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Title: One Day & Another: A Lyrical Eclogue

Author: Madison Julius Cawein

Release date: July 15, 2010 [eBook #33171]

Language: English

Credits: Produced by David Garcia and the Online Distributed

Proofreading Team at http://www.pgdp.net (This file was

produced from images generously made available by The

Kentuckiana Digital Library)

*** START OF THE PROJECT GUTENBERG EBOOK ONE DAY & ANOTHER: A LYRICAL ECLOGUE ***

ONE DAY AND ANOTHER

A Lyrical Eclogue

ONE DAY &

ANOTHER

A Lyrical Eclogue

MADISON CAWEIN

THE LYRIC LIBRARY

BOSTON

RICHARD G BADGER & COMPANY

(Incorporated)

1901

Copyright 1901 by

RICHARD G BADGER & CO.

(Incorporated)

The poem herewith presented was first published some ten years ago in a volume entitled Days and Dreams. The original verses have been re-written throughout and extensively added to, making it comparatively a new poem.

LAKEVIEW PRESS, SOUTH FRAMINGHAM, MASS.

TO

G. F. M.

THIS VOLUME IS INSCRIBED IN MEMORY

OF MANY DAYS.

What though I dreamed of mountain heights,

Of peaks, the barriers of the world,

Around whose tops the Northern Lights

And tempests are unfurled.

Mine are the footpaths leading through

Life's lowly fields and woods,—with rifts,

Above, of heaven's Eden blue,—

By which the violet lifts

Its shy appeal; and holding up

Its chaliced gold, like some wild wine,

Along the hillside, cup on cup,

Blooms bright the celandine.

Where soft upon each flowering stock

The butterfly spreads damask wings;

And under grassy loam and rock

The cottage cricket sings.

Where overhead eve blooms with fire,

In which the new moon bends her bow,

And, arrow-like, one white star by her

Burns through the afterglow.

I care not, so the sesame

I find; the magic flower there,

Whose touch unseals each mystery

In water, earth and air.

That in the oak tree lets me hear

Its heart's deep speech, its soul's wise words;

And to my mind makes crystal clear

The melodies of birds.

Why should I care, who live aloof

Beyond the din of life and dust,

While dreams still share my humble roof,

And love makes sweet my crust?

ONE DAY AND ANOTHER

A Lyrical Eclogue

PART I

LATE SPRING

The mottled moth at eventide

Beats glimmering wings against the pane;

The slow, sweet lily opens wide,

White in the dusk like some dim stain;

The garden dreams on every side

And breathes faint scents of rain.

Among the flowering stocks they stand:

A crimson rose is in his hand.

1

Outside her garden. He waits musing.

Herein the dearness of her is;

The thirty perfect days of June

Made one, in maiden loveliness

Were not more sweet to clasp and kiss,

With love not more in tune.

Ah me! I think she is too true,

Too spiritual for life's rough way;

For in her eyes her soul looks new—

Two bluet blossoms, watchet-blue,

Are not so pure as they.

So good, so beautiful is she,

So soft and white, so fond and fair,

Sometimes my heart fears she may be

Not long for me, and secretly

A sister of the air.

2

Dusk deepens. A whippoorwill calls.

The whippoorwills are calling where

The golden west is graying;

"'Tis time," they say, "to meet him there—

Why are you still delaying?

"He waits you where the old beech throws

Its gnarly shadow over

Wood-violet and the bramble rose,

Frail maiden-fern and clover.

"Where elder and the sumach creep

Above your garden's paling,

Whereon at noon the lizards sleep

Like lichens on the railing.

"Come! ere the early rising moon's

Gold floods the violet valleys;

Where mists, like phantom picaroons

Anchor their stealthy galleys.

"Come! while the deepening amethyst

Of dusk above is falling—

'Tis time to tryst! 'tis time to tryst!"

The whippoorwills are calling.

They call you to these twilight ways

With dewy odor dripping—

Ah, girlhood, through the rosy haze

Come like a moonbeam slipping.

3

He enters her garden, speaking dreamily:

There is a fading inward of the day,

And all the pansy heaven clasps one star;

The dwindling acres eastward glimmer gray,

While all the world to westward smoulders far.

Now to your glass will you pass for the last time?

Pass! humming some ballad, I know,—

Here where I wait it is late and is past time—

Late! and the moments are slow, are slow.

There is a drawing downward of the night;

The bridegroom Heaven bends down to kiss the moon;

Above, the heights hang silver in her light;

Below, the woods stretch purple, deep in June.

There in the dew is it you hiding lawny?

You, or a moth in the vines?—

You!—by your hand, where the band twinkles tawny!

You!—by your ring, like a glowworm, that shines!

4

She approaches, laughing. She speaks,—

You'd given up hope?

HE

Believe me.

SHE

Why, is your love so poor?

HE

I knew you'd not deceive me.

SHE

As many a girl before,—

Ah, dear, you will forgive me?

HE

Say no more, sweet, say no more!

SHE

Love trusts, and that's enough, my dear.

Trust wins to trust; whereof, my dear,

Love holds to love; and love, my dear,

Is—well, that's all my lore.

HE

Come, pay me or I'll scold you.—

Give me the kiss you owe.—

You fly when I'd enfold you?

SHE

No! no! I say! now, no!

How often have I told you,

You must not treat me so?

HE

More sweet the dusk for this is,

For lips that meet in kisses.—

Come! come! why run from blisses

As from a mortal foe?

5

She stands smiling at him. She speaks:

How many words in the asking!

How easily I can grieve you!—

My "no" in a "yes" was a-masking,

Nor thought, dear, to deceive you.—

A kiss?—the humming-bird happiness here

In my heart consents.... But what are words,

When the thought of two souls in speech accords?

Affirmative, negative—what are they, dear?

I wished to say "yes," but somehow said "no."

The woman within me thought you would know

Thought that your heart would hear.

He speaks:

So many hopes in a wooing!—

Therein you could not deceive me;

Some things are sweeter for the pursuing—

I knew what you meant, believe me.—

Bunched bells of the blush pomegranate, to fix

At your throat ... six drops of fire they are....

Will you look where the moon and its following star

Rise silvery over yon meadow ricks?

While I hold—while I lean your head back, so—

For I know it is "yes" though you whisper "no,"

And my kisses, sweet, are six.

6

Moths flutter around them. She speaks:

Look!—where the fiery

Glow-worm in briery

Banks of the moon-mellowed bowers

Sparkles—how hazily

Pinioned and arily

Delicate, warily,

Drowsily, lazily,

Flutter the moths to the flowers.

White as the dreamiest

Bud of the creamiest

Rose in the garden that dozes,

See how they cling to them!

Held in the heart of their

Hearts like a part of their

Perfume they swing to them

Wings that are soft as the roses.

Dim as the forming of

Dew in the warming of

Moonlight, they light on the petals;

All is revealed to them;

All—from the sunniest

Tips to the honiest

Heart, whence they yield to them

Spice through the darkness that settles.

So to our tremulous

Souls come the emulous

Spirits of love; through whose power

All that is best in us,

All that is beautiful,

All that is dutiful,

Is made confessed in us,

Even as the scent of a flower.

7

Taking her hand, he says:

What makes you beautiful?

Answer, now, answer!—

Is it that dutiful

Souls are all beautiful?

Is't that romance or

Beauty of spirit,

Which souls of merit

Of heaven inherit?—

Have you no answer?

She roguishly:

What makes you lovable?

Answer, dear, answer!—

Is it not provable

That man is lovable

Just because chance or

Nature makes woman

Love him?—Her human

Part's to illumine.—

Have you no answer?

8

Then, regarding him seriously, she continues:

Could I recall every joy that befell me

There in the past with its anguish and bliss,

Here in my heart it has whispered to tell me,

Those were no joys like this.

Were it not well if our love could forget them

Veiling the was with the dawn of the is?

Dead with the past we should never regret them,

Being no joys like this.

When they were gone and the Present stood speechful,

Ardent in word and in look and in kiss,

What though we know that their eyes are beseechful,

Those were no joys like this.

Is it not well to have more of the spirit,

Living for Futures where naught is amiss,

Less of the flesh with the Past pining near it?

Is there a joy like this?

9

Leaving the garden for the lane. He, with lightness of heart.

We will leave reason,

Sweet, for a season;

Reason were treason

Now that the nether

Spaces are clad, oh,

In silvery shadow—

We will be glad, oh,

Glad as this weather!

She, responding to his mood:

Heart unto heart, where the moonlight is slanted,

Let us believe that our souls are enchanted:—

I in the castle-keep; you are the airy

Prince who comes seeking me; Love is the Fairy

Bringing our hearts together.

HE

Starlight in masses

Over us passes;

And in the grass is

Many a flower:

Now will you tell me

How'd you enspell me?

What once befell me

There in your bower?

SHE

Soul unto soul—in the moon's wizard glory,

Let us believe we are parts in a story:—

I am a poem; a poet you hear it

Whispered in star and in flower; a Spirit,

Love, puts my soul in your power.

10

He, suddenly and very earnestly:

Perhaps we lived in the days

Of the Khalif Haroun er Reshid;

And loved, as the story says

Did the Sultan's favorite one

And the Persian Emperor's son,

Ali ben Bekkar, he

Of the Kisra dynasty.

Do you know the story?—Well,

You were Haroun's Sultana.

When night on the palace fell,

A slave through a secret door,—

Low-arched on the Tigris' shore,—

By a hidden winding stair

Brought me to your bower there.

Then there was laughter and mirth,

And feasting and singing together,

In a chamber of wonderful worth;

In a chamber vaulted high

On columns of ivory;

Its dome, like the irised skies,

Mooned over with peacock eyes;

Its curtains and furniture,

Damask and juniper.

Ten slave girls—like unto blooms—

Stand, holding tamarisk torches,

Silk-clad from the Irak looms;

Ten handmaidens serve the feast,

Each girl like a star in the east;

Ten lutanists, lutes a-tune,

Wait, each like the Ramadan moon.

For you in a stuff of Merv

Blue-clad, unveiled and jewelled,

No metaphor known may serve:

Scarved deep with your raven hair,

The jewels like fireflies there,

Blossom and moon and star,

The Lady Shemsennehar.

The zone that girdles your waist

Would ransom a Prince and Emeer;

In your coronet's gold enchased,

And your bracelet's twisted bar,

Burn rubies of Istakhar;

And pearls of the Jamshid race

Hang looped on your bosom's lace.

