The Project Gutenberg eBook of Xingu

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Xingu

Author: Edith Wharton

Release date: January 3, 2008 [eBook #24131]

Most recently updated: February 24, 2021

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK XINGU ***

XINGU

By Edith Wharton

Copyright, 1916, By Charles Scribner’s Sons

Contents

I

II

III

I

Mrs. Ballinger is one of the ladies who pursue Culture in bands, as though it were dangerous to meet alone. To this end she had founded the Lunch Club, an association composed of herself and several other indomitable huntresses of erudition. The Lunch Club, after three or four winters of lunching and debate, had acquired such local distinction that the entertainment of distinguished strangers became one of its accepted functions; in recognition of which it duly extended to the celebrated “Osric Dane,” on the day of her arrival in Hillbridge, an invitation to be present at the next meeting.

The club was to meet at Mrs. Bellinger’s. The other members, behind her back, were of one voice in deploring her unwillingness to cede her rights in favor of Mrs. Plinth, whose house made a more impressive setting for the entertainment of celebrities; while, as Mrs. Leveret observed, there was always the picture-gallery to fall back on.

Mrs. Plinth made no secret of sharing this view. She had always regarded it as one of her obligations to entertain the Lunch Club’s distinguished guests. Mrs. Plinth was almost as proud of her obligations as she was of her picture-gallery; she was in fact fond of implying that the one possession implied the other, and that only a woman of her wealth could afford to live up to a standard as high as that which she had set herself. An all-round sense of duty, roughly adaptable to various ends, was, in her opinion, all that Providence exacted of the more humbly stationed; but the power which had predestined Mrs. Plinth to keep a footman clearly intended her to maintain an equally specialized staff of responsibilities. It was the more to be regretted that Mrs. Ballinger, whose obligations to society were bounded by the narrow scope of two parlour-maids, should have been so tenacious of the right to entertain Osric Dane.

The question of that lady’s reception had for a month past profoundly moved the members of the Lunch Club. It was not that they felt themselves unequal to the task, but that their sense of the opportunity plunged them into the agreeable uncertainty of the lady who weighs the alternatives of a well-stocked wardrobe. If such subsidiary members as Mrs. Leveret were fluttered by the thought of exchanging ideas with the author of “The Wings of Death,” no forebodings disturbed the conscious adequacy of Mrs. Plinth, Mrs. Ballinger and Miss Van Vluyck. “The Wings of Death” had, in fact, at Miss Van Vluyck’s suggestion, been chosen as the subject of discussion at the last club meeting, and each member had thus been enabled to express her own opinion or to appropriate whatever sounded well in the comments of the others.

Mrs. Roby alone had abstained from profiting by the opportunity; but it was now openly recognised that, as a member of the Lunch Club, Mrs. Roby was a failure. “It all comes,” as Miss Van Vluyck put it, “of accepting a woman on a man’s estimation.” Mrs. Roby, returning to Hillbridge from a prolonged sojourn in exotic lands—the other ladies no longer took the trouble to remember where—had been heralded by the distinguished biologist, Professor Foreland, as the most agreeable woman he had ever met; and the members of the Lunch Club, impressed by an encomium that carried the weight of a diploma, and rashly assuming that the Professor’s social sympathies would follow the line of his professional bent, had seized the chance of annexing a biological member. Their disillusionment was complete. At Miss Van Vluyck’s first off-hand mention of the pterodactyl Mrs. Roby had confusedly murmured: “I know so little about metres—” and after that painful betrayal of incompetence she had prudently withdrawn from farther participation in the mental gymnastics of the club.

“I suppose she flattered him,” Miss Van Vluyck summed up—“or else it’s the way she does her hair.”

The dimensions of Miss Van Vluyck’s dining-room having restricted the membership of the club to six, the nonconductiveness of one member was a serious obstacle to the exchange of ideas, and some wonder had already been expressed that Mrs. Roby should care to live, as it were, on the intellectual bounty of the others. This feeling was increased by the discovery that she had not yet read “The Wings of Death.” She owned to having heard the name of Osric Dane; but that—incredible as it appeared—was the extent of her acquaintance with the celebrated novelist. The ladies could not conceal their surprise; but Mrs. Ballinger, whose pride in the club made her wish to put even Mrs. Roby in the best possible light, gently insinuated that, though she had not had time to acquaint herself with “The Wings of Death,” she must at least be familiar with its equally remarkable predecessor, “The Supreme Instant.”

Mrs. Roby wrinkled her sunny brows in a conscientious effort of memory, as a result of which she recalled that, oh, yes, she had seen the book at her brother’s, when she was staying with him in Brazil, and had even carried it off to read one day on a boating party; but they had all got to shying things at each other in the boat, and the book had gone overboard, so she had never had the chance—

The picture evoked by this anecdote did not increase Mrs. Roby’s credit with the club, and there was a painful pause, which was broken by Mrs. Plinth’s remarking:

“I can understand that, with all your other pursuits, you should not find much time for reading; but I should have thought you might at least have got up ‘The Wings of Death’ before Osric Dane’s arrival.”

Mrs. Roby took this rebuke good-humouredly. She had meant, she owned, to glance through the book; but she had been so absorbed in a novel of Trollope’s that—

“No one reads Trollope now,” Mrs. Ballinger interrupted.

Mrs. Roby looked pained. “I’m only just beginning,” she confessed.

“And does he interest you?” Mrs. Plinth enquired.

“He amuses me.”

“Amusement,” said Mrs. Plinth, “is hardly what I look for in my choice of books.”

“Oh, certainly, ‘The Wings of Death’ is not amusing,” ventured Mrs. Leveret, whose manner of putting forth an opinion was like that of an obliging salesman with a variety of other styles to submit if his first selection does not suit.

“Was it meant to be?” enquired Mrs. Plinth, who was fond of asking questions that she permitted no one but herself to answer. “Assuredly not.”

