the Miner's Lamp | 311
Bad for the Bull | 51
Cap of Liberty: Le Dernier Cri | 191
Close Corporation (A) | 351
Economists (The) | 471
Experts (The) | 291
Folly of Athens (The) | 411
German Invasion (A) | 431
Great Repudiation (The) | 231
"House"-Breaker (The) | 151
If Winston Set the Fashion— | 111
League of Youth (The) | 91
Micawber and Son | 511
Moral Suasion | 71
Prince Comes Home (The) | 271
Problem (The) | 131
Road to Economy (The) | 451
Salvage | 251
Scales of Justice (The) | 331
Session of Common Sense (A) | 171
Shrine of Honour (The) | 371
Snowed Under | 211
Verdun | 491

Worth a Trial

391

Raven-Hill, L. |
Abysmalists (The) | 383
Balm for the Sick Man | 423
Blue Ribbon of the Sea (The) | 83

Boblet (The) | 463
Encourage Home Industries | 363
Evil Communications | 43
Good Fairy Georgina (The) | 503
Iconoclast (The) | 123
I. O. U. | 11
Labor Omnia Vincit | 443
Last Straw (The) | 403
"Lion of Lucerne (The)" | 143
Our Parish Church | 31
Our Village Sign | 343
Out of the Frying-Pan | 183
Polish Hug (The) | 283
Prospective Jonah? (A) | 263
Public Benefactor (The) | 203
Real Music (The) | 103
Resources of Civilisation (The) | 303
Road to Ruin (The) | 163
Sing a Song of Drachmas | 483
Tartarin dans les Indes | 243

Too-Free Country (A)

323

Reynolds, Frank |

Under a Cloud (with a Golden Lining)

223

Townsend, F. H. |
L'Enfant Terrible | 3
Sea-view of the Situation (A) | 63
Subject to Revision | 23

Articles.

Allen, Inglis |

Difference of Class (A)

208

Anderson, Miss E. V. M. |

Mudford Blight (The)

188

Armstrong, H. |

Working for Peace

330

Bell, Neil |

Cage (The)

349

Biddulph, Miss Violet |

In Defence of Dorothy

102

Bird, A. W. |
Cricket Mannerism (A) | 22
Edward and the B.O.F. | 98
Fine Old Fruity (The) | 490
Stuttfield and the Reds | 374

Twenty Years On

55

Blaikley, Miss E. L. |

Pamela's Alphabet

270

Bretherton, Cyril |
Charivaria | weekly
To Isis | 76

Vignettes of Scottish Sport

458

Brown, C. L. M. |

Our Invincible Navy

362

Brown, Hilton |
Blue Mountains (The) | 136
Nimrod | 195

Santamingoes

24

Bryant, A. W. M. |

Kings and Queens

224

Budgen, C. G. |

Language for Logic (The)

422

Cameron, C. F. |

Taxation of Virtue (The)

214

Casson, C. R. |
Eve Victorious | 466
Humourist (The) | 488
Light Fantastic (The) | 366

Word Chains

28

Chalmers, P. R. |
Kelpie (The) | 149

Visionary (The)

124

Darmady, E. S. |

Peculiar Case of Toller (The)

75

Darmady, E. S. & J. |
Human City and Suburban (The) | 184

Superfection Laundry (The)

342

Davies, Miss S. M. |
Prodigies (The) | 202

Sources of Laughter

385

Dyer, A. E. R. |
Knell of the Navy (The) | 246

Passing of Alfred (The)

298

Eastwood, Captain |

Rabbits' Game (The)

144

Eckersley, Arthur |

Squatters

105

Farrow, R. S. |

New Journalism (The)

370

Fay, S. J. |
Authorship for All | 46, 66
Dissimulation of Suzanne | 176
My Right-Hand Man | 234

Sayings of Barbara (The)

388

Fox-Smith, Miss C. |
All Sorts | 46
Nitrates | 86
Ship in a Bottle (A) | 230

Yarns

390

Franklin, Bernard |

Ballad of the Early Worm (A)