You stand like the letter I;

Dawn-faced, with eyes that sparkle

Black stars in a rosy sky;

Mouth like a cloven peach,

Sweet with your smiling speech;

Cheeks that the blood presumes

To make pomegranate blooms.

With roses of Rocknabad,

Hyacinths of Bokhara,—

Creamily cool and clad

In gauze,—girls scatter the floor

From pillar to cedarn door.

Then a poppy-bloom at each ear,

Come the dancing girls of Kashmeer.

Kohl in their eyes, down the room,—

That opaline casting-bottles

Have showered with rose perfume,—

They glitter and drift and swoon

To the dulcimer's languishing tune;

In the liquid light like stars,

And moons and nenuphars.

Carbuncles, tragacanth-red,

Smoulder in armlet and anklet;

Gleaming on breast and on head

Bangles of coins, that are angled,

Tinkle; and veils, that are spangled,

Flutter from coiffure and wrist

Like a star-bewildered mist.

Each dancing-girl is a flower

Of the Tuba from vales of El Liwa.—

How the bronzen censers glower!

And scents of ambergris pour

And myrrh brought of Lahore,

And musk of Khoten! how good

Is the scent of the sandal-wood!

A lutanist smites her lute;

Sings loves of Mejnoon and Leila—

Her voice is a houri flute;—

While the fragrant flambeaux wave

Barbaric o'er free and slave,

O'er fabrics and bezels of gems

And roses in anadems.

Sherbets in ewers of gold,

Fruits in salvers carnelian;

Flagons of grotesque mold,

Made of a sapphire glass,

Brimmed with wine of Shiraz;

Shaddock and melon and grape

On plate of an antique shape.

Vases of frosted rose,

Of limpid alabaster,

Filled with the mountain snows;

Goblets of mother-of-pearl,

One filigree silver-swirl;

Vessels of gold foamed up

With spray of spar on the cup.

Then a slave bursts in with a cry:

"The eunuchs! the Khalif's eunuchs!—

With scimitars bared draw nigh!

Wesif and Afif and he,

Chief of the hideous three,

Mesrour!—the Sultan's seen

'Mid a hundred weapons' sheen!"

Did we part when we heard this? No!

It seems that my soul remembers

How I clasped you and kissed you, so.

When they came they found us—dead

On the flowers our blood dyed red;

Our lips together, and

The dagger in my hand.

11

She, musingly:

How it was I cannot tell,

For I know not where nor why;

But perhaps we loved too well

In some world that does not lie

East or west of where we dwell,

And beneath no mortal sky.

Was it in the golden ages

Or the iron?—I had heard,—

In the prophecy of sages,—

Haply, how had come a bird,

Underneath whose wing were pages

Of an unknown lover's word.

I forget. You may remember

How the earthquake shook our ships;

How our city, one huge ember,

Blazed within the thick eclipse.

When you found me—deep December

Sealed my icy eyes and lips.

I forget. No one may say

That such things can not be true:—

Here a flower dies to-day,

And to-morrow blooms anew....

Death is silent.—Tell me, pray,

Why men doubt what God can do?

12

He, with conviction.

As to that, nothing to tell,

You being all my belief;

Doubt may not enter or dwell

Here where your image is chief;

Here where your name is a spell,

Potent in joy and in grief.

Is it the glamor of spring

Working in us so we seem

Aye to have loved? that we cling

Even to some fancy or dream,

Rainbowing everything

Here in our souls with its gleam?

See! how the synod is met

There of the heavens to preach us—

Freed from the earth's oubliette,

See how the blossoms beseech us—

Were it not well to forget

Winter and night as they teach us?

Dew and a bud and a star,

These,—like a beautiful thought,

Over man's wisdom how far!—

God for some purpose has wrought;

And though they're that which they are,

What are the thoughts they have brought?

Stars and the moon; and they roll

Over our way that is white.

Here shall we end the long stroll?

Here shall I kiss you good-night?

Or, for a while, soul to soul,

Linger and dream of delight?

13

They enter the garden again.... She, somewhat pensively.

Myths tell of walls and cities that arose

To melody. But I would build with tone,

Had I that harp, a world for us alone,

A world of love, and joy, and deep repose.

A land of lavender light, of blue-bell skies;

Pale peaks that rise against the gold of eve;

And on one height, the splendors never leave,

Our castled home o'er which the wild swan flies.

There, pitiless, the ruined hand of death

Should never reach. No bud, no thing should fade;

All should be perfect, pure, and unafraid;

And life serener than an angel's breath.

The days should move to music; wildly tame

The nights should move to music and the stars;

And morn and evening in their opal cars,

Like heralds, banner God's eternal name.

O world! O life! desired and to be!

How shall we reach thee?—dark the way and dim.

—Give me your hand, love, let us follow him,

Love with the mystery and the melody.

14

He, observing the various flowers around them:

Violets and anemones

The surrendered hours

Pour, as handsels, round the knees

Of the Spring, who to the breeze

Flings her myriad flowers.

Like to coins the sumptuous day

Strews with blossoms golden

Every furlong of his way,—

Like a Sultan gone to pray

At a Kaaba olden.

And the night, with spark on spark,

Clad in dim attire,

Dots with Stars the haloed dark,—

As a priest around the Ark

Lights his lamps of fire.

These are but the cosmic strings

To the harp of Beauty,

To that instrument which sings

In our souls of love that brings

Peace and faith and duty.

15

She, seriously:

Duty?—Comfort of the sinner

And the saint!—when grief and trial

Weigh us, and within our inner

Selves,—responsive to love's viol,—

Hope's soft voice grows thin and thinner,

It is kin to self-denial.

Self-denial!—through whose feeling

We are gainer though we're loser;

All the finer force revealing

Of our natures. No accuser

Is the conscience then, but healing

Of the wound of which we're chooser.

Some one said no flower knoweth

Of the fragrance it revealeth;

Song, its soul that overfloweth,

Never nightingale's heart feeleth—

Such the love the spirit groweth,

Love unconscious if it healeth.

16

He, after a pause, lightly:

An elf there is who stables the hot

Red wasp that stings on the apricot;

An elf who rowels his spiteful bay

Like a mote on a ray, away, away;

An elf who saddles the hornet lean

To din i' the ear o' the swinging bean;

Who straddles, with cap cocked all awry,

The bottle-blue back o' the dragon-fly.

And this is the elf who sips and sips

From clover-horns whence the perfume drips;

And, drunk with dew, in the glimmering gloam

Awaits the wild-bee's coming home;

In ambush lies, where none may see,

And robs the caravan bumble-bee—

Gold bags of honey the bees must pay

To the bandit elf of the fairy way.

Another ouphen the butterflies know,

Who paints their wings with the hues that glow

On blossoms.—Squeezing from tubes of dew

Pansy colors of every hue

On his bloom's pied pallet, he paints the wings

Of the butterflies, moths, and other things.

This is the elf that the hollyhocks hear,

Who dangles a brilliant in each one's ear;

Teases at noon the pane's green fly,

And lights at night the glow-worm's eye.

But the dearest elf, so the poets say,

Is the elf who hides in an eye of gray;

Who curls in a dimple and slips along

The strings of a lute to a lover's song;

Who smiles in her smile, and frowns in her frown,

And dreams in the scent of her glove or gown;

Hides and beckons as all may note

In the bloom or the bow of a maiden's throat.

17

She, standing among the flowers:

Soft through the trees the night wind sighs,

And swoons and dies.

Above, the stars hang wanly white;

Here, through the dark,

A drizzled gold, the fireflies

Rain mimic stars in spark on spark.—

'Tis time to part, to say good-night.

Good-night.

From fern to flower the night-moths cross

At drowsy loss.

The moon drifts veiled through clouds of white;

And pearly pale,

A silver blur, through beds of moss,

Their tiny moons the glow-worms trail.—

'Tis time to part, to say good-night.

Good-night.

18

He, at parting, as they proceed down the garden:

You say you cannot wed me, now

That roses and the June are here?

To your decision I must bow.—

Ah, well! 'tis just as well, my dear:

We'll swear again each old love vow,

And wait another year.

Another year of love with you!

Of dreams and doubts, of sun and rain!

When field and forest bloom anew,

And locust clusters pelt the lane,

When all the song-birds wed and woo,

I'll not take "no" again.

Oft shall I lie awake and mark

The hours by no clanging clock,

But in the dim and distant dark

The crowing of some punctual cock;

Then up as early as the lark

To meet you by our rock.

The rock where first we met at tryst;

Where first I wooed and won your love—

Remember how the moon and mist

Made mystery of the heaven above

As now to-night?—How first I kissed

Your lips, you trembling like a dove?

So, then, you cannot wed me now

That roses and the June are here,

That warmth and fragrance weigh each bough?

And yet your reason is not clear.

Ah, well! We'll swear anew each vow,

And wait another year.

PART II

EARLY SUMMER

The cricket in the rose-bush hedge

Sings by the vine-entangled gate;

The slim moon slants a timid edge

Of pearl through one low cloud of slate;

Around dark door and window-ledge

Like dreams the shadows wait.

And through the summer dusk she goes,

On her white breast a crimson rose.

1

She delays, meditating. A rainy afternoon.

Gray skies and the foggy rain

Dripping from sullen eaves;

Over and over again

Dull drop of the trickling leaves;

And the woodward-winding lane,

And the hill with its shocks of sheaves

One scarce perceives.

Shall I go in such wet weather

By the lane or over the hill?—

Where the blossoming milkweed's feather

The drops like diamonds fill;

Where, draggled and drenched together,

The ox-eyes rank the rill,

To the old corn-mill.

The creek by now is swollen,

And its foaming cascades sound;

And the lilies, smeared with pollen,

In the dam look dull and drowned.

'Tis a path I oft have stolen

To the bridge that rambles round

With willows bound.

Through a valley wild with berry,

Packed thick with the iron-weeds,

And elder,—washed and very

Fragrant,—the fenced path leads;

Past oak and wilding cherry

To a place of flags and reeds,

That the water bredes.

The sun through the sad sky bleaches—

Is that a thrush that calls?

That bird who so beseeches?

And see! on the balsam's balls,

And leaves of the water-beeches—

One blister of wart-like galls—

No raindrop falls.

My shawl instead of a bonnet!...

Though the woods be soaking yet,

Through the wet to the rock I'll run it,—

How sweet to meet i' the wet!

Our rock with the vine upon it,—

Each flower a fiery jet—

Where oft we've met!

2

They meet. He speaks.