“Assuredly not—that is what I was going to say,” assented Mrs. Leveret, hastily rolling up her opinion and reaching for another. “It was meant to—to elevate.”

Miss Van Vluyck adjusted her spectacles as though they were the black cap of condemnation. “I hardly see,” she interposed, “how a book steeped in the bitterest pessimism can be said to elevate however much it may instruct.”

“I meant, of course, to instruct,” said Mrs. Leveret, flurried by the unexpected distinction between two terms which she had supposed to be synonymous. Mrs. Leveret’s enjoyment of the Lunch Club was frequently marred by such surprises; and not knowing her own value to the other ladies as a mirror for their mental complacency she was sometimes troubled by a doubt of her worthiness to join in their debates. It was only the fact of having a dull sister who thought her clever that saved her, from a sense of hopeless inferiority.

“Do they get married in the end?” Mrs. Roby interposed.

“They—who?” the Lunch Club collectively exclaimed.

“Why, the girl and man. It’s a novel, isn’t it? I always think that’s the one thing that matters. If they’re parted it spoils my dinner.”

Mrs. Plinth and Mrs. Ballinger exchanged scandalised glances, and the latter said: “I should hardly advise you to read ‘The Wings of Death’ in that spirit. For my part, when there are so many books one has to read; I wonder how any one can find time for those that are merely amusing.”

“The beautiful part of it,” Laura Glyde murmured, “is surely just this—that no one can tell how ‘The Wings of Death’ ends. Osric Dane, overcome by the awful significance of her own meaning, has mercifully veiled it—perhaps even from herself—as Apelles, in representing the sacrifice of Iphigenia, veiled the face of Agamemnon.”

“What’s that? Is it poetry?” whispered Mrs. Leveret to Mrs. Plinth, who, disdaining a definite reply, said coldly: “You should look it up. I always make it a point to look things up.” Her tone added—“though I might easily have it done for me by the footman.”

“I was about to say,” Miss Van Vluyck resumed, “that it must always be a question whether a book can instruct unless it elevates.”

“Oh—” murmured Mrs. Leveret, now feeling herself hopelessly astray.

“I don’t know,” said Mrs. Ballinger, scenting in Miss Van Vluyck’s tone a tendency to depreciate the coveted distinction of entertaining Osric Dane; “I don’t know that such a question can seriously be raised as to a book which has attracted more attention among thoughtful people than any novel since ‘Robert Elsmere.’”

“Oh, but don’t you see,” exclaimed Laura Glyde, “that it’s just the dark hopelessness of it all—the wonderful tone-scheme of black on black—that makes it such an artistic achievement? It reminded me when I read it of Prince Rupert’s manière noire...the book is etched, not painted, yet one feels the colour-values so intensely....”

“Who is he?” Mrs. Leveret whispered to her neighbour. “Some one she’s met abroad?”

“The wonderful part of the book,” Mrs. Bellinger conceded, “is that it may be looked at from so many points of view. I hear that as a study of determinism Professor Lupton ranks it with ‘The Data of Ethics.’”

“I’m told that Osric Dane spent ten years in preparatory studies before beginning to write it,” said Mrs. Plinth. “She looks up everything—verifies everything. It has always been my principle, as you know. Nothing would induce me, now, to put aside a book before I’d finished it, just because I can buy as many more as I want.”

“And what do you think of ‘The Wings of Death’?” Mrs. Roby abruptly asked her.

It was the kind of question that might be termed out of order, and the ladies glanced at each other as though disclaiming any share in such a breach of discipline. They all knew there was nothing Mrs. Plinth so much disliked as being asked her opinion of a book. Books were written to read; if one read them what more could be expected? To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House. The club had always respected this idiosyncrasy of Mrs. Plinth’s. Such opinions as she had were imposing and substantial: her mind, like her house, was furnished with monumental “pieces” that were not meant to be disarranged; and it was one of the unwritten rules of the Lunch Club that, within her own province, each member’s habits of thought should be respected. The meeting therefore closed with an increased sense, on the part of the other ladies, of Mrs. Roby’s hopeless unfitness to be one of them.

II

Mrs. Leveret, on the eventful day, arrived early at Mrs. Ballinger’s, her volume of Appropriate Allusions in her pocket.

It always flustered Mrs. Leveret to be late at the Lunch Club: she liked to collect her thoughts and gather a hint, as the others assembled, of the turn the conversation was likely to take. To-day, however, she felt herself completely at a loss; and even the familiar contact of Appropriate Allusions, which stuck into her as she sat down, failed to give her any reassurance. It was an admirable little volume, compiled to meet all the social emergencies; so that, whether on the occasion of Anniversaries, joyful or melancholy (as the classification ran), of Banquets, social or municipal, or of Baptisms, Church of England or sectarian, its student need never be at a loss for a pertinent reference. Mrs. Leveret, though she had for years devoutly conned its pages, valued it, however, rather for its moral support than for its practical services; for though in the privacy of her own room she commanded an army of quotations, these invariably deserted her at the critical moment, and the only phrase she retained—Canst thou draw out leviathan with a hook?—was one she had never yet found occasion to apply.

To-day she felt that even the complete mastery of the volume would hardly have insured her self-possession; for she thought it probable that, even if she did, in some miraculous way, remember an Allusion, it would be only to find that Osric Dane used a different volume (Mrs. Leveret was convinced that literary people always carried them), and would consequently not recognise her quotations.

