Star Mother
Date: 2008-10-18T00:00:00+00:00
Keywords: Science fiction; Short stories

The Project Gutenberg eBook of Star Mother

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Star Mother

Author: Robert F. Young

Release date: October 18, 2008 [eBook #26957]
Most recently updated: January 4, 2021

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK STAR MOTHER ***

STAR MOTHER

By ROBERT F. YOUNG

A touching story of the most enduring love in all eternity.

That night her son was the first star.

She stood motionless in the garden, one hand pressed against her heart, watching him rise above the fields where he had played as a boy, where he had worked as a young man; and she wondered whether he was thinking of those fields now, whether he was thinking of her standing alone in the April night with her memories; whether he was thinking of the verandahed house behind her, with its empty rooms and silent halls, that once upon a time had been his birthplace.

Higher still and higher he rose in the southern sky, and then, when he had reached his zenith, he dropped swiftly down past the dark edge of the Earth and disappeared from sight. A boy grown up too soon, riding round and round the world on a celestial carousel, encased in an airtight metal capsule in an airtight metal chariot ...

Why don't they leave the stars alone? she thought. Why don't they leave the stars to God?

The general's second telegram came early the next morning: Explorer XII doing splendidly. Expect to bring your son down sometime tomorrow.

She went about her work as usual, collecting the eggs and allocating them in their cardboard boxes, then setting off in the station wagon on her Tuesday morning run. She had expected a deluge of questions from her customers. She was not disappointed. "Is Terry really way up there all alone, Martha?" "Aren't you scared, Martha?" "I do hope they can get him back down all right, Martha." She supposed it must have given them quite a turn to have their egg woman change into a star mother overnight.

She hadn't expected the TV interview, though, and she would have avoided it if it had been politely possible. But what could she do when the line of cars and trucks pulled into the drive and the technicians got out and started setting up their equipment in the backyard? What could she say when the suave young man came up to her and said, "We want you to know that we're all very proud of your boy up there, ma'am, and we hope you'll do us the honor of answering a few questions."

Most of the questions concerned Terry, as was fitting. From the way the suave young man asked them, though, she got the impression that he was trying to prove that her son was just like any other average American boy, and such just didn't happen to be the case. But whenever she opened her mouth to mention, say, how he used to study till all hours of the night, or how difficult it had been for him to make friends because of his shyness, or the fact that he had never gone out for football—whenever she started to mention any of these things, the suave young man was in great haste to interrupt her and to twist her words, by requestioning, into a different meaning altogether, till Terry's behavior pattern seemed to coincide with the behavior pattern which the suave young man apparently considered the norm, but which, if followed, Martha was sure, would produce not young men bent on exploring space but young men bent on exploring trivia.

A few of the questions concerned herself: Was Terry her only child? ("Yes.") What had happened to her husband? ("He was killed in the Korean War.") What did she think of the new law granting star mothers top priority on any and all information relating to their sons? ("I think it's a fine law ... It's too bad they couldn't have shown similar humanity toward the war mothers of World War II.")

It was late in the afternoon by the time the TV crew got everything repacked into their cars and trucks and made their departure. Martha fixed herself a light supper, then donned an old suede jacket of Terry's and went out into the garden to wait for the sun to go down. According to the time table the general had outlined in his first telegram, Terry's first Tuesday night passage wasn't due to occur till 9:05. But it seemed only right that she should be outside when the stars started to come out. Presently they did, and she watched them wink on, one by one, in the deepening darkness of the sky. She'd never been much of a one for the stars; most of her life she'd been much too busy on Earth to bother with things celestial. She could remember, when she was much younger and Bill was courting her, looking up at the moon sometimes; and once in a while, when a star fell, making a wish. But this was different. It was different because now she had a personal interest in the sky, a new affinity with its myriad inhabitants.

And how bright they became when you kept looking at them! They seemed to come alive, almost, pulsing brilliantly down out of the blackness of the night ... And they were different colors, too, she noticed with a start. Some of them were blue and some were red, others were yellow ... green ... orange ...

It grew cold in the April garden and she could see her breath. There was a strange crispness, a strange clarity about the night, that she had never known before ... She glanced at her watch, was astonished to see that the hands indicated two minutes after nine. Where had the time gone? Tremulously she faced the southern horizon ... and saw her Terry appear in his shining chariot, riding up the star-pebbled path of his orbit, a star in his own right, dropping swiftly now, down, down, and out of sight beyond the dark wheeling mass of the Earth ... She took a deep, proud breath, realized that she was wildly waving her hand and let it fall slowly to her side. Make a wish! she thought, like a little girl, and she wished him pleasant dreams and a safe return and wrapped the wish in all her love and cast it starward.