How fresh the purple clover

Smells in its veil of rain!

And where the leaves brim over

How fragrant is the lane!

See, how the sodden acres,

Forlorn of all their rakers,

Their hay and harvest makers,

Look green as spring again.

Drops from the trumpet flowers

Rain on us as we pass;

And every zephyr showers,

From tilted leaf or grass,

Clear beads of moisture, seeming

Pale, pointed emeralds gleaming;

Where, through the green boughs streaming,

The daylight strikes like glass.

She speaks.

How dewy, clean and fragrant

Look now the green and gold!—

And breezes trailing vagrant

Spill all the spice they hold.

The west begins to glimmer;

And shadows, stretching slimmer,

Crouch on the ways; and dimmer

Grow field and forest old.

Beyond those rainy reaches

Of woodland, far and lone,

A whippoorwill beseeches;

And now an owl's vague moan

Strikes faint upon the hearing.—

These say the dusk is nearing.

And, see, the heavens clearing

Take on a tender tone.

How feebly chirps the cricket!

How thin the tree-toads cry!

Blurred in the wild-rose thicket

Gleams wet the firefly.—

This way toward home is nearest;

Of weeds and briars clearest....

We'll meet to-morrow, dearest;

Till then, dear heart, good-bye.

3

They meet again under the greenwood tree. He speaks:

Here at last! And do you know

That again you've kept me waiting?

Wondering, anticipating,

If your "yes" meant "no."

Now you're here we'll have our day....

Let us take this daisied hollow,

And beneath these beeches follow

This wild strip of way

Towards the stream; wherein are seen

Stealing gar and darting minnow;

Over which snake-feeders winnow

Wings of black and green.

Like a cactus flames the sun;

And the mighty weaver, Even,

Tenuous colored, there in heaven,

His rich weft's begun....

How I love you! from the time—

You remember, do you not?—

When, within your orchard-plot,

I was reading rhyme,

As I told you. And 'twas thus—

"By the blue Trinacrian sea,

Far in pastoral Sicily

With Theocritus"—

That I answered you who asked.

But the curious part was this:—

That the whole thing was amiss;

That the Greek but masked

Tales of old Boccaccio—

Tall Decameronian maids

Strolled among Italian glades,

Smiling, sweet and slow.

And when you approached,—my book

Dropped in wonder,—seemingly

To myself I said, "'Tis she!"

And arose to look

In Lauretta's eyes and—true!

Found them yours.—You shook your head,

Laughing at me, as you said,

"Did I frighten you?"

You had come for cherries; these

Dreamily I climbed for while

You still questioned with a smile,

And still tried to tease.

Ah, love, just two years have gone

Since then. I remember, you

Wore a dress of billowy blue

Muslin, or of lawn.

And that apron still I see,—

White, with cherry-juice red-stained,—

Which you held; wherein I rained

Ripeness from the tree.

And I asked you—for, you know,

To my eyes your serious eyes

Spoke such sweet philosophies,—

If you'd read Rousseau.

You remember how a chance,

Somewhat like to mine, one June

Happened him at castle Toune,

Over there in France?

And a cherry dropping fair

On your cheek I, envying it,

Said—remembering Rousseau's wit—

"Would my lips were there!"

How you laughed and blushed, I know.—

Here's the stream. The west has narrowed

To a streak of gold, deep arrowed.—

There's a skiff. Let's row.

4

Entering the skiff, she speaks:

Waters, flowing dark and bright

In the sunlight or the moon,

Seize my soul with such delight

As a visible music might;

As some slow, majestic tune

Made material to the sight.

Blossoms colored like the skies,

Sunset-hued and tame or wild,

Fill my soul with such surmise

As the mind might realize

If our thoughts, all undefiled,

Should take form before our eyes.

So to me do these appeal;

So they sway me every hour:

Letting all their beauty steal

On my soul to make it feel,

Through a rivulet or flower,

More than any words reveal.

5

He speaks, rowing.

See, sweetheart, how the lilies lay

Their lambent leaves about our way;

Or, pollen-dusty, nod and float

Their moon-like flowers around our boat.—

The middle of the stream we've reached

Three strokes from where our boat was beached.

Look up. You scarce can see the sky,

Through trees that lean, dark, deep, and high;

And coiled with grape and trailing vine

Build a vast roof of shade and shine;

A house of leaves, where shadows walk,

And whispering winds and waters talk.

There is no path. The saplings choke

The trunks they spring from. There an oak

Lies rotting; and that sycamore,

Which lays its bulk from shore to shore,—

Uprooted by the floods,—perchance,

May be the bridge to some romance.

Now opening through a willow fringe

The waters creep, one tawny tinge

Of sunset; and on either marge

The cottonwoods make walls of shade;

And, near, the gradual hills loom large

Within its mirror. Herons wade,

Or fly, like Faery birds, from grass

That mats the shore by which we pass.

She speaks.

On we pass; we rippling pass,

On sunset waters still as glass.

A vesper-sparrow flies above

Soft twittering to its woodland love.

A whippoorwill now calls afar;

And 'gainst the west, like some swift star,

A glittering jay flies screaming. Slim

The sand-snipes and king-fishers skim

Before us; and some evening thrush—

Who may discover where such sing?—

The silence rinses with a gush

Of mellow music bubbling.

He speaks.

On we pass.—Now let us oar

To yonder strip of ragged shore,

Where, from a rock with lichens hoar,

A ferny spring wells. Gliding by

The sulphur-colored firefly

Lights its pale lamp where mallows gloom,

And wild-bean and wild-mustard bloom.—

Some hunter there within the woods

Last fall encamped those ashes say

And campfire boughs.—The solitudes

Grow dreamy with the death of day.

6

She sings.

Over the fields of millet

A young bird tries its wings;

And sweet as a woodland rillet,

Its first wild music rings—

Soul of my soul, where the meadows roll

What is the song it sings?

"Love, and a glad good-morrow,

Heart where the rapture is!

Good-morrow, good-morrow!

Adieu to sorrow!

Here is the road to bliss:

Where all day long you may hearken my song,

And kiss, kiss, kiss!"

Over the fields of clover,

Where the wild bee drones and sways,

The wind, like a shepherd lover,

Flutes on the fragrant ways—

Heart of my heart, where the blossoms part,

What is the air he plays?

"Love, and a song to follow,

Soul with the face a-gleam!

Come follow, come follow,

O'er hill and o'er hollow,

To the land o' the bloom and beam;

Where under the flowers you may listen for hours,

And dream, dream, dream!"

7

He speaks, letting the boat drift.

Here the shores are irised. Grasses

Clump the water dark that glasses

Broken wood and deepened distance.

Far the musical persistence

Of a field-lark lingers low

In the west where tulips blow.

White before us flames one pointed

Star; and Day hath Night anointed

King; from out her azure ewer

Pouring starry fire, truer

Than pure gold. Star-crowned he stands

With the star-light in his hands.

Will the moon bleach through the ragged

Tree-tops ere we reach yon jagged

Rock, that rises gradually,

Pharos of our homeward valley?—

All the west is smouldering red;

Embers are the stars o'erhead.

At my soul some Protean elf is;

You're Simaetha; I am Delphis.

You are Sappho and your Phaon,

I.—We love.—There lies a ray on

All the Dark Æolian seas

'Round the violet Lesbian leas.

On we drift. I love you. Nearer

Looms our island. Rosier, clearer,

The Leucadian cliff we follow,

Where the temple of Apollo

Shines—a pale and pillared fire....

Strike, oh, strike the Lydian lyre!—

While in Hellas still we seem,

Let us sing of that we dream.

8

Landing, he sings.

Night, night, 'tis night. The moon drifts low above us,

And all its gold is tangled in the stream:

Love, love, my love, and all the stars, that love us,

The stars smile down and every star's a dream.

In odorous purple, where the falling warble

Of water cascades and the plunged foam glows,

A columned ruin lifts its sculptured marble

Friezed with the chiselled rebeck and the rose.

She sings.

Sleep, Sleep, sweet Sleep sleeps at the drifting tiller,

And in our sail the Spirit of the Rain—

Love, love, my love, ah, bid thy heart be stiller,

And, hark! the music of the resonant main.

What flowers are those that blow their balm unto us

From mouths of wild aroma, each a flame?—

That breathe of love, of love we know that drew us,

That kissed our eyes, so we might see the same.

He speaks.

Night, night, 'tis night!—no dream is this to banish;

The temple and the nightingale are there!

Our love has made them, nevermore to vanish,

Real as yon moon, this wild-rose in your hair.

Night, night, 'tis night!—and love's own star's before us,

Its bright reflection in the starry stream—

Yes, yes, ah, yes! its presence shall watch o'er us,

Night, night, to-night, and every night we dream.

9

Homeward through flowers; she speaks:

Behold the offerings of the common hills!

Whose lowly names have made them three times dear:

The evening-primrose and dim multitudes

Of violets that sky the mossy dells

With heaven's ambrosial blue; dew-dripping plumes

Of mauve lobelias; and the red-stained cups

Of blackberry-lilies all along the creek,

Where, lulled, the freckled silence sleeps, and vague

The water flows; where, at high noon, the cows

Wade knee-deep, and the heat is honied with

The drone of drowsy bees. The fleur-de-lis,

Blue, streaked with crystal like a summer day,

The monkey-flower and the touch-me-not,

All frailly scented and familiar as

Fair baby faces and soft infant eyes.

Simple suggestions of a life most fair!

You whisper me of love and untaught faith,

Whose habitation is within the soul,

Not of the Earth, yet for the Earth indeed....

What is it halcyons my heart? makes calm,

With calmness not of wisdom, all my soul

To-night?—Is't love? or faith? or both?—

The lore of all the world is less than these

Simple suggestions of a life most fair,

And love most sweet; that I have learned to know!

10

He speaks, musingly.

Yes, I have known its being so;

Long ago was I seeing so—

Beckoning on to a fairer land,

Out of the flowers it waved its hand;

Bidding me on to life and love;

Life with the hope of the love thereof.

What is the value of knowing it,

If you are shy in showing it?—

Need of the earth unfolds the flower,

Dewy sweet at the proper hour;

And in the world of the human heart

Love is the flower's counterpart.

So when the soul is heedable,

Then is the heart made readable—

I in the book of your heart have read

Words that are truer than truth has said;

Measures of love, the spirit's song,

Writ of your soul to haunt me long.

