Elizabeth, Her Folks
Date: 2016-12-22T00:00:00+00:00
Keywords: Teenage girls -- Juvenile fiction; Grandparents -- Juvenile fiction; New England -- Social life and customs -- Juvenile fiction; Cape Cod (Mass.) -- Juvenile fiction

The Project Gutenberg eBook of Elizabeth, Her Folks

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Elizabeth, Her Folks

Author: Barbara Kay

Release date: December 22, 2016 [eBook #53788]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Juliet Sutherland, Ernest Schaal, and the
Online Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK ELIZABETH, HER FOLKS ***

"'Nothing ever tasted so good to me in my life'"

COPYRIGHT, 1920, BY
DOUBLEDAY, PAGE & COMPANY

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

CONTENTS.

CHAPTER PAGE

I. John's Girl 3

II. The Steppe Children 16

III. The Little Room—and Peggy 28

IV. The Birthday 44

V. Ninety-nine Negroes 58

VI. The Bean Supper 71

VII. The Locked Closet 87

VIII. Letters and the Post Office 102

IX. Huckleberries and New Friends 117

X. Provincetown and a Walk in the Woods 134

XI. Little Eva 147

XII. Buddy Wants to Know 164

XIII. Crabbing 180

XIV. Elizabeth Is Rude 192

XV. Picking Chickens 207

XVI. Mother 220

XVII. Elizabeth Is Scared 234

XVIII. Elizabeth Shakes Hands 249

XIX. Ruth 265

XX. Good-bye 278

LIST OF ILLUSTRATIONS.

"'Nothing ever tasted so good to me in my life'" Frontispiece

FACING PAGE

"'Do open it. I can hardly wait to see what you think of it.'" 50

"'Oh! let's try them on'" 98

"'I can't help being afraid of what's in this particular letter'" 202

ELIZABETH, HER FOLKS

ELIZABETH, HER FOLKS

CHAPTER I

John's Girl

A little girl in a short-sleeved, blue ruffled nightgown flung herself across the foot of Grandmother Swift's great guest-chamber bed, and sobbed as if her heart would break.

Downstairs, each in an old-fashioned, valanced rocking chair before one of the living-room windows, Grandfather and Grandmother Swift were discussing the newcomer.

"I think she seems real glad to be here," Grandmother was saying. "She looks a little pale and peaked, but we'll soon have her fed up and as brown as a berry."

"I never see any brown berries. All the berries I ever had anything to do with was red or blue, but there must be berries that is brown, if you say so, Mother."

Grandmother's amber needles flew.

"She seemed real pleased at the things I had cooked up for her," she said, "especially the chocolate cake. She didn't more than sample the lemon pie."

"I thought she seemed a little high-toned about her vittles. She kinder turned up her nose at your ginger tea, Mother. She was used to having her dinner at night, she said, and drunk nothing but a demi-tassy after it."

"You hadn't ought to have begun your teasing before she was fairly in the house, Father—it made her feel strange. She hasn't been here for four years, and four years, when a child is just getting into her teens, is a long while."

"An inch in a man's nose is considerable."

Grandmother surveyed him severely over the top of her bi-focal glasses.

"Speaking of noses," she said, "you be careful how you try pulling Elizabeth's nose or chuck her under the chin, or any such actions. Growing girls is particular about such things."

"And I'm particular who I chuck under the chin. I'm afraid you are going to ruin your eyes with those glasses, Mother, you have to strain so hard to look over the top when you want to see anything at a distance, and work so hard trying to look under 'em when you want to see anything nigh to."

He chuckled at Grandmother's sudden effort to concentrate her keen brown eyes within the space of the glass half-moon through which she was supposed to focus her knitting.

"I just wanted to bind off the sleeve before the light faded," she said.

"When Congress repeals this here light-saving scheme, it'll hurt your feelings two ways, won't it, Mother? You won't have the satisfaction of expressing your mind at the Administration for setting the clock back, and you won't have a extry hour of light to strain your eyes in."

The old lady—she was seventy-five, but in a strong light when she was not quite becomingly dressed, which was not often, she looked sixty—drew her rocking chair closer to the small window, and knitted in silence. All the windows in that remarkable old house were small, and divided into little, square panes. Grandfather drew his rocking chair closer to his window, and made a great pretence of reading, but he did not turn or rattle his paper.

"You trying to prove that your eyes is just as good as mine? Well, I don't know as I blame you, Father, but your glasses is out in the barn on the feed box. If you could read a line without 'em, I'd know the contents of the whole paper by this time."

Grandfather Swift grinned, and unbuttoned a lower button on the immaculate linen waistcoat he had put on in his granddaughter's honour—he wore no coat.

"Got back at me that time, didn't you, Mother? I always feel uneasy after I get the better of you till you've worked the laugh round to me again. Well, I thought we'd be setting up till all hours of the night, entertaining John's girl, and hearing all the news of the family. I wonder if she always goes to bed before sundown. She didn't look a might sleepy to me."

"She travelled all the way from New York—of course she was sleepy."

"Her father brought her all the way from New York to Boston, and she rested there a couple of days before he put her on the Cape train. All she had to do was to sit among her bags and boxes till she got here. Three shiny black bags, she had, and as proud of 'em as if she had made 'em herself—and a wardrobe trunk. I thought myself that all trunks was wardrobe trunks until she told me different."

"You can't hardly judge the child till she gets settled down a little."

Grandfather Swift let his paper fall to the floor. Then he picked it up and folded it carefully, and made a place for it on the stand between the two windows under the wide fronds of Grandmother's pet fern, which was supposed never to be displaced for such a purpose.

"I did hope John's girl was going to be a little more like folks," he admitted.

The dimity curtains in the guest chamber puffed in the light night breeze. An insect with the voice of a bird set up a cheerful chirping just under her window, but Elizabeth Swift, in a little, huddled heap on the four-poster bed that had belonged to her great-grandmother, with her head smothered in the best goose-feather pillows to shut out the sound she was making, was still sobbing as if she could never stop again.

"They don't even speak the English language," she was saying to herself. "They are just countrified and ordinary, and I've got to have them for my grandparents just as if they were like other people, and eat great hunks of corn beef and drink ginger tea, and never see my parents, or my dear, dear brother."

The goose-feather pillow got wetter and wetter until Elizabeth, still very miserable but quieter now, began to be concerned about the damage she was doing, and finally dragged herself up on the edge of the bed to examine it.

"I mustn't do damage to property, no matter how anguished I am," she thought. "People's things aren't to blame, if they do say 'hadn't oughter,' and 'ain't,' but I don't see how my own mother and my own Father John could have sent me here."

She groped for the second pillow, and the tears started afresh, but presently she began to try to stop them. The soft wind that was pushing the dimity curtains into the room brought with it a heavy breath of honeysuckle and roses. Her mind began to stray away from her immediate trouble.

"Honeysuckle toilet water might be the very best toilet water that any one could have. I wonder if you couldn't make some with honeysuckle blossoms and wood alcohol. There's a bird going to bed in that tree. Maybe it's an oriole."

She had never seen an oriole except in pictures, but that was one of the things she had wanted to come to Cape Cod for, when she had thought she was coming with her mother and her big soldier brother to a cottage on the beach, before they had realized how sick he was going to be when he got home from France. The bird chirped drowsily once more, and the insect in the grass drew its string over its bow again. She almost went to the window to look, but she had cried so long that she wasn't quite willing to think of pleasant things yet. Her head ached and her nose was sore, and the second pillow was almost as wet as the first. She hung them both over the foot-board to dry.

"I suppose it is a little funny to cry quarts into old family goose-feather pillows. I might have cried so long I would have had to use a whole feather-bed, too. I wonder if Grandmother would scold me just as if I were a child. I told her I was going to have my fourteenth birthday here. I told my horrid grandfather, when he pinched me, that I wasn't in the habit of being teased. What would Jean Forsyth say if she could see me now? I guess I'll get up and put some talcum powder on my nose."

There was a knock on the door as she began to move around the room. She scrambled back into bed meaning to pretend to be asleep, but her grandmother opened the door and came in just as if she had spoken.

"Are you asleep, Elizabeth?"

"No, Grandma."

"I thought you might like a glass o' milk to kinder stay your stomach between now and breakfast."

"Thank you, Grandma."

"Would you like a cookie to go with it? I made up a whole jar full o' sugar-molasses cookies so's you could go and help yourself to them whenever you was a mind to. I'll set the milk right here on the stand, and then I'll go fetch the cookie."

"Thank you for the milk, Grandmother, but I don't care for the cookie. I never eat between meals."

"Your grandfather and I had a little spell o' argument about that cookie. He claimed you wouldn't be used to eating sugar-molasses cookies, but I thought you might of inherited your father's taste for them."

"I have inherited a great many of Father's tastes."

"Your brother Johnny, he used to like 'em, too, when he was a little feller. He was a real good little boy, Johnny was. He spent every summer of his life with me and Grandpa till he began to go to that college."

"We don't called him Johnny. We called him Junior when he was growing up, and I called him Buddy, but now we call him John—or John Junior when we wish to distinguish him from Father."

"Well, your grandfather and I always called him Johnny. It seemed to suit him. I hope he'll get well enough to get down to Gran'ma's before the summer is over. Gran'ma could help him to get well."

"He is quite sick now, and unable to see any one at all. He is very devoted to me, but he is in such a weakened condition that even I wasn't allowed to see him. He won the D. S. C.—the Distinguished Service Cross, you know."

"I don't know so much about this new-fangled soldiering. I lost two brothers in the Civil War—your great uncles they would have been. Only eighteen and twenty, but grown men they seemed to be in them days. Your father favoured my brother William more'n he did anybody on his father's side o' the house. Johnny, he looked like Sam when he was a little feller. Well, I'm real glad Johnny got home safe."

"Of course, we can't be sure that he is safe yet, but the recent reports have been very encouraging."

"Your father's proud of his boy, I guess. It was a great thing for him to have a grown boy to go. The next best thing to going himself."

"I don't think he cared about going himself."

"Did he ever say anything about not caring to go?"

"I don't think I ever heard him express himself on the subject; but the work he was doing here, of course, was very important. Anybody who was connected with steel production in any way felt that they were being a great deal more useful on this side of the ocean."

"Whatever your father was doing on this side of the ocean, I guess his soul and his spirit was all the way across it."

"I think you are mistaken, Grandmother."

Grandmother Swift looked at her granddaughter over the rim of her bi-focal glasses, and smiled.

"It's one o' the easiest things in this world to be mistaken, Elizabeth," she said.

Elizabeth put out her hand for her glass of milk, and began to drink it with a sudden meekness.

"You go and set yourself in the chair by the bed, and finish your milk, and I'll lay back your bed for you. There's a golden robin has a nest in that tree, and I guess there'll be a family there pretty soon."

"You mean an oriole, don't you, Grandmother? Oh, I'm crazy to see one."

"Some folks calls it that. Golden robin means more to me. I like to have things called by their prettiest names." She was busying herself about the bed. "I'm going to turn these pillows over on their dry side," she said, as if Great-grandmother's goose-feather pillows had always one tear-dampened surface.

"Oh!" Elizabeth said, "I—I——"

But her grandmother wasn't looking at her.

"Speaking o' names," she was saying, "I'll tell you a conundrum that my grandmother used to tell me, a real appropriate conundrum, seeing that it's about a namesake o' yours. See how long it takes you to guess it.

"Elizabeth, Elspeth, Betsy and Bess, All went together to seek a bird's nest, They found a bird's nest with four eggs in it, They each took one and left three in it."

"But how could they?" Elizabeth cried.

"Well, they did, and now's a good chance to show how smart you are, so's Gran'ma needn't make any mistake about it."

Something in the eyes over the bi-focal glasses made Elizabeth squirm a trifle.

"The girls at home," she said, rapidly, "often call me Betsy. Oh, I know now. That's the answer. It was all one girl—Elizabeth, Elspeth, Betsy, and Bess—all nicknames for Elizabeth. I never heard of any one called Elspeth, but I'm called all the others myself."

"Your great-grandmother was always called Elspeth. She always called you that when you was a baby."

"Did she? I didn't know that I ever saw Great-grandmother."

"She saw you. She loved you better than any grandchild she lived to see, because you was named after her, I suppose. She used to say that conundrum was wrote about her, because she was four or five different characters all in one. Elizabeth when she was feeling high and mighty, Elspeth when she was good, Betsy when she had trouble keeping herself in, and Bess when she put on her airs and graces. Bessie was a real stylish name in her day."

"Why, I have different names for myself—Beth you know, and Betty, they are contractions of Elizabeth, too, but I never knew any one else who thought of themselves in different characters."

"Your great-grandmother was quite a remarkable woman. She was your grandfather's mother, but she seemed like my own. You look considerable like her, Elizabeth."

"I've always thought I resembled my own mother more than any one. She was an Endicott, you know."

"Your great-grandmother was a Jones. The Joneses had the name o' being one of the likeliest families in Crocker Neck."

"Did they?"

"And she had the reputation of having the prettiest manners and the kindest ways of any girl from here to Chatham. Your father takes after her in that. It was the first trouble that ever come to him when his gran'ma died, and he took it hard. He went out behind the henhouse and lay there a whole night; just the way he used to when he had trouble as a boy."

"But he was a grown man then, and I was born."

"He wasn't so much of a grown man that he didn't lay and blubber all night. He ain't so much of a grown man now that he wouldn't do the same thing if he was in the same kind of trouble."

"He—he didn't when we thought we had lost Buddy."

Grandmother's eyes looked kindly over the tops of her ridiculous glasses, but all that she said was,

"You come and hop into bed now. You'll get cold setting by that open window."

"I guess I know how my own father felt and acted last winter," Elizabeth said, but not aloud, as she slipped between the creamy linen sheets, and her grandmother tucked her under the blue-and-white comfortable. She closed her eyes for the good-night kiss that she expected to submit to, but it did not come. Instead, her grandmother made her way to the door and stood holding it open, as she looked back to say:

"Your grandfather and I are real glad to have you with us, Elizabeth. It's always a day of rejoicing to us when we have our own flesh and blood under our roof. No matter what you start out in life thinking, the conclusion you kinder come to, when all's said and done, is that blood is thicker than water."

Her tone was exactly as gentle as before, but alone in the darkening room Elizabeth felt a slow wave of crimson mount to her forehead, and spread hot over her face.

"Grandmother doesn't think I am very nice," she said.

CHAPTER II

The Steppe Children

"Dear Buddy:" Elizabeth was writing, "dear, dear, dear, dear Buddy: Mother says I may write you real letters, now, all about everything, because you are in a condition to bear it. So I am starting in bright and early this morning to go into details about my existence here, and my rejoicings at your convalesence. (I spelled that right, I know. I am naturally a good speller, but I have such a poor example set by my brother the Harvard gradjuate, that I fall into bad ways at the slightest provocation.)

"First let me testify that I love you best—best—best in the world next to and including Father John and Mother Darby. You know that already, but if you are like me, the things you like to be told best are the things you know already. You know also already how I feel about your being sick. Please get better and come down here quick. I want you here, oh! so very, very much. Father and Mother thought I had better get the benifit of country air, but they don't know that I can't get much benifit from country air while you are breathing cloriform and bandige lint all the time. I am not as comfortable in my mind as I should be in stuffy New York, in the hotel with Mother and Father. I know you will suspect my motives in yearning for hotel life, but it is really you and Mother and Father I want more even than life at the Holland House. Of course, I can't help feeling that if the house in Jersey is going to be closed and the family moved into town, though even in the dead of summer, that I ought to be moved with it, instead of being shoved off down here.

"Buddy, I know you used to like it here, but I am miserable. I know you would think it was awful of me if you knew how I felt inside all the time, but I am not half-civilized or savage enough to like the primative way things are down here. I think girls are more sensitive and refined than boys and care what they eat more, and how things sound that are said to them.

"I suppose that sounds horrid. Grandmother thinks I am horrid, though she is very tactful, I will say;—but Grandfather teases me from morning till night, and has no respect for my years. I don't see why he thinks I am such a child. He was engaged to Grandmother when she was sixteen, and that is only two years and forty-one days older than I am. But oh! Buddy, I wish my other grandparents had lived. I think I am all Endicott, really, because I feel like a stranger in a strange land. Children and little girls keep coming to call on me. The girls of my own age that I used to play with keep their distance, and I am not sorry. It's hard enough to be polite as it is. Life is one eternal round of corn beef and cabbage and fried fish hash. I hope you get plenty of steaks and chops and delicacies. Grandmother won't let me go in bathing unless I have someone to go with, and I haven't any one to go with. The motors whizz by all day, but Grandfather's Ford is in the repair shop, and so I don't get anywhere. Tennis? All the boys own the courts around here, and won't let the girls on them for fear they will mess them up for the tournaments. I don't know any girls to play with, so that doesn't affect me, but you can see what a good time I am having.

"Well, 'a sorrow's crown of sorrow is remembering happier things.' We used to have good times together, Buddy, befo' de war.

"Your affectionate, but very blighted sister,
"Elizabeth—Eliza—Elspeth—Bess—Bessie—Lizzie—Betsy—Beth, etc."

As she folded the closely written sheets of lilac-tinted notepaper and crowded them into their envelope, her grandmother's voice summoned her to the head of the stairs.

"The step-children are here," was what she seemed to be saying; "shall I send them up or are you ready to come down?"

"I beg your pardon, Grandmother?"

"The step-children are here."

"If you wish, Grandmother. It sounds just as if you said the step-children."

"I did say the step-children. I'm going to send them up for you to amuse them. Go right on upstairs, children. She ain't a bear. She won't bite you."

"I—" pant—pant—"see a bear yesterday, a dancing bear. Didn't I see a bear, Mose?"

"Hush, babe," another breathy voice answered. "You don't want to talk so much when you go a-visiting."

A mysterious single file of chubby children, considerably more ragged than dirty, made a cautious way up the steep stairs, panting as they came. Elizabeth led the way into the big chamber where she had been writing, and the three followed her solemnly. Her first instinct was to give them each a friendly pat, as if they were so many little dogs who had been running hard.

"Good morning, children," she said. She was fond of children, and these were adorable specimens, despite their superfluous fringes.

"Good morning, teacher," they answered, with unexpected promptitude.

"Well, I'm not exactly a teacher, you know. I'm just Miss—I mean—Elizabeth."

"We know who you be," the eldest, a boy, volunteered. "You'm Miss Laury Ann's granddaughty, that's who you be. We come to see you."

"That was very kind of you," Elizabeth smiled, "but I don't know who you are."

"We'm the step-children."

"You are just about like steps," said Elizabeth, "but that seems a funny name to call you just the same."

"'Tis our name," the second child, a girl with long red curls, met Elizabeth's eyes and subsided instantly.

"S-T-E-P-P-E," the boy spelled out. "'Tain't a joke. It's our name. It's Parper's name and Marmer's name."

"Steppe-father and Steppe-mother," Elizabeth said to herself, "and the Steppe children."

"You have other names?" she said aloud.

"I'm Moses."

"I'm Mabel."

"I'm Madget."

"Her real name is Margery, but she calls herself Madget, and so we call her that. Madget means a dwarft, and she's little for her age. I'm nine."

"I'm seven."

"I'm four," said Madget.

All this had so much the effect of a recitation that Elizabeth asked them if they spoke pieces.

"I speak 'Shavings,'" Moses said. "I—I mean Excelsior."

"I speak 'Baby's Evening Prayer.'"

"I speak, 'Little drops o' water—little grains o' sand—make a mighty ocean—an' a pleasant land,'" Madget contributed.

"She didn't ask you to speak it," Moses said, witheringly, "she only asked did you speak it."

"And you went and spoke it," Mabel added, accusingly.

The wail that Madget set up at being accused of this breach of polite usage sent Elizabeth's arms straight around her.

"You must remember she's only a baby," she said.

"That's what we tell her," Mabel said, "but we can't make her pay no attention to it."

"You must pay attention to it, and take care of her."

"Oh! we take care of her, all right," Moses agreed, darkly. "We gotter."

"Doesn't your mother take care of her sometimes?"

"No, ma'am."

"Is she sick—or something?"

"Yes, ma'am. She's sick o' living, she says."

"What does she do all the time?"

"Nothin'."

"Does she have to stay in bed?"

"Yes, ma'am, when she ain't up."

"What does the doctor say is the matter with her?"

"She don't have no doctor. She reads novels."

"All the time?"

"Yes, ma'am."

"Who does the cooking?"

"We don't have no cooking."

"What do you eat?"

"Bread and molasses, and doughnuts out the cart."

"Don't you ever have any meat or chicken or fish hash or anything?"

"When my a'nt comes we do."

"Then your mother isn't really sick?"

"She feels as if she was, and she says that's just as bad."

"I'm going to be a hired girl when I grow up, and go out to work where I can make pies and cakes," Mabel said.

"I'm going to be a cook on a vessel," Moses said, "and get learned how to make vittles."

"I'm going to be a bake-cart," Madget said.

"Listen to her. Don't you know you can't be a bakery cart?" Moses jeered.

"You gotter be the one that drives it," Mabel contributed.

"I wanter be a bake-cart and curry the food around all the time."

"All right, you may." Elizabeth spoke just in time to avert another tearful crisis. "What would you like to do to amuse yourselves, children? Would you like to have me tell you a story?"

"No, ma'am," Moses said, promptly. He indicated the row of shiny travelling bags by the mahogany what-not. Elizabeth had long since unpacked them, but they were such proud possessions that she could not bear to put them out of sight. "I want to see what's in that," he said, selecting the hat-box.

"I want to see what's in that," Mabel said, choosing the suitcase in her turn.

Madget fell upon the overnight bag.

"I wanner see that," she said.

Elizabeth's laugh rang out gayly.

"You are acting just like the story of the three bears," she said. "There isn't anything inside of the bags now, but I'll show them to you, just the same. This is my hat-box, see, and these silver letters on the outside are my initials, E. S."

"There is, too, something inside," Mabel cried, as the brightly flowered lining was disclosed. "Trimming. Now open mine. There's trimming in all of them."

"And a pocket, too," Elizabeth said.

"Now me," said Madget.

"There isn't any trimming in this," Elizabeth said, hastily, "but there are lots of pockets, and see, in this pocket there is a little cake of lovely smelling soap, and I'm going to give it to you. You can wash your face and hands with it."

"She ain't a very good one to give soap to," Moses said. "Water makes her nervous."

"I'll give you all a piece of soap if you'll promise to use it every day—the big bear and the middle-sized bear, and the baby bear."

"I ain't going to be no bear," Moses said, "I was a bear in a canatartar. Zibe Hunt—he had me on a string, and he sang a song."

"What kind of a song?"

"I am an animal trainer, This is my polar bear. He comes from the far-distant mountains, Out of his icy lair."

Mabel obliged, "And then he done some tricks," she added, "and Zibe hit him; and Parper licked him."

"Why should your father lick him?"

"For what he done to Zibe after the canatartar. He don't like to play bears now."

"I see a dancing bear," Madget said. "Didn't I, Mose?"

"You better stop talking about bears," Moses hinted, darkly.

"If you'll bring the children downstairs, Elizabeth," Grandmother called from the foot of the staircase, "they can have some milk and cookies."

Madget made directly for the staircase, and as promptly fell all the way into Grandmother's arms, from which position she scowled and freed herself.

"She always falls downstairs," Mabel said, tolerantly. "It don't hurt her."

"It does her good," Moses explained.

"Milk," said Madget, "and cookies."

"The little thing is really hungry," Grandmother said. "How long ago did she have her breakfast, Mose?"

"We don't have no breakfast to our house. She wouldn't eat her bread because she said she was skeered of it."

"Scared of it?"

"Well, some of it had gray fur on it, and she was afraid it was going to crawl out on her."

"Grandmother," Elizabeth cried, "why are these children neglected like this? Are they so poor or what?"

"They ain't no poorer than a great many other folks. Their mother won't do anything for them—that's all."

"But why?"

"She don't like work. Mercy me! They've et a dozen cookies already. You fill up their glasses, Elizabeth. I stirred half a cup o' cream into the pitcher so's to be sure they was nourished."

"Why isn't something done about them? The Charity Organization Society, or somebody, ought to take up the case."

"The only organization society we got is the fire department. These children don't need putting out, they need taking in more, I should say. If one person in the world lays down and refuses to do what the Lord requires of him he puts a powerful lot o' machinery out o' gear. Mis' Steppe—she just refuses to do her part in the Lord's scheme."

"Is she old and ugly?"

"She's young and pretty if she'd fix herself up some. She come from real good folks, too, but when she see how hard it was to live and take care o' her children like other folks, she just decided to lay down, and down she lay. Most all of us feels inclined to shirk our responsibilities at one time or another, but most of us thinks better of it after a spell. She thought worse of it, Mis' Steppe did. Too bad you don't like sugar-molasses cookies, Elizabeth."

"I do," Elizabeth blushed. "I was only just waiting for the children to get all they wanted."

"They'll never do that, but they got all they can hold. You open the screen door, Elizabeth——Scat, out you go," she said, shooing at the Steppe family as if they were so many chickens, and the children scattered instantly, chickenwise, onto the lawn, and down the path to the gate. "Too much of anything is good for nothing," she concluded, tranquilly.

"Buddy, my darling, I have broken into my letter again to say that I am a pig—the piggiest kind of pig, and this letter to you is a piggy letter. I will send it because I wrote it, and because I haven't got any time to write another, better one. I only wish to add that in certain ways I am as bad as 'Mis' Steppe,' that's a good pun you see, whether you know who I'm talking about or not. I'm going to be a better sister to you, and a better daughter to Father John and Mother Darby. I've found out that one poor mother can do so much damage in the world that I don't want to be a poor—anything. Get well, and write me a letter, Buddy.—Sister Bet."

CHAPTER III

The Little Room—and Peggy

The golden robins woke first, and demanded their breakfast in weak, insistent voices. Then the blue counterpane slid to the floor and two ruffled blue dimity sleeves were flung out at right angles. The clear bell of the schoolhouse clock struck six times.

"Dear me, I must hustle," Elizabeth said.

She flew to the wash-stand and poured the creamy, gilt-edged bowl of the best room set full of well water, in which she laved and splashed. An aroma of bacon and coffee and the inimitable savour of raised biscuits helped to accelerate her progress. She sang as she dressed, but she thought of nothing at all but her breakfast.

Her grandfather, in his shirt sleeves and sand-coloured waistcoat, was already at the table when she took her place there, and unfolded her red-fringed, damask napkin from the napkin ring that was her father's, and marked with his name. It was on a standard, and supported by twin boys, wreathed and carrying trumpets. Elizabeth always tried to hide it behind some dish as she ate.

"Good morning, Miss Betsy."

"Good morning, Grandfather."

The hired girl, who was sixteen and the daughter of a neighbour, wiped her immaculate pink hands on a more immaculate and pinker apron, and took her seat opposite Elizabeth. She was an enormously fat blonde, who never spoke without blushing. Grandmother was bustling about with plates of biscuit and coffee cups.

"The reason we don't have more help around the place is that Mother wears herself all out waitin' on them," Grandfather observed. "Judidy, ain't you got no control over Mis' Swift? Can't you make her set down to the table when breakfast is ready?"

"No, sir," Judidy blushed. "She told me to set down, so I set."

"Well, whenever she tells me to set down—I set, but I thought maybe you had more independence of spirit."

"No, sir."

"Elizabeth, here—she don't pay much attention to what anybody says. She sets all the time, so's to be on the safe side. Well, I guess we're in for a spell o' bad weather. I see old Samuel Swift out bright and early this morning, and when Samuel comes out of his hiding that means rain sure enough."

Elizabeth shuddered. Samuel Swift was an unbelievably unkempt individual who lived in a hermit's shack in the woods, and was locally known as a "weather breeder." Whenever he harnessed his ancient mare to his antiquated buggy and emerged into the light of day the wind changed, according to neighbourhood tradition, and the fog and rain swept in. She quoted:

"There was an old man with a beard, Who said, 'it is just as I feared, Three rats and a hen, An owl and a wren Have all made their nests in my beard!'"

"That's poetry," her grandfather explained with a wink at Judidy. "Fall to," he said as he served the last plateful of golden eggs and crisp bacon. "Here's Mother with her last chore done, and we ain't more than half through our breakfast. If that coffee's for Elizabeth, Mother, you can give it to me."

"I thought Elizabeth could have a little—very weak."

"Not at my table," Grandfather said.

Elizabeth poured a glass of milk and drank it in silence, but her grandfather gave her one sharp look from under his bushy brows.

"I see old Samuel's crawled out," he said, turning to Grandmother. "I guess we'll have some wet weather, now."

"He's a disgusting creature," Elizabeth said, looking resentfully at the jug of milk—and taking a second glass of it.

"He's a kind of relation of yours. His mother was my father's cousin. I think he'd be better off at the poor farm, but he's so dirty, the selectmen kinder hate the job o' trying to get him there."

"A relation?" Elizabeth cried. "Oh!"

"You don't know much about your Cape Cod relations, do you, Elizabeth?"

"I guess I'm a kind o' relation, too," Judidy simpered. "Everybody's relation on Cape Cod, I guess."

"Elizabeth would be proud to have you for a relation, Judidy," Grandfather said, gravely. This time Elizabeth saw the sharp glance that appraised her, and she turned quickly toward Judidy.

"Anybody would be proud to have a—a cousin with such a lovely complexion," something urged her to say.

"Don't!" Judidy protested. "I'm all tanned up."

"I have a friend in New York, Jean Forsyth," Elizabeth said, presently, "whose sister married a count."

"And when you get back to New York, you can tell her all about your cousin Samuel," her grandfather twinkled. "My, what good times you can have, comparing notes."

"Father!" said Grandmother Swift, warningly. "You run along upstairs, Elizabeth, and I'll come up there as soon's I take one more swaller o' coffee. I got something I want to say when there ain't no men-folks about."

Upstairs again, Elizabeth took the photograph of a deep-eyed girl in a silver frame out of the drawer in her wardrobe trunk and gazed at it with gathering woe.

"Oh, dear, Jeanie," she said, "the only thing that would make me any less miserable in these surroundings would be to sit down and write you just exactly how things are, and that I can never do."

"You come with me," her grandmother called suddenly from the threshold. "I got an idea."