Mrs. Leveret’s sense of being adrift was intensified by the appearance of Mrs. Ballinger’s drawing-room. To a careless eye its aspect was unchanged; but those acquainted with Mrs. Ballinger’s way of arranging her books would instantly have detected the marks of recent perturbation. Mrs. Ballinger’s province, as a member of the Lunch Club, was the Book of the Day. On that, whatever it was, from a novel to a treatise on experimental psychology, she was confidently, authoritatively “up.” What became of last year’s books, or last week’s even; what she did with the “subjects” she had previously professed with equal authority; no one had ever yet discovered. ‘Her mind was an hotel where facts came and went like transient lodgers, without leaving their address behind, and frequently without paying for their board. It was Mrs. Ballinger’s boast that she was “abreast with the Thought of the Day,” and her pride that this advanced position should be expressed by the books on her table. These volumes, frequently renewed, and almost always damp from the press, bore names generally unfamiliar to Mrs. Leveret, and giving her, as she furtively scanned them, a disheartening glimpse of new fields of knowledge to be breathlessly traversed in Mrs. Ballinger’s wake. But to-day a number of maturer-looking volumes were adroitly mingled with the primeurs of the press—Karl Marx jostled Professor Bergson, and the “Confessions of St. Augustine” lay beside the last work on “Mendelism”; so that even to Mrs. Leveret’s fluttered perceptions it was clear that Mrs. Ballinger didn’t in the least know what Osric Dane was likely to talk about, and had taken measures to be prepared for anything. Mrs. Leveret felt like a passenger on an ocean steamer who is told that there is no immediate danger, but that she had better put on her life-belt.

It was a relief to be roused from these forebodings by Miss Van Vluyck’s arrival.

“Well, my dear,” the new-comer briskly asked her hostess, “what subjects are we to discuss to-day?”

Mrs. Ballinger was furtively replacing a volume of Wordsworth by a copy of Verlaine. “I hardly know,” she said, somewhat nervously. “Perhaps we had better leave that to circumstances.”

“Circumstances?” said Miss Van Vluyck drily. “That means, I suppose, that Laura Glyde will take the floor as usual, and we shall be deluged with literature.”

Philanthropy and statistics were Miss Van Vluyck’s province, and she resented any tendency to divert their guest’s attention from these topics.

Mrs. Plinth at this moment appeared.

“Literature?” she protested in a tone of remonstrance. “But this is perfectly unexpected. I understood we were to talk of Osric Dane’s novel.”

Mrs. Ballinger winced at the discrimination, but let it pass. “We can hardly make that our chief subject—at least not too intentionally,” she suggested. “Of course we can let our talk drift in that direction; but we ought to have some other topic as an introduction, and that is what I wanted to consult you about. The fact is, we know so little of Osric Dane’s tastes and interests that it is difficult to make any special preparation.”

“It may be difficult,” said Mrs. Plinth with decision, “but it is necessary. I know what that happy-go-lucky principle leads to. As I told one of my nieces the other day, there are certain emergencies for which a lady should always be prepared. It’s in shocking taste to wear colours when one pays a visit of condolence, or a last year’s dress when there are reports that one’s husband is on the wrong side of the market; and so it is with conversation. All I ask is that I should know beforehand what is to be talked about; then I feel sure of being able to say the proper thing.”

“I quite agree with you,” Mrs. Ballinger assented; “but—”

And at that instant, heralded by the fluttered parlourmaid, Osric Dane appeared upon the threshold.

Mrs. Leveret told her sister afterward that she had known at a glance what was coming. She saw that Osric Dane was not going to meet them half way. That distinguished personage had indeed entered with an air of compulsion not calculated to promote the easy exercise of hospitality. She looked as though she were about to be photographed for a new edition of her books.

The desire to propitiate a divinity is generally in inverse ratio to its responsiveness, and the sense of discouragement produced by Osric Dane’s entrance visibly increased the Lunch Club’s eagerness to please her. Any lingering idea that she might consider herself under an obligation to her entertainers was at once dispelled by her manner: as Mrs. Leveret said afterward to her sister, she had a way of looking at you that made you feel as if there was something wrong with your hat. This evidence of greatness produced such an immediate impression on the ladies that a shudder of awe ran through them when Mrs. Roby, as their hostess led the great personage into the dining-room, turned back to whisper to the others: “What a brute she is!”

The hour about the table did not tend to revise this verdict. It was passed by Osric Dane in the silent deglutition of Mrs. Bollinger’s menu, and by the members of the club in the emission of tentative platitudes which their guest seemed to swallow as perfunctorily as the successive courses of the luncheon.

Mrs. Ballinger’s reluctance to fix a topic had thrown the club into a mental disarray which increased with the return to the drawing-room, where the actual business of discussion was to open. Each lady waited for the other to speak; and there was a general shock of disappointment when their hostess opened the conversation by the painfully commonplace enquiry. “Is this your first visit to Hillbridge?”

Even Mrs. Leveret was conscious that this was a bad beginning; and a vague impulse of deprecation made Miss Glyde interject: “It is a very small place indeed.”

Mrs. Plinth bristled. “We have a great many representative people,” she said, in the tone of one who speaks for her order.

Osric Dane turned to her. “What do they represent?” she asked.

Mrs. Plinth’s constitutional dislike to being questioned was intensified by her sense of unpreparedness; and her reproachful glance passed the question on to Mrs. Ballinger.

“Why,” said that lady, glancing in turn at the other members, “as a community I hope it is not too much to say that we stand for culture.”

“For art—” Miss Glyde interjected.

“For art and literature,” Mrs. Ballinger emended.

“And for sociology, I trust,” snapped Miss Van Vluyck.

“We have a standard,” said Mrs. Plinth, feeling herself suddenly secure on the vast expanse of a generalisation; and Mrs. Leveret, thinking there must be room for more than one on so broad a statement, took courage to murmur: “Oh, certainly; we have a standard.”

“The object of our little club,” Mrs. Ballinger continued, “is to concentrate the highest tendencies of Hillbridge—to centralise and focus its intellectual effort.”

This was felt to be so happy that the ladies drew an almost audible breath of relief.