Love can hear each laudable

Thought of the loved made audible,

Spoken in wonder, or bliss, or pain,

And re-echo it back again;

Ever responsive, ever awake,

Ever replying with ache for ache.

11

She speaks, dreamily.

Earth gives its flowers to us

And heaven its stars. Indeed,

These are as lips that woo us,

Those are as lights that lead,

With love that doth pursue us,

With hope that still doth speed.

Yet shall the flowers lie riven,

And lips forget to kiss;

The stars fade out of heaven,

And lights lead us amiss—

As love for which we've striven;

As hope that promises.

12

He laughs, wishing to dispel her seriousness:

If love I have had of you, you had of me,

Then doubtless our loving were over;

One would be less than the other, you see;

Since what you returned to your lover

Were only his own; and—

13

She interrupts him, speaking impetuously:

But if I lose you, if you part with me,

I will not love you less

Loving so much now. If there is to be

A parting and distress,—

What will avail to comfort or reprieve

The soul that's anguished most?—

The knowledge that it once possessed, perceive,

The love that it has lost.

You must acknowledge, under sun and moon

All that we feel is old;

Let morning flutter from night's brown cocoon

Wide wings of flaxen gold;

The moon split through the darkness, soaring o'er,

Like some great moth and white,

These have been seen a myriad times before

And with the same delight.—

So 'tis with love—how old yet new it is!—

This only should we heed,—

To once have known, to once have felt love's bliss,

Is to be rich indeed.—

Whether we win or lose, we lose or win,

Within our gain or loss

Some purpose lies, some end unseen of sin,

Beyond our crown or cross.

14

Nearing home, he speaks.

True, true!—Perhaps it would be best

To be that star within the west;

Above the earth, within the skies,

Yet shining in your own blue eyes.

Or, haply, better here to blow

A flower beneath your window low;

That, brief of life and frail and fair,

Finds yet a heaven in your hair.

Or well, perhaps, to be the breeze

That sighs its soul out to the trees;

A voice, a breath of rain or drouth,

That has its wild will with your mouth.

These thing I long to be. I long

To be the burthen of some song

You love to sing; a melody,

Sure of sweet immortality.

15

At the gate. She speaks.

Sunday shall we ride together?—

Not the root-rough, rambling way

Through the wood we went that day,

In last summer's sultry weather.

Past the Methodist camp-meeting,

Where religion helped the hymn

Gather volume; and a slim

Minister, with textful greeting

Welcomed us and still expounded.—

From the service on the hill

We had gone three hills and still

Very near the singing sounded.

Nor that road through weed and berry

Drowsy days led me and you

To the old-time barbecue,

Where the country-side made merry.

Dusty vehicles together;

Darkies with the horses near

Tied to trees; the atmosphere

Redolent of bark and leather.

As we went the homeward journey

You exclaimed,—"They intermix

Pleasure there with politics.

It reminds me of a tourney."

And the fiddles!—through the thickets,

How the wind brought from the hill

Remnants of the old quadrille!—

It was like the drone of crickets....

Neither road. The shady quiet

Of that path by beech and birch,

Winding to the ruined church

Near the stream that sparkles by it.

Where the silent Sundays listen

For the preacher—Love—we bring

In our hearts to preach and sing

Week-day shade to Sabbath glisten.

16

He, at parting:

Yes, to-morrow. Early morn.—

When the House of Day uncloses

Portals that the stars adorn,—

Whence Light's golden presence throws his

Fiery lilies, burning roses

On the world,—how good to ride

With one's sweetheart at one's side!

So to-morrow we will ride

To the wood's cathedral places;

Where the prayer-like wildflowers hide,

Sweet religion in their faces;

Where, in truest, untaught phrases,

Worship in each rhythmic word,

God is praised by many a bird.

Look above you.—Pearly white,

Star on star now crystallizes

Out of darkness; and the night

Hangs them round her like devices

Of strange jewels. Vapour rises,

Glimmering, from each wood and dell—

Till to-morrow, then, farewell.

PART III

LATE SUMMER

Heat lightning flickers in one cloud,

As in a flow'r a firefly;

Some rain-drops, that the rose-bush bowed,

Jar through the leaves and dimly lie;

Among the trees, now low, now loud,

The whispering breezes sigh.

The place is lone; the night is hushed;

Upon the path a rose lies crushed.

1

Musing he strolls among the quiet lanes by farm and field.

Now rests the season in forgetfulness,

Careless in beauty of maturity;

The ripened roses 'round brown temples, she

Fulfils completion in a dreamy guess.

Now Time grants night the more and day the less;

The gray decides; and brown

Dim golds and drabs in dulling green express

Themselves and redden as the year goes down.

Sadder the fields where, thrusting hoary high

Their tasseled heads, the Lear-like corn-stocks die,

And, Falstaff-like, buff-bellied pumpkins lie.—

Deeper to tenderness,

Sadder the blue of hills that lounge along

The lonesome west; sadder the song

Of the wild red-bird in the leafage yellow.—

Deeper and dreamier, ay!

Than woods or waters, leans the languid sky

Above lone orchards where the cider-press

Drips and the russets mellow.

Nature grows liberal: from the beechen leaves

The beech-nuts' burs their little pockets thrust,

Bulged with the copper of the nuts that rust;

Above the grass the spendthrift spider weaves

A web of silver for which Dawn designs

Thrice twenty rows of pearls; beneath the oak,

That rolls old roots in many gnarly lines,—

The polished acorns, from their saucers broke,

Strew wildwood agates.—On sonorous pines

The far wind organs, but the forest near

Is silent; and the blue-white smoke

Of burning brush, beyond that field of hay,

Hangs like a pillar in the atmosphere;

But now it shakes—it breaks; and all the vines

And tree-tops tremble;—see! the wind is here!

Billowing and boisterous; and the smiling day

Rejoices with its clamor. Earth and sky

Resound with glory of its majesty,

Impetuous splendor of its rushing by.—

But on those heights the forest yet is still,

Expectant of its coming. Far away

Each anxious tree upon each waiting hill

Tingles anticipation, as in gray

Surmise of rapture. Now the first gusts play,

Like little laughs, about their rippling spines;

And now the wildwood, one exultant sway,

Shouts—and the light at each tumultuous pause,

The light that glooms and shines,

Seems hands in wild applause.

How glows that garden! though the white mists keep

The vagabonding flowers reminded of

Decay that comes to slay in open love,

When the full moon hangs cold and night is deep;

Unheeding still, their happy colors leap

And laugh encircled of the scythe of death,—

Like lovely children he prepares to reap,—

Staying his blade a breath

To mark their beauty ere, with one last sweep,

He lays them dead and turns away to weep.—

Let me admire,—

Ere yet the sickle of the coming cold

Has mown them down,—their beauties manifold:—

How like to spurts of fire

That scarlet salvia lifts its blooms, which heap

Yon space of sunlight. And, as sparkles creep

Through charring parchment, up that window's screen

The cypress dots with crimson all its green,

The haunt of many bees.

And, showering down cascaded lattices,

That nightshade bleeds with berries; drops of blood,

In clusters hanging 'mid the blue monk's-hood.

There in the garden old

The bright-hued clumps of zinnias unfold

Their formal flowers; and the marigold

Lifts its pinched shred of orange sunset caught

And elfed in petals. The nasturtium,

All pungent leaved and bitter of perfume,

Hangs up its goblin bonnet, fairy bought

From Gnomeland. There, predominant, red,

And arrogant the dahlia lifts its head,

Beside the balsam's rosy horns of honey,

Within the murmuring, sunny

Dry wildness of the weedy flower bed;

Where crickets and the weed-bugs, noon and night,

Sing dirges for the flowers that soon will die,

For flowers already dead.—

I seem to hear the passing Summer sigh;

A voice, that seems to weep,

"Too soon, too soon the Beautiful passes by!"—

If I perchance might peep

Beneath those leaves of podded hollyhocks,

That the bland wind with odorous whispers rocks,

I might behold her,—white

And weary,—Summer, 'mid her flowers asleep,

Her drowsy flowers asleep,

The withered poppies knotted in her locks.

2

He is reminded of another day with her.

The hips were reddening on this rose,

Those haws were hung with fire,

That day we went this way that goes

Up hills of bough and brier.

This hooked thorn caught her gown and seemed

Imploring her to linger;

Upon her hair a sun-ray streamed

Like some baptizing finger.

This false-foxglove, so golden now

With yellow blooms like bangles,

Was fading then. But yonder bough,—

The sumach's plume entangles,—

Was like an Indian's painted face;

And, like a squaw, attended

That bush, in vague vermilion grace

With beads of berries splendid.

And here we turned to mount that hill,

Down which the wild brook tumbles;

And, like to-day, that day was still,

And soft winds swayed the umbles

Of these wild carrots lawny gray;

And there, deep-dappled o'er us,

An orchard stretched; and in our way

Dropped ripened fruit before us.

A muffled thud the pippin fell,

And at our feet rolled dusty;

A hornet clinging to its bell,

The pear lay bruised and rusty.

The smell of pulpy peach and plum,

From which the juice oozed yellow,

Around which bees made sleepy hum,

Filled warm the air and mellow.

And then we came where, many hued,

The wet wild-morning-glory

Hung its balloons in shadows dewed

For dawning's offertory.

With bush and bramble, far away,

Beneath us stretched the valley,

Cleft of one creek, as clear as day,

That bickered musically.

The brown, the bronze, the green, the red

Of weed and brier ran riot

To walls of woods, whose vistas led

To shadowy nooks of quiet.

Long waves of feathering golden-rod

Ran through the gray in patches;

As in a cloud the gold of God

Burns, that the sunset catches.

And there, above the blue hills, rolled,

Like some vast conflagration,

The sunset, flaming rose and gold,

We watched in exultation.

Then turning homeward, she and I

Went in love's sweet derangement—

How different now seem earth and sky,

Since this undreamed estrangement!

3

He enters the woods. He sits down despondently.

Here where the day is dimmest,

And silence company,

Some might find sympathy

For loss, or grief the grimmest,

In each great-hearted tree—

Here where the day is dimmest—

But, ah, there's none for me!

In leaves might find communion,

Returning sigh for sigh,

For love the heavens deny;

The love that yearns for union,

Yet parts and knows not why.—

In leaves might find communion—

But, ah, not I, not I!

My eyes with tears are aching.—

Why has she written me?

And will no longer see?—

My heart with grief is breaking,

With grief that this should be—

My eyes with tears are aching—

Why has she written me?

4

He proceeds in the direction of a stream.