She led the way past the landing and tiny hall into which the steep stairway debouched, into the regions in the rear of the three bedrooms that Elizabeth was familiar with. There seemed to be a chain of small, stuffy rooms dimly stored with old furniture and boxes, and not all on the same level, and beyond them a low room, with a slanting roof, half chamber, half hallway.

"I never knew you had all these rooms," Elizabeth said. "Why, the old house is enormous, isn't it?"

"The front o' the house is new; it hasn't been built more'n fifty years at the outset, but these back chambers belong to the old house—the one your great-grandfather built to go to housekeeping in." She flung open a door that led into a little room still beyond.

"Oh, what a darling, what a sweetheart of a room!" Elizabeth cried. "Whose was it?"

"It was your Aunt Helen's room. She had it papered in this robin's egg blue paper, and she got a lot o' old, painted furniture, and fixed it up real cunning. I thought maybe you might like to do the same thing."

There was only one portion of the room in which Elizabeth could stand upright. The roof sloped gradually until it met the partition about shoulder high, where two tiny, square windows, of many panes, were set; but the main part of the chamber, in spite of its low ceiling, was big enough to hold all the essentials of comfortable furnishing.

"You could hunt around through the house and the attic chamber until you found the things you wanted to put in it, and furnish it just according to your taste, and nobody would ever set foot inside of it unless you happened to want them to. I know girls. That's what they want."

"I guess you do know girls, Grandma," Elizabeth said. "I guess Aunt Helen must have had a good time growing up if you let her do things like this. I don't remember her much."

"Well, that ain't so remarkable. She's lived in China since before you was born. I ain't never let anybody use this room, but now I kinder think her lease has expired. She's got daughters as big as you, and sons that's grown men now."

"I'll be just as good to her room!"

"I guess you can't help it. There's a good spirit in it. You rummage around in these different rooms here, and then you go up in the barn chamber and look till you find the things that suits you. There's a powerful lot of what some folks calls antiques around this place. Dealers and what-not is always coming around and begging to look through my pantry and my attic, wanting to buy all Grandmother's pretty dishes, and a good many that warn't so pretty, but I tell 'em all that when I'm ready to part with 'em I'll let 'em know."

"The Washington Vase china that you use all the time is really valuable, isn't it?"

"Well, so those collectors say. It's valuable to me, because I was brought up on it. Money value ain't everything. The value of a dollar is one thing—the joy it brings to you is another. You just rummage around and find the things that you like, and we'll get Grampa or Zeckal to move 'em up for you."

"How did you ever think of such a thing, Grandmother?"

"Well, your grandpa thought he hadn't seen you looking around the house much, and s'long's it's full o' the kind o' things that most city folks goes so wild about, I kinder figured you might like something to get your interest started. Helen, she was never very much interested in anything she didn't have to do with. You favour her in some ways."

"I suppose I haven't seemed very much interested in the house and things, I've—had other things on my mind."

"You've been worried about your brother, and a little homesick."

"I didn't think I showed it."

"You don't always have to show your feelings to Grandma. You better start in the barn chamber, and then work on through the house. When you get all the furniture you want, you can come to me and get the key to that closet some day." She indicated a door that might have been a panel set in the wall, except for the keyhole, where a knob might have been. "There's a closet there, that runs clear under the eaves. I guess you might find some fol-de-rols you would like."

"It might be fun to start in the closet," Elizabeth suggested.

"It might," her grandmother agreed, "but better save that till the last."

"I will," said Elizabeth.

The barn chamber, reached by a rickety stairway leading from the region of the stalls, from which a white mare poked a friendly nose as she went by, proved to be a storehouse of the most heterogeneous assemblage of objects Elizabeth had ever imagined. The overflow of fifty years of housecleaning and readjustment had been brought together under those dusty rafters.

"Poor things," Elizabeth thought, looking about at the old settees and rocking chairs, broken backed and legless. "A horse in that condition is put out of its misery. I don't suppose they could blindfold and shoot an old sofa, but they might cremate it, or something."

She came upon the wreck of a little old rocking chair, a child's chair, with a back beautifully decorated with grape clusters and leaves, and two limp, broken arms stuck out helplessly. These she tied up with strips of faded blue cambric that were lying about, and set the little chair gallantly rocking.

There were innumerable cracked china jugs, big bowls, and strange wooden utensils and cabinets; beds that had been taken apart, forlorn, carved old posters minus springs or mattresses that were merely being used as pens to keep forlorn chairs and tables herded together. These things were all draped with dust and spiders' webs; and in a corner, from a pile of ancient straw, Elizabeth heard a faint, continuous rustling.

"Mice!" she said, "but they can't frighten me unless they get a good deal nearer. Still, I guess I'll look carefully around and choose my nearest exit."

Her first discovery for her house furnishing was a flag-bottomed chair with rockers about two inches long. It was perfectly preserved. It wasn't a child's chair, though it was very little of its age, she told herself. The next was a spinning wheel, which was the first one she had ever seen outside of a picture book.

"I'm going to get Grandmother to teach me to spin on it," she said.

There was a writing desk, a rosewood box with inlaid corner pieces, and a short-legged, square stand to set it on; and then more rustling in the straw sent Elizabeth suddenly downstairs again, though not until she had segregated her chosen furniture.

"Zeckal, whoever he may be, can come and get it," she said.

She went back to the little blue room under the eaves, and began a diagram of arrangement. Standing against the wall was a long, panelled picture in a black frame, that had made its appearance there in her absence. Elizabeth lifted it to the light and disclosed three barefooted ladies in flowing garments of gauze, who were standing on a light turf from which lilies of the valley were springing. One of these ladies was reclining on the breast of another, and the third was standing erect and aloof, with shining eyes.

"'The Christian Graces,'" Elizabeth said. "For goodness' sake!" and beneath, the curious inscription, simulating letters cut into stone, was engraved in a neat, Spencerian hand, "Faith, Hope, and Charity."

"For goodness' sake!" said Elizabeth, again.

She turned the picture around, and found on the board at its back another inscription, written in a round, childish hand, "Helen Swift, aged eleven, hung in my room to help me to remember."

"I guess I'll hang it in my room, to help me to remember," Elizabeth said.

She was a little self-conscious about going down to dinner. She knew that her grandfather had found a good many things to chuckle at in her breakfast-table conversation. She always knew afterward just what things she had said that Grandfather would consider most typical of what he referred to as her "city manner." This time she realized that her allusion to Jean Forsyth's brother-in-law would be the subject of many sly, humorous thrusts for a long time to come. However, when she reached the table again, her grandfather had not yet come in, but he appeared almost instantly, with a tall, freckled girl hanging on his arm—a girl with a turned-up nose and a bronzed pigtail the size of her doubled fist hanging down her back.

"But, Granddaddy Swift," she was saying, earnestly, "don't you see that I can't come and meet a brand-new city granddaughter, and sit down to a respectable person's dinner table, attired in a bloomer suit? Don't you know it isn't done in the circles in which we move? Make him let go of my ear, Grandmummy."

Elizabeth rose shyly, and then she sat down again, but the stranger eluded Grandfather's masterful grip, and slipped around to her side, with a hand out-stretched in greeting.

"Isn't he dreadful?" she said, indicating her tormentor affectionately. "When I heard you were here, I was going back to the cottage, to put on my best bib and tucker and make a proper call upon you, but Granddaddy wouldn't hear of it. He insisted on dragging me hither by the hair. So here I am—Peggy Farraday, at your service, and am very glad to meet you, too."

"I'm glad to meet you," Elizabeth said. "I haven't seen any girls for a long time."

"The woods down here are full of them."

"Well, I guess I haven't been into the woods very much."

"Elizabeth ain't a tomboy, like you, into everybody else's business, all day long. She stays at home with me and Gra'ma, and minds her p's and q's."

"Well, we'll change all that. Attractive as you and Grandmummy are, you can't expect to monopolize her forever. Now it's my turn."

Elizabeth saw that both her grandfather and grandmother were beaming at this tall girl's impulsive chattering. She felt her own stiffness relaxing under the sunny influence of the stranger's smile.

"I adopted Grandmummy and Granddaddy three years ago, when I came over to this ducky old house, on my very first day on the Cape, to beg a pint of milk and a pail of water for my hungry, unkempt family. I saw that they were just the grandparents I was looking for, and so I took them on, and I've been the plague of their existence every summer since. Haven't I, Granddaddy? Isn't he a lamb? You know, my one ambition is to squeeze him to pieces, but he's so woolly and scratchy and cantankerous, that it's almost impossible to get your arms around him, isn't it?"

"Yes, it is," Elizabeth said, crimsoning, with a quick glance at her grandfather.

To her surprise, he took no notice of her discomfiture. Both he and Grandmother seemed unaware of the delicate ground upon which Miss Peggy Farraday had set her enthusiastic little heels.

"I'm fifteen," that young lady continued, with very little pause either between her mouthfuls of food or of conversation—"You're fourteen, aren't you? I had more fun the year I was fourteen than I ever had before, or ever expect to have again."

"I'll be fourteen next Thursday," Elizabeth said.

"I took on an entirely new character the day I was fourteen. I became very sedate and dignified, and changed my name from Peg to Peggy. Do you expect to do that?"

"I think perhaps I shall," Elizabeth said. "I guess my character does need improving."

She expected some retort from her grandfather at this, but he only held out his hand for her plate, and heaped it high with roast lamb and tender green peas from the kitchen garden.

"I envy you the scrumptious things you have to eat all the time over here. We bring our fat cook down with us. She cooks all right in town in the winter, but she always sulks on Cape Cod, and we have a dreadful time getting anything. We're not lucky enough to have Judidy."

"Don't!" that flattered young lady protested. "Land, think of anybody feeling lucky to have me! I kin cook, though, whenever Mis' Swift is willing."

"Mother, she don't let our help do much work. She's afraid they'd get the habit, and kinder get in her way whenever she wanted to make a day of it. When she's cooking, Judidy she generally sets down and reads the newspaper."

"I'm so fat," Judidy explained, "that I kinder make hard work getting around."

To Elizabeth's surprise, Peggy Farraday went off into peals and spasms of laughter at this.

"They are such loves," she explained. "They are such darlings! I adore the way they do things. Grandmummy—I call her that, because she was jealous of Granddaddy for a name—is a lot like the Peterkins in her domestic arrangements."

"I ought to be like Elizabeth Eliza. That's my name." Elizabeth was glad that she had read the "Peterkin Papers" with Buddy the summer before. She had never met any other girl who was familiar with them.

"I'll tell you later what character in fiction I think you're like. It takes me a while to make up my mind about things like that. I seem to jump at conclusions a good deal quicker than I do."

"Can you always tell whether you like people or not, at first meeting?"

"Yes, I can. Can't you?"

"Yes."

Peggy looked up quickly, and then her eyes dropped to her plate and she began eating rapidly.

"She's shy, too," Elizabeth thought.

"If you'll come upstairs after dinner," she said, aloud, "I've got something I want to show you. You've come just in time to give me your advice about something pretty exciting."

As she was leaving the dining room something made her turn and look back at her grandmother, who was smiling broadly to herself, like the Cheshire cat in "Alice in Wonderland."

"The something I was going to show you was her surprise to me," Elizabeth whispered to Peggy.

CHAPTER IV

The Birthday

Elizabeth sat in her little blue room, and shivered.

It was the afternoon of her birthday, and although she hadn't mentioned the fact to any one, she had dressed herself to do honour to the occasion. Every undergarment, chemise, camisole, and petticoat, was of a soft, flesh-tinted silk. Her dress was of the finest white muslin trimmed only with infinitesimal tucks and Valenciennes beading, and she was wearing a blue ribbon sash with a big butterfly bow at the back.

"My pride ought to keep me warm," she thought, "what a pity it doesn't."

Before she bought her silken lingerie she had deliberated a long time between that magnificence and a light blue wool sweater and had finally succumbed to the lure of the lacy garments which had taken every penny of her month's allowance and all that she was allowed to borrow on her next.

She looked around her room with a glow of satisfaction, having only that morning put the finishing touches on it. She had draped the windows with an old-fashioned print, a blue groundwork with tiny pink roses wandering over it, that her grandmother had produced from an ancient chest stored with remnants of the popular fabrics of an older generation. The furniture she had chosen was mostly painted black, or a very dark stain. She had found another flag-bottomed chair, a twin to the first, and a wonderful old settee on rockers, which had a deep seat with an adjustable rack running along the outside of it, as if to prevent its being used except for the one person who chose to sit in the space that was clear at the end. This she had piled with cushions made from little square pillows that her grandmother kept for "children who came a-visiting." Her desk and her spinning wheel were in opposite comers, and a miniature organ, the keyboard of which comprised two octaves exactly, occupied a position under the eaves between the two farther windows.

The morning mail had brought her a writing-case from her mother, a check for five dollars from her father, and a letter, her first, from her Buddy. She had taken a high resolution not to shed one tear on her birthday, and the mild faces of Faith and Charity smiled down on her as if to strengthen her will.

"Hope looks a little teary, herself," she said.

There was a sound of altercation on the stairway that led directly out of the passage from the dining room of her new suite.

"You shall come upstairs, Grandmummy, and give it to her yourself. She doesn't want your present by way of me. She wants it handed out, with your own personal and private blessing. Besides, I've got a present for her myself. I can't give her two presents."

Peggy Farraday, with her hands sternly set on Grandmother Swift's shoulders, marched her firmly into Elizabeth's chamber.

"Here's Grandmummy with a beautiful present for your birthday. She was going to send it upstairs by me, but I declined the honour."

"Young folks like to open packages by themselves, without anybody standing around counting the Ohs and Ahs, and waiting to be thanked for something that may not exactly suit. If Elizabeth likes what I've made her, I guess she can make out to tell me so." Grandmother, entirely unruffled by the recent coercion to which she had been submitted, put down a bulky tissue-wrapped package and departed.

"Isn't she funny?" Peggy said. "But do open it. I can hardly wait to see what you think of it. It's copied from one of mine, the only sweater I've ever really loved. And it's in your colour, and everything."

"'Do open it. I can hardly wait to see what you think of it.'"

Elizabeth, scarcely crediting her senses, shook out from the folds of tissue the lovely, fleecy garment of her dreams, a wool sweater in her own colour of "Heaven's blue." She gave it one comprehensive glance, then she slipped after her grandmother, caught up with her halfway down the stairs, and kissed her on the nape of an astonished neck.

"You're not a grandmother, you're an angel," she said, and flew back, in a panic, to Peggy.

"Here's my present," that young lady informed her. "It's something very practical, but I made it myself. I thought you might like it. I always give away the kind of thing I adore, don't you? That's doing the very best you can to show love—and one person's sure to be suited."

"It's a laundry bag," Elizabeth said, "and I haven't got one. You dear." She put out her hand toward Peggy, and missed her. Then they both put out their hands together, and kissed.

"The beauty of this creation is that you don't have to fish down into it," Peggy explained. "It buttons all the way across the bottom, and can be dumped that way. I made the buttonholes myself."

"And it's my colour, too. Have you made this since you were here last week?"

"No, I made it the first week I came down, to be sure to have it ready."

"Before you even saw me. How did you know you'd like me well enough to give it to me when it was done?"

"I was willing to take my chances. When I heard about your brother being sick, and your disappointment about the cottage, I thought you might be feeling kind of low when you first got here. So I prepared for it."

"How kind you are! How kind everybody is."

"Well, don't get the weeps. See here, do you know what this bar on this settee was put on for? It's a kind of a cradle arrangement. Mother makes up baby's bed on the lower end, puts up the bar, sits herself up at the head, and rocks and knits. Grandmother told me. She was rocked there herself when she was a baby. She remembers having scarlet fever on it. Aren't these old things fascinating? You're an awfully lucky girl to have grandparents like this. Mine live in a Back Bay apartment, and are just like everybody else, only a lot more so."

"You're a lot nicer than I am," Elizabeth said, suddenly.

"Well, I don't have such nice clothes. I thought you might like this clo', though." Peggy stood up to be admired. "It's my best bib and tucker. See, this is the bib," she indicated the square of cobwebby lace and lawn under her bronze chin, "and this is the tucker." She turned around, to show its counterpart in the back. "That's really what I bought it for, I couldn't decide between this pink linen and a gray dotted swiss until I realized that this was a bib and tucker. Which of course settled it at once. By the way, I know something very funny." Peggy barely took a breath between sentences. "I wonder if you know it, too. My sister Ruth knows your brother John quite well. They wrote to each other all the time that he was abroad. I just found out that he was your brother by the merest accident."

"You don't mean that Ruth Farraday is your sister! Why, Buddy's known her for years."

"Can't he have known my sister for years?"

"Yes, I suppose so, but it doesn't seem possible. I thought he met that girl in Boston."

"I live in Boston. If you've got a sample of your brother's handwriting, I can prove to you that my Ruth is the girl. I've taken in his letters for years."

Elizabeth produced the precious morning missive by the simple process of diving into the neck of her blouse. Peggy bent over the letter.

"It's the same," she said. "Oh, is he going to be an awful lot better soon? Ruthie has been dreadfully worried, I know, though she hasn't said much about it. She's the still member of the family, you see."

"What does she look like?"

"Oh, she's darlingly pretty, with great blue eyes and long golden lashes, and lovely colour that comes and goes, and she dresses sort of quaintly. She looks well in fringes and sashes and droopy things. I have to wear boys' clothes, almost, to set off my peculiar style of beauty, but you mustn't judge Ruthie by me. She's really a star."

"I think I'd like you best."

"Oh, you wouldn't if you could see Ruth. You'd just call for the incense and get busy worshipping. Everybody does."

"Has she many suitors?"

"Flocks and herds of them, but she doesn't care. She's kind of booky and dreamy. I don't mean she doesn't play a stunning game of tennis, and drive a car, and all that. She was motor corps for a while, and just crazy to get over, but Dad wouldn't hear of it. She'll be on the Cape bye and bye, and you can judge for yourself—I'm going to stay to supper, did you know it? Your grandmother sent over and invited me yesterday."

"I didn't know she even remembered my birthday, and now—only think!"

"She said to me that you were as blue as indigo, and putting up a good old struggle not to be, and she wanted you to have something pleasant to remember. That festive sound from below stairs is Judidy taking her turn at the handle of the ice-cream freezer. Do you know what they make the ice-cream of here? Just pure Jersey cream and fruit juice. I never tasted anything like it in my life."

"Didn't I hear something outside the door? It sounded just as if somebody had crept up and then crept away again."

"I didn't hear anything." Peggy threw open the door like a flash. "It was someone. More birthday surprises." She held up the package that an unseen hand had deposited on the threshold. "Open it quick, Elizabeth."

"Why, it's the Kipling 'Birthday Book,'" Elizabeth said, "that red-leather edition that I've been crazy for. Who do you suppose could have got it for me?"

"Who is there left to give you a present?"

"Nobody."

"Grandpa hasn't been heard from."

"Grandpa?"

"He's capable of anything. You don't half appreciate him, Elizabeth."

"I know I don't, Peggy, but I think I'm beginning to."

At the supper table they cornered him.

"Well," he admitted to Peggy, "I didn't know as you was upstairs, and I calculated to have Elizabeth blame it on you, but seeing as I'm caught, I'll own up to what I can't hide. I asked that girl in the apothecary shop in Hyannis what was the best kind of a birthday present, and she said a birthday book. I thought that was likely, so I asked to see one. She fetched out a Longfeller book and a Emerson book, and then I see this one standing all alone in a corner, and I took to it right away. Kipling, he writes about things I know something about. So I took him."

"And you are going to put your name in the book the first thing—before any one," Elizabeth declared: "What's your birthday?"

"What day is to-day?"

"The thirtieth of June."

"That's it."

"You don't mean that you were born on my birthday?"

"I always kind o' calculated you were born on mine."

When Judidy, attired in a purple and yellow silk gown over which she wore a black silk apron embroidered in blue forget-me-nots, rose to change the plates, with an expression of the most intense self-consciousness, Grandmother rose also, and the two exchanged signals.

"If I understood dumb show a little better," Grandfather said, slyly, "I might be inclined to think that Mother had something hid out in the kitchen, and Judidy had an errand in the pantry, but o' course I probably got it all mixed up."

"Well," Grandmother smiled, "seeing as the same thing has come o' the pantry every June thirtieth for forty-five years, it ain't anyways likely that you know anything about it." She bustled off to the kitchen, to reappear with a mound of ice-cream in which the strawberries were embedded, like so many perfect emeries.

"I like ice-cream better than anything in the world," Elizabeth said.

"I like it better than fathers and mothers and sisters and intimate friends, but not better than grandparents, especially not grandparents when one of them is celebrating its birthday," Peggy declared, "Now, I'm getting silly. Will somebody stop me, please? Oh, look! Look at Judidy!"

That flushed and excited young woman was approaching the table with the air of a standard bearer. In her arms she carried a big tray lined with white paper lace, and on it was set a marvellous erection of cake—a big round of chocolate confection lettered in pink, and further adorned by blazing pink candles. She placed it in front of Elizabeth.

"Time was when I had a cake to myself on my birthday," Grandfather grumbled.

"The time ain't so fur off." Grandmother appeared, with a round loaf of fruit cake on which one candle burned brightly. "You can take the candle right off if you want to. I only put it on for a joke. The cake is just what I always bake for you."

"Elizabeth can eat all the candle grease." Grandfather made an effort to frown, in which he succeeded only indifferently.

"I made it myself," Judidy cried, as Elizabeth counted her candles, "fourteen, and one to grow on."

"And did you make all the letters—'Elizabeth With Love?'—I think that's the nicest thing any birthday cake ever said on it."

"I was going to put on 'Elizabeth-aged-fourteen,' and then I thought that the candles would tell how old you were," the blushing Judidy hovered over her masterpiece, "and then I thought it was better to put on a kind of a message. I couldn't write a very long one, but I guess that says just as much as a whole sheet of paper."

"How did you make the letters so clear?"

"With a cornycopia. You colour your white frosting with strawberry juice, and then you make this here cornycopia out of letter paper, and then you sort of dribble it along and write with it."

"It looks lovely," Elizabeth said. "Thank you. Thank you, Judidy."

"Don't let your ice-cream melt," Peggy warned.

"You haven't let yours melt," Grandmother said, putting out her hand for the empty dish Peggy was waving.

"I never had all the ice-cream I wanted," Peggy acknowledged, sadly. "I never shall have, I know I shan't, because I can't hold it."

When Elizabeth made her wish, and blew out her candles, tears of pure delight stood in Judidy's eyes.

"I've give you luck," she said. "Oh, I hope it was a good wish!"

"It was the best wish anybody could wish," Elizabeth smiled. "I shall never forget this birthday, and this cake, Judidy, nor any of the dear things that have been done for me."

That night, as her grandmother tucked her into bed, she caught one of the kindly hands and clung to it.

"That was the most beautiful sweater in all the world," she said. "Do you think I could go down and kiss Grandfather good-night, too?" she asked, shyly.

"I guess it could be managed. I'll go downstairs with you, and see."

And presently Grandfather, with his glasses sitting low on his nose, and his nose in the morning paper, was attacked from behind and kissed breathlessly; but when Elizabeth tried to escape, she found herself caught by a blue dimity sleeve, and drawn into an energetic embrace.

"No, you don't," he said, placing her on his knee. "You're going to set here a while, and talk to Grandpa."

But the eminence of his knee proved such an embarrassing vantage ground that he soon let her go.

"Good-night," she said, slipping her hand into his. "Good-night, Granddaddy, dear," and she kissed him again, a real kiss this time, as if he were her father, or Buddy.

"Well, well," he said, "well, well!" and sat holding her by the shoulders so long that he almost seemed to have forgotten she was there. Then he picked her up in his arms and carried her up the stairs again, tucking her into bed with a hand as accustomed as Grandma's.

"Fourteen years old and letting her grandfather put her to bed the way he did when she was a baby. Ain't you ashamed?" he asked, playfully, in a tone she had never heard him use before.

"No, I'm proud," Elizabeth said, and she meant it.

Under her pillow was her brother's letter, and she lit a flickering bedside lamp to read it by before she went finally to sleep. It was a short letter, slanting down the paper, as he was not yet able to sit up in his bed long enough to write properly. He said:

Dear Sister-on-her-birthday:

I'd be willing to eat a German helmet to be able to spend this day with you. But the U. S. base hospital—base is the word—has got me for the present. I send you my respects, and fourteen and one half kisses to grow on.

For the love of Michael, don't get priggish in your old age. Some of your letters have made me wonder if there was nobody home where my sister lived, but lately they've seemed more the real thing. Get acquainted with your grandfather and grandmother. Grandfather once told me that he had come to the conclusion there was only one person in the world he had to keep an eye on, and that was himself. Good talk, Sis.

Which endeth the lesson.

Buddy.

As she tucked the letter back in its envelope, she realized that the sheet which had been wrapped around it to prevent its scrawly surface from showing through the transparent envelope was not blank as she had at first supposed; she spread it out before her, thinking to find a postscript to her own letter, but it was not that. It was evidently a sheet of a letter begun and discarded. Elizabeth had read it before she realized that it was not meant for her eyes to see. "Sweetheart—Sweetheart—Sweetheart—" it ran, "I have never called you this, and I have no right to call you so now, or any other name. At least, not for many years to come. I'm done for. I love you, and I can't try for you. That's something the war has done for a lot—more——" Here it broke off, abruptly.

"Oh, Buddy, Buddy," Elizabeth cried, "I didn't mean to snoop. How perfectly, perfectly terrible!"

It was two in the morning before she slept. She lay wide eyed in the darkness, thinking of her brother and Peggy Farraday's sister. It couldn't be anybody else—she knew that much about Buddy. For the first time in her life she was feeling the weight of a trouble that did not make her want to cry.

"I guess that's what it means to be fourteen and grown up," she said.

CHAPTER V

Ninety-Nine Negroes

Peggy and Elizabeth were lying on the beach in their bathing suits. Peggy had hollowed out a careful seat in the sand, and built arm rests and a slanting support for the head, which she was trying to recline on and enjoy. Elizabeth, who had made no such elaborate preparations for relaxation, was really comfortable. She was wearing a black mohair suit with a patent leather belt and silk stockings, and a blue rubber cap put on with great care, so that tendrils of soft brown hair framed her face. Peggy wore a rubber diving cap that made her look as if she had been scalped, but her blue jersey suit was trimmed with blue and green stripes and slashed up the side and laced fetchingly.

"Did you get your birthday wish, or did you wish for a handsome husband in the sweet bye and bye?" Peggy asked, lazily. "I always wish for things that will happen right away, because I can't stand the strain of not knowing whether I'm going to get them or not."

"I didn't wish to get anything. I wished to be something. I can't tell yet whether I'm going to succeed in being it."

"Oh, I know—occasions like that always make you feel noble, but I hate to waste a wish on wanting to be a better girl. You can't tell your wish, and if you don't, there's nobody that can judge whether you've got it or not."

"Can't we judge for ourselves?"

"I suppose we can, but it's kind of embarrassing to award yourself prizes for virtue."

"I know it, but in a kind of general way you have to keep tabs on your own piggishness, because you're the only one that can."

"Did you say pig or fig?" Peggy had all of "Alice in Wonderland" on the tip of her tongue.

"I said pig, but I guess prig was what I meant, really. You're not a prig—but I am."

"Well, speaking of wishes," Peggy said, "do you know the very latest way of telling who you'll marry? You count ninety-nine niggers, twenty-seven white horses, and three red-heads, and then the next man you shake hands with, you'll marry. Let's begin and do it. I've been meaning to for a long time, but I wanted to wait until I had somebody to do it with. Those things are not so much fun alone. Kindly remove that inquisitive sand flea from my back. Oh! Ouch! Lots of people claim they don't bite." Elizabeth took the offender between thumb and forefinger.

"He's a funny looking beastie," she said. "He's got a kind of solemn, long face."

"I think he looks interrupted," Peggy said. "I guess he liked my flavour. Shall we start counting to-day?"

"There aren't many Negroes on the Cape, unless you count Portuguese."

"There are two kinds of Portuguese—black Portuguese and white Portuguese. We'll have to count the black ones. My mother once went to the Azores—that's inhabited by Portuguese, you know—she says that the high-class women all wear a kind of nun's costume, with a huge black head-dress made exactly like a pea-pod, and they are all quite light-skinned in spite of their black hair and eyes. Well, let's go in swimming."

Elizabeth swam her hundred strokes, and then stood breast high, watching Peggy's fearless performance as that young person displayed all the latest spectacular swimming feats, diving and wallowing and spouting like a young whale. The raft, which was usually rocking in at least seven feet of water, had at first filled Elizabeth with terror, but Peggy's adventurous spirit was beginning to animate her, and she followed courageously when Peggy cried, "Now, the raft," and climbed up its slippery sides with very little hesitation.

"You're an amphibious animal," Elizabeth said. "I don't just know what kind, but I do know what your mind is like—the way it flies around, up one thing and down another. It's exactly like a squirrel."

"I don't know whether that's a compliment or not. Look who's here, Elizabeth. A little fish, see. A perfectly good fish. I wonder how he got here."

"Is he dead?" Elizabeth asked, shrinking a little.

"He's either dead or sleeping. I think he's alive. He hasn't any eyes, that's his trouble. Let's put him back in the water—but let's wish on him first."

"Wait a minute," Elizabeth cried. "I know a perfectly lovely poem out of the Kipling book. I'll try it on the poor little thing.

"Little blind fish, thou art marvelous wise. Little blind fish, who put out thine eyes? Open thy eyes, while I whisper my wish; Bring me a lover, thou little blind fish."

"He couldn't very well open his eyes, on account of never having any, but I guess he got the general idea. Back you go into the water, you little blind fish."

"You wish, too."

"I did—one of my next week wishes. You know how they tell your fortune with cards. 'What you expect, What you don't expect, What's sure to come true. Next week.' My wishes are all on that principle. There goes fishie, swimming away for dear life."

"Bring me a lover, thou little blind fish." The raft was rocking gently under a fleece-lined sky, and the water was blue-green and full of little thrills and ripples. Peggy took off her cap, and let her black hair stream on the breeze.

"Have you ever thought much about lovers?" Elizabeth said.

Peggy blushed. "Have you?"

"Not about my own. That is, I mean not about anybody I ever knew or saw, but have you ever thought about anybody else having a lover? Any relation of yours?"