265

Fyleman, Miss Rose |
Check by the Queen | 306
Consolation | 264
Fairy Tailor (The) | 482
Queen's Counsel | 88
Rainy Morning | 253

Wedding Presents

186

Garland, A. P. |
Patient's Library (The) | 118
Place of the Trombone in the Band (The) | 428
Romance of Book-making (The) | 2

Timon

1

Garstin, Crosbie |
Barrel of Beef (The) | 456
Down Channel | 77
Fair (The) | 110
Letter to the Back-Blocks | 324
Old Woman's House Rock, Scilly | 213
Our Heavy-Waits | 464
Reefs (The) | 30

Spanish Ledges

237

Gillman, W. H. |
Counter-Irritant (The) | 108
Headlining | 318

Very Personal

255

Goodhart, Mrs. H. |

Logs to Burn

337

Graves, C. L. |
Between Two Stools | 226
British Tarpon (The) | 198
Changes in Club-Land | 130
Cry of the Adult Author (The) | 345
Cures Worth Making | 38
Fashion and Physique | 210
Footnote to the "Bab Ballads" | 408
From Spa and Shore | 122
Happy Gardener (The) | 398
Mixed Meteorological Maxims | 269
New Utopia (The) | 366
Our Lucky Dippers | 442
Our Natural History Column | 69
Prawling's Theory | 316
Puss at the Palace | 490
Revival of the Fittest (The) | 116
Revival of Ollendorff | 335
Revolt of Youth (The) | 168
St. Cecilia of Cremona | 514
State and the Screen (The) | 50
To Certain Cautious Prophets | 256
To General Oi | 198
Tragedy of Reaction (A) | 19
Two Studies in Musical Criticism | 276

When and If

289

Greenland, George |

Miriam's Two Babies

254

Harwood, A. C. |

How to Build a House

176

Haselden, Percy |

Old Beer Flagon (The)

358

Herbert, A. P. |
Art of Poetry (The) | 164
Autobiography Shocker (The) | 313
Contemporary Folksongs | 384
Criminal Type (A) | 62
Euclid in Real Life | 346
Foul Game (A) | 495
Grasshopper (The) | 42
Happy Hoots (The) | 502
Heart of Mine | 88
If They were at School | 408
Korban Bath (The) | 288
Little Bits of London | 468
Little Horse (The) | 26
Mystery (The) | 126
Mystery of the Apple-pie Beds | 268

New Rhymes for Old Children

186, 215, 234, 244, 295, 306, 329, 350,
365, 416, 426, 455, 475, 485, 510

On with the Dance | 6
Private Film (The) | 338
Seven Whitebait | 206
Spider (The) | 116
Thoughts on The Times | 148

White Spat (The)

448

Heyer, George |

Rhymes of the Underground

95, 115, 176, 193

Hodgkinson, T. |
Best Laid Schemes (The) | 66
Devoted Lover (The) | 270
First Love and Last | 146
Home from Home (A) | 225
Love's Handicap | 318
Mens Conscia Mali | 106
Ministering Angel (The) | 85
Note on the Drama (A) | 450
Sartorial Tragedy (A) | 398
Vanished Glory | 7

Warning from the Sky (A)

513

Holmes, Capt. W. K. |
Ben and the Boot (The) | 233
Territorial (The) | 137
To James in the Bath | 250

Victim of Fashion (A)

96

Holt, E. C. |

Songs of an Ovalite

45

Jackson, Lieut. Gerald, R.N. |

Difficult Case (A)

410

Jagger, Arthur |
Elfin Tennis | 405
Rara Avis | 182

Westward Ho!