Better is death than sleep,

Better for tired eyes.—

Why do we weep and weep

When near us the solace lies?

There in that stream, that, deep,—

Reflecting woods and skies,—

Could comfort all our sighs.

The mystery of things,

Of dreams, philosophies,

'Round which the mortal clings,

That can unriddle these.—

What is't the water sings?

What is't it promises?—

End to all miseries!

5

He seats himself on a rock and gazes steadily into the stream.

And here alone I sit and it is so!—

O vales and hills! O valley lands and knobs!

What cure have you for woe?

None that my heart may know!—

The wearying sameness!—yet this thing is so!—

This thing is so, and still the waters flow,

The leaves drop slowly down; the daylight throbs

With sun and wind, and yet this thing is so!—

Here, at this culvert's mouth,

The shadowy water, flowing towards the south,

Seems deepest, stagnant-stayed.—

What is there yonder that makes me afraid?—

Of my own self afraid?—what is't below?

What power draws me to the striate stream?

What evil or what dream?—

Me, dropping pebbles in the quiet wave,

That echoes, strange as music in a cave,

Hollow and thin; vibrating in the shade

Like sound of tears—the shadow of some woe,

An ailing phantom that will not be laid,

Since this is so, since this sad thing is so.

There, in the water, how the lank green grass

Mats its rank blades, each blade a crooked kris,

Making a marsh; 'mid which the currents miss

Their rock-born melodies.

But there, and there one sees

The wide-belled mallow, as within a glass,

Long-pistiled, leaning o'er

The root-contorted shore,

As if its own pink image it would kiss.

And there the tangled wild-potato vine

Lifts conical blossoms, each a cup of wine,

As pale as moonlight is.

And there tall gipsy lilies, all a-sway,

Their savage, coppery faces, fierce of hue,

Dull purple-streaked, bend in inverted view.—

And where the stream around those rushes creeps,

The dragon-fly, in endless error, keeps

Sewing the pale gold gown of day

With tangled stitches of a burning blue:

Its brilliant body seems a needle fine,

A thread of azure ray.

But here below me where my pensive shade

Looks up at me, the stale stream stagnant lies,

Deep, dark, but clear and silent; save the hiss

Of bursting bubbles in the spawny ooze.—

All flowers here refuse

To grow or blossom; beauties, too, are few,

That haunt its depths: no glittering minnows braid

Its languid crystal; and no gravels strew

With colored orbs its bottom. Half afraid

I shrink from my own eyes

There in its cairngorm skies—

I know not why, and yet it seems 'tis this:—

I know not what—but where the kildees wade

Slim in the foamy scum,

From that direction hither doth it come,

And makes my heart afraid.

Nearer it draws to where those low rocks ail,

Warm rocks on which some water-snake hath clomb

To bask its spotted body, coiling numb.—

At first it seemed a prism on the grail,

A bubble's prism yonder; then a trail,

An angled sparkle in a shadow, swayed

Frog-like through deeps, to crouch a flaccid, pale,

Squat bulk below.... Reflected trees and skies,

And breeze-blown clouds that lounge at sunny loss,

Seem in its stolid eyes,

Deep down—the dim disguise

Of something ghoulish there, whose features fail,

Then come again in rhythmic waviness,

With arms like tentacles that seem to press

Up towards me. Limbs that writhe, and fade,

And clench—tough limbs, that twist and cross

Through flabby hair like smoky moss.

How horrible to see this thing at night!

Or when the sunset slants its brimstone light

Above the water! when, in phantom flight,

The will-o'-the-wisps, perhaps, above it reel.

Then haply would it rise, a rotting green,

Up, up, and gather me with arms of steel,

Soft steel, and drag me where the wave is white,

Beneath that boulder there, that plants a keel

Against the ripple there, a shoulder lean.—

No! no! I must away before 'tis night!

Before the fire-flies dot

The dusk with sulphur blurrings bright!

Before upon yon height

The white wild-carrots vanish from the sight;

And boneset blossoms, tossing there in clusters,

Fade to a ridge, a streak of ghostly lustres.

And in yon sunlit spot,

That cedar tree is not!—

But a huge cap instead, that, half-asleep,

Some giant dropped while driving home his sheep.

And 'mid those fallow browns

And russet grays, the fragrant peak

Of yonder timothy stack,

Is not a stack, but something hideous, black,

That threatens and, grotesquely demon, frowns.

I must away from here.—

Already dusk draws near.

The owlet's dolorous hoot

Sounds quavering as a gnome's wild flute;

The toad, within the wet,

Begins to tune its goblin flageolet.

The slow sun sinks behind

Those hills; and like a withered cheek,

Distorted there, the spectral moon's defined

Above those trees; above that mass of vines

That, like a wrecked appentice, roofs those pines.—

Oh, I am faint and weak.—

I must away, away,

Before the close of day!—

Already at my back

I feel the woods grow black;

And sense the evening wind,

Guttural and gaunt and blind,

Snarling behind me like a were-wolf pack.—

When will it cease to pierce,

This anguish dull and fierce,

At heart and soul? when will it let me go?—

At last, with footsteps slow,

With half averted cheek,

I've reached this woodland creek,

Far from that place of fear;

And still I seem to hear

A dripping footstep near;

A gurgling voice dim glimmering at my ear.

I try to fly!—I can not!—yes, and no!—

What horror holds me!—God! that obscene, slow,

Sure mastering chimera there

Has yet some horrible feeler round my neck,

Or in my scattered hair!—

Off! off! thou devil's coil!—

The waters, thrashing, boil—

Once more I'm free! once more I'm free!

Glad of that firefly fleck,

That, like a lamp of golden fairy oil,

Lights me the way I flee.—

No more I stare, magnetic-fixed; nor reck,

Nor little care to foil

The madness there! the murder there! that slips

Back to its lair of slime, that seeps and drips,

That sought in vain to fasten on my lips.

6

Taking a letter from his pocket, he hurries away.

What can it mean for me? What have I done to her?

I, in our season of love as a sun to her:

She, all its heaven of silvery, numberful

Stars and its moon shining golden and slumberful;

Who on my life, that was thorny and lowery,

Gazed—and made beautiful; smiled—and made flowery.

She, to my heart and my soul a divinity!

She, who—I dreamed!—seemed my spirit's affinity!—

What have I done to her? what have I done?

What can she mean by this?—what have I said to her!

I, who have idolized, worshipped, and pled to her;

Sung for her, laughed for her, sorrowed and sighed for her;

Lived for her only; would gladly have died for her!

See!—she has written me thus! she has written me....

Sooner would dagger or serpent had smitten me!—

Would you had shriveled ere ever you'd read of it,

Eyes, that are wide to the bitterest dread of it!—

What have I said to her? what have I said?

What shall I make of it? I who am trembling,

Dreading to lose her.—A moth, the dissembling

Flame of the candle attracts with its guttering,

Flattering on till its body lies fluttering,

Scorched in the summer night.—Foolish, importunate,

Why did'st thou leave the cool flowers, unfortunate!—

Such has she been to me making me such to her,

Slaying me, saying I never was much to her!—

What shall I make of it? what can I make?

Love, in thy everglades, moaning and motionless,

Look, I have fallen; the evil is potionless.

I,—with no thought but the heav'n that did lock us in,—

Set naked feet 'mid the cottonmouth, moccasin,

Under the roses, the Cherokee, eyeing me.—

I,—in the sky with the egrets that, flying me,

Loosened like blooms from magnolias, rose slenderly,

White and pale pink; where the mocking-bird tenderly

Sang, making vistas of mosses melodious;—

Wandered unheeding my steps in the odious

Ooze and the venom. I followed the wiry

Violet curve of thy star falling fiery—

So was I lost in night! thus am undone!

Have I not told to her—living alone for her—

Purposed unfoldments of deeds I had sown for her

Here in the soil of my soul? their variety

Endless—and ever she answered with piety.

See! it has come to this—all the tale's suavity

At the ninth chapter grows wretched to gravity;

Cruel as death all our beautiful history—

Close it!—the finis is more than a mystery.—

Yes, I will go to her; yes, I will speak.

7

After the last meeting; the day following.

I seem to see her still; to see

That dim blue room. Her perfume comes

From lavender folds draped dreamily—

One blossom of brocaded blooms—

Some stuff of orient looms.

I seem to hear her speak; and back

Where lies the sun on books and piles

Of porcelain and bric-a-brac,

A tall clock ticks above the tiles,

Where Love's framed profile smiles.

I hear her say, "Ah, had I known!—

I suffer too for what has been—

For what must be."—A wild ache shone

In her sad eyes that seemed to lean

On something far, unseen.

And as in sleep my own self seems

Outside my suffering self.—I flush

'Twixt facts and undetermined dreams,

And wait as silent as that hush

Of lilac light and plush.

Smiling, but suffering, I feel,

Beneath that face, so sweet and sad,

In those pale temples, thoughts like steel

Pierce burningly.—I had gone mad

Had I once deemed her glad.—

Unconsciously, with eyes that yearn

To look beyond the present far

For some faint future hope, I turn—

Above her garden, day's fierce star,

Vermilion at the window bar,

Sank sullenly—like love's own sun—

An omen of our future life.—

And then the memory of one

Rich day she'd said she'd be my wife

Set heart and brain at strife.

Again amid the heavy hues,

Soft crimson, seal, and satiny gold

Of flowers there, I stood 'mid dews

With her; deep in her garden old,

While sunset fires uprolled.

And now.... It can not be! and yet

To feel 'tis so!—In heart and brain

To know 'tis so!—while warm and wet

I seem to smell those scents again,

Verbena-scents and rain.

I turn, in hope she'll bid me stay.

Again her cameo beauty mark

Set in that smile.—She turns away.

No word of love! not even a spark

Of hope to cheer the dark!

That sepia sketch—conceive it so—

A jaunty head with mouth and eyes

Tragic beneath a rose-chapeau,

Silk-masked, unmasking—it denies

The look we half surmise,

We know is there. 'Tis thus we read

The true beneath the false; perceive

The smile that hides the ache.—Indeed!

Whose soul unmasks?... Not mine!—I grieve,—

Oh God!—but laugh and leave....

8

He walks aimlessly on.

Beyond those twisted apple-trees,

That partly hide the old brick-barn,

Its tattered arms and tattered knees

A scare-crow tosses to the breeze

Among the shocks of corn.

My heart is gray as is the day,

In which the rain-wind drearily

Makes all the sounding branches sway,

And in the hollows far away

The dry leaves rustle wearily.