"About Ruthie, yes, but I don't believe she would ever really care about that. Except in a very friendly way. All the engaged people I ever knew were so mushy! I can't imagine Ruth being mushy."

"I never think about the engaged people I know. That isn't what I call being engaged—the way people are engaged. I always think of the way people in books get engaged, and that makes it easier to imagine."

"Yes, it does. That would be the only way Ruth would ever do it. But I don't think she would."

"Do you think she would be the kind of girl to get engaged by letter?"

"Well, I don't know. I don't like to think about her getting engaged. She's too useful around the house. You wouldn't like to think of your brother being engaged, would you?"

"I might, if he were very unhappy."

"Well, don't you worry about your brother being unhappy. The thing about being grown up is that you can do just about what you please. If a man wants to get married, he can do it, when he's as old as that."

"There might be things to prevent him—health and things."

"Say, I wouldn't worry about my brother and any girl if I were you. He isn't the marrying kind. I heard Sister tell Mother that. Mother was quizzing her, I guess; you know how mothers are about this suitor proposition. Well, Ruth said that John Swift was the one man she knew that was perfectly satisfied to be a friend, and a good friend to a girl, and that he had told her so. She said she had a perfectly tranquil, lovely friendship with him."

"Oh, dear!" Elizabeth thought.

"Buddy has got a very beautiful nature," she said aloud. "I think a girl of his own age would like him very much, and he would make a good friend to her."

"Ruth would make the best little friend in the world. I think friendship is much more beautiful than love. I don't think I should altogether like it, if my sister and your brother were the other kind, and wanted to behave, well, you know—that way. Would you?"

"I don't know," said Elizabeth, faintly.

On the way home she was very silent, while Peggy chattered, but at her own gate she looked at her friend speculatively.

"Do you know, Peggy," she said, "that there are ways in which I feel a whole lot older than you are?"

"Are there?" said Peggy, uncertainly. "Look, Elizabeth, there's the third Negro. I'll bet we'll really get our fate settled before the summer is over."

That afternoon Elizabeth took her knitting—she was making a scarf for Buddy, who had demanded one to bind himself round, soldier fashion, during the period of his anticipated convalescence on Cape Cod—and sat in Grandfather's chair by the living-room window. Her grandmother was darning stockings on the other side of the branching fern. Elizabeth's knitting would have progressed more rapidly if she had not been keeping a sharp eye on the street, in order that no Negroes should escape her.

"Did you ever do any stunts to see who you would marry?" she asked her grandmother.

"My sister and I used to hang horseshoes over the door, and the first one that passed under them was supposed to be the one we was going to marry."

"Did somebody pass under?"

"We did it a good many times. I remember one time we did it, and the first one that passed under was to be my husband, and the second was to be Alviry's. The first one turned out to be young Pork Joe, who was one o' the unlikeliest boys that ever put his waistcoat on hind-side before; he never would dress himself proper. I was pretty well discouraged at the idea of young Pork Joe for a husband, but Alviry she made me hang around watching for her beau to turn up, and lo and behold the very next person to set foot over that threshold was your grandfather. I thought I felt bad enough before, but when I saw John Swift's shoulders thrusting themselves through that door frame, I just bolted off upstairs and had a good cry. Alviry she wasn't pleased, either. She had her eye on Martin Nickerson at the time."

"Maybe it was the second one you were to marry, and the first didn't count. Who was young Pork Joe?"

"Old Pork Joe's son. He used to keep pigs to sell, and so they finally got calling him that."

"The way they call the plumber Pump Peter. I think Cape Cod is the funniest place."

"It ain't so different from other places."

"In other places you don't associate so much with—the baker and the butcher."

"Maybe they ain't so well worth associating with."

"My friend Jeanie Forsyth is a direct descendant from the Mayflower."

"Well, so're you. Don't you know it?"

"Have we really got Mayflower blood?"

"Those old pewter spoons on the dining-room mantle, that you was examining the other day, was made from a mold that Peregrine White brought over on the Mayflower. My mother was a White, you know."

"I didn't know. I guess I don't know much about anything, Grandmother."

"Live and learn. Babies ain't born with any great amount of contrivance, nor yet much of an idea of what's what."

"I've learned a lot since I've been down here."

"You ain't so sure as you was about the way things was meant to be. At first, we're pretty sure that things was meant to be just one way, and that way the one we've picked out. After living along a while, we get to realize that the other feller has his way, too. Then we have to kinder arrange our ideas again."

"Buddy thinks I'm a snob."

"Well, what do you think?"

"I—I think Buddy's right."

"Well, he ain't going to be right very long if you think so. When I was growing up, I used to have a stylish city friend that I spent a good deal of time with. She was the daughter of the biggest man we had had from these parts, and she used to spend her summers at home, in the big white house on Main Street—the one with the pillars and the cedar hedge, just opposite the post office. She used to get her dresses from Paris, and let me make copies of them, too, and she was courted by a member of the governor's staff. I don't know as she ever had a brother-in-law that was a count——"

"Oh, Grandmother!"

"Well, let Grandma have her joke—as long as she can keep Grandpa quiet. Well, when we was little girls, she used to love to go to my grandma's with me."

"Not Grandmother Elspeth's?"

"No, my grandmother; Grandmother White. Well, Mary's folks mostly lived away from here, and most of the ways and doings of home folks was a novelty to her. She liked to get Grandma telling about old times on Cape Cod. You see, when Grandmother was a little girl, her mother was bedridden, and the whole family was taken care of by her and a neighbour's daughter, a little girl called Hopey D.—I never knew what the rest of her name was. As fast as the babies come along, they was put in the old settee cradle, and she and Hopey used to have to change places sitting and rocking there all the time they wasn't doing housework. That's the same settee you got in your room upstairs. Grandma used to tell how the fire would go out in the old fireplace, on account of she and Hopey not keeping it going right. Those were the days before matches, you know; and she used to have to run through the woods to the nearest neighbour, who lived a mile away, to borrow fire and bring it home in a swinging pail."

"Oh," Elizabeth cried. "Oh, that doesn't seem possible. I thought that the days before matches were way back in Columbus's time, or something."

"No. I've got a piece o' flint and a tinder box upstairs somewhere that came from Grandma's. Supposing you had to strike a spark from a piece o' flint before you could get the kettle to boiling."

"Supposing I had a bedridden mother, like poor Grandma White. Oh, I hope that Hopey D. was a nice little girl, and that she and great—no, great-great-grandmother had good times together."

"When Grandma used to tell all those old stories to my stylish friend, do you know how I felt? I felt mortified at having a grandma that wasn't more high toned, and I used to try to get Mary not to go there, so's we wouldn't have no more talk about running after a pail of fire, and rocking babies on the old settee and such."

Elizabeth bent her head over her knitting, and the colour mounted slowly to her forehead, but she did not speak.

"So you see, girl nature is pretty much girl nature, wherever you find it."

"I was going to write a letter to-night, Grandmother," Elizabeth said, after a period of silence, "and it wasn't going to be a very nice kind of a letter, because it—it was going to misrepresent things some. Now, I am going to write entirely differently, because things you've been saying have set me to thinking. I'd be willing to show you the letter, if you thought you ought to see it," she added, anxiously, but her grandmother only smiled.

"I ain't never very particular about reading other folks' letters," she said. "I have trouble enough reading those I write myself, and those that is sent to me."

"All right," Elizabeth said, in a very small voice, "I guess it's going to be hard enough to write it, anyway." This was the fateful epistle:

Dear Jeanie:

I want to begin by correcting an impression I was snobby enough to give you when I first came down here. I wrote you about this place and my grandparents in an entirely false way. I did it because I was too proud to own up the truth. I was surprised and shocked when I got here, to find how things really were. I hadn't been here since I was a little girl, and then only for very brief visits. I imagined a kind of Farm de-luxe and a grandmother in real lace and mitts, and a kind of Lord Chesterfieldian grandfather, and all the comforts of a château. Instead, my dear Granddaddy and dearest Grandmother are just—natives. They murder the President's English, and they sit around in their shirt sleeves—the former, not the latter—and they, well, they aren't like anything I've ever known. So I got started pretending, in my letters to you, and kept right on. The "car" is an old, rattletrap Ford, and Granddaddy drives it in his suspenders when he wants to. The chauffeur I sort of gave you the impression we had is a regular, farm hired man. Our hired girl sits at the table with us, and she is nice, too. They are all nice, nice people—nicer than I am. My grandmother is beautiful looking. I wish you could see her. I didn't care for any one to see her, for a while. Now, I am getting anxious for everyone to.

Jeanie, can you understand me or not? I'm just a prig, snob, liar, and I don't feel fit to live. I don't know what got into me. I always tell you everything, and now I deliberately did this awful thing, and I've got something else that I can't tell you, but that is not my secret.

Can you love me any more? I ask this seriously, because I know you won't mind my humble origin half as much as the deception. I knew this all the time, and yet I could not seem to help the way I was behaving.

I am afraid to read your letter in answer to this, so don't write me one. Let me hear from you by return mail, but don't say anything, not much, about this anyway. If you love me, though, please begin your letter by saying so. I don't deserve you for my most intimate friend. I've taken a new name. My great-grandmother's name, and I am going to live up to it. I took it so to be thoroughly part of my family, and to cultivate the old-fashioned virtues with. It's

Elspeth.

P. S.—Call me by it. Everything I told you about my birthday was so. They did all those beautiful things for me. I slightly camouflaged details, but it was all the way I said, except that Judidy ate with us. Aren't I a pig?

Elspeth again.

CHAPTER VI

The Bean Supper

The three Steppe children stood in the centre aisle of the local department store, in a state of unembarrassed good humour, while Peggy and Elizabeth drew apart in consultation. The saleswoman busied herself with folding up a series of small garments that had been discussed and rejected by the two young shoppers.

"Six dollars and thirty-three cents, and a stamp." Elizabeth counted the contents of her purse again, distractedly. "Your three dollars and my three, and the thirty-three cents we both saved on ice-cream cones, and the stamp makes it thirty-five. I had no idea that children's clothes were so expensive. We can hardly buy shoes for them."

"Well, they can't go to that supper unless they have shoes. Look at their feet, Elizabeth—I mean Elspeth——"

"I know it," Elizabeth said, colloquially.

"I want to go to bean supper," Madget wailed. "I said I would go."

"Hush up, Baby," Mabel warned her, "you're in a apartment store. The lady will throw you right out the door if you don't be good and quiet."

Madget turned large, disturbed eyes on the lady indicated, and discovered in her calm countenance nothing to rouse alarm.

"I want to go to bean supper!" she wailed, even louder than before.

"We have some laced canvas shoes with rubber bottoms that are a dollar and a dollar and a half," the clerk volunteered. "You might get them for the little girls, and a pair of sneakers for the boy. We have them in black and brown," she added, with a hasty glance toward the grimy toes and scratched ankles protruding from his nondescript footwear. "We have stockings and socks that are reasonable, too."

"Well, let's get their feet covered," Peggy said, "and trust to luck for the rest."

Madget and Mabel were accordingly fitted to brown shoes and socks and Moses to black sneakers and long, black ribbed stockings. Nothing that could be said to him, even the argument of the financial inconvenience of covering his long legs, would induce him to put on socks like those of his sisters. It was stockings or nothing with Moses, though he was perfectly willing to do without them entirely.

"One dollar and eight cents. Could we buy this little boy any kind of trousers or bloomers for that, do you suppose? You wouldn't mind taking a stamp to make up the difference, would you?" Peggy asked, anxiously.

"Not in the least. We have some khaki bloomers that might fit him for seventy-five cents."

"I ain't agoing to wear bloomers," Moses said, decisively. "I want pants or nothing."

"Nothing is what you've got on now," Peggy said, severely, "or very near nothing. You can't go to that bean supper in rags, you know. Don't you want to have some cake and ice-cream, and corned beef——"

"And potato salud," Mabel put in, helpfully, "and beans——"

"And ice-cream and cake and potato salud," Madget droned, "and coffee and ice-cream and cake——"

"You said that before," Moses said. "Don't you ever get tired of hearing things over and over?"

"We can get a Butterick pattern and make him a shirt," Peggy suggested.

"We can get Grandmother to give us some cambric and things to make the little girls dresses. See here, Moses, you've just got to have a pair of those bloomers. All boys wear them. You can't go to the supper if you don't—— Do you mind measuring him?"

Moses stood up and was measured; and five dollars went into the cash drawer of the Hamlin Department Store, while the two girls, laden with their purchases, steered their young charges toward home.

Grandmother produced goods enough to make Moses a blouse of brown striped shirting and each of the little girls a print dress. She also found some old petticoats, yellowed with age, but daintily made, and some waists with which they could be worn, complete to the very last button.

"So far, so good," Peggy said, "but we've got to hustle to get this family covered before five o'clock to-morrow night. Moses' shirt is going to be the worst. The dresses we can mostly make on the sewing machine. You play around here in the yard all day to-morrow, children, so we can try on the things whenever we need you."

They started with their dressmaking bright and early the next morning.

Moses' shirt went very well, for after it was cut and basted, Grandmother offered to do all the necessary finishing, but Madget's dress kept both the girls busy almost all the rest of the day. It was a very effective garment, despite the fact that the seams were not finished. The hem was done beautifully by hand, the little sleeves were lace trimmed, and the pink chambray of which the dress was made hung in graceful folds about the small figure. Madget's toilet was very successful, but as for Mabel, ill luck seemed to blight her costume from the very start. One side of the dress was cut shorter than the other, both sleeves turned out to be for one arm, and there was no more material to cut another, and to add dismay to discomfiture, Elizabeth spilt a whole bottle of ink over the front breadth just as she was getting it ready for the machine.

"I don't know what we are going to do," Peggy cried. "It's nearly four o'clock. We've just about got time to wash and dress them and get them started."

Grandmother appeared at this juncture with a little white, frilly garment in her hands.

"Here's an apron that would just about fit the oldest girl," she said. "I know it ain't the style to wear aprons, and this would cover all her new dress up, but I found it, and I just thought I'd show it to you."

Elizabeth looked at it speculatively.

"She could wear that for a dress," she cried. "We could just sew in lace at the armholes, and nobody would ever know."

"Have I got to be washed?" Moses demanded. "I can wash myself, and I will, too. Kin I borry an old tablecloth or something?"

"Here's a towel," Peggy said.

"I want an old tablecloth, too."

"You come downstairs and I'll give you one. Children takes notions," Grandmother said. "He probably has an idea of some kind. You come along with me, Moses."

Thus relieved of Moses, Peggy and Elizabeth each took a little girl and scrubbed and polished and combed till the result was miraculous. With the wonderful, red curls smoothed and a big yellow bow on top of them, Mabel looked like the distinctive child she was meant to be. The apron proved a great success.

"She looks just as well as Madget, in spite of all our trouble," Elizabeth said a little dolefully. "There's nothing to cry about in that, Madget. You want your sister to look as well as you do, don't you, dear?"

"No, I don't," Madget answered, concisely.

"She's awfully cunning, if she is bad," Peggy said, standing off to view the effect of her finishing touches. "She looks good enough to eat."

"Ice-cream and potato salud, and beans and coffee an' ice-cream," Madget began, at the suggestion.

"I said you looked good enough to eat, Madget."

"I am going to eat."

"Where do you suppose Moses is? It's time he was dressing."

"No, he went downstairs with Grandma. There he comes now, I think."

Trailing up the front stairs into the guest chamber, which was the centre of activities, Moses appeared, swaddled in the folds of a red damask tablecloth, holding his clothes in his hand. His hair was dripping, but from the rest of his person there emanated an atmosphere, even an odour, of shining cleanliness.

"Want to know how I washed?" he inquired, proudly. "I went out by the back door, and I took off all my clothes, and then I rubbed myself all over with yaller soap, and then I turned the hose on till I come nice and clean. I don't like to take no baths in the house. You can't get the water to squizzling."

"Well, I guess it squizzled, all right," Peggy said. "Now get yourself into these clothes quickly."

It was two thoroughly exhausted girls that finally marshalled their charges into the Town Hall, where the bean supper was to take place, but they felt that their efforts to improve the Steppe children were justified by the result. Moses in a brown shirt, bloomers and stockings to match them, with his not unshapely feet encased in black sneakers, and a red Windsor tie—he had demanded red—headed the little procession. Then Mabel, proudly pinned into her white apron, with a yellow sash about her middle, and the lace frills of her improvised sleeves draped elegantly about her elbows, and lastly the resplendent Madget—a complete product in pink chambray and ribbons to match.

"Their colours all swear at each other," Elizabeth said, "I never thought of that, did you, Peggy? We'll put Moses between. His tie doesn't go with pink or yellow, but there isn't very much of it, thank goodness!"

"Where are the beans?" Mabel asked, practically, as they seated her at one end of a long, deal table decorated with bunches of small American flags—the occasion was patriotic—clustered in cups and glasses, like stiff-stemmed flowers, and vases of dahlias and asters and rambler roses flanking them.

"Don't show your ign'rance," Moses said, witheringly. "It's a bean supper. You don't have no more beans than you do supper. See the chocolate cake, Madget, and the custid pie, and the potato salud?"

"What's that yellar stuff, with leaves growing out of it?" Mabel inquired.

"That's potato salud. Ain't you never seen potato salud before? Where you been all your life?"

"To home," Mabel answered, literally.

Madget, elevated on a wooden box with Peggy's coat thrown over it, sat speechless between her brother and Elizabeth. The hall began to fill rapidly. A young girl mounted the platform and started a few uncertain notes on the wheezy organ.

"That's going to be the 'Star-Spangled Banner,' Peggy groaned. "We've got to get these children up again." But one of the bustling waitresses hurried to the side of the young organist, and arrested her in mid-career.

"Don't play that," she was heard protesting. "We want to feed this lot, and get them out in time to set the tables twice. We haven't got time for them to stand up through the anthem."

The young musician switched obediently to "I am always blowing bubbles—blowing bubbles in the air," which Moses sang with her nonchalantly.

Plates of cold ham and corned beef began to circulate up and down the table. The portly waitresses, family matrons in white duck and muslin, enveloped in huge white aprons with long strings tied imposingly behind, began to pass the beans, and to distribute thick mugs of golden-brown coffee.

Madget still gazed ahead, with unseeing eyes and quivering lips.

"You eat your supper," Moses said, not unkindly, "or brother'll land you one when he gets you home. Ain't you thankful for all that Miss Laury Ann and Elizabeth and Peggy Farraday has done for you? See me eat."

"See me," Mabel contributed, encouragingly, but Madget's miserable silence was unbroken.

"Let's not pay any attention to her," Peggy whispered. "She's got stage fright. I don't believe she's ever been in a crowd before."

"And such a crowd," Elizabeth groaned. "Where did they all come from?"

"Oh, from all around. These suppers are awfully popular, because you are allowed to eat all you can for thirty-five cents. All these women that have to do their own cooking all the time are so glad to have a meal that somebody else gets ready. Lots of poor old hermits that live alone like to come and stuff themselves in a civilized manner once in a while."

"Civilized!" Elizabeth cried, looking down at the three-pronged fork with which she had been vainly trying to spear her beans. "Sheets for tablecloths, and paper napkins, and these implements of torture."

"Civilization, as my history teacher loves to remark, is all a matter of comparison. Don't eat with your knife, Moses, dear. Nice little boys don't eat with their knives."

Moses looked around inquiringly.

"I ain't got no spoon," he said.

"Why don't you try a fork?"

"I ain't never et with a fork," he said. "Forks is for women."

"He's about right," Peggy said. "Look down the table, Elizabeth—Elspeth, I mean."

A long line of men and boys, with only an occasional woman sandwiched in between, faced them. They were all eating steadily and industriously with their knives. At intervals they would stretch a far-reaching hand for more supplies, or nudge a neighbour, and indicate with a grunt a plate of food that was out of their reach. Peggy began to choke with suppressed merriment.

"Look, look, there comes old Samuel Swift," she said. "Would you think they would let him in? Oh, isn't he an outrageous old creature? Who is he, anyway, Elspeth? Do you know? Where did he come from?"

"He's a sort of—of relation of mine," Elizabeth said, bravely.

"Cousin Samuel," Peggy cried. "Do you think we ought to invite him to come and sit beside us? Oh, dear, I wish you'd pinch me. I'm afraid I'll have hysterics if I don't stop seeing the funny side of everything."

"I'm having—having trouble on my own account," giggled Elizabeth.

"Where's Madget?" Peggy gasped.

Madget's empty seat confronted them accusingly.

"She got bashful, and went under the table," Mabel said. "She has those bashful spells. I give her a piece of bread and butter."

Madget, secure from embarrassment in this seclusion, ate everything that her thoughtful brother and sister provided her with, impartially. Her pink chambray suffered from contact with the dusty floor and the butter and chocolate icing.

"What's the odds, so long as she's happy?" Peggy cried. "That's better than having her cry into her plate. See Moses. Isn't he wonderful? I don't suppose he ever really got enough to eat before in his life."

"I suppose he is wonderful," Elizabeth said, "but I wish he'd keep his bloomers up, or else not get up from the table when he passes food down to Madget. You'd think he'd feel them slipping, wouldn't you?"

"It would be all right if he had something on under them," Peggy said.

"I didn't think of that, did you?"

"I've busted in my back," Mabel informed them, cheerfully, "I guess I've et so much."

"I wish we'd sewed her in, instead of pinning her in," Elizabeth said, "but never mind. I'll take my school pin. She's lost one of the blue enamel baby pins."

"I've got a pin down my back," Mabel said, wriggling. "Shall I git it for you?"

"No, no, not here, dear."

"I'd just as soon."

"Well, we wouldn't just as soon have you. After the ice-cream comes, we'll go."

But when this condition had been fulfilled, Madget presented an unexpected obstacle to their departure. She had her ice-cream in her hiding place, and spilled a great deal of it down the front of her dress. By some unique manipulation of her spoon she had managed to smear her hair with it also. It was not because of these casualties that she refused to make a second public appearance, however. She merely preferred not to see the light of day again, having successfully sought sanctuary from an intimidating multitude. Finally, Elizabeth picked her up, and bore her kicking and screaming from the hall, Woodrow Wilson, under the protection of his flag, looking down at her with some criticism implied in his glance, and the unfriendly crowd of Madget's imagination seemed to be boring a hole in her back with its composite gaze.

"It was a relief to get Moses out without his trousers falling off," Peggy declared. "Mabel's apron was entirely undone, and her hair came down."

"Think how well their shoes and stockings looked," Elizabeth said, philosophically. "I'm glad we gave them a treat, but I think I should have lived ten years longer if the bean supper hadn't occurred. Madget's got an awfully shrill voice."

"I can hear her yet," Peggy laughed, "'I won't come out. I won't go home. I won't stay here. I won't be good.' Honestly, Elspeth, it was screamingly funny if we wanted to look at it that way."

"But we didn't do it to be funny," Elizabeth wailed. "We did it to be kind. Did you ever stop to think, Peggy, how different things are in real life from the way they are in books? In a book it would have come out that the children's clothes were a great success, and the children had a lovely time, and the two young heroines were greatly admired for their philanthropy. Or if it had been a funny book, the children would have said funny things that you could have enjoyed. In real life, you just get tired and hot, and things seem flat and stupid."

They were walking home as they talked, with the three children solemnly herded in front of them. The arch of maple trees that shaded the main street of the town swayed softly in the breeze. The birds were still busy calling to each other.

"I don't know that life is so much different from books," Peggy said. "It sometimes seems to me much more beautiful. You can't see the colour of the trees in a book. Walking down Main Street doesn't mean a thing if you read about it, but when you are doing it, you can smell the flowers and hear the birds sing and see the trees waving in the breeze."

"I hear the wind among the trees Playing celestial symphonies. I see their branches downward bent, Like keys of some great instrument,"

Elizabeth quoted. "They do look a little like a great harp, don't they?"

"I can't say that they do," Peggy returned, candidly, "but they sound like one. You know a lot of poetry, don't you, Elizabeth?"

"I'd like to know a lot of poetry. My friend Jean Forsyth knows almost all the poetry that was ever written. She is really literary, you know. I think she'll be a great poetess when she grows up."

"I'd like to meet her some time," Peggy said. "Oh, listen to Moses." She beckoned Elizabeth nearer the children, who were engaged in animated discussion of the afternoon's festivities.

"I could go back there and eat a whole pot o' beans and a plate o' corn beef, and a freezer of ice-cream, and a six-quart measure of coffee."

"Well, why don't you go back then?" the practical Mabel inquired, "it was paid for you to eat all you wanted to."

"I did eat all I wanted to. I was only saying how much more I could eat if I wanted to."

"I did eat a freezer of ice-cream, didn't I, Mabel?" Madget insisted.

"You didn't have no freezer of ice-cream to eat."

"I did so. A big bear crawled under the table, and gave it to me."

Mabel lifted a sisterly hand to chastise her for the sin of prevarication, but Elizabeth arrested the blow.

"Madget knows she didn't see a big bear. She is only having her little joke."

"A dancing bear, with a great big little monkey on its back," Madget offered in corroboration.

"I don't like jokes," Mabel said. "I ain't agoing to have her make 'em. I'd rather talk about what I had to eat, and I can't if Moses and the baby won't give me any chance to."

"I'll tell you what you do," Peggy said, "you run home and tell your marmer and your parper all about it. The one that gets there first can talk the most, you know. Now we'll go and tell Grandmummy," she added, as the children took to their heels.

"I wonder what she'll say," Elizabeth mused. "She always says something that you don't quite expect, but that somehow settles things."

What she did say, after listening to the complete recital of the affair with an almost suspiciously long face, was merely:

"There's a great satisfaction in undertaking a thing and going straight through to the end, no matter how it comes out. What's worth doing is worth doing well, and I was real proud of the way you two girls stuck it out."

"Well, that's something," Peggy said to Elizabeth, "but deep down in the bottom of her soul, she's laughing at us, just the same."

"She's laughing at us—some," Elizabeth acknowledged.

CHAPTER VII

The Locked Closet

Sister Dear:

Your epistles of late show a great improvement. I don't refer to the spelling and rhetoric. You are not one of these fancy spellers, I am thankful to state, and you subject the English language to only an average amount of ill treatment. What I am referring to is your morale. Your morale has certainly looked up. Your letters from the farm leave nothing to be desired, though they create an atmosphere of yearning for the farm, and all the livestock inclusively. This is a flattering statement. Being weakened by long suffering, I don't mind admitting right out in writing that I'd rather see my sister than even Old Dog Tray.

It's good of you to return this compliment. You did in your last letter, you know, but I'm afraid, if you once got me down there, you would repent of your bargain. Even sisters have their limits, and, to tell you the secret that is preying on my damask cheek (See Bartlett's Familiar Quotations)—like the worm in the well-known bud—no girl but you cares a tinker's damn what becomes of me. No girl but you answers my letters. To be sure, you are the only girl I write to, but I don't think that ought to make a real difference, do you? You'd write your Buddy—if he was your Buddy—no matter what stood in the way, wouldn't you? If he wasn't your Buddy, you wouldn't. Voilà l'obstacle. That's Sarah Bernhardt for "Aye, there's the rub," if anybody should ask you. All of which is complete nonsense. The general idea is that I am not getting well very fast, and I don't care very much if I am not. France was France, and I made it—Dieu merci! If I never make anything else, I hope I shan't do much hollering, but I, too, was young once, little sister. So whenever you feel it's a hardship to milk six cows before sunrise—as I suppose of course you are doing—give a thought to your bed-ridden

Buddy.

Buddy, my own darling, dear, dear Buddy:

I love you best, best, best, which doesn't include the other generation, on account of its being so unflattering to our mutual mother and father, but is almost completely true, all the same. I hate to love anybody so much, because there is a hurt in loving all that. My hurt is in your not getting better, and not feeling more encouraged about it. Mother writes that your discouragement is worse than your sickness. Oh, dear, Buddy, don't be discouraged. Please, please, please don't. You did go over to France and fight. You did get a D. S. C. that all your family are so proud of, their hats will hardly fit any more. You are perfectly lovely yourself, and better looking than any one, and have perfectly fascinating manners. Isn't that something? Any girl would be crazy about you, and if there is any girl you want to be crazy about you, I'll bet you could get her without half trying. I know that if you only wanted to be a girl's friend, you would be a perfectly beautiful, tranquil friend to her, and she would like it better to have you be that than to have a lover of any kind. Also I believe that if ever you wanted to get engaged just by letter, you could do that, too.

Peggy Farraday's sister Ruth is expected down here any time. I believe that she is the girl you used to correspond with before you went to France. Perhaps you have forgotten all about her by this time. Peggy and I took the Steppe children to a bean supper. I will describe this at length anon. It made them quite sick. As I remarked before, I like you better than ice-cream or pink silk underclothing.

Elspeth.

Elspeth waited anxiously for the answer to this letter, for she had tried to be very tactful and helpful, and to handle strategically the secret that she had surprised, but Buddy's answer was a blow. He wrote:

Dear Sis:

I'm duly appreciative of the soft stuff. I sure do appreciate your letters, and I know you like the way I look. (We might be mistaken for twins, save for the slight accident of a few years' handicap.) But I'd be willing to can that Everywoman stuff, if it's all the same to you. Don't go getting ideas in your head about the girls I'm clubby with. My first letter was all a joke, and I gave you the credit for understanding a joke. That's all. Keep on the subject of the old farm, and this year's crop of brass tacks, and you will suit me fine.

I am no better, but a lot worse. Don't, however, mention me to any one but Grandpa and G-ma. If any one wants to know how I am, say that I am aces up, and anxious to get discharged and go to Russia. Yes, if I can get my old job back, I might get a chance at Russia, and that's what I want. To get as far out of this country as I can get. If this letter sounds grouchy—it's because I am grouchy, and not that I don't like my relations. I do, and here's a kiss to prove it.

Bud.

"I don't see why a tactful letter like mine made him sore," Elizabeth thought, forlornly, and inelegantly. But a communication from her mother, a day or two later, made her understand her brothers state of mind and body a little more clearly.

Elizabeth dear:

Be careful how and what you write to Junior—John, I mean. He is in a highly excitable condition, and little things worry him out of all proportion. Recently his great fear seems to be that you will gossip about his condition to friends of his that you may meet on the Cape. As far as I can find out, he has no friends there except his immediate family, but he says that you don't understand how a fellow hates to have his physical condition discussed, and he seems to be in terror lest you tell someone whom he doesn't care to have informed just what a state he is in. I am writing you this for two reasons: First, I don't want you to mind if John writes you irritably, and second, I promised him that I would ask you not to talk about him to any one at all.