169

Jay, Thomas |
Charivaria | weekly

Questions

449

Jenkins, Ernest |
Barker that Missed Fire (The) | 510
Downing of the Pen (The | 354
Improving "Hansard" | 434
My Dromedary | 78
Premier's Metaphors (The) | 386
Should Millionaires read Homer? | 58
Shrimp Test (The) | 253
Solving the Holiday Fare Problem | 81

When Charl. comes over

18

Kidd, Arthur |
Another War to End War | 175
More Secret History | 326
Our "Promised" Land | 429

Passing of the Cradle (The)

205

Kilpatrick, Mrs. |
Elizabeth Goes on Holiday | 64
Elizabeth Goes to the Sales | 4
Elizabeth Outwitted | 284
Elizabeth's Christmas | 504
Ernest Experiments | 315

Hard Times for Heroines

146

King, P. J. |

Ministry for Heroes (The)

294

Kitchin, Harcourt |

My Rat

25

Knox, E. V. |
About Conferences | 326
About Golf | 462
Coal Cup (The) | 204
Converted Castles | 48
D'Annunzio Dialogue (A) | 406
George, Jane and Lenin | 153
Gone Away! | 302
Handy Man (The) | 228
Harding and Cox | 37
I remember—I remember | 70
Maybirds | 506
Miners' Opera (The) | 262
More Pay for M.P.s | 438
My Apologia | 377
On Running Down to Brighton | 190
Priscilla Paints | 18
Priscilla Plays Fairies | 446
Proof Positive | 344
Sand Sports | 170
September in My Garden | 244
Squish | 106
Taffy the Fox | 486
Thoughts in a Cold Snap | 484
Unauthentic Impressions | 364, 382, 404, 424, 444
Ways and Means | 68

Yet One More Plan for Ireland

282

Lamburn, Miss R. C. |
Anniversary (The) | 118
Birthday Present (The) | 94
Strike in Fairyland (A) | 356

Way Out of the Present Unrest

238

Langley, F. O. |
Boot Mystery (The) | 414
Conspirators (The) | 248, 266, 286, 308, 328, 348
Genf and the League of Nations | 368
King's Messenger (The) | 8
Lucerne | 154
Mountain and the Prophets (The) | 476
Movement in the Money Market | 189

Story about a Clock (A)

38

Lewis, M. A. |
Tragedy in Birdland (A) | 395
Transmigration of Bowles (The) | 128

Vade Mecums

96

Leys, Miss H. M. |

Flowers' Names

57, 78, 90, 104, 122, 145, 198, 206,
229, 273, 298

Locker, W. A. |
Essence of Parliament | weekly during Session
Among the Pedestals | 122
Brown Lady (The) | 430
Buckler's | 76
Cabman and the Coin (The) | 246
Cynosure (The) | 397
Dining Gladiator (The) | 304, 322
Down-our-Court Circular | 117
End of the Season (The) | 194
For Ourselves Alone | 296
Honours Easy | 274
If We All Took to Margotry | 142
Letters I never Post (The) | 416
Letters I never Posted | 508
More Margobiography | 102
Mother-in-law Mystery (The) | 376
Other Half (The) | 476
Philosophers | 22
Points of View | 56
Privileges of Margotism (The) | 166
Ring in the Old | 358
Succulent Comedians (The) | 84
"Suggestions" | 496
That Tea Interval | 216
Three Exceptional Men | 15

Wire and Barbed Wire

226

Martin, N. R. |
Sniper (The) | 406

Tips for Uncles

49

May, H. R. D. |

Whiff of the Briny (A)

162

Morrison, A. C. L. |

Language Difficulty (The)

218

Norriss, Cecil |

Charivaria

weekly

Nott-Bower, W. G. |

"G.B.R.L."