And soon we'll hear the far wild-geese

Honk in frost-bitten heavens under

Arcturus; when my walks must cease,

And by the fireside's log-heaped peace

I'll sit and nod and ponder.—

When every fall of this loud creek

Is architectured ice; and hinted

Brown acres of yon corn stretch bleak,

White-sculptured with the snows, that streak

The hillsides bitter-tinted,

I'll sit and dream of that glad morn

We went down ways where blooms were blowing;

That dusk we strolled through flower and thorn,

By tasseled meads of cane and corn,

To where the stream was flowing.

Again I'll oar our boat among

The lily-pads that dot the river;

And reach her hat the grape-vine long

Strikes in the stream; we'll sing that song,

And then.... I'll wake and shiver.

Why is it that my mind reverts

To that sweet past? while full of parting

The present is; so full of hurts

And heartache, that what it asserts

Adds only to the smarting.

How often shall I sit and think

Of that sweet past! through lowered lashes

What-might-have-been trace link by link;

Then watch it gradually sink

And crumble into ashes.

Outside I'll hear the sad wind weep

Like some lone spirit, grieved, forsaken;

Then shuddering to bed shall creep

And lie awake, or haply sleep

A sleep by visions shaken.

Dreams of the past that paint and draw

The present in a hue that's wanting;

A scare-crow thing of sticks and straw,—

Like that just now I, passing, saw,—

Its empty tatters flaunting.

9

He compares the present day with a past one.

The sun a splintered splendor was

In trees, whose waving branches blurred

Its disc, that day we went together,

'Mid wild-bee hum and whirring buzz

Of insects, through the fields that purred

With Summer in the perfect weather.

So sweet it was to look and lean

To her young face and feel the light

Of eyes that met my own unsaddened!

Her laugh, that left lips more serene;

Her speech, that blossomed like the white

Life-everlasting there and gladdened.

Maturing Summer! you were fraught

With more of beauty then than now

Parades the pageant of September:

Where what-is-now contrasts in thought

With what-was-once, that bloom and bough

Can only help me to remember.

10

He pauses before a deserted house by the roadside.

Through iron-weeds and roses

And ancient beech and oak,

Old porches it discloses

Above the weeds and roses,

The drizzling raindrops soak.

Neglected walks a-tangle

With dodder-strangled grass;

And every mildewed angle

Heaped with dead leaves that spangle

The paths that round it pass.

The creatures there that bury

And hide within its rooms,

And spidered closets—very

Dim with gray webs—will hurry

Out when the twilight glooms.

Owls roost in room and basement;

Bats haunt its hearth and porch,

And through some paneless casement

Flit, in the moon's enlacement,

Or firefly's twinkling torch.

There is a sense of frost here,

And gusts that sigh away.—

What was it that was lost here?

Long, long ago was lost here?—

Can anybody say?

My foot perhaps would startle

Some bird that mopes within;

Some owl above its portal,

That stares upon the mortal

As on a thing of sin.

The rutty road winds by it

This side the dusty toll.—

Why do I stop to eye it?

My heart can not deny it—

The house is like my soul.

11

He proceeds on his way.

I bear a burden—look not therein!

Naught will you find but sorrow and sin;

Sorrow and sin that wend with me

Wherever I go. And misery,

A gaunt companion, a wretched bride,

Goes always with me, side by side.

Sick of myself and all the Earth,

I ask my soul now—is life worth

The little pleasure that we gain

For all our sorrow and our pain?

The love, to which we gave our best,

That turns a mockery and a jest?

12

Among the twilight fields.

The things we love, the loveliest things we cherish,

Pass from us soonest, vanish utterly.

Dust are our deeds, and dust our dreams that perish

Ere we can say they be!

I have loved man and learned we are not brothers—

Within myself, perhaps, may lie the cause;—

Then set one woman high above all others,

And found her full of flaws.

Made unseen stars my keblahs of devotion;

Aspired to knowledge and remained a clod:

With heart and soul, led on by blind emotion,

The way to failure trod.

Chance, say, or fate that works through good and evil;

Or destiny, that nothing may retard,

That to some end, above life's empty level,

Perhaps withholds reward.

PART IV

LATE AUTUMN

They who die young are blest.—

Should we not envy such?

They are Earth's happiest,

God-loved and favored much!—

They who die young are blest.

1

Sick and sad, propped among pillows, she sits at her window.

'Though the dog-tooth violet come

With April showers,

And the wild-bees' music hum

About the flowers,

We shall never wend as when

Love laughed leading us from men

Over violet vale and glen,

Where the bob-white piped for hours,

And we heard the rain-crow's drum.

Now November heavens are gray;

Autumn kills

Every joy—like leaves of May

In the rills.—

Still I sit and lean and listen

To a voice that has arisen

In my heart—with eyes that glisten

Looking at the happy hills

Fading dark-blue far away.

2

She gazes out upon the dying garden.

There rank death clutches at the flowers

And drags them down and stamps in earth.

At morn the thin, malignant hours,

Shrill-mouthed among the windy bowers,

Clamor a bitter mirth.—

Or is it heart-break that, forlorn,

Would so conceal itself in scorn?

At noon the weak, white sunlight crawls,

Like feeble feet once beautiful,

From mildewed walks to mildewed walls,

Down which the oozing moisture falls

Upon the cold toadstool.—

Faint on the leaves it drips and creeps—

Or is it tears of one who weeps?

At night a misty blur of moon

Slips through the trees,—pale as a face

Of melancholy marble hewn;—

And, like the phantom of some tune,

Winds whisper in the place.—

Or is it love come back again,

Seeking its perished joy in vain?

3

She muses upon the past.

When in her cloudy chiton,

Spring freed the frozen rills,

And walked in rainbowed light on

The forests, fields, and hills;

Beyond the world's horizon,

That no such glory lies on,

And no such hues bedizen,

Love led us far from ills.

When Summer came, a sickle

Stuck in her sheaf of gleams,

And let the honey trickle

From out the beehives' seams;

Within the violet-blotted

Sweet book to us alloted,—

Whose lines are starry dotted,—

Love read us still his dreams.

Then Autumn came,—a liar,

A fair-faced heretic;—

In gypsy garb of fire,

Throned on a harvest rick.—

Our lives, that fate had thwarted,

Stood pale and broken hearted,—

Though smiling when we parted,—

Where love to death lay sick.

Now is the Winter waited,

The tyrant hoar and old,

With death and hunger mated,

Who counts his crimes like gold.—

Once more before forever

We part—once more, then never—

Once more before we sever

Must I his face behold!

4

She takes up a book and reads.

What little things are those

That hold our happiness!

A smile, a glance, a rose

Dropped from her hair or dress;

A word, a look, a touch,—

These are so much, so much.

An air we can't forget;

A sunset's gold that gleams;

A spray of migonette,

Will fill the soul with dreams

More than all history says,

Or romance of old days.

For of the human heart,

Not brain, is memory;

These things it makes a part

Of its own entity;

The joys, the pains whereof

Are the very food of love.

5

She lays down the book.

How true! how true!—but words are weak

In sympathy they give the soul,

To music—music, that can speak

All the heart's pain and dole;

Still making us remember most

The love we've lost, the love we've lost.

So weary am I, and so fain

To see his face, to feel his kiss

Thrill rapture through my soul again,

There is no hell like this.—

Ah, God! my God, were it not best

To give me rest, to give me rest?

6

She writes to him to come to her.

Dead lie the dreams we cherished,

The dreams we loved so well;

Like forest leaves they perished,

Like autumn leaves they fell.

Alas! that dreams so soon should pass!

Alas! Alas!

The stream lies bleak and arid

That once went singing on;

The flowers once that varied

Its banks are dead and gone:

Where these were once are thorns and thirst—

The place is curst.

Come to me; I am lonely:

Forgive what you have heard.—

Come to me; if for only

One last sad parting word:

For one last word before the pall

Falls over all.

The day and hour are suited

For what I'd say to you

Of love that I uprooted—

But I have suffered too!

Come to me; I would say good-by

Before I die.

7

The wind rises; the trees are agitated.

Woods, that beat the wind with frantic

Gestures and drop darkly 'round

Acorns gnarled and leaves that antic

Wildly on the rustling ground!

Is it tragic grief that saddens

Through your souls this autumn day?

Or the joy of death that gladdens

In exultance of decay?

Arrogant you lift defiant

Boughs against the moaning blast,

That, like some invisible giant,

Wrapped in tumult, thunders past.

Is it that in such insurgent

Fury tossed from tree to tree,

You would quench the fiercely urgent

Pangs of some old memory?

As in toil and violent action,

That still help them to forget,

Mortals drown the dark distraction

And insistence of regret.

8

She muses in the gathering twilight.

Last night I slept till midnight; then woke, and far away

A cock crowed; lonely and distant came mournful a watch-dog's bay:

But lonelier, sadder the tedious, old clock ticked on towards day.

And what a day!—remember those morns of summer and spring,

That bound our lives together! each morn a wedding-ring

Of dew, aroma and sparkle, and flowers and birds a-wing.

Sweet morns when I strolled my garden awaiting him, the rose

Expected too, with blushes—the Giant-of-Battle that grows

A bank of radiance and fragrance where the gate its shadow throws.

Not in vain did I wait, departed summer, amid your phlox!

The powdery crystal and crimson of your hollow hollyhocks;

Your fairy-bells and poppies and the bee that in them rocks.

Cool-clad 'neath the pendulous purple of the morning-glory vine,

By the jewel-mine of the pansies and the snapdragons in line,

I waited, and there he met me whose heart was one with mine.

How warm was the breath of the garden when he met me there that day!

How the burnished beetle and butterfly flew past us, each a ray!—

The memory of those meetings still bears me far away.

Ah, me! when I think of the handfuls of little gold coins a-mass

My bachelor's-buttons scattered over the garden grass,

And the marigolds that boasted their bits of burning brass;

More bitter I feel the autumn tighten 'round spirit and heart;

And regret the days remembered as lost—that stand apart,

A chapter holy and sacred, I read with eyes that smart.

Again to the woods a-trysting by the watermill I steal,

Where the lilies tumble together, the madcap wind at heel;

And meet him among the blossoms that the rocks and the trees conceal.

Or the wild-cat grey of the meadows that the ox-eyed daisies dot;

Fawn-eyed and tiger-yellow, that tangle a tawny spot

Of languid leopard beauty that dozes fierce and hot....