Your father and I are as comfortable as we can be with this anxiety upon our minds, but New York is very uncomfortable just at present, and keeping cool is an occupation in itself. I miss my little girl. I didn't realize, Elizabeth, dear, how many things you do for me, how many steps you save me, and how many thoughtful little things you contribute to my comfort.

I know it is hard for you to be away from us, but I am so thankful for your brave and helpful spirit and the real character building that I feel you are accomplishing. Every letter I get I am prouder of, and so is your father. You could make it so much harder for us if you were not trying to get through the summer right.

Do be careful when you go into the water, and don't ever stay in too long. Take plenty of wraps to the beach to put on when you come out. Don't let Grandmother feed you too many pies and cakes, but obey and trust her in every other way. She is a very wise woman. Mother knows in just what ways this summer is hard for you, and she loves you dearly—dearly.

Mother.

"I thought I had got all over the habit of crying at Mothers letters, but it seems that I haven't," Elizabeth said. "I know what Buddy's afraid of now. I shall just have to use my own judgment and try to make it the best old judgment I ever used in my life." She wrote again:

Dear Buddy:

I am very snubbed, but I guess I shall survive. I will can the Everywoman stuff, but after all, I know more about it than you do, even at my very immature age, because some day I am going to grow up to be a woman, and in spite of your very great and boasted superiority—you aren't.

I won't talk about you to any one except to G-pa and G-ma, and not them if you don't want me to. But I shall say that I love you, and why. You're a dear darling, that's why, and if I was cross a little bit at your letter, I got right over it, on account of your being such a dear, and such a darling.

I am glad you can sit up some. I ate a whole pint of ice-cream and a quarter of a chocolate cake to-day, and thought of our childhood days when you did the same thing. Peggy Farraday's sister came yesterday, and I think she is a peacherine. She inquired for you and I said you were getting better, and thanked her. Buddy, I won't say nothing to nobody that will make you out an invalid or not an invalid. When asked, I shall open my mouth wide, and say nothing, nothing, nothing.

I do, I do, I do love you.

Elspeth.

The answer to this was brief:

Dear Sis:

Consider yourself patted on the back, and congratulated for being the nicest girl. Enclosed find two dollars which will buy six or eight pints of vanilla girl-exterminator, and don't, after taking the dose, leave a letter telling how you met your fate.

Yours, The mean old Grouch, Bud.

P. S. Tell Peggy Farraday's sister anything you please.

It was not long after this exchange of letters that Elizabeth asked her grandmother for the key of the locked closet.

"I thought you had forgot all about it," her grandmother said.

"No, but I was rash enough to promise Peggy that she could be with me when I opened it, and we've been doing so many things out of doors together that we haven't had any other time."

"Well, here it is. You can play with anything you find, as long as you want to, but hang the clothes up again, come night."

"I will, Grandmother. I'm so excited, and I've got to go upstairs and twirl my thumbs until Peggy comes. Send her right up, won't you?"

Waiting upstairs in her little blue room, Elizabeth began reading over her brother's letters, and pondering on his sudden change of mood.

"When he heard that Ruth Farraday was coming down here he was afraid I would say something to her. Before he knew that, he was willing to be just as mushy as I was. I suppose being in love is a pretty terrible feeling."

"Oh, Elizabeth-Elspeth," sang Peggy from the bottom of the stairs, "can I bring my sister Ruth up with me?"

"Cert-certainly." Elizabeth flew to straighten the pillows on the cradle settee, and to pick up some stray threads from the braided rug in front of it. "I shall be very glad to see her."

Ruth Farraday, in a rose-and-white striped satin sports skirt, with a fleecy, rose-coloured sweater and hat to match, made a very pretty picture against the background of Elizabeth's little room. "Like a rose against the blue of the sky," Elizabeth thought. "Her name ought to be Rose, anyway. How becoming she would be to Buddy's dark eyes and colouring."

"This is the room, Ruth," Peggy said, "you can look at it for two minutes, and then you've got to stop looking at it, because we are gathered together to-day for quite another purpose, to wit, to penetrate the mysteries of Blue Beard's closet."

"It's a lovely room," Ruth said, smiling. "I wouldn't have intruded on this very special occasion, except that it began to rain as I was bidding Peggy good-bye at the gate, and Peggy thought you would rather shelter me than have me run away through the flood."

"Yes, indeed," Elizabeth said, "and it will be fun to have you see what's in the closet if you don't mind."

"I shall adore it."

"I adore you," Elizabeth said to herself, "already."

"We'd better hurry," Peggy cried. "Ruth is getting ready to rave about the cradle settee and the flag-bottomed chairs. If we get started telling her the history of all the things in the room, we shan't get a look at Blue Beard's wives. Ruthie, dear, this is the key to the enchanted closet. Doesn't it look spooky? This house is a hundred and twenty-five years old, and see, all the doors have latches instead of knobs. Which leads us to this one particular door." Peggy linked an arm through that of her sister on one side and her friend on the other, "And presto! Here we are. Now, Elizabeth-Elspeth."

"One, two, three!" Elizabeth turned the big key in the ponderous lock, and the door swung wide.

"Blue Beard's wives' trousseaux!" Peggy said. "One hundred and one thousand two hundred and forty-three silk dresses of the Georgian period. I don't know when the Georgian period was, but I guess this is it."

Ruth stepped inside the closet.

"These things run from about eighteen fifty to the early nineties; mostly Victorian, if you must be educated, Peggy," she said.

"I suppose I must, but look, look, look, at all these beauties."

On rows of little pegs driven into the low rafters of the irregular triangle that formed the closet were the carefully preserved relics of three generations of dainty feminine finery. Dresses of taffeta and dimity and poplin, in all the flower-like gradations of colour that our grandmothers remember their mothers and grandmothers looking most distinguished in. Not only gowns, but capes and dolmans and dressing sacques, and, packed away in a barricade of old-fashioned, flowered bandboxes, were the bonnets and hats, and even some of the gay little bags and muffs that complemented the costumes.

"I never saw anything so wonderful in my life," Ruth Farraday said.

"Oh, let's try them on. Let's get Grandmummy to tell us about them. Let's dress Ruth up and take a snapshot of her. Let's——" Peggy's breath failed her.

"'Oh! let's try them on'"

"Here's Grandmother now," Elizabeth said.

Grandmother, making her placid way through the outer chamber, smiled, and held out her hand to Ruth Farraday.

"Peggy's sister," she said, "well, well, it's good to have Peggy bring her sister along—to play in the garret."

"This—this is Miss Farraday, Grandmother," Elizabeth said. "She—she isn't——"

"Elizabeth is trying to say that I am not a little girl, but I'm not really so very far from it. I'm not so grown up that I want to be sent out of the attic now I've just seen all these lovely things. You don't mind if I stay?"

"I'd mind if you didn't stay. You are the kind o' sight that sore eyes is aching for all the world over." The old woman and the girl smiled at each other as if they had been friends all their lives.

"First, tell me who this belonged to, Grandmummy," Peggy dragged at her sleeve imploringly, "and then tell me who every single dress here belonged to."

"Well, they belonged to a number of people, all told. Some of my wedding things is there. That rose lavender silk in your hand, Peggy, was the dress I appeared out to meeting in the Sunday after I was married. The blue silk with the black velvet ribbon scallops around the basque was the dress my sister Alviry wore to my wedding. She had long, pink ribbon streamers on her hat, a chip hat trimmed with pink roses, and she was a picture, I can tell you. My appearing-out hat is here somewhere—like Alviry's, only trimmed with little lavender plumes. I had a black silk trimmed with jet. That's it, that Elizabeth has her hand on. That's too old for me yet, but everybody had to have a black silk dress that was heavy enough to stand alone in those days."

"What's this little love of a pink muslin with all these tiny, tiny ruffles on it, Grandmother dear? See these bell-shaped white undersleeves, and this figured pink sash, Peggy. Wouldn't your sister look a dream in it?"

"That was the dress I wore when I give your grandfather my promise. I liked it better than any dress I ever had."

"I should think you would have," Peggy put in, fervently.

"I should have liked it best if your grandfather had never been born in the world. Leastways, that's what I've always said. It was the first dress my mother ever let me have all the say about. Dresses had to be chose for their wearing qualities when I was a girl. If they wouldn't wash and turn, year out and year in, we warn't allowed to have 'em, but I had set my heart on a pink muslin with dolman undersleeves, and after I went and nursed Grandmother White through scarlet fever, and just barely lived after I caught it myself, Mother said I could have anything I wanted as a present to get well on. Land, I begun to improve from the day that dress was promised me."

"I should think you would have," Peggy said, again.

"It was pretty brave of you to go into a house where they had scarlet fever, and nurse your grandmother through it," Elizabeth said. "Weren't you deadly afraid?"

"I don't remember much about that part. My father sent me, and so I went, but I shall never forget the day when I first put on the dress. Your grandfather he was calling on my brother Jonas when I come down the stairs drawing my train after me. Jonas he started to stare at me, and then he began to say poetry. An old poem he used to say whenever he wanted to tease me:

"Here she goes, there she goes, All dressed up in her Sunday clothes, High-heeled boots and a cashmere shawl, Grecian bend and a waterfall.

I was so put out, I run upstairs and didn't come down again till he coaxed me down with the promise of a drive to Bass River by moonlight."

"But how about Grandfather? You said that was the very dress he proposed to you in."

"So t'was."

"Did he propose that evening?"

"No, he didn't. I was so put out at Jonas that I wouldn't have a word to say to your grandpa for a whole week."

"That was hard on Grandfather."

"He went and got another girl and took her to the Harvest Dance. Eliza Perkins, and she wore a mahogany-coloured silk that made her look as sallow as a pumpkin. I was so sorry for him that I kinder made it up to him. I suppose girls will always be high and mighty with the boys they like best. I never took the trouble to plague any other of the young men, but your grandfather I used to make life a burden to."

"Nowadays it's the young men that are high and mighty," Ruth Farraday said, "they go into the service, and their uniforms turn their heads, and then they—forget."

"I guess the young men to-day ain't so different from the men in my time, if you come right down to it. I guess liking is liking—just the same as it always was. Love will go where it's sent."

"Do you believe it comes once to every man, as the saying goes?"

"I know it. There's a lot of talk about loving this one and that one, but when you get right down to it, the second time is a pretty poor imitation of the first. There is natures that's different, of course, but true natures find their own and cling to it."

"Oh, I don't know that I like that for a philosophy," Ruth said, "it's all right—if it isn't one-sided, but if only one feels it——"

"It ain't so often one-sided as you think—the real thing ain't. If it ain't real—why, that's another story."

"But how is anybody going to tell if it is real?"

"There ain't really any way of not telling."

"Grandmummy," Peggy begged, "can we dress Ruth up in your pink muslin and take a snapshot of her?"

"Certain, but you ought to curl her hair. I made a hundred and twenty curls when I wore that dress."

"That's where Elizabeth inherits her curly locks. Please dress up in Grandmother's muslin, Ruth. Don't you want her to, Grandmummy?"

"It would do my heart good to see her pretty face shining out over my pink muslin."

"If you feel like that, then you shall," Ruth said.

"I have a kind o' feeling that it will bring you luck," Grandmother said, when the soft hair had been loosened and curled about the face, and the pink muslin had been hooked and buttoned and tied till it undulated in delicate folds and curves all about the girl's slender body.

On the lawn under the honeysuckle arbour, on the gate post, on the front steps of the old house, which followed the old-time habit of facing the south, though the street was due north, Peggy took picture after picture, and Ruth Farraday smiled up at the sun like an old-fashioned blush rose blooming in an old-time garden.

"There comes Father," Grandmother said, "let's see how much he'll notice."

Grandfather, approaching, took in the tableau under the honeysuckles. Elizabeth and Peggy watched breathlessly as he made straight for the little figure in Grandmothers pink muslin gown and stood staring down at it.

"I don't know who you be," he said, slowly, "nor where you got the dress you're wearing, but I know what you make me feel like." He swept his hat to his breast with a courtly, old-time bow, and bent over Ruth's little hand and saluted it.

Then he put out his other hand to his wife and drew her arm within his.

"Mother," he said, softly.

CHAPTER VIII

Letters and the Post Office

Jeanie Dear:

Your letter was lovely. I forget what you are like between times a little, and then I look at your picture or get a letter from you, and know. I can hardly believe you love me, after all you know about me, but I guess you do. I wish I could see you, but I am glad you are at the Point again this summer. I tried out Mother about my coming to visit you, without asking in so many words, but her idea is that she would like to have me stay put. My brother may get well enough to come down here at any time, and when he does I want to be chief nurse and bottle washer—medicine bottles.

I've been doing quite a lot of things. I spend a great deal of time with Peggy Farraday. She is very nice. Nicer than I am, but not as nice as you, Jeanne of Arc. She is as nice as a Peggy Farraday can be. She has a sister Ruth, who is as sweet as peaches. She is about nineteen and a half, and blonde, with big blue eyes and long golden lashes, and one of those soft voices low in the throat, with a kind of thrill in it. You know—like contralto singing. You would love her. I am wild about her, and Buddy knows her. Don't mention that to any one. It's a secret. If you were here I think I could hint to you some things about it, but I can't on paper. Somebody might read a letter some time that you didn't expect. Buddy is very unhappy, and writes me one cross letter to every pleasant one. He is afraid I shall not be discreet, but discreet is my middle name, to use slang. Oh, I long to tell you what I mean. He won't write to her and she won't to him, and I am trying to make them. You can see how exciting it is.

Well, I must give you a brief résumé of what I have been doing, before I close. Monday we went in swimming, and afterwards, in the Farraday car, to Wianno, which is a very attractive summer colony farther up the Cape. We stopped at Hyannis and had ice-cream with a frozen pudding sauce. Tuesday, after swimming, Grandfather took us to Chatham in the noble Ford—me and Peggy—and we stopped at an attractive little tea room, where we had chocolate ice-cream. Wednesday we went swimming and then we walked to the adjoining town where we got some wonderful ice-cream sodas, three apiece. Peggy and I have each got over thirty Negroes. I told you how we were counting them in order to find out our fate. I am glad you have begun, too. I love you dearly.

Your own Elizabeth-Elspeth.

(Peggy calls me that. She sends her love even though she doesn't know you.)

Elizabeth was in a letter-writing mood, and sealing Jean's letter with her favourite sky-blue sealing wax, stamped with her monogram signet ring, she opened her letter-case again. She began:

Dear Daddy:

We don't write very many letters to each other this summer. At least, I don't write many separate ones to you, but all the letters that go to Mother are meant for you, too. My special particular efforts go to Buddy. Poor Buddy! I hope you will soon be able to bring him to his own grandmother's hunting ground. He keeps writing me about going to Russia. I guess I should want to go to Russia if my health was as discouraging as Buddy's. I worry about him, and, Daddy, dear, I worry about you. I have made the great discovery that a Daddy is a Daddy, and that it has to work pretty hard buying wardrobe trunks and Japanese kimonas and almond nut bars for its female offspring.

When I think of you sweltering in that hot city whether you want to or not, I get quite upset. You have to work every day, don't you, whether you feel like it or not? I never thought of that before till last evening, and it made me a little bit ill, it struck me with such force. I have just never happened to think of it in that light. I can tell you, Daddy, it made me love you harder than ever, and that's pretty hard. Well, all I can say is that I respect you more than anybody, and I hope you are never sorry you got married and got this family on your hands.

Now for a few words to cheer you up. Monday we went in swimming, Peggy and I, and afterwards in the Farraday car to Wianno. I guess you know all about Wianno. We stopped at Hyannis and had some ice-cream with frozen pudding sauce. Tuesday we swam and Grandfather took us to Chatham in the Grand Old Ford, and we had chocolate ice-cream there. Wednesday we went in swimming and then walked to Harwich and got three ice-cream sodas. Also we counted quite a lot of Negroes. I wrote Mother that we had to get ninety-nine Negroes etc. for a stunt we are doing. Portuguese count, if they are dark enough.

I love you more than my old scratchy pen can tell. There goes the station barge, with the morning mail. So here goes I after it.

Your Baby.

"You write an awful lot of letters, Elizabeth," said Peggy, as the two met at the post-office steps. "You get a lot, too. I'm not much good at correspondence. Did you ever write to a boy, Elizabeth?"

"No, not really. Only thank-you letters and answering invitations and things like that."

"Well, don't you ever tell, Elizabeth, because I might get teased, but I'm writing to a boy right now. That is, I am going to be when I've answered his letter. It isn't a silly boy, though, it's a sensible boy—a boy that knows a lot of things I want to learn about. Chester Reynolds, you know, that I've told you about winning the tennis cups. I got a letter from him last night. It isn't supposed to be very nice to show letters, but if you'd like to see this one, I'll bring it around to-morrow, and then I'll bring my answer to it, and let you see what you think of that."

"All right," Elizabeth agreed.

"Isn't it a funny thing, he is the only boy that I ever thought I'd like to correspond with, and now he has just sat himself down and written to me."

"I think that's very nice." Elizabeth said. "There's a boy in New York that I felt that same way about. He sort of offered to send me a copy of 'Prometheus Bound,' but I knew if he did that I should have to write and thank him, and I didn't know whether Mother would approve of my writing him like that when I was away from home, so I didn't say anything more about it."

"What is 'Prometheus Bound,' anyway?" Peggy inquired.

"Well, I think it is a kind of a blank verse poem or book, something like Whittier's 'Snow Bound,' but I'm not sure. That was one reason that I wanted him to send it—so I could find out. He was quite a literary boy, one of Jeanie's friends. He's very good looking, though."

"I don't like literary boys as a rule, though, do you?" Peggy asked. "They usually wear rubbers and horn rims, and have to mind their mothers."

"Not any friend of Jeanie's. Her friends are always all-around boys. They must have brains, too."

"Oh!" Peggy said, impressed.

The crowd on the post-office steps was beginning to thicken. The big bags, bulging with mail, had been passed behind the glass façade of the mail-box section, and behind the closed wicket that indicated the distribution was taking place the silent postmaster and his assistant worked with grim, accustomed rapidity.

"Let's go and watch them put the things into the boxes," Elizabeth said. "It's the most exciting thing to see the letters go in. Ours is 178. See, here it is," she cried, as Peggy followed her into the stuffy office. "There's a card from Buddy already, and one for Grandfather from the Bass River Savings Bank, and one fat one that I can't see the face of that I hope is from Jean. She doesn't always wait to get answers, you know. She writes when the spirit moves and so do I. I've just been writing her."

"When you go back to New York, let's write to each—I mean one another—like that, only I'm afraid you'll get the worst of the bargain. When the spirit moves me to write a letter, it mostly only moves me to say, 'Dear Elspeth,' or whoever it is, 'Hello! Yours frantically fondly, Peggy.' It's funny, when I like to talk so much, that I don't like to write more."

"There's my thirty-first," Elizabeth whispered, as a solemn black chauffeur made his appearance in the post office.

"My thirty-third," Peggy said, "and outside is a white horse. What a pity we have got to get the white horses in sequence. They are so hard to find, especially when you are looking for them. But when we do get them all, I am going to keep my hands behind me all the time, until I find somebody I am willing to shake hands with!"

"It would be awful, after all this trouble, if we didn't shake hands with the right one, wouldn't it, Peggy? There goes a postcard right into my box. It's for Judidy. She has a young man. Did you know it? He's almost as fat as she is, and not nearly so good looking."

"I hope she gets somebody very nice, and marries them, and has a whole backyard full of fat pink babies, though I don't know what Grandmummy would do."

"Grandfather says she'd get the work done quicker if she didn't have Judidy to look out for, and I think perhaps she would. Isn't it funny, when I first came, Judidy just seemed to me like a kind of queer person that I felt not quite right about eating at the table with, and now she's my friend."

The gate in the wicket flew up, and in an instant it was surrounded.

"See all the mail-hungry fiends," Peggy said. "Oh, goody, Mother's got a letter from my cousin in Rome—and Ruth has a letter from that Chambers fellow."

"What Chambers fellow?" Elizabeth asked, quickly.

"Piggy Chambers I call him. He's got loads of money and he is very good looking, and he just pesters Ruthie to death."

"What does she do?"

"She lets him. She likes it, rather."

"Oh, dear!" Elizabeth said.

"You don't have to worry. She's my sister. Piggy Chambers isn't so bad. He's just kind of a bore, you know, and awfully fond of writing letters to Piggy Chambers, Esquire. Lots of grown-up fellows are like that."

"She's your sister, but I love her, too."

"Shouldn't think much of you if you didn't."

They were on their way home by this time, and the post-office crowd had begun to melt away, streaming up and down the street, and into all the cross roads.

"I wish my grandmother would let me come after the mail at night," Elizabeth said. "I have to wait till Judidy or Zeke are ready to come, or Grandfather will take me. As if I wasn't old enough to go out after six o'clock alone."

"It isn't your being old enough, it's the general reputation of the post office being a place where the crowd goes in the evening to—start something. You know yourself that lots of things that go on there don't look very well. It's such a mixed crowd, too."

"As long as you behave yourself, I don't see what difference it makes."

"I've thought a lot about going to the post office at night," Peggy said, "and I've argued a lot about it with Ruthie and Mother, and the conclusion that I've come to is that it's just as well to keep away. All the girls that aren't nice hang around there. Some of the girls that are nice stay away. When I grow up, my niceness is going to be so much a matter of course that I won't have to look out for it so hard. Just now I am going to obey Grandmummy's rule to 'avoid the appearance of evil'."

"I guess you are just about right, Peggy," Elizabeth said after reflection. "Sometimes you talk a lot like Jeanie. Would you like to hear some of her letter?"

"I should say I would, but don't read it to me unless you really want to."

"I do," Elizabeth said, "and the reason I do is that I think you are like Jean in some ways. You are both of you way beyond me in the way you look at things."

"The way I look at things is better than the way I act sometimes."

"I'm inclined to be just the other way around. The way I look at things is worse than the way I act most generally."

"I'm disobedient," Peggy said, "and sloppy weather, and always late to places. I do as I'm told about things like going to the post office at night, but not about trying to run the car or getting home on time."

"I'm just the other way," Elizabeth reflected. "I wouldn't monkey with anything I was told not to touch, but I'd make a big fuss, if only in my own mind, about obeying a grown-up rule that I didn't understand."

"Either way gets you into trouble at times," Peggy said, sagely. "Don't look round, but there are two boys trailing behind us."

"What kind of boys?"

"Two of the boys that were down at the Aviation Camp all last summer."

"Are they all right?"

"Yes, but I don't know them."

"They are speaking to us. Don't look round."

"Oh, girls!"

"I suppose they'll get tired and go away."

"Don't look round."

"Oh, girls!"

"Now, look here," Peggy suddenly wheeled on the two followers. "We haven't met you. We're not going to have you trailing around after us."

The older of the two boys whipped off his hat.

"I—I beg your pardon," he said, colouring. "We were only joking. We—we——"

"It puts us in an embarrassing position," Elizabeth contributed.

"Well, some of the girls, they—we——" the other boy also found explanation more difficult than he had anticipated.

"There's a difference in girls," Peggy said, severely.

"We were only going to ask you the way to the beach." The first boy's hair was a blazing, splendid red. Elizabeth liked red-headed boys.

"I've seen you there almost every day this summer," Peggy challenged.

"So've I seen you." The second boy had a wide, ingratiating grin. "We want to get acquainted, that's all," he admitted, "so we were pursuing what seems to be the usual way down here."

"That isn't the way to get acquainted with us," Elizabeth said.

"What is the way, then?"

"Don't ask us." Peggy gathered Elizabeth's arm under hers, and hurried her along.

"They are sort of nice," she admitted, when they had put several yards between them and the objects of their encounter. "If they are really nice, I suppose they will get introduced the way they ought to. If they aren't, well, we won't see them."

"It's a sort of strain waiting to find out such things," Elizabeth said.

"Read me Jean's letter, and that will take our minds off them," Peggy demanded, practically. "One reason that I don't like to have much to do with boys is that when you get thinking about them it's hard to get your mind on other things. If they are silly, they aren't any fun."

"On the other hand," Elizabeth argued, "if they aren't just a little bit—silly or—something—they aren't so much fun."

"Well, they have to be interested in you some," Peggy admitted.

"Now I'll read you Jean's letter. We'll sit down under this tree by the gate. See how pretty her handwriting is. Doesn't she make fascinating E's and R's?"

"I think there is a lot of character in handwriting," Peggy said, bending her head over the letter. "See this one from Piggy Chambers. He writes like a pig and he is one."

"See this card from my brother Buddy. He writes like a perfect gentleman, and he is one, though I say it as shouldn't."

"Oh, I've seen your brother's handwriting before, but not for a long time. Why don't you write him to write Ruthie? I'd a whole lot rather she was hearing from him regularly than from Piggy."

"Has she a friendship with Mr.—Mr. Piggy?"

"No, she hasn't. He just wants her to marry him, and that's all there is about it. If your brother is her friend, it would be the part of a good friend to stick around just now, if only by correspondence."

"There are things about my brother that you don't understand, Peggy," Elizabeth said, solemnly.

"Thirty-four," Peggy said, her gaze diverted to the street, "count that one, Elizabeth. It may be that same chauffeur, but never mind. We don't know positively that it is."

"Well, now for Jean," Elizabeth said, after these formalities were finished.

Elspeth-Elizabeth dear:

I've had your long letter, the one that told about the Steppe children (and how I laughed!), for a week, and your two postcards I wrote you one serious letter in answer to a serious one from you, and now I'll just tell you about the way things are going here. It's just the same thing—sailing, teas, dances, bathing, and then begin all over and do it again. I like it all—especially the sailing—"a wet sheet and a flowing sea," you know, is one of my ideals. Another ideal is getting realized, too. I'm learning to drive the car. I bogged it yesterday, and a farmer with whiskers to his knees, and a long rope, like the funny papers, came and pulled us out. The chauffeur was with me. He ought to have prevented it, but he said I was too quick for him. Anyhow, won't it be wonderful when I learn? Then you and I can "ride together, forever ride," as Browning says.

I went into New York on Thursday, and what do you think, I went to see your brother Buddy. I called up your mother from the station and she suggested it, so I did, as we had the car and were going out of New York from his end of the town, anyway. I felt two ways about doing so. One way was, that it was hard on you for me to see him first, and the other way was that if you couldn't see him, I could represent you. He is quite a sick-looking Buddy, but very, very sweet and dear. I hope you can get him down to the Cape and take care of him. They won't discharge him, will they, until they get good and ready to? He looks a lot like you and a lot like some of those Rembrandt portraits of himself. I suppose it's his beard that makes him look so sort of shady and shadowy. He said he didn't think he would ever be any better, but that if he did, he hoped he could go to Russia. He seemed to want me to think that this and everything else he said was a joke. I must interrupt myself now, and say au revoir, because the car is waiting, and Mother is being very polite in it. I can see her back getting politer every minute.

'bye—

Jean.

P. S. I love you.

"I didn't know that your brother was as sick as all that," Peggy said. "Why haven't you told me so?"

"He doesn't want anybody told. He doesn't want to appear like a confirmed invalid."

"I'd like to tell Ruthie."

"I—I'll tell you what you do. You take Jeanie's letter and read it to her. That won't be either of us telling her."

"All right, I will."

"I don't know what excuse you can give for having a strange girl's letter with you."

"I won't need any excuse. I'll just say to Ruth that I've got a letter from a friend of yours about John Swift. She'll just grab the letter—that's all. I'll say you were willing."

"You come around and tell me what she says afterwards."

"All right." Peggy was making a prolonged departure, kicking at the turf as she stood at the gate. "I'll come around this afternoon, anyway, and we'll go and get some tutti-frutti ice-cream."

"All right, and if you hear anything more about who those boys were, you can tell me then."

"All right, and I'll bring around that letter I was telling you about, from Chester Reynolds."

"All right. I guess my dinner's ready. I heard the bell when we first got in sight of the house."

At this point Grandfather appeared at the door and seeing Elizabeth still looking in the direction of her departing friend, he approached firmly and grasped her by the ear, and led her, protesting, into the house.

CHAPTER IX

Huckleberries and New Friends

Grandfather came out of the north door and shaded his eyes with his hand. He gazed searchingly at Elizabeth's favourite tree by the gate under which she and Peggy were sitting with their embroidery.

"Well, well, I'm disappointed," he murmured to himself. "I thought if I see anything of those two girls I'd ask them to go huckleberrying, but I s'pose they've gone off down to the shore, or somewhere."

"Oh, do ask us to go huckleberrying," Elizabeth cried.

"I thought they'd be right out here, sitting under that tree, like enough, doing some chore o' fancy work. It does beat all where they find to hide themselves."

"Oh, what fun!" Peggy cried. "He took me huckleberrying last year, and I got four quarts in about two hours."

"Well, well, I am disappointed. I might's well make up my mind to go alone."

"He will, too, if we don't hurry," Elizabeth said, stuffing her crochet work into the pocket of her blue linen dress. "Run and get into the Ford."

Grandfather, equipped with as many shining pails as a tinware peddler, approached the car and stared at it gravely, though Peggy and Elizabeth were already in possession of the back seat.

"Too bad I couldn't find those girls," he said. "Mother's put a great heap of sweaters and aprons under the seat, so's if I should be lucky enough to pick them up on the way. Well, Lizzie"—this to the machine—"how cranky are you to-day? Crank by name and crank by nature," he made half a dozen ineffectual attempts at starting, and then succeeded suddenly, jumped into the car, and they were off with a snort and a flourish.

"You darling Granddaddy," Elizabeth said in his ear, "we're crazy to go huckleberrying, and Peggy says you know all the spots where they grow thickest."

"Well, well, how did you get here? I dusted my car out carefully just before I started. It don't seem as if I could overlook a couple o' girls o' that size."

"You didn't have your glasses on, Granddaddy."

They took the road to the north, winding white into the hazy distance.

"The road is like a white ribbon," Elizabeth said, "and those little scrubby pines, sitting low all along the way, are like—well, I don't know what they are like, but I like them. I don't complain if the trees on the Cape are not majestic, as they are in other summer resorts. You see a lot more sky when the trees are low."