“We aspire,” the President went on, “to be in touch with whatever is highest in art, literature and ethics.”

Osric Dane again turned to her. “What ethics?” she asked.

A tremor of apprehension encircled the room. None of the ladies required any preparation to pronounce on a question of morals; but when they were called ethics it was different. The club, when fresh from the “Encyclopaedia Britannica,” the “Reader’s Handbook” or Smith’s “Classical Dictionary,” could deal confidently with any subject; but when taken unawares it had been known to define agnosticism as a heresy of the Early Church and Professor Froude as a distinguished histologist; and such minor members as Mrs. Leveret still secretly regarded ethics as something vaguely pagan.

Even to Mrs. Ballinger, Osric Dane’s question was unsettling, and there was a general sense of gratitude when Laura Glyde leaned forward to say, with her most sympathetic accent: “You must excuse us, Mrs. Dane, for not being able, just at present, to talk of anything but ‘The Wings of Death.”’

“Yes,” said Miss Van Vluyck, with a sudden resolve to carry the war into the enemy’s camp. “We are so anxious to know the exact purpose you had in mind in writing your wonderful book.”

“You will find,” Mrs. Plinth interposed, “that we are not superficial readers.”

“We are eager to hear from you,” Miss Van Vluyck continued, “if the pessimistic tendency of the book is an expression of your own convictions or—”

“Or merely,” Miss Glyde thrust in, “a sombre background brushed in to throw your figures into more vivid relief. Are you not primarily plastic?”

“I have always maintained,” Mrs. Ballinger interposed, “that you represent the purely objective method—”

Osric Dane helped herself critically to coffee. “How do you define objective?” she then enquired.

There was a flurried pause before Laura Glyde intensely murmured: “In reading you we don’t define, we feel.”

Otsric Dane smiled. “The cerebellum,” she remarked, “is not infrequently the seat of the literary emotions.” And she took a second lump of sugar.

The sting that this remark was vaguely felt to conceal was almost neutralised by the satisfaction of being addressed in such technical language.

“Ah, the cerebellum,” said Miss Van Vluyck complacently. “The club took a course in psychology last winter.”

“Which psychology?” asked Osric Dane.

There was an agonising pause, during which each member of the club secretly deplored the distressing inefficiency of the others. Only Mrs. Roby went on placidly sipping her chartreuse. At last Mrs. Ballinger said, with an attempt at a high tone: “Well, really, you know, it was last year that we took psychology, and this winter we have been so absorbed in—”

She broke off, nervously trying to recall some of the club’s discussions; but her faculties seemed to be paralysed by the petrifying stare of Osric Dane. What had the club been absorbed in? Mrs. Ballinger, with a vague purpose of gaining time, repeated slowly: “We’ve been so intensely absorbed in—”

Mrs. Roby put down her liqueur glass and drew near the group with a smile.

“In Xingu?” she gently prompted.

A thrill ran through the other members. They exchanged confused glances, and then, with one accord, turned a gaze of mingled relief and interrogation on their rescuer. The expression of each denoted a different phase of the same emotion. Mrs. Plinth was the first to compose her features to an air of reassurance: after a moment’s hasty adjustment her look almost implied that it was she who had given the word to Mrs. Ballinger.

“Xingu, of course!” exclaimed the latter with her accustomed promptness, while Miss Van Vluyck and Laura Glyde seemed to be plumbing the depths of memory, and Mrs. Leveret, feeling apprehensively for Appropriate Allusions, was somehow reassured by the uncomfortable pressure of its bulk against her person.

Osric Dane’s change of countenance was no less striking than that of her entertainers. She too put down her coffee-cup, but with a look of distinct annoyance; she too wore, for a brief moment, what Mrs. Roby afterward described as the look of feeling for something in the back of her head; and before she could dissemble these momentary signs of weakness, Mrs. Roby, turning to her with a deferential smile, had said: “And we’ve been so hoping that to-day you would tell us just what you think of it.”

Osric Dane received the homage of the smile as a matter of course; but the accompanying question obviously embarrassed her, and it became clear to her observers that she was not quick at shifting her facial scenery. It was as though her countenance had so long been set in an expression of unchallenged superiority that the muscles had stiffened, and refused to obey her orders.

“Xingu—” she said, as if seeking in her turn to gain time.

Mrs. Roby continued to press her. “Knowing how engrossing the subject is, you will understand how it happens that the club has let everything else go to the wall for the moment. Since we took up Xingu I might almost say—were it not for your books—that nothing else seems to us worth remembering.”

Osric Dane’s stern features were darkened rather than lit up by an uneasy smile. “I am glad to hear that you make one exception,” she gave out between narrowed lips.

“Oh, of course,” Mrs. Roby said prettily; “but as you have shown us that—so very naturally!—you don’t care to talk of your own things, we really can’t let you off from telling us exactly what you think about Xingu; especially,” she added, with a still more persuasive smile, “as some people say that one of your last books was saturated with it.”

It was an it, then—the assurance sped like fire through the parched minds of the other members. In their eagerness to gain the least little clue to Xingu they almost forgot the joy of assisting at the discomfiture of Mrs. Dane.

The latter reddened nervously under her antagonist’s challenge. “May I ask,” she faltered out, “to which of my books you refer?”

Mrs. Roby did not falter. “That’s just what I want you to tell us; because, though I was present, I didn’t actually take part.”

“Present at what?” Mrs. Dane took her up; and for an instant the trembling members of the Lunch Club thought that the champion Providence had raised up for them had lost a point. But Mrs. Roby explained herself gaily: “At the discussion, of course. And so we’re dreadfully anxious to know just how it was that you went into the Xingu.”

There was a portentous pause, a silence so big with incalculable dangers that the members with one accord checked the words on their lips, like soldiers dropping their arms to watch a single combat between their leaders. Then Mrs. Dane gave expression to their inmost dread by saying sharply: “Ah—you say the Xingu, do you?”