Sometime tomorrow, the general's telegram had said—

That meant sometime today!

She rose with the sun and fed the chickens, fixed and ate her breakfast, collected the eggs and put them in their cardboard boxes, then started out on her Wednesday morning run. "My land, Martha, I don't see how you stand it with him way up there! Doesn't it get on your nerves?" ("Yes ... Yes, it does.") "Martha, when are they bringing him back down?" ("Today ... Today!") "It must be wonderful being a star mother, Martha." ("Yes, it is—in a way.")

Wonderful ... and terrible.

If only he can last it out for a few more hours, she thought. If only they can bring him down safe and sound. Then the vigil will be over, and some other mother can take over the awesome responsibility of having a son become a star—

If only ...

The general's third telegram arrived that afternoon: Regret to inform you that meteorite impact on satellite hull severely damaged capsule-detachment mechanism, making ejection impossible. Will make every effort to find another means of accomplishing your son's return.

Terry!—

See the little boy playing beneath the maple tree, moving his tiny cars up and down the tiny streets of his make-believe village; the little boy, his fuzz of hair gold in the sunlight, his cherub-cheeks pink in the summer wind—

Terry!—

Up the lane the blue-denimed young man walks, swinging his thin tanned arms, his long legs making near-grownup strides over the sun-seared grass; the sky blue and bright behind him, the song of cicada rising and falling in the hazy September air—

Terry ...

—probably won't get a chance to write you again before take-off, but don't worry, Ma. The Explorer XII is the greatest bird they ever built. Nothing short of a direct meteorite hit can hurt it, and the odds are a million to one ...

Why don't they leave the stars alone? Why don't they leave the stars to God?

The afternoon shadows lengthened on the lawn and the sun grew red and swollen over the western hills. Martha fixed supper, tried to eat, and couldn't. After a while, when the light began to fade, she slipped into Terry's jacket and went outside.

Slowly the sky darkened and the stars began to appear. At length her star appeared, but its swift passage blurred before her eyes. Tires crunched on the gravel then, and headlights washed the darkness from the drive. A car door slammed.

Martha did not move. Please God, she thought, let it be Terry, even though she knew that it couldn't possibly be Terry. Footsteps sounded behind her, paused. Someone coughed softly. She turned then—

"Good evening, ma'am."

She saw the circlet of stars on the gray epaulet; she saw the stern handsome face; she saw the dark tired eyes. And she knew. Even before he spoke again, she knew—

"The same meteorite that damaged the ejection mechanism, ma'am. It penetrated the capsule, too. We didn't find out till just a while ago—but there was nothing we could have done anyway ... Are you all right, ma'am?"

"Yes. I'm all right."

"I wanted to express my regrets personally. I know how you must feel."

"It's all right."

"We will, of course, make every effort to bring back his ... remains ... so that he can have a fitting burial on Earth."

"No," she said.

"I beg your pardon, ma'am?"

She raised her eyes to the patch of sky where her son had passed in his shining metal sarcophagus. Sirius blossomed there, blue-white and beautiful. She raised her eyes still higher—and beheld the vast parterre of Orion with its central motif of vivid forget-me-nots, its far-flung blooms of Betelguese and Rigel, of Bellatrix and Saiph ... And higher yet—and there flamed the exquisite flower beds of Taurus and Gemini, there burgeoned the riotous wreath of the Crab; there lay the pulsing petals of the Pleiades ... And down the ecliptic garden path, wafted by a stellar breeze, drifted the ocher rose of Mars ...

"No," she said again.

The general had raised his eyes, too; now, slowly, he lowered them. "I think I understand, ma'am. And I'm glad that's the way you want it ... The stars are beautiful tonight, aren't they."

"More beautiful than they've ever been," she said.

After the general had gone, she looked up once more at the vast and variegated garden of the sky where her son lay buried, then she turned and walked slowly back to the memoried house.

THE END

Transcriber's Note: This etext was produced from Amazing Stories January 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK STAR MOTHER ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- STAR MOTHER

- THE FULL PROJECT GUTENBERG LICENSE