"You stand up for Cape Cod," her grandfather said. "It's a pretty good place. You know the story of the old farmer who was driving back from his wife's funeral. 'I lived with that woman forty year,' he said, 'and toward the last, I really got to like her.'"

"Is that the way you feel about Cape Cod?" Peggy asked, mischievously. "I thought it was the way you felt about Lizzie."

"Lizzie's got her good qualities, like most o' the rest of us. She ain't got much natural pride about the way she looks, and she hates to admit that a man is stronger than she is, but when he once gets the best of the argument she goes along peaceable. There's a lot o' human nature to Lizzie."

"I'm so excited about these huckleberries I can't wait to get there. Don't you love to see those clumps and clusters of dusky blue berries just waiting to be jingled into the pail? The woods smell so sweet, too, with the wild honeysuckle and wild roses."

"And wild bog cranberry and wild turnip and wild beech plums," Grandfather added. "Well, here we are."

They had switched from the macadam to a road deep with sand through which the light car had been ploughing for the last several minutes. There was a cleared space before them and a path leading into the woods beyond.

"Foller your nose," Grandfather said, "and you'll find berries enough to make huckleberry dumplings for a regiment."

Elizabeth and Peggy slipped into the big gingham aprons that Grandmother had provided, and each slung a pail over an arm.

"I'll bet I can get more than you do," Peggy said.

"If you do, it's because your fingers are longer." Elizabeth looked ruefully at her small, chubby hands.

"Ah, but a man's reach should exceed his grasp," Peggy said. "I can quote poetry as well as your friend, Jean, but don't ask me what that's out of, because I don't know. My fingers are longer. I don't know whether that makes any difference or not, but I'll give you a handicap."

"I scorn your handicaps. One, two, three, go. May the best girl win." Elizabeth shot down the path, and the sound of the fruit beginning to spatter into her pail was heard almost immediately.

"I never saw so many blue or huckleberries in my life. I've got the loveliest, thickest patch—come over here, Elizabeth," Peggy shouted from her retreat.

"I've got all the blue or huckleberries in the world right here," Elizabeth mimicked.

"I'll pick a couple o' minutes, and then I'll lie in the bushes and rest a while," Grandfather said, vanishing with a six-quart cranberry measure.

Later when the girls came into the clearing again with their laden pails they found him stretched at full length and apparently fast asleep, but beside him was his heaping measure of berries.

"Granddaddy Swift," Peggy cried, "when did you pick all those?"

"Those?" he said, yawning. "Oh, a couple of hours back."

"I bet you've been working your head off every minute. We've got three quarts apiece. Elizabeth beat me after all, and then turned around and helped me get mine."

"I nearly killed myself doing it. I never want to eat another huckleberry, but I am thirsty for water or something. Don't I hear a spring?"

"There might be one through the trees there. I don't know nothing about it." Grandfather pointed, however, in a definite direction.

Peggy parted the branches, and slipped into a thread of a path which led them directly to a pool of crystal clear water fed by a tiny stream that was bubbling and gushing out of the earth. Protruding from the spring were three bottles of ginger ale that had been so placed that the cool water splashed upon them as it fell. On a rock close by were spread two paper napkins with a pile of bread-and-butter sandwiches on one and a stack of sugar-molasses cookies on the other. Between the two, holding them down, was a box of chocolates from New York's most popular candy manufacturers.

"I don't know nothing about it," Grandfather said, when they dragged him to the feast, "I've been fast asleep back there for upwards of two hours."

"You're a story-teller," Peggy said, "and for a punishment you've got to tell us a real story as soon as you've had your party."

"Nothing ever tasted so good to me in my life," Elizabeth said, as they were brushing off the crumbs.

"That's what she says after every meal she eats," her grandfather chuckled.

"But it's always true. Now here's your pipe and here's your baccy, and while you're filling it, you've got to be thinking of a story to tell us."

"I can't tell stories," he protested. "I'd sing a song if I knew any. There was a song my grandfather used to sing to us when we were children, but I can't remember it. The chorus went like this," he made a great pretence of getting the pitch, and then, rocking himself gently, sang in a solemn, sing-song voice:

"Injun pudding and pumpkin pie The gray cat scratched out the black cat's eye."

I never knew the rights of it, or what the trouble was. Some kind of a disagreement they had."

"But where did the injun pudding and pumpkin pie come in?" Peggy asked. "And what is injun pudding?"

"Don't show your ign'rance, as Moses says," Elizabeth put in. "It's Indian pudding, and you make it out of Indian meal and molasses, and it cooks all day and makes whey, and eaten with ice-cream it's perfectly heavenly. Grandma is going to show me how to make it. I made a cake, you know."

"I heard about that cake," said Peggy, hastily.

"Who's Grandma?" Grandfather inquired, innocently. "I thought we only had grandmothers around our place."

"Grandma likes it better for me to call her that," Elizabeth answered, blushing.

"You needn't think you are getting out of telling us that story," Peggy cried, "tell us about the time you went courting Grandmummy."

"I don't remember nothing about it."

"Tell us about the time you took Eliza Perkins to the Harvest Dance," Elizabeth said, daringly.

"Well, apparently you know something about it already. Women do beat the Dutch, gossiping along about things that happened near fifty years ago as if 'twere yesterday."

"You needn't blame Grandma. I worm all her secrets out of her."

"I'll warrant you do. I calculated for her to remember that Harvest Dance as long as she lived. Did she tell you how she was dressed?"

"Was it a fancy dress party?"

"Certain it was, and I went as King of the Harvest. I had a velvet suit with corn tassels all down the seams, and a velvet tam o'shanter with a big tassel on that. Your gram'ma she was going to be Queen o' the Harvest, till we had a little tiff, and she refused to have anything to do with me."

"She didn't tell us that."

"I calculated she hadn't. Well, she went as an apple, root and branch, all decked out in apple blossoms, with a staff, with artificial apples growing on it, and looking like an apple blossom herself, with her pretty pink cheeks and all the lacy fixings in the world trailing after her. I took Eliza Perkins, who was the best-natured and biggest-hearted girl I ever set eyes on, and the homeliest. Lord have mercy, wasn't she homely! I knew 'twould never do to take a pretty girl, so I picked her out to make your grandma jealous with, and I told her so. She was willing. 'I'll make Laury Ann just about jealous enough,' she said. ''Twouldn't do to have her too jealous.' And she certain played her part well. Your grandma asked me to come around to a candy pull to her house, before the evening was over."

"She didn't tell me any of this, the wretched woman!" Peggy cried. "Did you go to the candy pull?"

"Oh, I went sure enough."

"Did you have a nice time?" Elizabeth asked.

"I didn't have the kind of time I expected," Grandfather twinkled.

"Why not?"

"There wasn't any candy, and there wasn't any pull."

"What was there?"

"Your grandma was there."

"Oh, what did happen? Granddaddy, don't you see me shaking with excitement and suspense?" Peggy demanded.

"Well, Mother and me, we kind of come to an understanding. I guess it's about time I hitched up Lizzie and we started along. She's been a whining and a whinnying back there for some time now. Besides, your grandma calculates to make huckleberry dumplings for supper. She gave me special directions not to ask anybody in to eat 'em. She allowed she was only going to have enough for the immediate family."

"That means I'm coming!" Peggy cried. "I am the immediate family."

"I know what dress Grandma had on that night— her pink muslin with dolman undersleeves, the one that Ruth tried on the other day," Elizabeth said, "and you kissed her in."

"Well, force o' habit is strong. Get your berries together and hop back into the car, or I'll have to start without you." Grandfather led the way through the branches into the clearing where they had left the machine.

"I half expected to see Lizzie grazing around without her harness on," Peggy said. "Grandfather is so convincing."

"You take good care o' that sister of yours." Grandfather was using most of his breath in the effort to crank Lizzie. "Don't let any o' these fat boys that is hanging around her try to run away with her. She's too precious."

"He must have seen Piggy," Peggy said in an undertone to Elizabeth.

"There was a fat boy hanging around your grandma once." He jumped into his seat with the agility of a boy himself, a thin boy, "Giddap, giddap, Lizzie."

"I know," Elizabeth leaned over the seat to say into his ear, "Pork Joe."

"You're a remarkable good guesser after you've been told. Well, Peggy, as I was saying, don't let any young Pork Joe get that pretty sister of yours."

"Did she say anything more to you about that letter from Jean?" Elizabeth asked, snuggling down into the seat beside Peggy again.

"Not a word," Peggy said. "Piggy Chambers is around all the time since he came down, and so I can't get much action. By the way, they want us to go to Provincetown with them to-morrow. Can you go? You'd better. They need chaperoning."

"I think I can. I'll have to ask, of course."

"Provincetown is way down on the tip toe of the Cape, you know. We live in the elbow."

"Whoa, Lizzie." Grandfather threw in his clutch and stopped with a flourish just behind two figures who, laden with pails full of berries, and apparently oblivious of the oncoming machine, were plodding ahead in the dust. "Want a ride, boys?"

Two caps were whipped off with an amazing suddenness, exposing one blazing head of bright red hair and one inimitable grin.

"Yes, thank you, sir," two voices spoke as one.

"One will have to ride behind and one with me," Grandfather said. "Elizabeth, these boys are Jim Robbins' grandsons, and if they are anything like old Jim, they are good young fellows to know. They'll tell you their own names, I guess."

The red-headed boy on the front seat turned and smiled a trifle mischievously.

"I'm Tom Robbins, and this is my cousin, Will Dean, Miss Elizabeth Swift and Miss Peggy Farraday."

"How do you do?" Peggy said, gravely.

"How do you do?" Elizabeth echoed, demurely.

"Captain Swift is pretty good about picking up passengers on the road, isn't he?" asked the boy with the grin.

"When you see two boys limping along in front of you everywhere you go, something's got to be done about it," Grandfather said good humouredly, "anybody might almost think you boys follered me on purpose. Yesterday and day before and day before that, I come across them hoofing it along the road," he explained, "going the same direction I was, and scurse able to take another step."

"We didn't ask you for a ride to-day," the red-headed boy blushed. "We didn't even know you were on the road till we looked up and saw you about a minute before you caught up to us."

"What's those girls giggling about?" Grandfather inquired. "I can't have a minute's serious conversation with anybody without this giggle-giggle-giggle business going on."

"I guess I know what you are smiling about," the Dean boy lowered his voice, "but honest, don't misjudge us just on account of that post-office business. We kind of wanted a chance to square it, you know. Your grandfather thinks we're all right."

"It's been pretty dry weather for the gardens, hasn't it?" Tom Robbins was saying to Grandfather. "Have your vegetables suffered much?"

"Just about all they're capable of."

"Do you see much prospect of a rainy spell?"

"As fur as I'm concerned, I don't know as it will ever rain again."

"That's too bad."

"Ankle getting better?"

"What ankle?"

"The one you sprained the day before yesterday."

"Oh, yes, sir, thank you."

"Which ankle was it, now?"

"The left—I mean, the right."

"I suspected as much," said Grandfather, gravely. "Well, they are pretty nice, clever little girls, ain't they?"

"Yes, indeed."

"Ever play checkers?"

"Yes, sir."

"Your cousin play checkers?"

"Yes, he does."

"Well, it might be good for lame ankles for you to come around and have a game o' checkers with an old man once in a while. Always ask for me in particular because when anybody comes around to the house, especially when I've got a young girl visiting me, I like to be the one that has the privilege of saying whether I'm to home or not."

"Thank you, Captain Swift. We—we will be glad to come."

"Our girls don't go to the post office at night, but Saturday night around mail time they'll probably be dishing out Indian pudding and ice-cream to anybody that might happen along."

"I know two fellows that might happen in," Tom Robbins said.

"I think those boys are really quite nice," Peggy said, as they sat under their favourite tree after supper.

"I think they are," Elizabeth said, "but it was rather mortifying the way they followed us in the first place. They ought to have known better."

"But it only needed a hint from us to make them realize."

"I think boys need those hints. It's the fault of girls if they aren't kept right up to the standard."

"Some of the girls on the Cape are not very particular. They are just out after a good time and don't care how they get it."

"I guess that's mostly just thoughtlessness. Anyhow, these boys haven't been a bit—well—you know—familiar since that first minute."

"No, they haven't one bit. I think Will is quite good fun. Did you notice how he wouldn't sit on the seat with us for fear of crowding us, but just got right down on the floor and stuck his feet out? I think that's the way they really are, and the other was just showing off."

"I think so, too," Elizabeth said. "Anyway, I'm awfully glad we told Grandmother about it. She knew who they were right away, and everything. I wouldn't have known whether I ever ought to speak to them again or not."

"It isn't every grandmother that you could tell a thing like that to," Peggy reflected. "I didn't tell my mother. She just wouldn't have thought it was much account. She trusts me to know the right thing, and that's fine of her when I do know it, but when I don't, it's embarrassing."

"The thing about Grandmother," Elizabeth said, "is that she remembers back so well. She knows what it's like to be a girl, and she thinks all the things that girls think are important. Lots of grown people don't. She imagines right into things, but she doesn't poke around them. She doesn't say much, either, but when you tell her a thing she listens to it."

"I wish any of my relations did that. Father just says, 'All right, Peggy, I'll take it all on trust—where's the morning paper?' whatever I say to him, and Mother says, 'Put in that little wisp of hair, darling,' or 'Look at your nails,' no matter what I say to her. Sister doesn't listen to anything anybody says any more."

"Not even to Mr. Chambers?"

"Him less than anybody, but she spends all her time with him."

"Peggy, don't you think she's got a heart?"

"I don't know what she's got. She kept me awake last night by snivelling for about an hour, and when I got so sorry for her that I couldn't help it, I went in and tried to put my arms around her, and she just turned me out as if I'd been an interloper. I don't know what to make of her lately. If you're looking for a nasty grown-up sister, I'd dispose of her cheap."

"I'm glad she's not happy," Elizabeth said, soberly.

"Well, I'm not. I'm just sore at her about last night, but I'll get over that. You remember that in 'Little Women' about not letting the sun go down upon your wrath. Well, I scarcely ever do."

"I try not to," Elizabeth said. "It isn't getting angry so much that afflicts me. It's a lot of horrid, sensitive ideas that I have. I want to be loved the best, and have things just the way I think is about right—and if I don't, I brood over it."

"Well, I'm a more active nature," Peggy said. "Haven't we had fun to-day?"

"Weren't the huckleberries fun—from bush to kettle, as it were? Weren't those boys cute, to get acquainted with Grandfather?"

"Wasn't it funny we happened to pick them up, when they'd been huckleberrying, too?"

"And oh! Wasn't Grandfather a darling all day—so funny—telling stories and making little surprises, and so nice with the boys and everything. Oh, Peggy, don't you—love my grandfather?"

"I certainly do," said Peggy, solemnly.

CHAPTER X

Provincetown and a Walk in the Woods

Elizabeth enjoyed her ride to Provincetown much more than she expected to.

The objectionable Mr. Piggy Chambers shared with Ruth the soft cushions of the back seat of the big touring car while the two girls occupied the folding seats forward, which were, as Peggy said, as luxurious as most stationary seats in machines of an ordinary make. The chauffeur was in a smart buff livery that matched the upholstery, and on either side of Peggy and Elizabeth were sliding panels that revealed at the touching of a button a vanity box and a smoking kit respectively. Peggy had found a green leather driving coat with buff facings for herself tucked away under the chauffeur's seat, and Mr. Chambers had produced a brown and blue coat of soft scotch wool for Elizabeth. Ruth was wearing a white wool cape of her own, and steadily refused any of the additional luxuries that the owner of the big car offered to produce.

"I feel like an absolute traitor to Buddy to be taking a minute's comfort," Elizabeth thought, trying to keep firmly in mind the fact that Mr. Piggy Chambers had claimed industrial exemption from the service through which her brother had lost his health, and perhaps the girl he loved, "but the car does roll smoothly, and the country is beautiful, and I'm lucky to have a chance to see it, though my motives in coming were quite unmixed."

"You see, the Cape has everything," Peggy said with the air of a showman, "salt-water ponds, and fresh-water ponds, and hills and woods and sand-dunes. If you want a walk through the pines to a leafy glade, walk this way, ladies and gentlemen. If you want rocks and breakwaters and sand-dunes and inlets, look out of the car on the other side. Every town has at least two or three of the oldest windmills on Cape Cod, and dancing pavilions and moving-picture palaces stare at us from every side, without in the least interfering with the general panorama."

"Don't you think you have talked enough, Peggy?" Ruth suggested.

"No, I honestly don't, but perhaps Mr. Chambers does."

"This is Miss Ruth's party," Mr. Chambers smiled diplomatically. "This country makes me think of English country, in one way," he added, smoothly. "It is, of course, altogether different, but in England, especially in the north, you get a varied landscape in a limited area, as you do here. This is the only place in the states where you find just that."

"The Cape is only eight miles across at its widest point," Ruth said, "and of course the whole scenic effect is miniature in proportion. We'll begin to see the sea on both sides of us presently."

"What amuses me is the way the townships are cut up; a township of fifteen hundred people is cut into almost what you might call house lots. North, South, East, West Harwich, Harwich Port, Harwich Centre, and it doesn't take ten minutes to run through any one of these little villages, and get into the next."

"They are all very attractive," Elizabeth said, defensively, but not very loudly.

"I'd like to show you England," Mr. Chambers continued, in a lowered voice. "I think you'd like it over there, say in a year or two, after the children begin to get back their rosy cheeks again, and the gardens are flourishing a bit more. The war has left it all a bit ragged."

"It hasn't left you ragged," Elizabeth thought. "It's only left you fatter and complacenter and richer. I wish Buddy had a million."

"You look like a snow maiden in those white clothes," Piggy Chambers was saying to Ruth.

"'Sweetheart, sweetheart, sweetheart,'" Elizabeth repeated to herself. "'I have never called you this and I have no right to call you so now.'" That was what her Buddy had written to Ruth Farraday, and Ruth Farraday, not knowing, was leaning back in Piggy Chambers' great French car, and letting him tell her that she looked like a snow maiden.

"My brother says that southern France is much more beautiful—was much more beautiful than England," she said aloud. "He—he helped to break the Hindenburg Line, you know."

"Did he?" said Mr. Piggy Chambers, civilly.

"My—my father would have gone, I think, but he wasn't able to get away from his business."

"If he was in the steel business, he would have been industrially exempted, anyway."

"He—he wouldn't have wanted to be industrially exempted," was on the tip of Elizabeth's tongue, but she remembered that she was talking to her host of the day. "It won't get me very far to be ill-bred and impolite all of a sudden," she thought, sensibly. "Mr. Piggy Chambers might just as well think that the members of our family are well brought up." Provincetown reminded Mr. Chambers a little of a Dutch fishing village, which he described at great length.

"Anybody would think he had just discovered Abroad," Peggy scolded in an undertone. "Ruth likes all that travelogue stuff, because she was so crazy to get there and couldn't. Now we are going to get out and walk, I am thankful to say, but if he tries to lose us, don't let him, that's all!"

Mr. Chambers did try to lose them. He tried bribing them with ice-cream and they took the ice-cream, but consumed it in time to join the two before they had strolled more than three blocks. He suggested that the chauffeur take the two girls in the car to examine the Truro lights a mile or two back from the course over which they had just come, while he and Miss Ruth strolled along the shore.

"I'd rather stay here with Ruthie," Peggy insisted, flatly, and Elizabeth could not determine whether Ruth was pleased or displeased, for she made no display of either emotion.

"If she wanted us to go, I think perhaps she would say so, but I don't know. Grown-up girls don't seem to think they can say what they mean, the way children do," she thought.

Presently they were all walking along the beach, and Elizabeth found herself walking with Ruth, though she could not tell exactly how it had come about. No one seemed to have planned to pair off in that way. It just happened, though both Peggy and Mr. Chambers seemed to be very much dissatisfied with the arrangement.

"Buddy would love a day like this," Elizabeth said. "He's shut up in that old hospital, you know, and he can't get out till he gets better, and he can't get better till he gets out. I want to get him down to the Cape, where I can take care of him."

"You must be very worried about him," Ruth said. "I didn't even know that he wasn't discharged or anything about him, until Peggy found out all these things through you."

"He's been too sick to write much."

"He writes to you, doesn't he?" Ruth said, so very carelessly that Elizabeth's heart sank.

"Yes, he does. He says that I'm the only girl that answers his letters whether he writes to them or not."

"Does he expect to have girls write to him that he doesn't take the trouble to inform of his whereabouts?"

"I think he would be very pleased if they did."

"Why should they?"

"Why—why shouldn't they?" Elizabeth stammered.

"He's probably devoted to dozens of girls," Ruth said, lightly, "all waiting for a personal word from him. He's probably quite a Lothario, only little sisters aren't supposed to know that."

"I don't exactly remember what a Lothario is," Elizabeth said, "but if you mean that he's a flirt and I don't know it, you're just awfully mistaken. I know things about Buddy that nobody else knows, that he doesn't even know that I know. I know what he's like, too, inside."

"You think he's very nice inside, don't you?"

"Yes," said Elizabeth, a little hostilely.

"Well, I'll tell you a secret," said Ruth Farraday, still very lightly and gayly. "I do, too."

"Then why—why do you go to Provincetown and things with Mr. Piggy Chambers?"

"Mr—Mr. who? Really, that's too bad of Peggy. I'll have to speak to her." Ruth Farraday seemed to have a sudden little coating of ice all over her. "Would you mind telling Peggy that I want to speak to her alone a minute?"

Elizabeth obeyed meekly and so miserably that Mr. Chambers, at whose side she lingered, since there was nothing to do but take Peggy's place with him, asked her what was wrong.

"I'm not feeling very well," Elizabeth said, "the sun is so bright."

"I find her rather bright myself," Mr. Piggy Chambers murmured. "Would you like to do me a great favour?"

"Yes, yes, indeed," Elizabeth said, untruthfully.

"Will you take Miss Peggy and go back to the drug store where you had your ice-cream, and buy a five-pound box of the very best chocolates they have? If they haven't a five-pound box, get five one-pound boxes. Just use your own judgment about it."

"I will," said Elizabeth, "of course, Peggy might not want to go. She—I—we don't care very much about chocolates."

"But Ruth does," said Mr. Chambers, decisively. "I should very much appreciate it, and we'll come along and pick you up presently. You might like some more ice-cream." He slipped a five-dollar bill into her hand.

"He asked me if I would do him a great favour," Elizabeth explained to the protesting Peggy, as they turned toward the quaint street on which the little shops were set, "and I couldn't say no, could I? I couldn't say, 'Thank you for your lovely ride, but I don't feel obliging.'"

"I just wish he'd asked me. I would have said 'No!' right out. Sister has been giving me fits because you told her that I called him Piggy."

Elizabeth's eyes filled.

"I'm not blaming you. I know you didn't spill the beans on purpose. I just wanted to know how it happened."

"I just called him that. That's all," Elizabeth said, miserably.

"Well, don't you care, darling," Peggy advised. "Ruth was only upset about something else, and wanted to take it out on me. It will serve her right if Mr. Hoggy Chambers proposes while we're gone. I promised her I wouldn't call him Piggy any more."

"I think he means to."

"Well, if he does, I wonder what he'll say. Love me and the world is mine. I guess that's about what he will say. The world is my oyster and I'll let you keep it in your stew, if you'll be good."

"Mr. Piggy Chambers," said Elizabeth, "Oh!"

"If she says 'yes' to that freak, I'll—I'll disown her."

"Oh, let's not think of it."

"There isn't much else I can think of," Elizabeth said. "Oh, but look! Sixty-four, sixty-five. Those are black Portuguese, and they count." Two swarthy fishermen in bright blouses were passing them on the narrow street.

"You've caught up with me," Peggy said. "I was four ahead of you for a long time."

"We'll probably get them all just in time to shake hands with Tommy Robbins and Billy Dean."

"I won't," said Peggy.

"You might have to," Elizabeth argued. "Supposing we were going away and they came to say good-bye, and held out their hands to shake hands. We'd have to shake them."

"I'd say I had a sore finger."

"We couldn't both say we had sore fingers. Besides, they could see we hadn't."

"We might both have lame wrists, if we had been doing the same thing, rowing or playing tennis."

"It would look rather suspicious."

"Wouldn't it be better to look a little suspicious than to tie yourself up for life that way, or run the chance of it? I know who you want to shake hands with. That Reynolds boy."

"I don't want to shake hands with anybody," Peggy said. "We may like Tom and Bill a good deal better before the summer is over, though."

"They really are quite nice," Elizabeth reflected.

"Mr. Chambers is trying to get us to ride home in the front seat, with the chauffeur. He says the front seat is the most comfortable in the car, and was designed for three. I told him I'd think it over."

"I don't see what difference it makes now. He's talking to her alone, anyway."

"I think it's a terrible responsibility. They are both old enough to be married, and they ought to be old enough to know just what they want to do, instead of keeping a couple of kids—I mean children—worried to death all the time."

"I think Mr. Chambers knows what he wants to do."

"Yes, but he ought to know better than to keep bothering a girl that doesn't."

Elizabeth and Peggy managed to eat a plate of ice-cream apiece in spite of their dejection, but Elizabeth steadfastly refused to break Mr. Chambers' five-dollar bill, even to pay for the five pounds of candy she purchased for him.

"He can pay me the way he would a grown-up person," she said. "I prefer to buy our own ice-cream, and do his errands on a strictly business basis."

"My goodness," Peggy said, "I feel as if we had suffered enough, without having to buy our own refreshments."

They rode with the chauffeur only a part of the way home, because when they had travelled twenty miles of the forty between the tip and the elbow of the crooked right arm of Massachusetts a tire gave way and they all stepped out of the car and took a walk in the woods while they were waiting for repairs to be made.

Mr. Chambers and Ruth slipped into a thread of a path going in the opposite direction from that taken by the two girls, but evidently made a detour and turned again toward them, for the moment in silence. When they heard the sound of voices just beyond Peggy put her finger to her lips.

"I am the kind of man who always gets what he wants," Mr. Chambers was saying. "You won't give me the chance to tell you what I want, but you know pretty well what it is, and I think you know that I am going to get it."

"No," said Ruth Farraday.

"You know that I want you to marry me?"

"Yes, I know that."

"You know that I love you?"

"I—I don't know much about love."

"I can teach you,"

"Nobody can teach me anything that I can't find out for myself. If I don't know what this—this feeling people call Love is, from the inside, nobody can come and throw it over me, like a cloak."

"Oughtn't we to stuff our fingers in our ears?" Elizabeth pantomimed.

"No," Peggy shook her head, fiercely.

"Wrapping it around you like a cloak is just what I should like to do. I should like to keep you warm and comfortable for the rest of your life."

"And happy?"

"I know I could make you happy."

"Warmth comes from within, doesn't it? You wouldn't want an icicle of a woman."

"I am not afraid that you would be an icicle."

Peggy was showing strong signs of disgust, but Elizabeth was listening with parted lips and shining eyes. She had forgotten that she was eavesdropping, forgotten everything except that Buddy's girl did not want to give up her chance of learning something that Buddy could teach her. She expected the next words when they came.

"I would be an icicle—to you."

The suitor did not seem to realize the significance of this statement.

"All I want is a chance to melt the icicle," he said, complacently.

"Goop!" said Peggy in a loud whisper. Then she sneezed, but fortunately the speakers had passed far enough beyond to confuse the sound with the general blend of forest sounds, the whirring of wings in the underbrush, or the rustling in the trees overhead.

"I guess he thought I was a startled quail," Peggy said, "though I wouldn't have cared much if he had found me. I never heard such silliness, did you?"

"I didn't think it was silliness," Elizabeth said. "It was quite a lot the way people talk in books, you know."

"It wasn't really mushy," Peggy agreed, "only sort of peculiar. Well, I guess I am not going to have a new brother-in-law right away. Still, I notice she's keeping a string tied to him, just the same."

When they got back into the car Ruth suggested that the girls take the folding seats in the tonneau again, and Mr. Chambers quietly acquiesced in this arrangement. As they took their places Peggy gave her friend the benefit of a long, significant wink, and then subsided into the silence that encompassed them all during the remainder of the long drive home.

CHAPTER XI

Little Eva

I come to tell you that my mother's sick," Moses said. "She's hollering something awful. She said to tell Miss Laury Ann, but I can't find her nowhere."

"She's out with Grandfather," Elizabeth said, "and I don't know when she'll be back."

"Maybe Marmer'll be dead by that time. She's kind of turned green already."

"She can't be going to die."

"I arsked her was she going to die, and she said she guessed she was. I dunno nothing about it."

"I'll go home with you," Elizabeth resolved suddenly. "I'll get Judidy, and we'll go and see what we can do."

"Marmer didn't tell me to get no girls," Moses said, doubtfully, "she told me to get Miss Laury Ann."

"I'll be better than nobody, Moses."

"Well, if you do come over to my house, I ain't agoing to wear no bloomer suit."

"Oh, I shan't expect you to," Elizabeth said, hastily.

Judidy was nowhere to be found, so leaving word with Zeckal, the good-natured hired man, to send either Judidy or her grandmother to the rescue as soon as possible, Elizabeth followed Moses to the tumbledown little red house that was his home. On an old horsehair sofa in the middle of the kitchen, which was the first room they entered, a young woman with her blonde hair straggling into blue eyes swimming with pain was lying in a huddled heap. In the middle of the floor was a wash-tub full of dirty water and half-submerged, grimy garments.

"I was trying to git some washing done when the pain struck me," a weak voice said. "I ain't in no condition to receive visitors."

"I didn't come to visit," Elizabeth said, gently. "I came to help."

A spasm of pain racked the sick woman. Elizabeth was down on her knees beside her in an instant.

"You're all corseted up!" she said. "I'm going to rip these things off," for under the trailing, ragged garments that overlaid Mrs. Steppe she was wearing a corset like a board. Elizabeth tore at the strings until she released her.

"You shouldn't lace like that," she said, in horror.

"I don't lace," the sick woman breathed, "my waist is only—eighteen—inches—around. It's naturally—small. I guess if I could only get a little hot water to drink I would feel better."

Elizabeth found a one-wick kerosene stove so begrimed and choked with soot that she could scarcely light the sputtering wick, but thanks to her recent investigations in her grandmother's kitchen, she was able to heat a little water over it.

