Larson's Luck
Date: 2009-11-09T00:00:00+00:00
Keywords: Science fiction; Short stories

The Project Gutenberg eBook of Larson's Luck

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Larson's Luck

Author: Gerald Vance

Illustrator: Robert Fuqua

Release date: November 9, 2009 [eBook #30437]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK LARSON'S LUCK ***

LARSON'S LUCK

by GERALD
VANCE

Larson couldn't possibly have known what was
going on in the engine room, yet he acted....

There would be hell to pay; Larson was stunting again.

"We moor in ten minutes," I said.

We were flying at reduced speed because of the heavy fog we had run into at the outer fringe of Earth's atmosphere. But I knew we were within forty or fifty miles of the Trans-Space base. I had counted the miles on this particular trip because of the load of radium we were carrying from the Venusian mines. I wouldn't draw a completely relieved breath until we were down and the stuff was in the hands of the commerce agents.

I eased my position slightly to relieve the pressure on my broken flipper and grinned at the pilot, Lucky Larson, the screwiest, most unpredictable void trotter who had ever flown for dear old Trans-Space.

"You've been too good to be true this trip," I said, "and it's a good thing. The chief told me that if you so much as thought about clowning around or stunting he was going to clip your wings for good."

Lucky grinned, an impish, devil-may-care grin that lightened up his freckled face and bunched the tiny wrinkles at the corners of his eyes. Then with characteristic abruptness he scowled.

"That grandmother," he said disgustedly. "Who does he think I am, anyway? Some crazy irresponsible madman who hasn't got enough brains to stay on a space beam?"

"That's just what he does think," I grinned, "and you've given him plenty of reason to think it. You can't bring your crate in to the base without stunting around and showing off and risking your damn neck. That's why he sent me along with you this trip. Just to see that you act like a pilot—instead of circus acrobat."

"A lot of good you'd do," Lucky mumbled. "You got a broken arm. The only reason he sent you is because he didn't want to pay you while you was in the hospital so he cooks up this trip to get his money out of you. And say," he turned to me belligerently, "when did I ever crack up a ship? When did I ever even dent one of the babies?"

"You haven't," I was forced to admit, "but that's just because of that screwy luck of yours. But it won't last forever and one of these days it's going to run out just when you need it. So just remember—no stunting this trip or you'll be out of the strata for the rest of your natural life."

"Aw, that's the trouble with this racket," Lucky grumbled, "a guy can't have no fun no more. Back when I was with the Space circus—"

"Okay, okay," I cut in, "I've heard that before. Just fly your ship, now, and forget about the deep dark plot of the company to take all the joy out of your life. I'm going to take a look-see at the atomic floats and get the passengers bundled together."

I stood up and crawled over him and opened the door leading to the body of the ship. I could still hear him grumbling as I slid the light chrome-alloy door shut. I chuckled to myself and headed up the aisle to the baggage compartments. Lucky Larson was a legend as space pilots go. An unpredictable, erratic screwball but one of the finest rocket riders who ever flashed through the void.

Company regulations and interplanetary commissions were the bane of his existence. He made his own rules and regulations and got by with it. That is he had gotten by with it. Now they were cracking down on him. He had been grounded twice and the chief had threatened to set him down for life if any more infractions were charged to him. I shook my head gloomily. He was a great guy, the last of a great and gallant army of space adventurers, but he was on the way out. The rules were necessary, vital to safe space travel and the Lucky Larsons would have to live up to them, or else.

My mind was a long way away from the cabin of the space ship and maybe that's why I got what I did. I didn't see it coming. One minute I was walking through the aisle, thinking about Lucky Larson and the next second something slammed into the back of my head knocking me to my knees.

Through a haze of red and white lights I heard a voice bark, "Toss him into a chair and grab that good arm of his."

I wasn't out. Just damn sick. Something like a cold hand seemed to have closed over my stomach and for an awful moment I gagged and tried to retch. But the moment passed and I forced open my eyes and focused them on two tough-looking, hard-eyed gents who stood in front of me. Another unpleasant-looking little man knelt along side of me, twisting my good arm behind my back.

"Okay," I gritted, "what's the gag?"

The tallest of the three, evidently their leader, smiled at me. "It's no gag," he murmured calmly, "we happen to need the radium you're carrying. We're going to take it. Any objections?"

"You'll never get away with this," I snapped, "your names and descriptions are registered with the passenger office. You'll be tracked down in twenty-four hours."

I was bluffing, of course, and I knew from their contemptuous smiles that they knew it, too. They probably had given fictitious names, and the descriptive information which the bureau required consisted of a few generalities, such as height, weight and the like. I cursed myself for a stupid, careless fool. The three men had been the only passengers from Venus and they had kept to themselves the entire trip. Once or twice I had wondered at their reticence and quietness but I had not been suspicious enough to make a check-up.