Ah! back again with the present! with winds that pinch and twist

The leaves in their peevish passion, and whirl wherever they list;

With the autumn, hoary and nipping, whose mausolean mist

Builds wan a tomb for the daylight;—each morning shaggy with fog,

That fits grey wigs to the cedars, and furs with frost each log;

That carpets with pearl the meadow, and marbles brook and bog,—

Alone at dawn—indifferent: alone at eve—I sigh:

And wait, like the wind complaining: complain and know not why:

But ailing and longing and pining because I do not die.

How dull is that sunset! dreary and cold, and hard and dead!

The ghost of the one last August that, deeply rich and red,

Like the wine of God's own vintage, poured purple overhead.

But now I sit with the sighing dead dreams of a dying year;

Like the fallen leaves and the acorns, am worthless and feel as sear,

With a withered soul and body whose heart is one big tear.

As I stare from my window the daylight, like a bravo, its cloak puts on.

The moon, like a cautious lanthorn, glitters and then is gone.—

Will he come to-night? will he answer?—Oh, God! would it were dawn!

9

He enters. Taking her in his arms he speaks.

They said you were dying—

You shall not die!...

Why are you crying?

Why do you sigh?—

Cease that sad sighing!—

Love, it is I.

All is forgiven!—

Love is not poor;

Though he was driven

Once from your door,

Back he has striven,

To part nevermore!

Will you remember

What I forget?—

Words, each an ember,

That you regret?

Now in November,

Now we have met?

What if love wept once!

What though you knew!

What if he crept once

Pleading to you!—

He never slept once,

Nor was untrue.

Often forgetful,

Love may forget;

Froward and fretful,

Dear, he will fret;

Ever regretful,

He will regret.

Life is completer

Through his control;

Living made sweeter

Even through dole,

Hearing Love's metre

Sing in the soul.

Flesh may not hear it,

Being impure;

And mind may fear it,

May not endure;

But in the spirit—

There we are sure.

So when to-morrow

Ceases, and we

Quit this we borrow,

Mortality,

Love chastens sorrow

So it can see....

Still you are weeping!

Why do you weep?—

Are tears in keeping

With joy so deep?

Gladness so sweeping?—

Are you asleep?

Speak to me, dearest!

Say it is true!—

That I am nearest,

Dearest to you.—

Smile with those clearest

Eyes of grey blue.

10

She smiles through her tears; holding his hands she speaks.

They did not say I could not live beyond this weary night,

But now I know that I shall die before the morning's light.

How weak I am!—but you'll forgive me when I tell you how

I loved you—love you; and the pain it is to leave you now?

We could not marry!—See, the flesh, that clothes the soul of me,

Ordained at birth a sacrifice to this heredity,

Denied, forbade.—Ah, you have seen the bright spots in my cheeks

Flush hectic, as before the night the west burns blood-red streaks?

Consumption.—"But I promised you my hand"?—a thing forlorn

Of life; diseased!—Oh, God!—and so, far better so, forsworn!—

Oh, I was jealous of your love. But think: if I had died

Ere babe of mine had come to be a solace at your side!

Had it been little then—your grief, when Heaven had made us one

In everything that's good on earth and then the good undone?

No! no! and had I had a child, what grief and agony

To know that blight born in him, too, against all help of me!

Just when we cherish him the most, and youthful, sunny pride

Sits on his curly front, to see him die ere we have died.—

Whose fault?—Ah, God!—not mine! but his, that ancestor who gave

Escutcheon to our humble house—a Death's-head and a Grave.

Beneath the pomp of those grim arms I live and may not move;

Nor faith, nor truth, nor wealth avail to hurl them down, nor love!

How could I tell you this?—not then! when all the world was spun

Of morning colors for our love to walk and dance upon.

I could not tell you how disease hid here a hideous germ,

Precedence slowly claiming and so slowly fixing firm.

And when I broke our plighted troth and would not tell you why,

I loved you, thinking, "time enough when I have come to die."

Draw off my rings, and let my hands rest so ... the wretched cough

Will interrupt my feeble speech and will not be put off....

Ah, anyhow my anodyne is this—to know that you

Are near me, love me!—Kiss me now, as you were wont to do.

And tell me you forgive me all; and say you will forget

The sorrow of that breaking-off, the fever and the fret.—

Now set those roses near my face and tell me death's a lie—

Once it was hard for me to live ... now it is hard to die.

PART V

WINTER

We, whom God sets a task,

Striving, who ne'er attain,

We are the curst!—who ask

Death, and still ask in vain.

We, whom God sets a task.

1

In the silence of his room. After many days.

All, all are shadows. All must pass

As writing in the sand or sea;

Reflections in a looking-glass

Are not less permanent than we.

The days that mould us—what are they?

That break us on their whirling wheel?

What but the potters! we the clay

They fashion and yet leave unreal.

Linked through the ages, one and all,

In long anthropomorphous chain,

The human and the animal

Inseparably must remain.

Within us still the monster shape

That shrieked in air and howled in slime,

What are we?—partly man and ape—

The tools of fate, the toys of time!

2

The bitterness of his bereavement speaks in him.

Vased in her bedroom window, white

As her chaste girlhood, never lost,

I smelt the roses—and the night

Outside was fog and frost.

What though I claimed her dying there!

God nor one angel understood

Nor cared, who from sweet feet to hair

Had changed to snow her blood.

She had been mine so long, so long!

Our harp of life was one in word—

Why did death thrust his hand among

The chords and break one chord!

A placid lily was the face,

A sad pale rose the mouth I kissed

That morn, when filled with Heaven's own grace

She passed into the mist.

3

Her dead face seems to rise up before him.

The face that I said farewell to,

Pillowed a flower on flowers,

Comes back with its eyes to tell to

My soul what its lips would spell too—

Comes back to me at hours!—

Dear, is your heart still daggered

There by something amiss?

Love—is he still a laggard?

Hope—is her face still haggard

Tell me what it is!

You, who are done with To-morrow!

Done with these worldly skies!

Done with our pain and sorrow!

Done with the griefs we borrow!

Prayers and tears and sighs!

Must we say "gone forever"?

Or will it all come true?

Shall I attain to you ever?

And, o'er the doubts that sever,

Rise to the truth that's you?

Love, in my flesh so fearful,

Medicine me this pain!—

Love, with the eyes so tearful,

How can my soul be cheerful,

Seeing its joy is slain!

Gone!—'twas only a vision!—

Gone! like a thought, a gleam!—

Such to our indecision

Utter no empty mission,

Truer than that they seem.

4

He sinks into deep thought.

There are shadows that compel us,

There are voices that control;

More than substance these can tell us,

Speaking to the human soul.

In the moonlight, when it glistened

On my window, white as snow,

Once I woke and, leaning, listened

To a voice that sang below.

Full of gladness, full of yearning,

Strange with dreamy melody,

Like a bird whose heart is burning,

Wildly sweet it sang to me.

I arose; and by the starlight,

Pale beneath the mystic sky,

I have seen it full of far light,—

My dead joy go singing by.

In the darkness, when the glimmer

Of the storm was on the pane,

I have sat and heard a dimmer

Voice lamenting in the rain.

Full of parting and unspoken

Heartbreak, faint with agony,

Like a bird whose heart is broken,

Sadly low it cried to me.

I arose; and in the darkness

Wan beneath the haunted sky,

I have seen it, cold to starkness,—

My dead love go weeping by.

5

He arouses from his abstraction.

So long it seems since last I saw her face,

So long ago it seems,

Like some sad soul in unconjectured space

Still seeking happiness through perished grace

And unrealities,—a little while

Illusions lead me, ending in the smile

Of Death triumphant in a thorny place

Among Love's ruined roses and dead dreams.

Since she is gone, no more I see the light,—

Since she has left all dark,—

Cleave like a revelation through the night.

I wander blindly, filled with fear and fright,

Among the fragments and the wrecks and stones

Of life, where Hope, amid the skulls and bones,

With weary face, disheartened, wild and white,

Trims her pale lamp with its expiring spark.

Now she is dead, the Soul, naught can o'erawe,—

Now she has passed from me,—

Questions God's justice that seems full of flaw

As is His world, where misery is law,

And men but fools too willing to be slaves.—

My House of Faith, built up on dust of graves,

The wind of doubt sweeps down as made of straw,

And all is night, and I no longer see.

6

He looks from his window toward the sombre west.

Ridged and bleak the gray forsaken

Twilight at the night has guessed;

And no star of dusk has taken

Flame unshaken in the west.

All day long the woodlands dying

Moaned, and drippings as of grief

Tossed from barren boughs with sighing

Death of flying twig and leaf.

Ah, to live a life unbroken,

Scornful of the worst of fate!

Like that tree ... with branches oaken....

Joy's unspoken intimate.—

Who can say that man has never

Lived the life of plants and trees?

Not so wide the lines that sever

Us forever here from these.

Colors, odors, that are cherished,

Haply hint we once were flowers;

Memory alone has perished

In this garished world of ours.

Music,—that all things expresses,

All for which we've loved or sinned,—

Haply in our treey tresses

Once was guesses of the wind....

But I dream!—The dusk, upbraiding,

Deepens without moon or star;

Darkness and my sorrow aiding,

We but fading phantoms are.

And within me doubt keeps saying—

"What is wrong? and what is right?

Hear the cursing! hear the praying!

All are straying on in night."

7

He turns from the window, takes up a book and reads.

The Soul, like Earth, hath silences

Which speak not, yet are heard—

The voices mute of memories

Are louder than a word.

Theirs is a speech which is not speech;

A language that is bound

To soul-vibrations vague that reach

Deeper than any sound.

No words are theirs. They speak through things,

A visible utterance

Of thoughts—like those some sunset brings

Or withered rose perchance.

The heavens that once, in purple and flame,

Spake to two hearts as one,

In after years may speak the same

To one sad heart alone.

Through it the vanished face and eyes

Of her, the sweet and fair,

Of her the lost, again shall rise

To comfort his despair.

And so the love that led him long

From golden scene to scene,

Within the sunset is a tongue

To tell him what has been.—

How loud it speaks of that dead day,

The rose whose bloom is fled!

Of her who died; who, clasped in clay,

Lies numbered with the dead.

The dead are dead; with them 'tis well

Within their narrow room;—

No memories haunt their hearts who dwell

Within the grave and tomb.

But what of those—the dead who live!

The living dead, whose lot

Is still to love—ah, God forgive!—

To live and love, forgot!—

8

The storm is heard sounding wildly with wind and hail.