"A month ago I didn't even know there was such a thing as a one-wick kerosene stove," she thought. She caught sight of what at first glance looked like a small gray animal on the floor under the table. "It's nothing but a piece of moldy bread, the kind that poor Madget was afraid would crawl out on her. Oh, dear!"

"Where are the little girls?" she asked, as the sufferer sat up and drank the steaming water in the cracked blue cup that was the only china receptacle of any kind that Elizabeth could find.

"I wasn't able to get them any breakfast, so they went out to see if they could pick some blue berries."

"Madget is so little she ought to have milk in the morning." Elizabeth could not refrain from making this superfluous suggestion.

"Milk sours so." The spasm of pain that attacked her was of longer duration this time. Elizabeth began rubbing the afflicted area, and calling to Moses, who presently appeared, and gazed at his mother speculatively as she winced and writhed in agony.

"Go and get a doctor, Moses. Any doctor you know about."

"I don't believe in doctors," Mrs. Steppe breathed. "I—I believe in spirit healing. Get a medium."

"You get a doctor, Moses," Elizabeth said. "Tell him that I—Captain John Swift's granddaughter—will settle the bill."

"Oh, all right," Moses said.

"I don't know much about mediums," she explained to the sick woman, "but I know that a doctor would be able to help you right away."

"I—I don't believe in medical healing," the woman moaned, "but if you want to spend your money that way—the last time—I had a sick spell, Mis' Abithy Hawes, she's a fine medium, she—come here and went into a trance—and had me cured in half an—hour. No doctor—could do—do like that. Her control is—Little Eva."

"Don't try to talk," Elizabeth said, mystified.

The next half hour was one that she remembered all her life. The spasms of pain increased. Elizabeth's experience of acute illness was so limited that she earnestly believed she had a dying woman on her hands. Madget and Mabel came in whimpering and hungry, and Madget cried steadily and consistently from the moment when she caught her first glimpse of her mother's tortured face. Mrs. Steppe continued to call for Mis' Abithy Hawes, and Elizabeth finally thought of sending Mabel to look for that lady. Mabel returned from this quest with amazing promptitude.

"She had her hands in the flour dough," Mabel explained, "and she can't come. She sent word that she couldn't have no trances till she got her work done up, and then she'd see. She give me a cookie."

"Did you explain to her how sick your mother was?"

"Yes, she said she couldn't have no trances now. She said Little Eva was cranky to-day."

By the time Moses appeared, with the word that the doctor would follow him shortly, Elizabeth was at the limit of her endurance and her ingenuity. She had been heating water in a leaky lard pail, and stripping off her own white petticoat to make hot compresses to relieve the increasing pain of her patient, quieting the ubiquitous Madget for a few seconds at a time only to provoke the din again as soon as she set her down from her lap; and trying in the intervals to reduce the slovenly room to something like order.

"Is she dead yet?" Moses inquired, solemnly.

Elizabeth shook her head.

"Moses, dear," she said, "you mustn't talk like that. It's unfeeling."

"All right," he said with unexpected docility, "I won't. I just wanted to make some plans, that's all. I thought I might come to live with you, if Marmer died."

Elizabeth put her arms around the forlorn little figure.

"She isn't going to die," she said, "at least, I don't think she is."

"Well, you can't tell," said Moses, skeptically.

The doctor, who proved to be a portly being with a red beard and the kindest eyes Elizabeth had ever seen, as she told Peggy afterward, explained that the seizure was nothing more serious than neuralgia complicated with a slight gastric attack.

"Lack of nourishment, lack of exercise, lack of any sort of proper care for mind or body," he said.

"What is neuralgia?" Elizabeth asked.

"Starved nerves in revolt is one way of putting it."

"I thought she had appendicitis or pleurisy or something."

"She has nothing that a week's care won't bring her out of. If she isn't looked out for at least for that length of time the trouble is likely to increase. There isn't anybody to take care of her, is there?"

"Well, there is nobody but me," said Elizabeth.

The doctor looked at her under quizzical eyebrows with an expression that reminded her of her grandfather.

"Give her this medicine regularly," he said, as if he found nothing remarkable in her statement, "and see that she has three nourishing meals a day and keep her quiet."

"It's easier to keep her quiet when you are here," Elizabeth said, indicating the awestruck Madget, Moses, and Mabel, who stood in a respectful row, at a respectful distance from the great man.

"I understand these children are always quiet when they're asleep or when the doctor comes."

"Well," Elizabeth said, "the better they feel that they know you the more noise they make. They treat me like an old friend now."

"I used to live in New York myself," the doctor observed, "and I miss it a good deal more than most people suspect. I know all about you, you see. I know pretty well all the news of the comings and goings in town."

"You're a New Yorker, and yet you stay down here all the year round," Elizabeth said. "I don't see how you can, if you really liked New York."

"I liked New York," he said, "but you can't be a country doctor on Broadway. I'd rather take care of these people than those."

"Oh, why?"

"They need it more," he said, simply. "In a big city you don't get the same chance to find out what people do need. It isn't always sick bodies a doctor is called in to look out for, you know. A doctor down here has to be a kind of a lawyer and a justice of the peace and a plumber, into the bargain. In New York he doesn't get that kind of an opportunity."

"That seems a funny kind of thing to call an opportunity, I think."

"It is one, though," the doctor said. "Where is these children's father?"

"He's on a coal barge. He only gets home once in a while."

"He must make pretty good money."

"He does, only she—" Elizabeth, who had walked to the door with him, and was standing just outside it as they talked, indicated the woman in the room beyond—"spends it on candy and novels and things, and then he gets discouraged, and doesn't send it to her, or drinks."

"Well, call me again if you need me. No, I won't send you the bill. There isn't any bill. I'm paid already."

"I hope he didn't mean that it paid him just to see me here doing good," Elizabeth thought, when she realized that that was what he did mean. "I don't want him thinking I'm always looking after the poor when this is the first time I ever did it."

The children crowded around her when the doctor left.

"Your mother is going to be well in a week," she told Moses. "I'm going to wash your face, Mabel—and Madget, if you don't stop crying, do you know what I'm going to do to you?"

"Spank me!" wailed Madget.

"No, I'm not. I'm going to kiss you, but I guess it would be more to the purpose to feed you. What does your mother make oatmeal in when she makes it?"

"She don't make none," Mabel said. "Can you make oatmeal?"

"I could follow the directions on the package, I guess. I can make cake."

"I want some cake," cried Madget, promptly.

Elizabeth was trying to get some water "boiling, foaming, scalding hot," according to directions, when Judidy appeared at the door, her moon face beaming over various pails and packages.

"Land o' Liberty!" she said. "You up here a-tending the sick, and me out skylarking with my feller. I brought some milk and sandwiches for the children. I guess she ain't sick much, is she?"

"I'm dretful sick, Judidy," a voice from the couch said, weakly; "I had the doctor."

"I thought you was a spiritualist, and didn't believe in no medicine."

"I don't believe that no doctor could doctor me as well as Little Eva could, but Mis' Hawes she couldn't come. I was too sick to depend on a contrary control, so we called the doctor, and he left me some kinder dark stuff to take, and some light-coloured pills that's kind o' quieting."

"Do tell," said Judidy, politely. "Now you drink to where I've got my finger," she instructed Madget, as she held out the milk bottle, which the children were trying to reach, "then Mabel, then——"

"Pour a little out in this cup, and I'll feed Madget myself," Elizabeth said. "I guess the other children had better drink out of the bottle."

Judidy looked at Elizabeth admiringly as she lifted the little girl on her lap.

"My, ain't you a pretty picture," she said, heartily. "You was just as stuck up, when you first came, with your ideas about having a demi-tassy after you had et, and laffing at the pump in the kitchen, and never eating anything between meals, and to see you now, a-taking up with the town's poor as if they was own relations."

"Don't you call us town's poor," Mrs. Steppe said, sitting up suddenly, and then falling back with a groan. "I ain't never been called such a name, Judidy Eldredge."

"You just lay still," Judidy said, "and don't you worry. I'll stay now, Elizabeth, and you can go home and get ready for your dinner. It's a lucky thing I had it all arranged to have a day off on account of my feller being home. Miss Laury Ann she told me to send you as soon as I got here."

"But I don't want you to have to lose a day with your—feller," Elizabeth said, trying not to be guilty of the rudeness of correcting Judidy's pronunciation. "I'll come back as soon as Grandma will let me."

Madget began to whimper as she set her down, but Moses assured her that if his marmer died, he would "come over there right away and tell her about it."

"I don't know whatever makes him so pleased to think of my dying," his mother said, plaintively, "he has never known anybody that died or anything, if he is always burying birds with regular funeral preaching."

"He doesn't want you to die," Elizabeth said, "he just gets ideas in his mind."

"Well, they aren't very cheerful ideas for a sick woman to hear."

"No, they aren't," Elizabeth agreed.

"If I can get Mis' Hawes over here, Little Eva will tell me if I'm going to die. I'd like to lick Moses once, anyway, whether I'm going to die or not."

"I don't think anybody could 'a' done any better," her grandmother said, when she told her the story. "Hot compresses is the thing that always relieves pain, and what the whole situation needed was somebody to take charge and send for the doctor. You was a pretty brave, practical girl, I should say. The Swifts always had good contrivance, and come out strong when there was anything real to be done."

"I don't think that I managed so very well. The children kept crying and I couldn't stop them, and Mrs. Steppe kept asking for a medium that I couldn't get for her. What does she mean by Little Eva being Mrs. Hawes' control?"

To her surprise her grandmother began to laugh, and laughed until the tears ran down her cheeks.

"I suppose it is funny," Elizabeth said, "but I never thought of it that way. I suppose it's funny about Moses keeping on asking if his mother was going to die, but it didn't seem funny at the time, it just seemed queer and—and awfully hard to manage. I—I——" to her chagrin, her lip began to tremble. "What—what is a control, anyway?" she wailed.

"It ain't nothing that you got to bother with just at present," her grandmother said, "you come here." She sank into one of the numerous valanced rockers conveniently placed about the house, and held out her arms. "You come here—to Grandma," she said.

"You'll think I'm an awful baby," Elizabeth sobbed on the comfortable bosom, snuggling a little closer in the protecting embrace. "It isn't so much what I've done that I mind, but what I've got to do. It isn't very brave of me, but I dread taking care of that awful woman for a whole week. She—she isn't very grateful, or anything. She'd rather have a medium. But—but the children—they love me."

"Elizabeth," her grandmother said, "I ain't a-going to let you go there for any week."

"But it's my duty, Grandmother. You aren't going to stop me doing my duty, are you? You can't spare Judidy, and there isn't anybody else. There aren't any real servants or charity organization societies here. I don't see what there is to do but just what Doctor Hartly does, go around and be anything that the people need you for."

"You can't be all things to all men, Elizabeth," her grandmother said, sagely. "If you can be like that Holland boy I've heard tell of, that put his hand through a hole in the wall and kept the water from destroying a whole town, that's one thing, but the kind of a hole that the water'll roll through forever, the minute you take your arm out, is another. The Steppe family is going to be in need of any person's full strength as long as Mis' Steppe continues to breathe, and we can't wish anybody's breath to stop, in spite of Moses. The best you can do for any set o' people in that condition is just what you went and done to-day. Look out for 'em when they get way down, give 'em what extry strength and vittles you got at all times, but don't try to lift 'em up unless you can lift 'em all the way out. Mis' Steppe will always sag back from her own weight."

"Oh, dear," Elizabeth sighed. "Don't you think she could be reformed?"

"She might, and then again she mightn't. I should say she couldn't be. She's always trying to get something for nothing, that woman is. This business of getting a medium to get her control to fix up things she's too lazy to fix for herself that's Mis' Steppe all over."

"But what is a control?"

"A control is a spirit guide that takes possession of a medium when she goes into a trance. Somebody that has lived and died, usually somebody kind o' tricky, that has a hard time getting into communication with whoever 'tis they want to talk to."

"But that's just pure faking, isn't it?"

"I don't know whether 'tis or not. I don't understand it. My idea is, never to make too light of a thing that I don't understand."

"You don't think there is a Little Eva, do you, Grandma?"

"No, I don't, but Mis' Hawes does."

"I shouldn't think there was anything to do but laugh at Little Eva."

"So wouldn't anybody, first off, but spiritualism is some people's religion. It ain't mine, but in general it ain't a good idea to laugh at anybody's religion, not even the cannibals'."

"What shall we do about the Steppes, then?"

"I'm going to get Judidy's sister to go over there and stay what she can. What she can't, you and me and Judidy'll make up between us. We'll have a kind of general care of 'em till they get out o' this particular patch o' woods. Then they'll have to go on their own gait again."

"It does seem sort of awful, not to really do anything."

"Yes, it does, but the thing to do is to keep people like that in the back of your mind, and when any chance comes that might benefit 'em, not to be too lazy to pass it along. I'm kind of arguing with your grandfather about taking Moses to come and live with us. I ain't pushing the matter, but kind o' working along easy. I've got an idea of getting Mis' Steppe interested in a different class o' books. Any woman that'll get the notion out of a book that she can wear a eighteen-inch corset around her waist under her rags and stick to it can get some other more practical notion through her head in time. Anyhow, that's one thing to work on. I ain't very hopeful, but I thought of it. I keep at the Steppes, and little by little I hope to get something accomplished. I see that the children is fed up about once a day anyway, but I don't stick my wrist through the hole o' their shiftlessness, I just bail out a little water as often as I can."

"That is the way, isn't it?" said Elizabeth. "I just thought I'd have to go there and practically live for weeks. It—it seemed like a bottomless pit."

"There ain't really no such thing as a bottomless pit," Grandmother said, sagely; "there are only pits that we can't plumb the bottom of."

She told the story of Elizabeth's activities to Grandfather that night and this time she did not laugh, even in recapitulating the difficulties the little girl had encountered in relation to Mrs. Steppe's religious convictions and her constant demand for Little Eva. On the contrary, she wiped her eyes quite openly.

"She was calculating to go there," she said, "and take entire charge of that miserable Steppe family without any help from anybody, nurse that sick woman and feed those children for a week and longer if it was required of her. She would have done it, too, if I hadn't put a stop to it. I wish you could have seen that pretty, anxious little face, and those great eyes of hers brim full o' tears but game as a fightin' cock. I do wish you could have seen her, Father."

"I wish I could of," said Grandfather, gravely.

"Just one thought come into my mind as I set there talking to her, and it come so strong I almost up and said it aloud before I caught myself. I was thinking o' that first night she come, and the dejected way you sat in that chair there, after she had gone up to bed, and I said to myself, holding her there in my lap all exhausted and quivering, after a whole forenoon spent doing battle with the slothfulness of the Steppe family, 'Father Swift,' I said to myself, 'what do you think o' John's girl now?' I said."

"Didn't you hear what I spoke up and answered? Well, you couldn't 'a' been listening very hard. When you said that, I had my answer ready to the dot. 'I think a whole lot better of her,' that's what I said, 'and I have been doing so for some time back'."

CHAPTER XII

Buddy Wants to Know

Elizabeth had been to tea with the Farradays. The big, closed-in porch, which was practically their summer living room, gay with chintzes and strewn with all the appurtenances of luxurious modern existence, always gave her a little feeling of homesickness for the life to which she was used in town. The trim maid, quietly manipulating the tea wagon laden with the delicacies of the usual teatime meal, took on an almost pathetic glamour to the little exile.

Mr. Chambers was in possession of the wicker chaise-longue. Ruth had poured tea with deft and dainty fingers, though she was unusually silent, even for her. Mrs. Farraday, who was as unlike Elizabeth's mother as it was possible for her to be, had yet, in a gown of blue linen, with rose-coloured net cuffs and neck piece, managed to suggest her vividly.

Peggy had behaved abominably. In intervals of passing cakes she had managed to get out of the line of vision and stand grimacing and contorting her face at Elizabeth. Usage demanded that Elizabeth return these impudent salutations in kind, and twice Peggy nearly made her do so.

"I should have been mortified," she thought, "if Mr. Piggy Chambers had caught me making faces, especially since I would naturally make that kind of faces about him, if it happened so. I guess Ruth would never speak to me again."

"I can't help it," Peggy whispered, "these tea fights on the veranda, with Piggy—I mean Hoggy—Chambers and Mother knitting as if she had just eaten the canary, and Ruthie saying nothing and sawing wood, and the other self-sufficient member of our little circle sitting there and owning the universe—they just make me wild. I feel as if I would like to get an Indian tomahawk and scalp 'em all."

"I—I like tea on your veranda, though," Elizabeth couldn't help admitting. "Grandmother would think afternoon tea was ridiculous, and I am used to it in my own home. I'm used to having my own mother around, too."

"If your own mother were aiding and abetting the slaughter of your innocent sister," Peggy said, "you might not feel so excruciatingly fond of her. I didn't make that remark all up. Father said it first. Our family is just completely mixed up over the whole affair. There's one ray of light. Ruthie isn't mushy about any of it. Only she makes me nervous."

"I don't see how you can bear it at all," Elizabeth said. "I can't, hardly."

"Can hardly, Miss Swift," Peggy mocked. "You are more sensitive to things than I am, I guess. I throw 'em off after I've howled for a while. My idea would be to fill Piggy's bed with flour and hair-brushes, or to stick a hair-pin in his tires. You'd just give him mental treatment and take it awfully to heart."

"I guess that's why we get on so well together. Opposites attract opposites."

"If I were a man I think I should want to marry you, Elizabeth, but if I were a girl, I don't think I should want to be just like you."

"That's not very flattering, because you are a girl already, and you couldn't be a man if you wanted to."

"I mean for myself I would like to be like you. You take things harder than I do. I can always go out and punch something."

"There never seems to be anything I can punch," said poor Elizabeth.

Peggy had walked with her as far as her own gate, and then she had gone in to get her belated morning mail. She had been so sure that there was no one to write to her until she had answered the letters with which her portfolio was stuffed that she had neglected to go to the post office as usual. She found, however, a long letter from her brother and one from her mother. Buddy wrote:

Dear Little Sister:

I am going to take you into my confidence in an important matter because, well, there is nobody else that I can ask any help of. You needn't get peeved at this way of putting it, because it stands to reason that if you weren't a pretty reliable little sport I wouldn't trust you. I don't have to. I only do.—Hope to die, and cross your heart?—Thank you.

Well, the thing is, I want to know something about Ruth Farraday. For reasons of my own I haven't been writing to her. Now, I might like to write to her once or twice, a friendly little note, you understand. A fellow gets so doggone lonesome. They won't let me go until they're satisfied I'm fixed up. How you are going to fix up a fellow who has got some of the things I've got the matter with me, I don't know. They think it's shell shock, among other things. Well, among other things, it isn't shell shock, it's——Oh, well, it isn't shell shock. It's darned old discouragement, and homesickness for the things that never were on land or sea. That's poetry, my darling sister. I have some of that in my system, too.

Well, I've been here alone so long that I want to know everything—everything about the people I care about. Ruth Farraday is one that I do care something about. She was mighty nice to me before I went to be a soldier. I think she would have been nicer if I had worked it around to get a commission instead of just plain enlisting, but this is only just conjecture. She is a beautiful girl, and her heart is in the right place wherever it is, but Sister, that's what I want to know. You're fooling around with the Farradays so much, you ought to get some line on this. I don't want to be idiot enough to start the poor, sick old friend stuff, if she's got her mind all off me or anybody that looks like me, and on somebody that doesn't. Does she wear a ring, and is she reported to be free or cinched, or what?

I can't stand not knowing any longer. That's the point. I may have been a darn fool in the way I've warned you against talking to her about me. I've just had all these notions one after another, kind of feverishly. I'm going to write to her if you advise me to. Don't go making up anything. Tell me the truth. I've got to know it, Kid. I'm just all in—that's all.

Buddy.

She opened her Mothers letter with eyes so full of tears she could scarcely distinguish its import.

Elizabeth Dear.

It is getting harder and harder to be away from you, especially since there is no immediate hope of Buddy's release. The poor boy doesn't get better. It is difficult to understand all the intricacies of the doctor's diagnosis. New conditions of warfare and of life breed new conditions of disease, physical and mental, he says, as well as new kinds of wounds and injuries, to be patiently handled by the new medicine and surgery. To a mother's eye, Buddy seems to be suffering from an old-fashioned set of causes and effects. But I don't know. All I know is that Buddy is not getting better, and that he has to be handled more carefully than ever. Elizabeth, dear, let me warn you again to be careful what you write him. He looks forward to your letters with the greatest interest, and yet when they come, to be perfectly frank, they often seem to fret him or to make him irritable. Perhaps you had best not mention your friends the Farradays. He used to know Ruth Farraday quite well, and sometimes the mention of these boys and girls that he used to have so many gay times with seems to make him morose. At other times he likes to look back at things he used to do. He is only a little boy, after all. Twenty-three doesn't seem much more to me than fourteen does, in spite of that stern look he has that all the men who have done any real fighting seem to come back with.

My darling, take care of your health. Don't go out in all weathers without being suitably attired for cold or wet, as the case may be. Your letters are a great comfort to me. You are good to help Grandmother so much. She appreciates it, and so does

Mother.

P. S. I wish I might have tasted that cake you made.

"Oh, Mother," Elizabeth cried. "Oh, you can't help me the least little bit in this, can you? What is the best thing for me to do for my Buddy?"

She tried to talk with her grandmother, very carefully, for fear of betraying Buddy's confidence, but for once her grandmother did not help her.

"It isn't a very good idea for little girls to think too much about such things," she said. "Love is a mystery. One heart kinder gets clinging to another heart, and nobody knows how it all come about, or how to stop it. When your time comes it is about like your time coming to die or be born, and you can only pray that it ain't going to be too hard, with anybody concerned in it."

"But, Grandmother, if you loved anybody and you were a man, and—and didn't tell her so because you were poor or anything, and she was all mixed up with somebody else, and——"

"Well, I ain't going to be called on to be a man just at present," Grandmother said, "and I guess that's just as well, for anybody that's got to make blueberry cake and biscuits for supper. Your grandfather is going to Hyannis to get a watermelon, perhaps you'd like to go with him for the ride."

"I would, only I've got to write a letter to Buddy. He—he wants me to write him right away about something."

"Well, give him Grandma's love and tell him to come down to the old place and get well."

"I'm going to write Buddy just the way I would want to be written to if I was in love with Ruth Farraday," Elizabeth decided, "only I am going to remember that he is sick. Supposing I was sick and supposing I was in trouble about something that was making me sicker, how would I want to be written to? Oh, dear Lord," she said, closing her eyes, suddenly, "help me to write that kind of a letter and to get it right."

She climbed the stairs slowly and opened the desk in her little room. The sisters Faith, Hope, and Charity smiled benignly down at her, as she began to write:

Dear Buddy:

Cross my heart and hope to die. I am quite a lot more grown up than I was when you knew me, and I understand the sacredness of confidences as I didn't at that time. You don't need to worry about trusting me. I love Ruth Farraday very much, and I should think anybody might.

Well, she is not a happy girl. There is a man called Mr. Piggy Chambers—that is what Peggy calls him, anyway—who is in love with her and asked her to marry him. I heard him that day that I went to Provincetown with him in his car. I did not tell you that I went to Provincetown with him, because I do not like him anyway, and I did not want you to think I would go motoring with a man like that. The fact was that I went to chaperone him and her. Well, she told him that he could not teach her love because she would be an icicle to him, and she said she did not know much about love anyway, but he insisted, to no purpose. I ought to have stuffed my ears, and so had Peggy, but some way we didn't.

The only drawback is that he is around the place all the time, and does not seem to be discouraged in any way. Peggy is furious at him. Whenever I see him on their porch eating, in that wicker chaise-longue they have, I cannot tell you how I despise him, in spite of his being really very nice, if you like that kind. He doesn't seem to have any neck, to speak of, and his collars look as if they would choke him. His eyes are small, though bright and animated looking.

Ruth Farraday comes here a great deal, and she asks for you sometimes, too. She loves Grandmother more than anybody does outside of the family. Their eyes look lovingly at each other even when they are not speaking, you know, like cousins or something. She is very kind to me, and never neglects a chance to do nice things for me. I told you how Granddaddy kissed her. She is sweet. She is just sweet. If I loved her, Buddy—(you told me not to talk this way to you once, but I am going to)—I would tell her I did, in some way. She is awfully little, for a girl as old as she is, and people protect her. Peggy protects her in a great many ways, and I know she is not happy.

I guess there is one thing that I ought to repeat. Yesterday she said, "How is your brother?" and I said, "He is about the same," and she said, "I've just discovered how ill he has been. I wish I had known it before," and I said, "Well, he might get discharged soon," because I didn't know what else to say. She said, "I should have written him, if I had thought he cared." Well, what could I say? I didn't say anything, because you have warned me so against blabbing. Then she said, "I can't write him now very well. I can't."

Well, so this is about all I know. I wish it were something helpful, but it seems like nothing at all. I am only trying to write as I would be written by. (See the Golden Rule.) If I have not made you sicker, and you love me into the bargain, please tell me so. When you are fourteen, responsibility frightens you a good deal. At fifteen or sixteen, you throw it off better. If you tell me anything to say to Ruth Farraday, I will say it. She is certainly sweet, and I certainly love her, and she is certainly not a happy girl.

Your sister Elizabeth.

P. S. That day we went to Provincetown, when I was walking alone with her, she said you were probably devoted to dozens of girls, and I said positively that you weren't. She said she would tell me a secret, and that was, that she thought you were very nice. It doesn't sound much to write it, but I think she meant it, in spite of laughing at it when she said it. She is certainly sweet. I would write to her, if it was me.

She made a special trip to the post office to mail this letter, and as she dropped it into the slot, she had a moment of dizziness, as if the floor of the post office had suddenly shaken itself under her feet. Even the blueberry cake did not tempt her to eat very heartily at supper.

"Elizabeth is growing up too fast," her grandmother complained, "watermelon and blueberry cake don't interest her."

"I been trying to interest her with the account of the young red-head that rode with me to Hyannis when she wouldn't go along. He's a pretty likely young chap, mad about electricity, he says, and going to study to be an electrical engineer, but Elizabeth is too old for such light talk. Can't we think o' something solid that'll kind o' get her attention?"

"She don't feel very well to-night, I guess. Leave her alone, Father."

"I don't feel sick," said Elizabeth, "but I feel about ninety years old. I'll just go and sit in Granddaddy's lap after supper and braid his beard, so there won't be any hard feeling." She liked nowadays to make her grandfather the kind of answer that would please him.

She crept away to bed as early as she could, and lay with throbbing temples against the cool white pillows in Great-grandmother's guest-chamber bed, wondering if she had written wisely to her sick brother and praying that she might have helped, not hindered, his recovery.

It was two days later that Peggy came to her with a troubled face.

"We've been having ructions over at our house," she said, "and I'm frightened. Mother and Ruth have had an awful row. I don't know how it's coming out. Mother is trying to egg Ruthie on to take Piggy for her lawful wedded. Anyhow, she claims Ruth ought to take him or leave him, with an accent on the take. Mother doesn't believe much in this soft stuff, you know. She wants everybody comfortable, without any rowing over expenses. She likes people to settle down and have large families, and large limousines, and large dinner parties, and so on. Her cry is that the country is going to the dogs, and our young men are all lame, halt, and blind from the late war, so why not pick a soft spot and let yourself down in it? She would. She wants Ruth to."

"Oh, Peggy, would you?"

"I don't know what I should do," Peggy said. "I like the people I like awfully. I'd rather be with them than be bothered. I don't see much use in being married, anyway."

"Sometimes," Elizabeth said, "I've thought it might be rather nice to be just married."

"Well, Ruth, she's a puzzle to me. Something's eating her—'scuse my elegance—I don't know whether it's wanting to be married, or not wanting to be. She told Mother that she'd rather be the wife of a poor man that she was keen on, than to have a million. Mother said that Piggy Chambers had four million. Ruth said that made about two, or one and one half, since the purchasing power of a dollar was so reduced. I didn't know Ruthie had it in her to talk back that way. Mother said that the purchasing power of a dollar was reduced for our family as well as anybody's, did she ever think of that? And that girls were an expensive luxury nowadays. Whereupon Ruthie said that she hadn't thought of that, but she would, if that was the way Mother looked at it. Mother said it wasn't, but that was the way somebody a little more practical than Ruthie might have looked at it for themselves. Then she said that Ruth had been playing with Piggy, or nobody would have had any reason to think of the matter at all. It was all pretty raw, you know. I wouldn't tell any other soul on earth, but someway you are different."

"A lot of people tell me things," Elizabeth said, "and I love Ruth."

"Your family is different," Peggy sighed. "If Ruthie and I lived all alone, we'd be different. I wish you'd come on over to the house with me, Elizabeth. I'm honestly almost afraid to go home. The atmosphere is so thick, you couldn't cut it with a knife unless it had just been sharpened."

"All right, I will," said Elizabeth. "I was coming over there anyway. Grandma thought it would cheer me up. I've been sort of mopey, myself."

"Well, it's about as cheerful in the cottage as if it was a nice, cozy morgue, but perhaps we can amuse ourselves with croquet and raspberry shrub. Truth compels me to state that Cook has just completed a mocha-frosted cake with an icing about six feet high. Do we get any of that? The answer is, probably not, but while there is life there is hope."

"Do you know that you have an awfully funny mind, Peggy? Amusing, I mean, and brilliant."

"That's a pretty embarrassing way for you to talk to an old friend," Peggy said, but she blushed in spite of her light laugh.

"Hello! Daddy's come," she cried, as they approached the Farraday porch. "That makes it even more exciting, doesn't it?"

Mr. and Mrs. Farraday were engaged in earnest conversation as the two girls opened the screen door and stepped into the dainty space within.

"Hello, Daddy, dearest," Peggy cried, flying to kiss him, "this is a darling, unexpected pleasure."

Mr. Farraday had a nice smile. He looked very much like his younger daughter.

"Ruth phoned me to come down," he said. "How's my son?"

"She's feeling a lot better, dear, since she knows you're in the house," Peggy flashed back. "I'm the only son he's got, you know."

"Your father and I were talking, dear," Mrs. Farraday's smooth tones intervened.

"Elizabeth and I only looked in to see Cook, in re a large cake she's been making."