One of the men laughed shortly. "Let us worry about that. We've covered every angle that could possibly come up. With the help of your friend up front, this ship will be flown to a certain deserted asteroid where a few friends of ours are to meet us with another ship. How you come out afterward will depend on how you co-operate now. Clear enough?"

It was clear enough all right. Lucky and I wouldn't last long after we served our purpose.

The tall man turned from me and nodded significantly to the man standing next to him and then pointed to the closed door to the pilot's chambers.

"Take care of the pilot," he murmured, "and tell him if he isn't obliging we'll take the cast off his friend's arm and—" he smiled at me, "massage it a bit."

I felt a cold sweat break out on my forehead.

The thug grinned wolfishly at me and then winked at his leader. "I'll tell him, boss." He dug his hand into his pocket and drew out a stubby atomic pistol. "If he won't listen to me maybe this'll persuade him."

Still grinning he turned and headed up the aisle, the gun clenched in his huge fist.

I glanced at the tall figure standing in front of me and saw that he was watching the retreating figure of his henchman with a saturnine smile on his face. I thought swiftly. If I could yell a warning to Lucky, he could bolt the door of the pilot's chamber and then set the ship down at the Trans-Space base. It was the only way to save Lucky and the radium. I wasn't very optimistic about my own chances. I knew they were zero.

I opened my mouth, took a deep breath and then, before I could scream the words that would warn Lucky, it happened. The ship shuddered for an instant and then zoomed upward, the smooth hum of the rocket motors crescendoing to a roaring song of power and speed.

The sudden jolting acceleration hurled me to the tail of the ship and I saw, like an image in a kaleidoscope, the tangled thrashing figures of the space bandits as they were tossed to the floor, a dazedly struggling mass of arms and legs.

The ship was lying over on its back in a few seconds, and before I could catch a breath it suddenly whipped over and blasted toward Earth in a screeching, hissing power-dive.

It was terrific punishment even for this type of space crate but it was worse for human beings. The three bandits were clutching at their stomachs as if they were afraid of losing them. Their faces were mottled and blotchy and their eyes were rolling beseechingly.

I didn't mind the erratic convolutions the ship was making but my arm was burning as if it were on fire. Numbing waves of pain were coursing up and down my entire body.

I tried to crawl to my knees but the floor rolled under me as the ship whipped over in a twisting spiral and I crashed forward on my face. Then everything dissolved into inky blackness....

When I came to, I heard a great commotion, then a sudden shot and then a babble of voices booming around me. I remember thinking fleetingly of crooks, Lucky Larson and a mountain of radium and then—because nothing made sense—I passed out again.

The next time I opened my eyes I found myself stretched out on a cot in the chief's office. I turned my head slightly and saw Lucky Larson, the chief and a half dozen other guys staring down at me.

"It's not very original," I said, "but where the hell am I?" That was silly of me because I knew where I was, so I said: "Never mind that but please tell me what the hell happened?"

The chief laughed and Lucky Larson laughed and then they slapped each other on the back. "Don't worry about a thing," the chief said, "those crooks are under lock and key and there's not a thing to worry about."

"But how—I mean what...?" My voice trailed off. Nothing made sense.

"Well," the chief broke in, "Lucky here really deserves the credit for catching them. And I'm not forgetting your good work either. Both of you will receive more tangible evidence of my appreciation. But Lucky really did the brainwork."

"Awww," Lucky mumbled, "it wasn't much. Just a little common sense and, uh, a little luck."

"It was damn fast thinking," the chief cut in belligerently, "you knew your stunting over the base would drive me crazy. You knew I'd get so mad I'd call out the base police and have you thrown in when you moored. And when you did moor and the crooks toppled out we were right on hand to receive them. They were so weak from the shaking up you gave them that they didn't have a chance."

Lucky rolled innocent eyes to the ceiling. "Sometimes," he remarked piously, "stunting has its uses."

"Congratulations," I said weakly. "You certainly used your head. Caught the chief's attention with your stunting and almost knocked the crooks out with it too. That's killing two birds with one stone, all right." Then another thought occurred to me.

"How did you know I was in trouble?" I asked curiously. "How did you know we had those crooks on board?"

"Why—why," Lucky sputtered, "that was simple. I just happened to look behind me and I saw those boys piling into you. So I did a little fast thinking and then I whipped the ship into a few maneuvers and, like the chief says, they caught his eye all right."

The chief was beaming fondly and I turned my head to hide the smile on my lips. "So you just looked behind you," I muttered. "Well, Lucky, you certainly are—and were."

He grinned down at me and winked. "You said it, kid."

I wanted to ask him a question then, but I decided to wait until we were alone. I closed my eyes and smiled again, thinking of his expression when I would ask him how he had been able to look behind him and see me struggling with those crooks, when the door of the pilot's chamber was closed all the time....

The End

Transcriber's Note:

This etext was produced from Amazing Stories January 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK LARSON'S LUCK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

Table of Contents

- LARSON'S LUCK

- THE FULL PROJECT GUTENBERG LICENSE