435

Ogilvie, W. H. |

Opening Run (The)

357

Penney, F. G. |

To a Clerical Golfing Friend

455

Phelps, S. K. |
Ministry of Ancestry (The) | 222

Pigs

258

Platt, F. W. |

Wail of the Wasp (The)

238

Plumbe, C. C. |

Roses all the Way

86

Preston-Tewart, A. |

Bridge Conventions

242

Richardson, R. J. |
Cubbin' thro' the Rye | 266
Headgear for Heroes | 229
Room at the Back (The) | 174

Scene at the Club (A)

74

Rigby, Reginald |
Great Idea (The) | 394
Little Moa (The) | 265
Piglets | 56
Prone | 149

What to do with our Boys

136

Salvidge, Stanley |

Belles of the Ball

402

Seaman, Owen |
Apology to the Bench (An | 142
Ashes (The) | 222
As We See Others | 517
At the Play | 158, 196, 236, 256, 275, 336, 378, 418, 514
"Christmas Spirit (The)" | 482
Dark Ages (The) | 442
Doggerel | 202
Falling Prices | 302
How to Vitalise the Drama | 382
Lessons from Nature | 262
Michaelmas and the Goose | 242
Mr. Smillie's Little Armageddon | 162
Poet-Laureate and his German Friends (The) | 342
Standard Golf-Ball (The) | 422
To the Lion of Lucerne | 462
To our Play-Makers | 282

Unknown Warrior (The)

370

Silsby, Miss E. |

Late Worm (The)

322

Smith, E. A. |

One Touch of Dickens

436

Spender, Miss B. E. |

Unlikely Story (An)

438

Stuart, Miss D. M. |
Before the Cenotaph | 362

Chantry (The)

298

Taylor, S. J. |

To a Maker of Pills

150

Thornhill, J. F. P. |

Beau Brimacombe

396

Thorp, Joseph |

At the Play

44, 125, 276, 456

Trotter, Mrs. A. F. |

Moon-Seller (The)

216

Westbrook, H. W. |

Beginner (The)

109

Whitaker, V. |

Nocturne

58

White, E. P. |
Another Garden of Allah | 108
Goldwire and Poppyseed | 9
Racing as a Business | 426
Si Jeunesse Savait | 310
Taste of Authority (A) | 138
"To Him that hath ..." | 156

Vacillating Policy (A)

398

White, R. F. |
Increased Output | 402

Type-Slinger (The)

334

Whitmarsh, F. J. |
Guide to Greatness (A) | 330

Peerless Provincial (The)

297

Pictures and Sketches.

Armour, G. D.,

159, 215, 233, 248, 279, 295, 339, 379, 419, 439,
459, 479, 513

Bateman, H. M.,

16, 17, 35, 187, 257, 267

Baumer, Lewis,

119, 190, 207, 224, 250, 270, 330, 390, 430, 450,
490, 510

Belcher, George,

75, 97

Bird, W.,

40, 61, 161, 177, 308, 417, 435, 461

Brock, H. M.,

9, 57, 89, 109, 297, 364, 415

Brook, Ricardo,

300

Cottrell, Tom,

169, 474

Curry, J. R.,

280

Dowd, J. H.,

28, 100, 148, 160, 168, 178, 181, 188, 241, 261,
361, 428, 501

Earnshaw, Harold,

341, 345

"Fougasse",

27, 47, 87, 101, 121, 154, 227, 277, 287, 317, 369,
407, 447, 477, 487, 500

Fraser, Peter,

105, 221, 268, 288, 328, 399, 420

Gammon, Reginald,

139, 209

Garstin, Crosbie,

21

Ghilchik, D. L.,

41, 218

Grave, Charles,

19, 25, 99, 125, 204, 249, 293, 395, 465

Harrison, Charles,

356, 376, 499

Haselden, W. K.,

276, 336, 418, 456

Henry, Thomas,

48, 488

Jennis, G.,

77, 144, 259, 316, 337, 359

Llewellyn, Major W.,

498

Lloyd, A. W.,

13, 33, 34, 53, 54, 73, 74, 93, 94, 113, 133, 134, 333,
353, 354, 373, 374, 393, 413, 414, 433, 434, 453,
473, 493, 512

Martin, L. B.,

114

Mills, A. Wallis,

30, 45, 70, 127, 153, 164, 210, 278, 289, 315, 335,
355, 377, 409, 424, 457, 475, 485, 504