Mrs. Farraday looked up. "Here comes Ruth and Mr. Chambers, so you may as well stay here. I've told Cook to serve that cake with our tea to-day."

"You have your good points, Mother," Peggy said, saucily.

Ruth threw up her small head as she came out of the house. She was very pale, Elizabeth noticed, and Mr. Chambers was very red. He was smiling, but Ruth's face was entirely grave.

"I am glad you are here, Father," she said, "for I have an announcement to make to you."

"Shall I go?" Elizabeth asked.

"No, dear, I want you to stay. It's not a secret. It is merely that Mr. Chambers has asked me to marry him, and I have said that I would."

"Oh, Lord!" Peggy cried.

"Don't you want me for a brother-in-law, Miss Peggy?" Mr. Chambers asked. "You don't sound very much pleased at our news."

"I don't want any brother-in-law very much," Peggy said, "but I do want my sister to do what she wants to, and—and to be happy," she finished, lamely.

"I don't know what to say," Mr. Farraday said. "I feel just about the way Peggy does. If—if you're both sure, you have my blessing."

"What nonsense!" Mrs. Farraday cried. "Of course they are both sure, and of course they have our blessing."

"How about you, little Miss Elizabeth?" Piggy Chambers smiled at her and held out his hand.

"I—I congratulate you," Elizabeth said.

"And me?" asked Ruth.

"And you," Elizabeth said, not quite able to keep her voice steady, "if you want to be congratulated by me."

"Kiss me, dear." Mrs. Farraday slipped an arm around her daughter's shoulders.

"No," said Ruth, sharply, "no."

"I don't see why anybody should want to kiss anybody," Peggy said. "It's too exciting, anyway."

"It's rather usual," Mr. Farraday murmured, "or it used to be, before this modern generation."

"A telegram for Miss Ruth," the maid came in and crossed the porch to present it.

Ruth looked a little dully at the yellow envelope on the silver tray.

"Who can be telegraphing now?" she said.

"Shall I open it, Sister?" Peggy put out her hand protectingly.

"No."

Ruth tore the crackling paper slowly, her mouth set in pinched, tense lines which changed suddenly and quivered for an instant piteously. Then she regained her composure.

"It's just a telegram from your brother," she said to Elizabeth, "a few lines to inquire about me and wish me good luck. It's funny it should have come now—isn't it?"

CHAPTER XIII

Crabbing

Elizabeth's first impulse the next morning was to write to Jean. It was Jean who always helped her to think out her problems, and this was the greatest problem that she had ever been called to face. She could not entirely confide in her friend, still she was comforted by the mere act of opening her birthday writing-case, and filling the fountain pen with which she was going to write.

She wondered if the Christian Graces, when they looked down on her Aunt Helen, had ever found her in such a state of real trouble and dismay.

"Hope can't do me much good," she thought, "and there is nobody to have any Charity for but Mr. Piggy Chambers. It's Faith I need for my guide, and she is the saddest looking sister of the lot."

Dear Jean:

All I can say is, I wish you were here, and I don't see how I am going to stop saying that and write anything else. Letters are such cold and far-away things. I hope you do know how I love you, and how the thought of you comforts me. I told you about Faith, Hope, and Charity. Well, there they stand grinning above me, and they don't offer much consolation.

I am in trouble, Jean. I can tell you this much. Ruth Farraday is going to marry Mr. Chambers, and she was Buddy's girl. I can't tell you the ins and outs of it, because they are other people's different secrets, but I am afraid that this will kill Buddy, and I don't see one single thing to do about it. I feel like a criminal and a German spy, to tell you even this much, but I feel as if I should burst with grief—really burst. You know that feeling of suffocating you get after you have eaten a lot too much. I have that same feeling emotionally. I know this is a funny way to say it, but it's the only way I can express it. I wish we could be together, and I could hear you reading poetry or something soothing, and you could help me think how to break it to Buddy. It will have to be told him. After I write you, I am going to write him. So you see how much I value writing to you.

I will answer your questions some other time, when my mind is more free. Though I can only doubt if that time will ever come. I wish you could see Ruth Farraday. There is something about her that makes me think of the girl in the "First Violin," though she isn't in the least like her. I don't know what it is. I guess it is the sadness that hangs about that book. There is a sadness hanging about her, and about me, too, Jeanie-that-I-love.

I am glad your friend Neil Seymour is at the Point. I liked him very much. If he still wants to send me "Prometheus Bound," he may, Mother says. I guess she thinks anything that will keep me contented is a good idea. I think "Prometheus Bound" would help me, if it is anything like what I think it is.

When I write you, I feel a little as if I were right in the room with you. What I am doing now is to hang onto the door, not to have to shut it, and go into another room, where my sick Buddy is. Life is a strange thing. Good-bye—good-bye—good-bye. I love you—hard.

That old-fashioned girl, Elspeth.

My Dear Brother:

I have got to use my own judgment about writing to you. I am to blame for writing you the way I did, but I did not know any better at that time. I only told you the truth. Now I have more truth to tell you. Buddy, will you brace up as if you were in the trenches again? You are a soldier, you know, and you've got to fight another battle.

Mother said I was not to tell you anything that might trouble you, but I have got to trouble you the worst of all. Buddy, Ruth Farraday is engaged to marry that goop, and her family have egged her on till she did not know which way to turn, and has turned this way. She told me and her family, and her face looked like death. I am not making this up. Peggy says so, and she knows. She loves Ruthie with all her heart, and she would not make anything up. She is not that kind. I am more that kind, but this is really and truly so. Ruth is not a happy girl, and we both know it. She has lost her lovely pink cheeks, and is a white apple blossom now. A pear blossom is more like it, only not pretty enough for her.

Well, Buddy, I have never had any real, grown-up trouble, but the kind of fourteen-year-old trouble I have had has seemed pretty hard sometimes. Grandmother says that you've always got to live, whether you can or not. I know you don't want my condolences, but I love you so that I can't help being sick over this. It's hard work for me to eat and sleep. I hope you can swear a little, because that will help you.

Sister.

"I don't feel very much like going to Swan Pond crabbing," she thought, as she sealed her two letters, and set them before her on the desk, "but I suppose people mustn't give up to things. Even if my heart is breaking, the Robbins boy and his cousin and Peggy ought not to have their plans spoiled."

She made her way through the chain of little rooms between her den and her sleeping chamber, unfastening, as she went, the blue linen gown, buttoned all the way down the back, that, with its pink twin, was her regular morning uniform. In her bed room she slipped into a blouse cut like a boy's, and dark blue woollen bloomers with wool stockings to match. With this she put on, very carefully, a blue tam o' shanter. She saw in the glass that her face was drawn, and her eyes had dark shadows beneath them.

"If Tom Robbins notices how I look and asks me any questions, I shall only tell him that I am in deep trouble," she thought. "I won't say anything like that to Bill. He would only grin and be embarrassed, but I think Tom Robbins would understand more about grief."

She was a little ashamed of having thought so much of her own trouble when she saw Peggy's stricken face.

"Don't ask me what has happened," Peggy whispered, as they clambered into the car and Grandfather started for the cross-roads where they were to pick up the two boys. "I don't know what hasn't happened. Ruth has shut herself into her room, after some sort of a tragic heart-to-heart talk with Father, and Mother and Father are scarcely speaking, and the cook is mad, and ruined the breakfast muffins and gave us bad eggs, or baddish eggs, for breakfast, and Sister won't see me. Piggy sent her a huge box of flowers this morning. I've got to stop calling him Piggy and call him Albert, I suppose. Wouldn't you know his name would be Albert? Isn't he the most Albertish person? Elizabeth, I never hated anybody so much in all my life. He never did me any harm, but I would be pleased and proud to—to choke him to death."

"So would I," sighed Elizabeth.

"Wasn't it funny, her getting that telegram from your brother just when she did? Sometimes I think she was keen on your brother, and sort of peeved because he didn't ever write to her when he got back. You don't suppose she'd get herself engaged to Piggy just out of pride, do you?"

"Oh, I don't know," Elizabeth cried.

"Anyhow, she took that telegram to bed with her, and it was all mussed up under her pillow. I know, because I made the beds this morning. Our treasure of a second maid went to mass, and stayed out to breakfast."

"What's all that whispering about?" Grandfather inquired, looking over his shoulder. "I've a great mind to just reach over and tech the whip to you," he made a movement toward an invisible whip socket. "I guess I won't. It makes Lizzie nervous to have me flourishing a whip around. I suppose you are trying to get all giggled and whispered up before you have to stop it and talk to the boys."

"We aren't giggling much this morning," Elizabeth said. "There they are on the corner, waving to us."

"Did you ever see such red hair?" Peggy said. "I like red-headed children and boys. I don't think I like red-headed girls so much. I think Mabel is awfully cunning with her red curls."

"Mabel? Oh, she has real auburn hair," Elizabeth said, "and it's beautiful. How do you do?" she returned Tom Robbins' greeting with more than a touch of her customary shyness as he scrambled for a place on the floor of the car at her feet.

"It's my turn," he insisted, as his friend Bill tried to argue the matter. "You ride with Captain Swift, and mind the rakes."

"You've got real nets!" Peggy cried. "How scrumptious! We just take rakes, you know."

"I don't know as the Swan Pond crabs will consent to do anything but be raked in," Grandfather said. "I heard of a boy once that caught a crab in one of those store nets, but it was a bad one."

"You wait and see," Tom said. "Our object is to catch crabs, and we are going to catch them."

"So am I," said Grandfather.

They left the machine in a clearing by the roadside, and, laden with nets and bait, made their way through a path among the underbrush, until they stood on the shore of Swan Lake. A blue sky, with here and there a winging cloud, met the low horizon, skirted with the dense green of low-set pine and oak trees. The gray-green water lapped the shore alluringly.

There was a general scramble to remove encumbering shoes and stockings.

"If anybody says, 'Come on in, the water's fine,' they'll owe me a pineapple college ice," Peggy declared, "or, if you prefer it in New York-ese, a pineapple sundae—though why they should think over there that by spelling Sunday with an e, they can make it a soda-fountain dish, I don't know."

"Don't you go jeering at the manners and customs of my native town," Elizabeth cried.

"Did your ancestors own most of New York?" Grandfather asked, innocently. "I thought most of Manhattan Island belonged to the Dutch."

"I don't know what my ancestors owned," Elizabeth said.

"They owned this, for instance," her grandfather waved a nonchalant hand at the beautiful country about him, "forty or fifty acres around these parts. My Great-grandfather Swift, he got kinder tired of having so much property, and he sold a chunk to the town for a cemetery, and one thing and another."

"Where did he live?" Elizabeth asked.

"Up the road apiece, in a great house that was burnt down long before my time. He was quite a likely old fellow, though, from all I can hear of him. He had a lot of stories told about him. He started a bank, and all his money was carted up to it in ox teams, because they didn't have anything but silver money in those days."

"Quite an influential old party, wasn't he?" Peggy said. "Doesn't it make you feel creepy, Elizabeth, to descend from the very oldest settlers, the way you do? I don't know anything about my ancestors."

"I never did before," Elizabeth said.

"The time is going to come when Elizabeth will be proud of what she comes from," her grandfather said. "Well, if anybody really wants to go crabbing with me, I'd advise them to——"

"Come in while the water's fine," the boys chanted together.

"I owe you a pineapple college ice," Bill grinned at Peggy.

"I owe you a pineapple sundae," Tom told Elizabeth.

"I wasn't betting," Elizabeth said.

"But I was," Tom's grin was almost as broad as his cousin's. "You can have a maple marshmallow sundae if you prefer it. I do."

"Well, it's hard to choose," Elizabeth temporized.

"You can have both," Tom decided. "I'll show you how to use the crab catcher. You float the bait on this line, and when the crab comes to the surface, you——"

But Grandfather, scorning artificial allurements, caught the first crab. The crab was scurrying away over the pebbles and shells at the bottom of the transparent water when Grandfather's inexorable implement caught him in mid-career, and he was imprisoned in the covered basket they had brought for the purpose.

"I didn't know that you could catch them so near the shore," Elizabeth said, looking down at her bare toes in some dismay, "do they hurt when they bite you?"

"The game is not to let them bite you," Peggy said. "Hooray! One for me—us, I mean."

"Three," said Grandfather, landing another.

"I've got the father and mother of all crabs here," Bill Dean said, as he dragged at the handle of his net. "Look at old Grandfather Crab."

"He isn't very pretty," Elizabeth said, "but I prefer him to a raw lobster. I never saw a green lobster till the other day."

"She was just making Judidy throw it out when I caught her at it," Grandfather laughed, "she said it was sick, and would give us all ptomaine poisoning, and the lobster was so mad when he heard it that he tried to claw poor Judidy's hand off."

"It is strange that they turn bright red after being bright green," Elizabeth said. "I think I prefer crabs."

"Come with me, and we'll get some," Tom said, taking possession of her.

"I guess we can rest now," he said a little later, "we got more than any of them."

"Did we?"

"Well, we got as many, anyhow. I'm hot, aren't you?"

Elizabeth mopped her forehead and smiled by way of answer.

"Look here," Tom said, "there is something I want to ask you, Miss Swift. If you don't like it you just have to say so, and I will understand and not ask you again. I was just wondering if I couldn't call you Elizabeth. Bill he's going to ask Peggy, I mean Miss Farraday, the same thing."

"I didn't know you had been calling me anything," Elizabeth said.

"Well, I haven't. I think last names are rather stiff, you know, and I didn't like to use your first name without permission."

"I'd just as soon have you call me by my first name," Elizabeth said, "if—if only——"

"You've got something in your mind about me that you aren't saying. If you think it's—well—fresh—of me, to ask you that question about first names, you can say so."

"I don't think that's fresh of you," Elizabeth said, "but I—well, I don't feel like talking in any way but a very straightforward and truthful way to-day. The thing I don't like, really, is the way you tried to get acquainted with us. Every time I think of that, I feel as if—well, I wish it hadn't happened, that's all."

"So do I," said Tom Robbins, soberly, "but I'll tell you something. I have never done anything like that before. We just made up our minds that we would, that's all. You know the way you make up your mind to try something that you've seen other people do."

"But I don't see why you tried it on us," said Elizabeth.

"I don't see why we did, either, except that we wanted to know you the most of any girls."

"I don't like to have a boy make me feel that he thinks I am a girl he can scrape acquaintance with," Elizabeth said. "It hurts my feelings."

"I wouldn't hurt your feelings for anything, and you ought to know now that I am not the kind of boy that does things like that, except for a lark. Don't you?"

"Don't I what?"

"Know that?"

"Yes, I guess I do."

"Well, then?"

"All right, you can call me Elizabeth."

"Peggy and I have caught more than you have," Bill shouted, as he came up with crawling crabs in his net.

"I guess it worked all right," Tom whispered to Elizabeth, "with them."

"Bill asked if he could call me Peggy," that young lady whispered to Elizabeth, on the way home. "I was so surprised I nearly fell over. I thought he always had. I've always called him Bill."

"I think boys sort of make up their minds to do a certain kind of thing, and then they do it," said Elizabeth, "without thinking whether it is really appropriate or not."

"I guess you are right," Peggy said, "and now that we've had this pleasant afternoon, we'll just have to take up the burden of our gloomy thoughts again."

"I know it," said Elizabeth, forlornly.

CHAPTER XIV

Elizabeth Is Rude

Elizabeth and Moses took the shore road, and finally struck off across the fields and through the woods to make a short cut for the bathing beach. Moses was going to initiate the new bathing suit Elizabeth had bought him, and Elizabeth to sit on the beach and knit on a sweater she was making for Madget.

It was a rehabilitated Moses that alternately darted and jogged along by her side. He was wearing one of the half-dozen shirts that Grandmother had cut and made by the famous Butterick pattern from which the girls had fashioned the garment he wore on his appearance at the bean supper. His trousers were the veritable "pants" of his dreams, and the rudiments of suspenders, with which he would not part, were tucked in under his belt. His face was comparatively clean, and he had allowed Elizabeth to brush his heavy, upstanding hair until it looked almost personable.

"What are those things around your neck?" Elizabeth cried, catching sight of an extraordinary decoration only partially concealed by his shirt collar.

"Shark's teeth. I wear 'em for luck. I cut 'em out myself."

"Cut them out of what?"

"Sharks. What'd you think I got 'em from? Cats or something?"

"Moses, you've got to learn to be a little more respectful to me. I don't like the way you speak to me."

"All right," he agreed, amiably.

"Where did you get those teeth from?"

"I told you I got 'em from sharks. I go down to the shore when the boats come in from their weir. You know, the men bring in a lot of fish every day. Well, yesterday they brought in four sharks and they let me cut out these teeth. I could of got more if my knife had been sharper, or I'd had more time. Every night they give me a fish, too."

"That doesn't sound a bit probable, about the sharks. Still, I never caught you telling a lie, Moses. What do you do with the fish they give you?"

"I take 'em home and I cook 'em. Mis' Laury Ann, she showed me how, one time. Mabel, I'm learning her to cook, and Madget she wants I should learn her, but I don't think I shall."

"Oh, dear, I'm afraid I've rather neglected you lately," Elizabeth said. "I haven't been to see your mother for a long time."

"Well, Mis' Laury Ann she comes, and Judidy. Mother says neglecting is all you can expect from girls."

"She's a whole lot better, isn't she?" Elizabeth asked, hastily.

"Sure. Mis' Abithy Hawes she come around and got Little Eva to going it, and Little Eva she said that Mother had water on her lungs."

"Mercy!"

"But Mother she got to reading a book that said housework was a good cure for sickness. About sweeping bein' good for the spine, and washing bein' good for the stomick, and housecleaning a good thing for the figger. So she thought she'd try that, too."

"Where did she get the book?"

"It was one that Mis' Laury Ann lent her."

"I guess Grandmother is working along the way she said she was going to," Elizabeth thought. "Does your mother really do housework?" she asked, aloud.

"Most every day," Moses said, proudly, "she bought me these pants, too."

"Does she do any cooking?"

"She don't like to cook, and she ain't never learned. I kin learn her when I've learned myself some more."

"It does seem as if there were some improvement in your family's condition, doesn't it, Moses?"

"Judidy, she told Ma she was the town's poor, and Ma says she ain't. That kind of stuck in Ma's crop, and Madget cried and said she wouldn't go to the poor house. Now Ma says she is going to buy tea and coffee enough to git a premium set o' dishes. I don't know whether she will or not. If she don't I'm going to earn them. Captain Swift is going to let me sell some corn and string beans out of his garden."

The path emerged on the beach, and Moses disappeared abruptly in the direction of his favourite clump of pines, scorning a bath-house. He reappeared almost immediately, clad in a single garment of blue jersey that glistened with newness.

"You watch me pretending to be a whale," he said, "first I'll dive. Then I'll come up spouting a whole mouthful of water."

"He's a good little swimmer," Elizabeth thought, as she watched his antics. "I guess he'll turn out all right. How wonderful Grandmother is, always keeping her eye on them. It's so much easier to do a thing like that as hard as you can sometimes, and then drop it, than it is to keep pegging along at it all the time."

She was knitting so busily that she did not see Ruth Farraday approaching along the beach, and it was not until a long shadow fell across her work that she realized Ruth was near. Ruth in a pink voile frock, with a frilly, rose-coloured parasol, smiled down at her—a smile of the lips only.

"Shall I sit down beside you?" she asked, in her low, clear voice. "Peggy couldn't come down to the beach to-day. I was too lazy to go in swimming, but I thought I'd like a smell of the sea, all the same."

"I—I'm very glad to see you," Elizabeth said.

"I'm glad to see you. I haven't seen you since that other day at tea."

"No," said Elizabeth, gravely.

"I haven't been feeling very well since then. It was—nice of your brother to wire me, wasn't it?"

"I told Buddy that I thought you would be pleased to hear from him. It was my fault. I shouldn't have told him, if I had known."

"If you had known what?" asked Ruth Farraday, lightly.

"That you were going to marry somebody else."

"Somebody else?" she laughed.

"Somebody that wasn't Buddy," Elizabeth said, bravely.

"There never was any question of my marrying your brother. We were very good friends before he went abroad. Then he seemed to let it—our friendship, die a natural death."

"I told you about his being sick," Elizabeth said, "and I told you that there weren't any other girls."

"There not being any other girls doesn't—didn't necessarily mean——"

"Oh, yes, it does, with Buddy."

"That's putting it rather ambiguously."

"I don't know how it's putting it," Elizabeth cried, "but I do know that there wasn't any other girl."

"He didn't tell you so, did he?"

"He—he——" Elizabeth stammered.

"You—you said that you told him to communicate with me?" Ruth was having almost as much difficulty in speaking as Elizabeth.

"He wrote and asked my advice, and I told him I would, if I were he, and that was why he did it, and then I had to write him that you were engaged."

"Oh, you've written him that already?"

"I had to," Elizabeth said, miserably. "I had just told him that you weren't engaged to anybody else, and that you inquired about him, and that you—you might want to hear from him. He's very sick, and he wrote and asked me what to do."

"When did he write that?"

"Just the other day."

"And you wrote just the other day?"

"There was time for him to get my letter before he telegraphed to you."

"And then you wrote again to say that I was engaged?"

"Yes."

"Well, I'm still engaged," Ruth Farraday said, lightly. "When you write to him, won't you tell him that I thank him for remembering me so—so pleasantly, but that I'm a good deal occupied just at present."

"No, I won't," said Elizabeth.

"Indeed?"

"He's too sick, and it would bother him too much."

"Oh, very well," said Ruth Farraday.

"I didn't mean to be rude," Elizabeth said.

"You were, rather. I'd like to send your brother a message, you see, and I—I can't write to him. I've tried, and I can't. I don't want him to think I am altogether unappreciative. What message shall I send him, Elizabeth?"

"Send him your love, if you really mean it, and then not any message."

"I will. I do send him my love. I'm sorry he's sick. Wouldn't it be wise to say that?"

"I think so."

"Send him my love and tell him—oh, tell him he was a day too late."

"I will," said Elizabeth.

With one long, indrawn breath, Ruth Farraday turned and walked back along the beach.

"She's shivering as if she were cold," Elizabeth thought, as she watched the diminishing figure.

It was high tide, and the deep blue waves were foam-crested. The wide sky was streaked with clouds, and a bright sun lay hot upon the sands. Elizabeth looked first at Moses' bobbing head, and then at the bobbing, rose-coloured parasol dwindling in the distance.

"Life is a curious thing," she said to herself, slowly, "it keeps changing so, getting better or worse all the time. Here's Moses and the Steppes, who were so perfectly hopeless and helpless, and there is an improvement in them. They are my friends and my responsibility—if I don't live up to it very well. Then here is Ruth Farraday, that I truly love, and everything about her is getting worse every minute, and it's all mixed up with me, somehow. I don't do much good, or anything, but it's mixed up with me all the same."

She knitted to the end of her row and pulled out her needle. She gave another long look at sea and sky.

"Everything is a part of everything," she said, a little confusedly. "Poor Buddy, dear."

She wrote him a long letter that night, and told him what Ruth had said, and then she tried not to think about him at all for the next few days. She was afraid for what she had done. She had had no word from him in answer to her letter announcing Ruth's engagement, and only the briefest line from her mother, who was evidently gravely anxious about her son's condition. She knew that Buddy was worse, and she knew that the letter she had written him had made him worse; how much worse, Elizabeth could not bear to think.

It was five days after her meeting with Ruth upon the beach that the evening mail brought her two letters, one in her mother's handwriting and one in Buddy's. Judidy brought them in and put them in her lap.

"We are going to lose Judidy next winter," her grandmother said when that young woman had blushed, giggled, and withdrawn to the back porch, from which the sound of a drawling, masculine voice was heard at intervals, interspersed with Judidy's high-pitched protestations. "She's going to be married, she tells me."

"Is she?" said Elizabeth, trying to subdue the dizziness she felt at the sight of Buddy's familiar scrawl.

"Your grandfather and I thought we'd give them a wedding. Judidy's folks won't. They are nice enough people, but peculiar—odd. They believe in saving trouble and expense on everything."

"Oh, Grandmother," Elizabeth said, trembling, "will you hold my hand while I read these letters? I—I am so worried about Buddy."

"Certain." Grandmother drew out the little footstool that matched the particular valanced rocker she was sitting in. "You come here."

Elizabeth leaned her head against her grandmother's knee, with the feeling of faintness still upon her. Her grandmother stroked her hair gently.

"I can't read them out loud, Grandma. They are private in a way. It's—it's the private things in them that frighten me."

"There ain't nothing in this world to be afraid of. There ain't," said Grandmother. "Fear once killed a cat, you know."

"Don't you ever get afraid, Grandma?"

"Certain I get afraid, but when I do, I just think that there ain't nothing in this world to be afraid of so much as of being afraid, and that kind of stops me."

"I can't help being afraid of what's in this particular letter."

"'I can't help being afraid of what's in this particular letter'"

"What are you afraid it's going to do to you?"

"I—I don't know."

"Well, you just open it up and read it, and after you've opened it up, you'll just find you're sitting here the way you were before, with your grandma's arms around you."

Elizabeth pulled the kindly hand down to meet her lips.

"Well," she said, "I'm going to read it now."

Dear Little Sister:

I can't tell you how much I thank you for your two letters. They cured me. I've been seeing ghosts, but "being gone, I am a man again." I'm going to get my discharge if I have to bust the whole darned hospital, and I'm coming down to Cape Cod. While there, I shall tell you what I think of several things, including the opinion I have of a man who sits in a cloud of vapour all day in a United States Base Hospital, and lets things go some other man's way.

You tell Miss Ruth Farraday that it's never too late. No, don't tell her anything, but whenever you see the man in the case, stick out your sweet little tongue at him. I'm sick—sure I'm sick, but I'm a well man, just the same. You wait and see. I broke the news to Mother and she doesn't believe it. She thinks that I'm probably delirious. Father sees that something significant has happened, but doesn't believe that I can bust out so easy. You wait, dear.

Keep your eye on Ruth and report to me.

I love and admire you, and you are my own darling sister, for whom and which I devoutly thank whatever gods there be. I am the Captain of my Soul.

Your Buddy.

Elizabeth buried her face in the ample folds of her grandmother's white apron.

"He's better. He's going to get well," she sobbed. "Oh, dear, I was afraid I had killed him, but I didn't. I did him good."

"He needed something to rouse him," Grandmother said, "your mother says the doctor has been saying that for some time. I don't know how you've done it, but I guess you've turned the trick."

"He says he's going to get out and come down here right away."

"I thought 'twas about time."

"He's so sweet and dear and handsome, and he was so brave, and oh, I love him so!"

"That don't seem to me to be anything to sob over."

"I—I can't help it."

"I always cried more tears of joy than I ever cried of sorrow. It runs in the family."

"I guess I can read Mother's letter aloud. It's longer than Buddy's."

Elizabeth Dear:

The strangest thing has happened to your brother. He has suddenly taken a new lease of life. Night before last I left him just as dull and discouraged and apathetic as ever, and this morning when I went to see him, at about ten o'clock, he was another boy. The nurse said he had been that way ever since he got a letter from you in the morning mail. I suppose that was merely a coincidence. I don't mean to say that I found him in any seraphic mood. He was literally fighting mad at the hospital authorities, and his whole mind seemed concentrated on getting out. At first I thought his fever had risen, but the doctor assures me that the subtle cloud that has been resting over his mind has lifted. He says he has never known a case where the patient provided his own stimulus before, that usually it has come from the outside in the form of some kind of shock, pleasant or unpleasant.

It hasn't been entirely a nervous case, you understand. He would probably have less trouble in getting away, if it had been just a matter of mind, but his mind has kept his body sick. It's been a vicious circle. He has believed, it now develops, that the physical matter was incurable. His old job was gone, you know, and that seemed to depress him. Your father was perfectly willing to keep him at home indefinitely, and we kept telling him so, but in his poor, tortured mind he had construed our doing so into an admission that we never expected him to get well.

At any rate, the worst is over now. I believe we'll have our boy restored in mind and body very soon. I don't dare to hope we'll all get down to Cape Cod as soon as he thinks we shall but I am inclined to think that he is too lively a character for the United States Government to hold very much longer.

You have been my brave, darling daughter, and I love you more than I can tell you. I am sending your shoes by this post.

Mother.

"I hope he'll get here while it's still cucumber season," Grandmother said. "My, how that boy used to eat herrings and cucumbers! I cooked a whole half dozen once, and I vow he et the whole lot, and I don't know how many cucumbers. He was a dretful one to eat. He used to like to climb up in the pear tree in pear season, and pick the topmost pear on the tree and eat his way down."

"Do you mind if I cry a little more, Grandma? I can stop, but I don't want to," Elizabeth sniffled.

"It will be good for the fern to have a little dampness in the air. You cry, and I'll knit a spell."

"You tease just about as much as Grandfather does, don't—don't you? Only you're so—so sly about it, nobody realizes it."

"Ain't that our ring on the telephone?"

"I don't know. I just sit here and let it ring all the time. I forget to count whether it's fifteen or fourteen."

"Land, fourteen will wake me up out of a sound sleep when I'm to bed upstairs. And I don't never hear fifteen no more'n if it hadn't sounded."

"It is fourteen," Elizabeth said, as the imperious instrument sounded one long and four short signals distinctly. "I'll answer."

"Elizabeth, where have you been all day?" Peggy's voice inquired. "I particularly want to see you about something, but Mother insists it's too late for me to come over."

"I went swimming with Moses," Elizabeth said, "and finished Madget's sweater, and made a chocolate cake. What is it that you've got to tell me?"

"I can't tell you very well over the phone."

"Is it pleasant or unpleasant?"

"Unpleasant," Peggy whispered, with her mouth close to the receiver.

"Tell me."

"I can't."

"Hint it. Is it about Ruthie?"

"Yes."

"And it's unpleasant?"

"Well, there is something pleasant about it. The festivities will be pleasant."

"Oh, Peggy, tell me. I've just about got to know."

"Well, listen close. It's going to be hurried up."

"What is?"

"The—well—you know. Somebody's receiver is down. They are listening in. Don't you hear that clock ticking?"

"Oh, don't mind that. Tell me."

"They've hung up, I think. Guess what I mean. The festivities are going to be hurried up. We want you to take part in them. It's going to be in two weeks. Now do you know? It begins with w."