Mrs. Roby smiled undauntedly. “It is a shade pedantic, isn’t it? Personally, I always drop the article; but I don’t know how the other members feel about it.”

The other members looked as though they would willingly have dispensed with this appeal to their opinion, and Mrs. Roby, after a bright glance about the group, went on: “They probably think, as I do, that nothing really matters except the thing itself—except Xingu.”

No immediate reply seemed to occur to Mrs. Dane, and Mrs. Ballinger gathered courage to say: “Surely every one must feel that about Xingu.”

Mrs. Plinth came to her support with a heavy murmur of assent, and Laura Glyde sighed out emotionally: “I have known cases where it has changed a whole life.”

“It has done me worlds of good,” Mrs. Leveret interjected, seeming to herself to remember that she had either taken it or read it the winter before.

“Of course,” Mrs. Roby admitted, “the difficulty is that one must give up so much time to it. It’s very long.”

“I can’t imagine,” said Miss Van Vluyck, “grudging the time given to such a subject.”

“And deep in places,” Mrs. Roby pursued; (so then it was a book!) “And it isn’t easy to skip.”

“I never skip,” said Mrs. Plinth dogmatically.

“Ah, it’s dangerous to, in Xingu. Even at the start there are places where one can’t. One must just wade through.”

“I should hardly call it wading,” said Mrs. Ballinger sarcastically.

Mrs. Roby sent her a look of interest. “Ah—you always found it went swimmingly?”

Mrs. Ballinger hesitated. “Of course there are difficult passages,” she conceded.

“Yes; some are not at all clear—even,” Mrs. Roby added, “if one is familiar with the original.”

“As I suppose you are?” Osric Dane interposed, suddenly fixing her with a look of challenge.

Mrs. Roby met it by a deprecating gesture. “Oh, it’s really not difficult up to a certain point; though some of the branches are very little known, and it’s almost impossible to get at the source.”

“Have you ever tried?” Mrs. Plinth enquired, still distrustful of Mrs. Roby’s thoroughness.

Mrs. Roby was silent for a moment; then she replied with lowered lids: “No—but a friend of mine did; a very brilliant man; and he told me it was best for women—not to....”

A shudder ran around the room. Mrs. Leveret coughed so that the parlour-maid, who was handing the cigarettes, should not hear; Miss Van Vluyck’s face took on a nauseated expression, and Mrs. Plinth looked as if she were passing some one she did not care to bow to. But the most remarkable result of Mrs. Roby’s words was the effect they produced on the Lunch Club’s distinguished guest. Osric Dane’s impassive features suddenly softened to an expression of the warmest human sympathy, and edging her chair toward Mrs. Roby’s she asked: “Did he really? And—did you find he was right?”

Mrs. Ballinger, in whom annoyance at Mrs. Roby’s unwonted assumption of prominence was beginning to displace gratitude for the aid she had rendered, could not consent to her being allowed, by such dubious means, to monopolise the attention of their guest. If Osric Dane had not enough self-respect to resent Mrs. Roby’s flippancy, at least the Lunch Club would do so in the person of its President.

Mrs. Ballinger laid her hand on Mrs. Roby’s arm. “We must not forget,” she said with a frigid amiability, “that absorbing as Xingu is to us, it may be less interesting to—”

“Oh, no, on the contrary, I assure you,” Osric Dane intervened.

“—to others,” Mrs. Ballinger finished firmly; “and we must not allow our little meeting to end without persuading Mrs. Dane to say a few words to us on a subject which, to-day, is much more present in all our thoughts. I refer, of course, to ‘The Wings of Death.’”

The other members, animated by various degrees of the same sentiment, and encouraged by the humanised mien of their redoubtable guest, repeated after Mrs. Ballinger: “Oh, yes, you really must talk to us a little about your book.”

Osric Dane’s expression became as bored, though not as haughty, as when her work had been previously mentioned. But before she could respond to Mrs. Ballinger’s request, Mrs. Roby had risen from her seat, and was pulling down her veil over her frivolous nose.

“I’m so sorry,” she said, advancing toward her hostess with outstretched hand, “but before Mrs. Dane begins I think I’d better run away. Unluckily, as you know, I haven’t read her books, so I should be at a terrible disadvantage among you all, and besides, I’ve an engagement to play bridge.”

If Mrs. Roby had simply pleaded her ignorance of Osric Dane’s works as a reason for withdrawing, the Lunch Club, in view of her recent prowess, might have approved such evidence of discretion; but to couple this excuse with the brazen announcement that she was foregoing the privilege for the purpose of joining a bridge-party was only one more instance of her deplorable lack of discrimination.

The ladies were disposed, however, to feel that her departure—now that she had performed the sole service she was ever likely to render them—would probably make for greater order and dignity in the impending discussion, besides relieving them of the sense of self-distrust which her presence always mysteriously produced. Mrs. Ballinger therefore restricted herself to a formal murmur of regret, and the other members were just grouping themselves comfortably about Osric Dane when the latter, to their dismay, started up from the sofa on which she had been seated.

“Oh wait—do wait, and I’ll go with you!” she called out to Mrs. Roby; and, seizing the hands of the disconcerted members, she administered a series of farewell pressures with the mechanical haste of a railway-conductor punching tickets.

“I’m so sorry—I’d quite forgotten—” she flung back at them from the threshold; and as she joined Mrs. Roby, who had turned in surprise at her appeal, the other ladies had the mortification of hearing her say, in a voice which she did not take the pains to lower: “If you’ll let me walk a little way with you, I should so like to ask you a few more questions about Xingu....”

III

The incident had been so rapid that the door closed on the departing pair before the other members had time to understand what was happening. Then a sense of the indignity put upon them by Osric Dane’s unceremonious desertion began to contend with the confused feeling that they had been cheated out of their due without exactly knowing how or why.