The night is wild with rain and sleet.

Each loose-warped casement claps and groans.

I hear the plangent forest beat

The tempest with long blatant moans

As of despair, defeat.

And sitting here beyond the storm,

Alone within the lonely house,

It seems that some mesmeric charm

Hangs over all.—Why, even the mouse,

That gnawed, has come to harm.

And in the silence, stolen o'er

All things, I strangely seem to fear

Myself—that, opening yon door,

I'd find my dead self drawing near,

With face that once I wore.

The stairway creaks with ghostly gusts.

The flue moans—'tis a gorgon throat

Of wailing winds. Ancestral dusts,—

That yonder Indian war-gear coat

With gray and spectral crusts,—

Are trembled down.—Or can it be,

That he who wore it in the dance,

Or battle, now fills shadowy

Its wampumed skins? And shakes his lance

And warrior plume at me?—

Mere fancy!—Yet those curtains toss

Mysteriously as if some dark

Hand moved them.—And I'd fear to cross

The shadow there where lies that spark—

A glow-worm sunk in moss.

Outside 'twere better!—Yes, I yearn

To walk the waste where sway and dip

The dark December boughs—where burn

Some late last leaves, that drip and drip

No matter where you turn.

Where sodden soil, you scarce have trod,

Fills oozy footprints—but the blind

Night there, tho' like the frown of God,

Presents no phantoms to the mind,

Like these that have o'erawed.—

The months I count: how long it seems

Since summer! summer, when with her,

There on her porch, in rainy gleams

We watched the flickering lightning stir

In heavens gray as dreams.

When all the west, a sheet of gold,

Flared,—like some Titan's opened forge,—

With storm; revealing manifold

Vast peaks of clouds with crag and gorge,

Where thunder torrents rolled.

Then came the wind; again, again

The lightning lit the world—and how

The tempest roared with rushing rain!...

We could not read.—Where is it now,

That tale of Charlemagne?

That old romance, ah me! that we

Were reading? till we heard the plunge

Of summer thunder sullenly,

And left to watch the lightning lunge,

And winds bend down each tree.—

That summer! how it built us there

A world of love and necromance!

A spirit-world, where all was fair;

An island, sleeping in a trance

Of lilied light and air.

Where every flower was a thought;

And every bird, a melody;

And every fragrance, zephyr brought,

Was but the rainbowed drapery

Of some sweet dream long sought.

O land of shadows! shadow-home,

Within my world of memories!

Around whose ruins sweeps the foam

Of sorrow's immemorial seas,

By whose dark shores I roam!

How long in your wrecked halls alone

With ghosts of joys must I remain?

Between the unknown and the known,

Still listening to the wind and rain,

And my own heart's wild moan.

9

He sits by the slowly dying fire. The storm is heard with increased violence.

Wild weather. The lash of the sleet

On the gusty casement tapping—

The sound of the storm like a sheet

My soul and senses wrapping.

Wild weather. And how is she,

Now the rush of the rain falls serried

Over the turf and the tree

Of the place where she is buried?

Wild weather. How black and deep

Is the night where the mad winds scurry!—

Do I sleep? do I dream in my sleep

That I hear her footsteps hurry?

Hither they come like flowers—

And I see her raiment glisten,

Like the robe of one of the hours

Where the stars to the angels listen.

Before me, behold, how she stands!

With lips high thoughts have weighted,

And testifying hands,

And eyes with glory sated.

I have spoken and I have kneeled;

I have kissed her feet in wonder—

But lo! her lips—they are sealed,

God-sealed, and will not sunder.

Though I sob, "Your stay was long!

You are come,—but your feet were laggard!—

With mansuetude and song

For the soul your death has daggered."

Never a word replies,

Never to all my weeping—

Only a sound of sighs,

And raiment past me sweeping....

I wake; and a clock strikes three—

And the night and the storm beat serried

Over the turf and the tree

Of the place where she is buried.

THE LYRIC LIBRARY

POEMS OF THE TOWN

Ernest McGaffey

SONG-SURF

Cale Young Rice

ONE DAY AND ANOTHER

Madison Cawein

FOR THINKING HEARTS

John Vance Cheney

IN THE HARBOR OF HOPE

Mary Elizabeth Blake

Other volumes in preparation.

16 mo. Flexible Leather. $1.25.

A book of poetry worth while.

POEMS OF THE TOWN

By ERNEST McGAFFEY

16 mo. Flexible Leather. $1.25

The following are but a few extracts from many reviews received on Poems of the Town. Among this chorus of praise there has not been one dissenting voice.

"For terse English, for picturesque and appropriate imagery, for keen and faithful portraiture Mr. McGaffey has no superior. And there will be many to say that this book entitles him to recognition as the interpreter of his age."—Chicago Inter-Ocean.

"It is doubtful if any American poet has written a finer, more humane, more nobly and righteously wrathful outburst against the maladies of civilization than the poem in this collection entitled Laocoon of the Town."—St. Louis Mirror.

"His lyrics have that touch of universality which distinguishes true poetry from mere verse. It is not too much to say that Poems of the Town are certain to take a place among the best examples of American poetry."—Editorial Chicago Chronicle.

IRISH MIST AND SUNSHINE

BALLADS AND LYRICS BY

REV. JAMES B. DOLLARD

(Sliav-na-mon)

With an introduction by William O'Brien, M. P. With frontispiece. Small quarto. Cloth ornamental. $1.50

This is a book of ringing Irish ballads that will stir the heart of every lover of true poetry. "Here and there a verse may be as frankly unadorned as the peasant cabins themselves in their homely cloaks of thatch, but every line rings true to life and home and with the tone, as heartmoving as the Angelus which holds Millet's peasants in its spell," from Mr. O'Brien's introduction.

"Father Dollard's ballads have all the fire and dash of Kipling's, with a firmer poetic touch" says Mr. Nathan Haskell Dole.

FOUR DAYS OF GOD

BY HARRIET PRESCOTT SPOFFORD

With about 90 illustrations in color. Bound in white and gold and purple. Small 4 to. (Probably) $1.00.

It is quite impossible to describe adequately the surpassing charm of this book. We can say simply that it will appeal to every lover of nature who sees in her manifold beauties the living glories of the work of God.

No one can write more beautiful or sparkling prose than Mrs. Spofford and never has she been so absolutely charming as in Four Days of God.

The book has about 90 illustrations by Miss A. C. Tomlinson which catch the spirit of the text to perfection and with the harmonious print and paper and binding make the book a little gem.

RICHARD G BADGER & COMPANY

(Incorporated)

Publishers, Boston

*** END OF THE PROJECT GUTENBERG EBOOK ONE DAY & ANOTHER: A LYRICAL ECLOGUE ***

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Table of Contents

ONE DAY & ANOTHER

A Lyrical Eclogue

MADISON CAWEIN

THE LYRIC LIBRARY BOSTON Richard G Badger & Company (Incorporated) 1901

TO G. F. M. THIS VOLUME IS INSCRIBED IN MEMORY OF MANY DAYS.

ONE DAY AND ANOTHER

A Lyrical Eclogue

PART I

LATE SPRING

1 Outside her garden. He waits musing.

2 Dusk deepens. A whippoorwill calls.

3 He enters her garden, speaking dreamily:

4 She approaches, laughing. She speaks,—

HE

SHE

HE

SHE

HE

SHE

HE

SHE

HE

5 She stands smiling at him. She speaks:

He speaks:

6 Moths flutter around them. She speaks:

7 Taking her hand, he says:

She roguishly:

8 Then, regarding him seriously, she continues:

9 Leaving the garden for the lane. He, with lightness of heart.

She, responding to his mood:

HE

SHE

10 He, suddenly and very earnestly:

11 She, musingly:

12 He, with conviction.

13 They enter the garden again.... She, somewhat pensively.

14 He, observing the various flowers around them:

15 She, seriously:

16 He, after a pause, lightly:

17 She, standing among the flowers:

18 He, at parting, as they proceed down the garden:

PART II

EARLY SUMMER

1 She delays, meditating. A rainy afternoon.

2 They meet. He speaks.

She speaks.

3 They meet again under the greenwood tree. He speaks:

4 Entering the skiff, she speaks:

5 He speaks, rowing.

She speaks.

He speaks.

6 She sings.

7 He speaks, letting the boat drift.

8 Landing, he sings.

She sings.

He speaks.

9 Homeward through flowers; she speaks:

10 He speaks, musingly.

11 She speaks, dreamily.

12 He laughs, wishing to dispel her seriousness:

13 She interrupts him, speaking impetuously:

14 Nearing home, he speaks.

15 At the gate. She speaks.

16 He, at parting:

PART III

LATE SUMMER

1 Musing he strolls among the quiet lanes by farm and field.

2 He is reminded of another day with her.

3 He enters the woods. He sits down despondently.

4 He proceeds in the direction of a stream.

5 He seats himself on a rock and gazes steadily into the stream.

6 Taking a letter from his pocket, he hurries away.

7 After the last meeting; the day following.

8 He walks aimlessly on.

9 He compares the present day with a past one.

10 He pauses before a deserted house by the roadside.

11 He proceeds on his way.

12 Among the twilight fields.

PART IV

LATE AUTUMN

1 Sick and sad, propped among pillows, she sits at her window.

2 She gazes out upon the dying garden.

3 She muses upon the past.

4 She takes up a book and reads.

5 She lays down the book.

6 She writes to him to come to her.

7 The wind rises; the trees are agitated.

8 She muses in the gathering twilight.

9 He enters. Taking her in his arms he speaks.

10 She smiles through her tears; holding his hands she speaks.

PART V

WINTER

1 In the silence of his room. After many days.

2 The bitterness of his bereavement speaks in him.

3 Her dead face seems to rise up before him.

4 He sinks into deep thought.

5 He arouses from his abstraction.

6 He looks from his window toward the sombre west.

7 He turns from the window, takes up a book and reads.

8 The storm is heard sounding wildly with wind and hail.

9 He sits by the slowly dying fire. The storm is heard with increased violence.

THE LYRIC LIBRARY

Other volumes in preparation. 16 mo. Flexible Leather. $1.25.

A book of poetry worth while.

POEMS OF THE TOWN

IRISH MIST AND SUNSHINE

BALLADS AND LYRICS BY REV. JAMES B. DOLLARD (Sliav-na-mon)

FOUR DAYS OF GOD

THE FULL PROJECT GUTENBERG LICENSE