Moreland, Arthur,

141, 174, 201, 319, 394

Morrison, J.,

138

Morrow, Edwin,

388

Morrow, George,

60, 80, 120, 140, 180, 195, 220, 237, 260, 273, 320,
340, 360, 380, 400, 410, 440, 460, 480, 495, 516

Norris, Arthur,

68, 348, 397

Owen, Will,

385

Partridge, Bernard,

1

Pett, Norman,

20, 36, 98, 228, 258, 301, 421, 446

Prance, Bertram,

79, 117, 137, 299, 436, 468

Raven-Hill, L.,

37, 55, 95, 189, 253, 269, 334, 396, 478, 497, 518

Reynolds, Frank,

4, 24, 44, 64, 84, 104, 124, 157, 158, 170, 184, 194,
196, 213, 236, 239, 244, 275, 284, 304, 327, 344,
367, 389, 404, 427, 444, 464, 484, 509

Ridgewell, W. L.,

14, 128

Rowntree, Harry,

149

Shepard, E. H.,

10, 107, 130, 167, 197, 234, 254, 264, 455, 515

Shepherd, J. A.,

217

Shepperson, C. A.,

67, 147, 247, 347, 469, 507

Simmons, Graham,

173

Smith, A. T.,

50, 135, 145, 179, 240, 294, 313, 357, 368, 375

Speed, Lancelot,

78, 235, 305

Stampa, G. L.,

15, 29, 59, 85, 155, 175, 199, 219, 229, 274, 307,
329, 350, 365, 387, 425, 454, 467, 489

Terry, Stan,

81, 200, 208, 281, 321, 381, 401, 441

Thomas, Bert,

7, 69, 115, 185, 214, 225, 255, 285, 309, 324, 405,
494, 505

Thorp, J. H.,

296, 314, 42

Townsend, F. H.,

5, 39, 49, 65, 90, 110, 129, 150, 165, 193, 205, 230,
245, 265, 290, 310, 325, 349, 370, 384, 408, 437,
449, 470, 506

Wood, Starr,

445

*** END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOLUME 159, DECEMBER 29, 1920 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- PUNCH, OR THE LONDON CHARIVARI.

- Vol. 159.

- 29th December, 1920.

- CHARIVARIA.

- OUR GOGGLERS.

- THE HAPPY HOOTS.

- Natural History on the Football Field.

- A BOXING NIGHTMARE.

- ELIZABETH'S CHRISTMAS.

- HOW, WHY AND WHAT.

- UNFINISHED DRAWING FOR "PUNCH" BY THE LATE F. H. TOWNSEND.

- MAYBIRDS.

- Cyclone in the Channel Islands.

- LETTERS I NEVER POSTED. CONCERNING GOOD RESOLUTIONS.

- To the girl at the Exchange.

- To a Racing Journalist.

- To Many an Editor.

- To One Editor in Particular.

- To the P.M.G.

- To A Pork Butcher.

- To a Cabinet Minister.

- To the Chief of the Police.

- To A Taxi-Driver.

- How to deal with Windbags.

- THE BARKER THAT MISSED FIRE.

- NEW RHYMES FOR OLD CHILDREN.

- The Oyster.

- MICAWBER AND SON.

- ESSENCE OF PARLIAMENT

- AT THE MILLENNIUM STORES.

- A WARNING FROM THE SKY.

- AT THE PLAY

- "Peter Pan."

- THE GREAT RESOLVE

- ST. CECILIA OF CREMONA.

- From a butcher's advertisement:—

- THE INSPIRED MUSICIAN AND THE CHRISTMAS HAM.

- OUR BOOKING-OFFICE.

- (By Mr. Punch's Staff of Learned Clerks.)

- CULPABLE NEGLIGENCE ON THE PART OF AN EDITOR OF AN ILLUSTRATED PAPER. IMPENDING LIBEL ACTIONS.

- AS WE SEE OTHERS: A CANDID APPRECIATION OF U.S.A.

- Cartoons.

- Articles.

- Pictures and Sketches.

- THE FULL PROJECT GUTENBERG LICENSE