There was a silence, during which Mrs. Ballinger, with a perfunctory hand, rearranged the skilfully grouped literature at which her distinguished guest had not so much as glanced; then Miss Van Vluyck tartly pronounced: “Well, I can’t say that I consider Osric Dane’s departure a great loss.”

This confession crystallised the resentment of the other members, and Mrs. Leveret exclaimed: “I do believe she came on purpose to be nasty!”

It was Mrs. Plinth’s private opinion that Osric Dane’s attitude toward the Lunch Club might have been very different had it welcomed her in the majestic setting of the Plinth drawing-rooms; but not liking to reflect on the inadequacy of Mrs. Ballinger’s establishment she sought a roundabout satisfaction in depreciating her lack of foresight.

“I said from the first that we ought to have had a subject ready. It’s what always happens when you’re unprepared. Now if we’d only got up Xingu—”

The slowness of Mrs. Plinth’s mental processes was always allowed for by the club; but this instance of it was too much for Mrs. Ballinger’s equanimity.

“Xingu!” she scoffed. “Why, it was the fact of our knowing so much more about it than she did—unprepared though we were—that made Osric Dane so furious. I should have thought that was plain enough to everybody!”

This retort impressed even Mrs. Plinth, and Laura Glyde, moved by an impulse of generosity, said: “Yes, we really ought to be grateful to Mrs. Roby for introducing the topic. It may have made Osric Dane furious, but at least it made her civil.”

“I am glad we were able to show her,” added Miss Van Vluyck, “that a broad and up-to-date culture is not confined to the great intellectual centres.”

This increased the satisfaction of the other members, and they began to forget their wrath against Osric Dane in the pleasure of having contributed to her discomfiture.

Miss Van Vluyck thoughtfully rubbed her spectacles. “What surprised me most,” she continued, “was that Fanny Roby should be so up on Xingu.”

This remark threw a slight chill on the company, but Mrs. Ballinger said with an air of indulgent irony: “Mrs. Roby always has the knack of making a little go a long way; still, we certainly owe her a debt for happening to remember that she’d heard of Xingu.” And this was felt by the other members to be a graceful way of cancelling once for all the club’s obligation to Mrs. Roby.

Even Mrs. Leveret took courage to speed a timid shaft of irony. “I fancy Osric Dane hardly expected to take a lesson in Xingu at Hillbridge!”

Mrs. Ballinger smiled. “When she asked me what we represented—do you remember?—I wish I’d simply said we represented Xingu!”

All the ladies laughed appreciatively at this sally, except Mrs. Plinth, who said, after a moment’s deliberation: “I’m not sure it would have been wise to do so.”

Mrs. Ballinger, who was already beginning to feel as if she had launched at Osric Dane the retort which had just occurred to her, turned ironically on Mrs. Plinth. “May I ask why?” she enquired.

Mrs. Plinth looked grave. “Surely,” she said, “I understood from Mrs. Roby herself that the subject was one it was as well not to go into too deeply?”

Miss Van Vluyck rejoined with precision: “I think that applied only to an investigation of the origin of the—of the—“; and suddenly she found that her usually accurate memory had failed her. “It’s a part of the subject I never studied myself/,” she concluded.

“Nor I,” said Mrs. Ballinger.

Laura Glyde bent toward them with widened eyes. “And yet it seems—doesn’t it?—the part that is fullest of an esoteric fascination?”

“I don’t know on what you base that,” said Miss Van Vluyck argumentatively.

“Well, didn’t you notice how intensely interested Osric Dane became as soon as she heard what the brilliant foreigner—he was a foreigner, wasn’t he?—had told Mrs. Roby about the origin—the origin of the rite—or whatever you call it?”

Mrs. Plinth looked disapproving, and Mrs. Ballinger visibly wavered. Then she said: “It may not be desirable to touch on the—on that part of the subject in general conversation; but, from the importance it evidently has to a woman of Osric Dane’s distinction, I feel as if we ought not to be afraid to discuss it among ourselves—without gloves—though with closed doors, if necessary.”

“I’m quite of your opinion,” Miss Van Vluyck came briskly to her support; “on condition, that is, that all grossness of language is avoided.”

“Oh, I’m sure we shall understand without that,” Mrs. Leveret tittered; and Laura Glyde added significantly: “I fancy we can read between the lines,” while Mrs. Ballinger rose to assure herself that the doors were really closed.

Mrs. Plinth had not yet given her adhesion. “I hardly see,” she began, “what benefit is to be derived from investigating such peculiar customs—”

But Mrs. Ballinger’s patience had reached the extreme limit of tension. “This at least,” she returned; “that we shall not be placed again in the humiliating position of finding ourselves less up on our own subjects than Fanny Roby!”

Even to Mrs. Plinth this argument was conclusive. She peered furtively about the room and lowered her commanding tones to ask: “Have you got a copy?”

“A—a copy?” stammered Mrs. Ballinger. She was aware that the other members were looking at her expectantly, and that this answer was inadequate, so she supported it by asking another question. “A copy of what?”

Her companions bent their expectant gaze on Mrs. Plinth, who, in turn, appeared less sure of herself than usual. “Why, of—of—the book,” she explained.

“What book?” snapped Miss Van Vluyck, almost as sharply as Osric Dane.

Mrs. Ballinger looked at Laura Glyde, whose eyes were interrogatively fixed on Mrs. Leveret. The fact of being deferred to was so new to the latter that it filled her with an insane temerity. “Why, Xingu, of course!” she exclaimed.

A profound silence followed this challenge to the resources of Mrs. Ballinger’s library, and the latter, after glancing nervously toward the Books of the Day, returned with dignity: “It’s not a thing one cares to leave about.”

“I should think not!” exclaimed Mrs. Plinth.

“It is a book, then?” said Miss Van Vluyck.

This again threw the company into disarray, and Mrs. Ballinger, with an impatient sigh, rejoined: “Why—there is a book—naturally....”

“Then why did Miss Glyde call it a religion?”

Laura Glyde started up. “A religion? I never—”

“Yes, you did,” Miss Van Vluyck insisted; “you spoke of rites; and Mrs. Plinth said it was a custom.”

Miss Glyde was evidently making a desperate effort to recall her statement; but accuracy of detail was not her strongest point. At length she began in a deep murmur: “Surely they used to do something of the kind at the Eleusinian mysteries—”

“Oh—” said Miss Van Vluyck, on the verge of disapproval; and Mrs. Plinth protested: “I understood there was to be no indelicacy!”

Mrs. Ballinger could not control her irritation. “Really, it is too bad that we should not be able to talk the matter over quietly among ourselves. Personally, I think that if one goes into Xingu at all—”

“Oh, so do I!” cried Miss Glyde.

“And I don’t see how one can avoid doing so, if one wishes to keep up with the Thought of the Day—”

Mrs. Leveret uttered an exclamation of relief. “There—that’s it!” she interposed.

“What’s it?” the President took her up.

“Why—it’s a—a Thought: I mean a philosophy.”

This seemed to bring a certain relief to Mrs. Ballinger and Laura Glyde, but Miss Van Vluyck said: “Excuse me if I tell you that you’re all mistaken. Xingu happens to be a language.”

“A language!” the Lunch Club cried.

“Certainly. Don’t you remember Fanny Roby’s saying that there were several branches, and that some were hard to trace? What could that apply to but dialects?”

Mrs. Ballinger could no longer restrain a contemptuous laugh. “Really, if the Lunch Club has reached such a pass that it has to go to Fanny Roby for instruction on a subject like Xingu, it had almost better cease to exist!”

“It’s really her fault for not being clearer,” Laura Glyde put in.

“Oh, clearness and Fanny Roby!” Mrs. Ballinger shrugged. “I daresay we shall find she was mistaken on almost every point.”

“Why not look it up?” said Mrs. Plinth.

As a rule this recurrent suggestion of Mrs. Plinth’s was ignored in the heat of discussion, and only resorted to afterward in the privacy of each member’s home. But on the present occasion the desire to ascribe their own confusion of thought to the vague and contradictory nature of Mrs. Roby’s statements caused the members of the Lunch Club to utter a collective demand for a book of reference.

At this point the production of her treasured volume gave Mrs. Leveret, for a moment, the unusual experience of occupying the centre front; but she was not able to hold it long, for Appropriate Allusions contained no mention of Xingu.

“Oh, that’s not the kind of thing we want!” exclaimed Miss Van Vluyck. She cast a disparaging glance over Mrs. Ballinger’s assortment of literature, and added impatiently: “Haven’t you any useful books?”

“Of course I have,” replied Mrs. Ballinger indignantly; “I keep them in my husband’s dressing-room.”

From this region, after some difficulty and delay, the parlour-maid produced the W-Z volume of an Encyclopaedia and, in deference to the fact that the demand for it had come from Miss Van Vluyck, laid the ponderous tome before her.

There was a moment of painful suspense while Miss Van Vluyck rubbed her spectacles, adjusted them, and turned to Z; and a murmur of surprise when she said: “It isn’t here.”

“I suppose,” said Mrs. Plinth, “it’s not fit to be put in a book of reference.”

“Oh, nonsense!” exclaimed Mrs. Ballinger. “Try X.”

Miss Van Vluyck turned back through the volume, peering short-sightedly up and down the pages, till she came to a stop and remained motionless, like a dog on a point.

“Well, have you found it?” Mrs. Ballinger enquired after a considerable delay.

“Yes. I’ve found it,” said Miss Van Vluyck in a queer voice.

Mrs. Plinth hastily interposed: “I beg you won’t read it aloud if there’s anything offensive.”

Miss Van Vluyck, without answering, continued her silent scrutiny.

“Well, what is it?” exclaimed Laura Glyde excitedly.

“Do tell us!” urged Mrs. Leveret, feeling that she would have something awful to tell her sister.

Miss Van Vluyck pushed the volume aside and turned slowly toward the expectant group.

“It’s a river.”

“A river?”

“Yes: in Brazil. Isn’t that where she’s been living?”

“Who? Fanny Roby? Oh, but you must be mistaken. You’ve been reading the wrong thing,” Mrs. Ballinger exclaimed, leaning over her to seize the volume.

“It’s the only Xingu in the Encyclopaedia; and she has been living in Brazil,” Miss Van Vluyck persisted.

“Yes: her brother has a consulship there,” Mrs. Leveret interposed.

“But it’s too ridiculous! I—we—why we all remember studying Xingu last year—or the year before last,” Mrs. Ballinger stammered.

“I thought I did when you said so,” Laura Glyde avowed.

“I said so?” cried Mrs. Ballinger.

“Yes. You said it had crowded everything else out of your mind.”

“Well you said it had changed your whole life!”

“For that matter. Miss Van Vluyck said she had never grudged the time she’d given it.”

Mrs. Plinth interposed: “I made it clear that I knew nothing whatever of the original.”

Mrs. Ballinger broke off the dispute with a groan. “Oh, what does it all matter if she’s been making fools of us? I believe Miss Van Vluyck’s right—she was talking of the river all the while!”

“How could she? It’s too preposterous,” Miss Glyde exclaimed.

“Listen.” Miss Van Vluyck had repossessed herself of the Encyclopaedia, and restored her spectacles to a nose reddened by excitement. “‘The Xingu, one of the principal rivers of Brazil, rises on the plateau of Mato Grosso, and flows in a northerly direction for a length of no less than one thousand one hundred and eighteen miles, entering the Amazon near the mouth of the latter river. The upper course of the Xingu is auriferous and fed by numerous branches. Its source was first discovered in 1884 by the German explorer von den Steinen, after a difficult and dangerous expedition through a region inhabited by tribes still in the Stone Age of culture.’”

The ladies received this communication in a state of stupefied silence from which Mrs. Leveret was the first to rally. “She certainly did speak of its having branches.”

The word seemed to snap the last thread of their incredulity. “And of its great length,” gasped Mrs. Ballinger.

“She said it was awfully deep, and you couldn’t skip—you just had to wade through,” Miss Glyde added.

The idea worked its way more slowly through Mrs. Plinth’s compact resistances. “How could there be anything improper about a river?” she enquired.

“Improper?”

“Why, what she said about the source—that it was corrupt?”

“Not corrupt, but hard to get at,” Laura Glyde corrected. “Some one who’d been there had told her so. I daresay it was the explorer himself—doesn’t it say the expedition was dangerous?”

“‘Difficult and dangerous,’” read Miss Van Vluyck.

Mrs. Ballinger pressed her hands to her throbbing temples. “There’s nothing she said that wouldn’t apply to a river—to this river!” She swung about excitedly to the other members. “Why, do you remember her telling us that she hadn’t read ‘The Supreme Instant’ because she’d taken it on a boating party while she was staying with her brother, and some one had ‘shied’ it overboard—‘shied’ of course was her own expression.”

The ladies breathlessly signified that the expression had not escaped them.

“Well—and then didn’t she tell Osric Dane that one of her books was simply saturated with Xingu? Of course it was, if one of Mrs. Roby’s rowdy friends had thrown it into the river!”

This surprising reconstruction of the scene in which they had just participated left the members of the Lunch Club inarticulate. At length, Mrs. Plinth, after visibly labouring with the problem, said in a heavy tone: “Osric Dane was taken in too.”

Mrs. Leveret took courage at this. “Perhaps that’s what Mrs. Roby did it for. She said Osric Dane was a brute, and she may have wanted to give her a lesson.”

Miss Van Vluyck frowned. “It was hardly worth while to do it at our expense.”

“At least,” said Miss Glyde with a touch of bitterness, “she succeeded in interesting her, which was more than we did.”

“What chance had we?” rejoined Mrs. Ballinger.

“Mrs. Roby monopolised her from the first. And that, I’ve no doubt, was her purpose—to give Osric Dane a false impression of her own standing in the club. She would hesitate at nothing to attract attention: we all know how she took in poor Professor Foreland.”

“She actually makes him give bridge-teas every Thursday,” Mrs. Leveret piped up.

Laura Glyde struck her hands together. “Why, this is Thursday, and it’s there she’s gone, of course; and taken Osric with her!”

“And they’re shrieking over us at this moment,” said Mrs. Ballinger between her teeth.

This possibility seemed too preposterous to be admitted. “She would hardly dare,” said Miss Van Vluyck, “confess the imposture to Osric Dane.”

“I’m not so sure: I thought I saw her make a sign as she left. If she hadn’t made a sign, why should Osric Dane have rushed out after her?”

“Well, you know, we’d all been telling her how wonderful Xingu was, and she said she wanted to find out more about it,” Mrs. Leveret said, with a tardy impulse of justice to the absent.

This reminder, far from mitigating the wrath of the other members, gave it a stronger impetus.

“Yes—and that’s exactly what they’re both laughing over now,” said Laura Glyde ironically.

Mrs. Plinth stood up and gathered her expensive furs about her monumental form. “I have no wish to criticise,” she said; “but unless the Lunch Club can protect its members against the recurrence of such—such unbecoming scenes, I for one—”

“Oh, so do I!” agreed Miss Glyde, rising also.

Miss Van Vluyck closed the Encyclopaedia and proceeded to button herself into her jacket “My time is really too valuable—” she began.

“I fancy we are all of one mind,” said Mrs. Ballinger, looking searchingly at Mrs. Leveret, who looked at the others.

“I always deprecate anything like a scandal—” Mrs. Plinth continued.

“She has been the cause of one to-day!” exclaimed Miss Glyde.

Mrs. Leveret moaned: “I don’t see how she could!” and Miss Van Vluyck said, picking up her note-book: “Some women stop at nothing.”

“—but if,” Mrs. Plinth took up her argument impressively, “anything of the kind had happened in my house” (it never would have, her tone implied), “I should have felt that I owed it to myself either to ask for Mrs. Roby’s resignation—or to offer mine.”

“Oh, Mrs. Plinth—” gasped the Lunch Club.

“Fortunately for me,” Mrs. Plinth continued with an awful magnanimity, “the matter was taken out of my hands by our President’s decision that the right to entertain distinguished guests was a privilege vested in her office; and I think the other members will agree that, as she was alone in this opinion, she ought to be alone in deciding on the best way of effacing its—its really deplorable consequences.”

A deep silence followed this outbreak of Mrs. Plinth’s long-stored resentment.

“I don’t see why I should be expected to ask her to resign—” Mrs. Ballinger at length began; but Laura Glyde turned back to remind her: “You know she made you say that you’d got on swimmingly in Xingu.”

An ill-timed giggle escaped from Mrs. Leveret, and Mrs. Ballinger energetically continued “—but you needn’t think for a moment that I’m afraid to!”

The door of the drawing-room closed on the retreating backs of the Lunch Club, and the President of that distinguished association, seating herself at her writing-table, and pushing away a copy of “The Wings of Death” to make room for her elbow, drew forth a sheet of the club’s note-paper, on which she began to write: “My dear Mrs. Roby—”

*** END OF THE PROJECT GUTENBERG EBOOK XINGU ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

XINGU

Contents

I

II

III

THE FULL PROJECT GUTENBERG LICENSE