"You mean Ruth is going to be——"

"Yes, but don't breathe it. We want you at it—you know—the w. You and me, dressed alike in blue dimity. There won't be many people."

"Oh, Peggy, I couldn't."

"Yes, you can. The way I look at it is that we might as well be philosophical about it and have a good time, even if our hearts do hang down to our boots. Don't you say so? Mother is calling me and I've got to go. Don't breathe a word. I'll tell you all about it to-morrow. I'll be over. Good-bye."

"Oh, good-bye!" said Elizabeth.

CHAPTER XV

Picking Chickens

"Do you want to come out and set with me in the woodshed while I pick a couple o' chicken?" Grandfather asked one morning at the breakfast table.

"Ye—es," said his granddaughter.

"I don't mind picking a chicken, but I do like encouragement while I'm a-doing of it. All the pesky little pin feathers stick twice as tight when I'm alone with 'em."

"When do you begin?" Elizabeth faltered.

"Soon's I can get to it. First I catch my chickens. After you have heard them squawking for a while, you get your knitting and come out to the shed."

"When he cuts off their heads, I just about pass into Kingdom Come," said Judidy. "I hate to hear them squawking as much as I hate to hear a pig stuck."

"Oh, do you cut off their heads?" Elizabeth asked, faintly.

"Well, I wring their necks first."

"Don't take Jehoshaphat, will you, Captain Swift? I've fed him about every day this year, and he eats out o' my hand just as cute's the next one."

"Don't take Speckletop, will you, Grandfather?" Elizabeth moaned.

"She's a setting hen. I don't calculate to eat no chicken pie made out o' setting hens."

"It's dretful hard to eat your own hens," Grandmother said. "You raise 'em from chickens, and you get to know every one from every t'other one, and then some fine morning Father he puts their heads on the chopping block, and that's the last of them, but they do stick, going down, when I try to eat them."

"You don't have to worry, Mother. I know this is a pretty middling tender-hearted family, so I bought this pair o' roosters over to Battletown."

"Where's Battletown?" Elizabeth asked.

"That's the old-fashioned name for the region over yonder. This here was called Crocker Neck. You remind me and I'll tell you some poetry about it."

"I hate to eat anybody else's hens," Grandmother said, "you don't know how they been raised."

"They say old Uncle Jonathan Swift won't take his vittles hot nor cold," Grandfather chuckled. "Either way they hurt his teeth, he says."

"If you feel too squeamish about seeing those chickens picked, you just tell Grandfather, Elizabeth," her grandmother said after he had left the table. "I used to feel pretty delicate about such things myself, till I decided I'd got to get hardened."

"How did you get hardened?"

"Well, I took a spell to think about it. I can stand most anything if I can get my ideas fixed up about it."

"Oh, so can I," Elizabeth cried. "I guess I inherited it."

"I couldn't stand the sight o' blood, or hearing about killing a pig or a chicken, much less seeing the carcasses around. Well, I come to the conclusion that every time a chicken was killed somebody'd have to pick it, and I could pick a chicken if anybody else could. I figured out that if it wasn't me, it would have to be somebody else, probably just as squeamish. So I went ahead and caught a chicken and wrung its neck. I couldn't of chopped off its head if I suffered, but after Father helped me out that far, I cleaned it and picked it just like a storekeeper."

"I suppose that's the way you do get character, just by doing things that you can't do—all the time."

"Well, Providence sees that you have plenty of things to do that can't be done. I kinder hate to see young folks forcing themselves into it."

"I guess I'll go and see that chicken picked all the same, Grandmother," Elizabeth said.

She did not even put her fingers in her ears to shut out the sounds of attack and slaughter in the chicken yard when she went out to the woodshed and took her place determinedly on the step, companionably near the three-legged stool that her grandfather had drawn up to the door.

"What was the poetry you said you were going to say to me?" she began, "that poetry about Crocker Neck?"

"It's just what the girls used to say to the boys when they went a-courting:

"Hasty pudding in the pot, Pumpkin in the lantern, If you hadn't come from Crocker Neck, You wouldn't be so handsome."

"It doesn't rhyme very well, does it?" Elizabeth said.

"It used to kinder tickle the young folks. We used to have one that we said to the girls:

"The Cape Cod girls they have no combs. They comb their hair with the codfish bones.

I don't know as that rhymes any better, but young folks get up things that don't have much rhyme or reason."

The air was full of the scent of wet feathers. Elizabeth looked up in time to see him lift a dripping fowl from the pail of hot water at his side, and then hastily looked away again.

"Grandfather, what did you do when you were a young man?" she said.

"I went to sea."

"How old were you when you first went?"

"'Long about nine or ten. I started in by going cook."

"Cook?" Elizabeth cried. "Cook? How—how did that happen?"

"All the boys went cook summers. We used to go to district school in the winter and then go to sea in the summer. I cooked for seventeen men my first trip, and I hadn't nothing to cook in but a baking kettle, neither."

"What kind of boat did you go in?"

Grandfather industriously plucked at the carcass in his hand.

"A fishing vessel. She was called the Good Intent. I used to make seven loaves of bread at a time, and we had to eat it every scrap up before we could touch the new. It didn't make much difference, though, because we carried four bushels of meal, part Indian and part rye, and it all soured before we was out long, but we et it just the same. We used to stay out two or three weeks at a time, and bring in seven or eight thousand fish."

"I can't believe that you used to be a cook. It doesn't seem possible."

"I didn't used to be a cook," said Grandfather, quietly, "I used to go cook on my grandfather's vessel. Have you heard from that friend of yours lately whose brother-in-law is a count?"

"No. Yes, that is. She writes me quite regularly." Elizabeth blushed crimson. "She's an awfully nice girl, with no nonsense about her at all."

"'Taint so much her that I'm interested in as her brother-in-law," Grandfather said, solemnly, "he must have been a pretty smart man, to earn that title of count by his own efforts."

"I—I don't think he did," Elizabeth said, before she caught the twinkle in her grandfather's eye.

"Your grandmother's father he was a sailmaker, you know," he continued, soberly. "He used to have a sail loft where he sat and sewed on sails. He used to pay your grandmother by the dozen for threading for him."

"I didn't know," said Elizabeth. She looked up from her knitting for an instant, and saw the strange, prickly surface of the denuded fowl. "I didn't realize that the reason they called it goose flesh when they got chilled was because your flesh looked like a goose's flesh—I mean a—a geese's," she added, hastily.

"Yes, and sometimes the reason they call a young girl a little goose is that all of a sudden she begins to act like one. Pesky things, these little pin feathers!"

"I—I can help you do that," Elizabeth said.

"Well, put that towel over your lap and don't get any blood on you. Sure it won't make you sick?"

"I'm just about sure that it will," said Elizabeth, "but—but what do I care? Did it make you sick when you first went to sea, Grandfather?"

"Sick as a dog," said her grandfather, heartily, "and the smell of that souring meal, and mouldy corn beef, and dead fish—well, I——"

"Oh, you poor, poor granddaddy," Elizabeth cried, "you poor little boy, why did they make you go?"

"That was my father's idea of bringing me up. I ain't so sure it wasn't a pretty good one."

"Did you get paid for it?"

"Six dollars a month and found. I had the promise of a new hat in the fall, but I never saw it. Times has changed considerable since I was a boy."

"I should think they had," said Elizabeth, fervently.

"You see, Grandfather he owned a fleet of fishing vessels, he owned a dozen himself, and he was part owner with your grandmother's father in as many more."

"But I thought you said Grandmother's father was a—was just a sailmaker?"

"So he was, but he was a shipowner, too. He had to have an interest in a good many vessels in order to get the business of making sails for them."

"Did he make them all by himself?"

Grandfather smiled.

"Well, not exactly. His will was good, but he couldn't manage to fit out more than a few hundred boats single-handed."

"You laugh at me every word you say, Grandfather."

"About every other word, I should call it. He went to sea a good part of his life, but he had learned his trade at sailmaking. Boys learned a trade those days, if they was real enterprising. My father he learned the cooper's trade when he was a boy."

"How big were these boats?"

"They carried from ten to twenty-five men. Grandfather he built a sailing vessel down here at the mouth of Herring River that went all around the world nearabout. 'Twas his boast that he built it from timber cut on his own land. I was on board of her just off New Bedford when the steamer Morning Star struck her amidships. She sunk in less'n fifteen minutes."

"But you—were saved?"

"I woke up when she struck, and I come up from below just as I was, in my underclothes. I saw a dark shape coming alongside, and that was all I knew. I jumped for her. They said I was the first one over the side. 'Twas the old coastwise steamer that saved us, nosing along in the dark. She was good enough for me to land on."

"All these things don't seem possible, Grandfather. I can't believe them. You must have been a brave little boy."

"I don't know. I don't think boys is born brave, but they get the fear o' God put into them one way or another, the same as little girls."

"But all these things are like—story books."

"Like enough. Story books is imitated from real life, as near as I can make out."

"I didn't think any things like these could happen to anybody I knew. I mean, things so exciting."

"You never thought to sink so low as to be picking pin feathers out of the same fowl with a feller that had been cook on a fishing schooner."

This time Elizabeth met his twinkling gaze. She rose from her task long enough to deposit an emphatic kiss on the top of a shiny, bald pate.

"Who called me a goose?" she said.

"In the circles you're accustomed to, I suppose they don't call such names?"

"This is the circle in which I move," Elizabeth said, "this circle of you and Grandmother and Judidy. Now I know where I inherited my cooking ability from—you, sir."

"Well, there was times when the crew could get their teeth into my pie crust," grandfather admitted.

Elizabeth slipped up to her room that afternoon, after her noonday dinner, and wrote to Jean:

Jeanie Dear:

I have learned so much since I came to Cape Cod, that I don't see how there is going to be much more in the world to learn. I suppose there will be, but I don't think it can possibly be so important. I was an untried child when I came here, and now look at me. You can't, but I wish you could. I have grown a little taller and, I think, a lot sadder looking. Also, I am healthier. I feel a lot like Alice in Wonderland, mentally, however—I have to keep running and running, to stay in the same place, and then I don't.

I have some things in my mind that I can hardly bear, and some that I can hardly wait for, and some that I can hardly believe. You know what they are all about. The first is Buddy's girl and her approaching wedding. I am to stand up with them. I couldn't refuse; how could I, Jean? It's just a terrible, terrible thing. Buddy doesn't know it, because he is coming out of the hospital and down here just as soon as he can, and I am afraid it would retard his recovery if I wrote him. So I am not telling him till he gets here. Do you wonder, Jean, that I feel like a so much older girl than I did when I first came down here? Sometimes I think that my hair ought to be quite gray, with all my responsibility. I lit a light once, in the middle of the night, and got up to see if I hadn't really got gray hair, I felt so gray. I keep having to decide what to tell Buddy and what not. I can't ask Mother, because Buddy would never forgive me if I did, and what he would do to me would turn me gray for a fact, I guess. I've hinted it all out to you to keep from bursting, but Jeanie, it isn't the same thing as talking to you. It's only like saying my prayers or writing a diary. Besides, I haven't told you details. Only the general facts.

The things I can hardly wait for are my parents and Buddy coming—my own brother, that has come out of the jaws of death in two senses, since I have seen him. Once from the Trenches and once from the U. S. Base Hospital. Having a brother is the strangest, sweetest thing. I'd rather have one than a sister, though I do think Ruth Farraday is beautiful, and Peggy's lot is, next to mine, the most fortunate in that respect. I ought not to crow like this to an only child, though.

The things I can hardly believe are the things I've been hearing about my ancestors. In a way, you know, I think it is more interesting to be an American than even to be a count. I've lived along all my life with the idea that I was a New Yorker, or rather a New Jerseyite with one foot on Broadway or Fifth Avenue, and I thought the cook was the cook and the butcher the butcher, and that was all there was to it. I had a grandfather and grandmother that I had idealized in my imagination, all dressed up in city clothes and manners. I didn't stop to think what I came from, except that Mother was an Endicott, and that all her relations lived abroad most of the time.

You know the rude shock I got when I came down here. The corner grocer is my distant uncle. The hired girl is a kind of cousin. The butcher that goes out selling things in a cart, meat all raw and pig pork that he has killed himself, is the family's friend. It seemed just plain awful to me at first. I didn't know what any of it meant. But now I'm getting to. I talked with grandfather, who quite rightly understands my horrid scruples and teases me to pieces about them, and I talked with Peggy, whose father tells her a lot of things. (Those girls get their niceness from their father.)

He says this early settlers' blood is a wonderful thing. It was mostly the younger sons of aristocrat families that settled here, and a great many of them married their cooks or serving maids. (Perhaps that's why cooking is such a general talent.) They had to hew a living out of a very sterile soil, and to learn all the virtues of thrift and prudence from actual practise. They didn't have any houses or money or matches or anything. They just had to make them, and learn not to be aristocrats, instead of learning to be. They had to make New England. Well, my grandparents and my great-great-great-greats did an awful lot about this. There wouldn't be any Cape Cod, if it hadn't been for these Industries that they were engaged in, and it's the most romantic thing, the way even young children lived this seagoing, hardy life in the school of hard knocks. My grandfather was a cook at a very early age, and was lost at sea, only he jumped into a coastwise steamer instead of being drowned.

It's all wonderful, about grandmother's being courted at a Harvest Ball, and her grandmother running to get fire in a swing-pail, and funny little old songs they sing. Do you know what I feel as if I had done? I feel my roots pushing right down into the ground, and I love the ground, and it loves my roots.

Also, I love you, my own Jeanie, and more so all the time as I grow better. Some time I am going to show you all this Cape. Well, now I must take up my cross and my scare again. I almost forgot it when I was writing.

Your Elizabeth.

When she had finished and stamped this letter, Elizabeth took it in her hand and went slowly down the stairs. It was nearly time for the auto-bus from the morning train, the rumble of which could be heard distinctly on the street beyond that on which the old house stood. Elizabeth always waited for this before she went to the post office. She had heard the whistle of the train some time since.

Her grandmother stood at the door.

"The barge has turned in on our street, and it's stopping here," she said, "I guess we're going to have company. I'm dretful glad Father killed those roosters this morning. There's plenty cooked."

"Who do you suppose it is?" Elizabeth said.

"Some o' Father's folks. They're always turning up when least expected."

Elizabeth watched the high-set, curtained vehicle, a hybrid motor truck and picnic carryall that had been converted to its present use by the exigencies of "depot" traffic. A boy in overalls had descended from the driver's seat, and was lifting out a small motor trunk by its handle, and a big, pig-skin suitcase.

"Why, that's like Mother's trunk," Elizabeth said, "and that suitcase is like her suitcase."

A tall, blonde woman in a blue tailored suit and a blue veil jumped lightly out of the unwieldy conveyance, her hand touching that of the boy in overalls.

"Shall I lift these here baggages into the house for you?" he said.

"Yes, thank you. Thirty-five cents, isn't it? Oh, don't bother to make change. That's all right."

"For the Land o' Liberty!" Grandmother exclaimed. "For the land sakes!"

"Why, it is Mother!" cried Elizabeth.

CHAPTER XVI

Mother

Madget was sitting on the floor, and singing to herself:

"I am a little love, and I'm sitting on the floor. They put me here to sit and sing, Eating cookies as I sing, On Grandma Swiftie's lovely floor. A little girl I used to be Is sitting on the floor."

"Don't you think you have sung almost enough, Madget?" Mrs. Swift said. "What's the matter, Elizabeth? Don't you think she has?"

"Oh, I don't know. I was just listening to the sound of your voice, Mother. It's so good to hear it again—saying anything."

"No, I don't," said Madget, pausing between selections only long enough to reply literally to the question addressed to her:

"A little girl with yellow teeth Was sitting on the kitchen floor. She sat and sang most all day long, And et some cookies all day long, On Grandma Swiftie's lovely floor."

"She certainly has a keen sense of rhythm," Mrs. Swift laughed. "You've grown up so, Elizabeth, I hardly know my child."

"I'm not really a child any longer, Mother, dear."

"I don't suppose you would care to walk down to the block and get a quart of ice-cream so soon after breakfast, would you, dear?"

"Oh, yes, Mother, I can always eat ice-cream." Elizabeth swept the gingham frock she was making for Madget out of her lap and rose hastily.

"I don't think I've quite lost my little girl," Mrs. Swift smiled.

"For that, Mummy, darling, I won't go. You are just playing tricks on me, the way you always do, and I fall right into the trap the way I always do, and oh, it's so good to have it happening again!"

"You may go for ice-cream if you like, but a maturer Elizabeth might prefer to wait until it was a little nearer dinner time. When you sat down, you were going to whip all the seams in that dress before you moved again."

"I want some ice-cream!" wailed Madget.

"You shall have some bye and bye, dear. Don't you know that nice little girls don't shriek like that?" Elizabeth said.

"Dear me," Mrs. Swift laughed, "I think I'll have to make a kindergarten teacher out of you. You have the professionally maternal manner."

"But I have grown older, Mother, and soberer."

"You've taken hold of life better. To tell you the truth, I was worried about you this spring, you seemed to be getting your sense of values so wrong. You were running around with nice, wholesome children enough, but your ideas of life seemed to be growing very artificial. That was one reason I sent you down here by yourself. I was pretty sure that you would learn some of the essential lessons."

"I guess you would have been disappointed if I hadn't, Mother. I might not have. At first I just thought it was all horrid and—common."

"And what, dear?"

Elizabeth hung her head.

"Don't you know that nice little girls don't use that word?"

"There isn't any other that says it."

"That is one of the words which reflect on the user. It's one mostly used by people who have just come to realize that there is a difference in manners."

"It's awful to be a snob, isn't it, Mother?"

"It's unfortunate."

"I've just discovered that I was one. Mother, what do you suppose made me so snobbish about the Cape when I first came down? You're not a snob, and Father isn't, nor Jeanie."

"I am afraid it was the disadvantage of your bringing up, my dear. We had some pretty hard knocks when you were growing up. Your father's advancement came late. We always lived nicely and had the same standards as other people, but we had a greater struggle to maintain them. Our lean years gave you a little sense of inferiority, my dear, that's all."

"Oh, Mother, how much you know and how wise you are! There is something I wish I could tell you about, Mother, dear, but I can't."

"You mean about Buddy and Ruth Farraday?"

"I didn't know you knew," Elizabeth gasped.

"I didn't until the night I came away, and then Buddy told me. It was very brave and dear of him."

"Oh, Mother, what shall we do?" Elizabeth wailed. "Ruthie is going to be married next week. Maybe before Buddy gets here."

"Grandmother told me so last night. I don't think there is anything to do, excepting to let matters take their course."

"But couldn't you go and see Ruth, and tell her?"

"Tell her what? That my boy loves her and that she should have loved him?"

"Well, she should. She almost does, I think. She's just marrying because her dreadful mother——"

"Elizabeth!"

"She is a dreadful mother."

"So are we all sometimes, but it takes our contemporaries to judge us."

"But you are so nice, and she isn't, Mother, dear."

"Elizabeth, if you are in the confidence of the Farraday family in any way that I am not, you must not share that confidence with me."

"But it's Buddy's future we are talking about, and if I know things that will help us to work it out, I think I ought to be allowed to tell them."

"I think I can manage to get a perspective on Buddy's future without gossiping about the Farradays."

"Well, why can't you go and tell Ruthie about Buddy? Tell her he—he loves her, right out?"

"Why didn't you do that, dear?"

"I—I was scared to; besides, it would have been sneaky to Buddy, and——"

"Exactly."

"But now she'll be married if somebody doesn't do something."

"I am afraid there is nothing to be done but sit still and let her be married."

"But how can you, Mother?"

"I don't know how I can, to tell the truth. That's about the hardest thing any mother does, to sit still and let things happen that involve her children, but as your father says, a man's first duty is to mind his own business, and if at first you don't succeed, try, try again."

"Oh, dear!" said Elizabeth.

"Oh, dear!" echoed Madget.

"Aren't you happy, Madget?"

"I want some ice-cream and some doughnuts and some cookies and some boiled ham, and I want to come and sit on your lap."

"You may have some ice-cream pretty soon and you may come and sit on my lap now. Will that do?"

"I know who I love," Madget said, pushing aside the folds of gingham and climbing into the coveted place, "but I won't tell."

"Do you want to see the beautiful present that my mother brought me, Madget?"

"I want a beautiful present," said Madget.

"I am going to give you a present," Elizabeth said, "but not now, because you asked for it. It isn't nice to ask for things. You must just wait until people give them to you."

"All right," Madget said, unexpectedly.

"That's the way those children are," Elizabeth explained, seriously, "Moses especially. You tell them what isn't nice, and then they agree with you, and there isn't any argument. It just leaves you feeling flat."

"Madget is only waiting seraphically for her present to come without asking," Mrs. Swift said.

"See what I have!" Elizabeth took a gayly-coloured rubber cape and bathing cap to match from the back of the chair on which she was sitting, and spread them out for the child's inspection. "I carry them around everywhere I go, Mother."

"Rainbows," said Madget, ecstatically.

"It is all the rainbow colours," Elizabeth said, "isn't it lovely, Mother, dear?"

"I'm so glad you like it. I had a bad time making up my mind what to get."

"These capes look so grand when you come out of the water, and it's cold, too, running up to the bath-house. You really need something. Look here."

Madget had insinuated her bobbing curls into the depths of the cap, and then, standing, was swathing herself in the folds of the bright cape.

"She looks like one of the Stewart babies. I don't know why, but I suppose it's that dressed-up look they have. Her hair is clean, because I washed it myself. What are you laughing at, Mother?"

"It seems so extraordinary to have you in charge of a family of children."

"Well, somebody had to take an interest in them. It's Grandmother that takes the real care of them, though. I only help as I can."

Mrs. Swift smiled a smile of deep satisfaction into her embroidery.

"I am very pleased with you, dear," she said.

"Mother," Elizabeth's gaze became fixed out of the window, "a boy comes to call on me sometimes. I don't think you would disapprove, because Grandfather invited him—but there he comes now."

"He looks like a nice boy."

"He is. He's quite sensible, when you get to know him."

"Well, go to the door, Elizabeth. He looks as if he might run away if he wasn't admitted instantly."

"I guess he has heard you're here."

"How do you do?" Tom Robbins said to the widening crack that gave him his glimpse of Elizabeth, "I can't wait till you get the door open."

"How do you do?" said Elizabeth.

"Is Captain Swift at home? I don't want to see him, but I have to ask for him because he told me to."

"No, but my mother is," Elizabeth said.

"Well, I want to see her."

"Here she is, then. Mother," Elizabeth led the way into the living room, "this is Mr. Robbins."

"I'm glad to meet Mr. Robbins. I think that his other name is Tom, or if it isn't it ought to be, for he's the image of the Tom Robbins I knew."

"Father remembers you," Tom cried. "He used to see you when you were first married."

"Take some chairs," Elizabeth said.

"That's our joke," Tom explained, "the first time I came here Captain Swift was so full of fun, and everything——"

"That, well, I got rattled," Elizabeth explained, "so I said, 'take some chairs,' and we always say it now."

"Taking chairs just about describes me when I go into a place. I move around a good deal," Tom said.

"If I could have my present," Madget interrupted from the sofa, "I would be good."

"At dinner time I am going to give it to you."

"All right," Madget said, "I'll go ask Grandma Swift to have my dinner."

"Isn't she cunning?" Tom looked after her as she trotted off. "Oh, Elizabeth, I'm going to give Moses my old bicycle. It isn't doing any one any good now. I'm making him a rack to go in front, that he can carry milk bottles on."

"Grandfather will give him a job carrying milk then," Elizabeth said. "Won't that be fine?"

"It seems to me that you children are quite practical philanthropists. I think you are doing wonders for the Steppes."

"It's all Elizabeth," Tom said, "she's the one that got us all thinking of it. What I came in this morning for is this, Mrs. Swift. Our family is going to give a big, old-fashioned clambake on the beach the first pleasant day after Monday, and we wanted—that is, I did—we thought perhaps Peggy and Elizabeth might like to come. It'll be great fun. Bill and I are going to help dig the clams. Of course it's just a family affair, and I don't know whether Father knows you are in town, Mrs. Swift, but I am sure if you would like to come, too, we should all be so very glad. We thought of Elizabeth and Peggy first, you see." Tom was very confused.

"That's very kind of you, Tom, but I shouldn't be able to go. I am expecting my husband and my sick son almost any day now, and my object in coming ahead of them is to get everything in running order for them, but I am sure Elizabeth would be delighted to go, and I should be very glad for her to."

"Oh, thank you. Mrs. Farraday said that Peggy could come if Elizabeth could. I think it will be pretty good sport. It will be a regular, old-fashioned clambake, you know, with the clams banked in bricks and sand, and all the things wrapped in seaweed and steamed in—in their own steam. We have one every year, and some of our family comes from a long way to be there."

"I think it will be beautiful," Elizabeth said. "I am so glad Mummy will let me go."

"I wish I had my twenty-seven white horses," she sighed, as she watched Tom's retreating figure. "He's nice mannered, isn't he? He always whips off his hat at the gate, just like that. He'd count for one red-head so nicely. I got my ninety-nine Negroes, but the white horses are very hard to get. I've only got four and a half, and I'm not sure it wasn't the same white horse all the time."

"Four and a half white horses?" Mrs. Swift looked up inquiringly.

"A white goat. That's what I mean by half. We saw him one way down in Chatham. I don't really mean to count him unless we get desperate. I don't suppose it's quite fair."

"We have to make a good many compromises in this day and age, but it doesn't seem to me that a goat would make an efficient substitute for a horse. Why stop there? Why not a pig or a bear?"

"Well, I didn't really mean to count him. Peggy and I get discouraged, and then we try to think of encouraging things."

"I haven't seen Peggy yet."

"She's coming soon, but she has to help Ruth make that dreadful trousseau. I'm going upstairs and get Madget's doll, and then I'm going to telephone and see where she is."

Solemnly seated on the floor in the guest chamber, Elizabeth found Madget contemplating the Little Red Riding Hood doll that Mrs. Swift had brought for her. It stood upright on the bureau and returned her gaze complacently.

"Is that my present?" Madget said. "I want it."

"You shouldn't have come upstairs without being sent, Madget."

"I was sent. You sent me for a thimble."

"But that was yesterday."

"Here it is," Madget said, producing it with a wide smile.

"Yes, that's your present," Elizabeth said in despair. "Take it."

Madget took it.

"My baby dolly!" she cried.

As Elizabeth started downstairs again, she heard Peggy's voice.

"You don't need to telephone," Peggy cried, from the sitting room, "I came and I brought the bride along with me, what there is left of her."

"I didn't know it was going to be quite so much trouble to be married," Ruth Farraday was saying, "perhaps if I had, I wouldn't have attempted it."

"Well, this is the last marriage I can ever have in my family," Peggy said, "unless I ever take the fatal step myself, which I won't. You're just the same, aren't you, Elizabeth? You can only have one outside of your own."

"I don't think Buddy will ever marry," Elizabeth said, looking at Ruth Farraday.

"My son is coming to-morrow or the next day," Mrs. Swift said, hastily, "we hope that Cape Cod is really going to make him well again."

"He'll be here in time for the wedding," Peggy said, "if he is invited."

"We were planning to have only the family," Ruth said, "but not having two sisters to add the proper touch of picturesqueness, I asked Elizabeth to stand with Peggy."

"She never opened her mouth," said the incorrigible Peggy, indicating herself, "excepting to put her foot into it."

"Hush, Peggy," said Ruth, whitening a little, "Mrs. Swift understands. Peggy regards this wedding as a sort of cross between a picnic and a visit to the dentist's."

"I certainly do," said Peggy, "only you don't have to have so many clothes on those occasions. I don't see why you can't just be married in what you've got. Well, anyway, that clambake is going to be a ray of light through the gloom. That's something we can enjoy without any mixture of our emotions."

"I shall have to come some day without Peggy," Ruth said, rising, "this time we were just going by to the post office and she dragged me in."

"She gets a letter every mail," Peggy explained, "and sometimes two a mail. If you think I've said awful things, Mrs. Swift, I'm sorry, but—but——"

"I assure you they are nothing to the things she could say," Ruth laughed. "I'm glad she has Elizabeth's restraining influence. I suppose the two are so different that that's the reason they get on so well."

"Elizabeth's a perfect lady," Peggy said.

Mrs. Swift stood at the window and watched the two girls go down the path, Ruth's pink linen and close-fitting white sweater outlining her extreme slenderness and her little feet set with a delicate deliberation as she moved.

"She is an apple-blossom girl," she said, thoughtfully, "poor Buddy!"

"Oh, Mother, Mother, Mother," Elizabeth wailed, flinging her arms around her, "isn't it perfectly terrible? I am so glad you are here. I don't believe I could have borne it another minute without you."

"Well, now, I guess you're satisfied," Grandfather said, coming in on this tableau. "I guess you've got about all you need to make you happy, ain't you?"

Elizabeth threw a forlorn glance at her mother.

"I need other things to make me happy," she said, "but I'm perfectly satisfied with this darling person, all the same."

CHAPTER XVII

Elizabeth Is Scared

"Well, Baby."

"Well, Daddy."

Elizabeth and her father were the first ones down to breakfast on the morning after his arrival with Buddy—the first of the visiting family, at least. Grandfather had been outside and at work since dawn, and Grandmother and Judidy had been in the kitchen almost as long, employed in magnificent preparations for feasting the returned sons of the house.

"What is all this radiance for this morning, Elizabeth? Me or Buddy or the new roadster?"

"You and Buddy and the new roadster, Father, darling. The roadster was the completest surprise, but I am more intimately fond of you and Buddy. I just can't believe you are here. I gave myself a good hard pinch every time I woke up in the night, to try to make myself believe it. The last time, I got up and sneaked to your door and listened to hear if you were breathing."

"Well, was I?"

"You were doing more than that, Daddy."

"Where did you sleep when they turned you out of your room for John?"

"I'll show you bye and bye, Daddy. I've got a room of my own, and all I had to do was to put a tiny, weeny little bed in it. I thought that was going to crowd it dreadfully. Instead, it is very becoming to it. Faith, Hope, and Charity guard my slumbers, only I couldn't slumber, I was so excited."

"Faith, Hope, and Charity?" her father looked inquiring.

"They are my guardian angels, borrowed from Aunt Helen by permission of Grandmother. Would you like to go out and see the pigs, Daddy?"

"I'd like to but I don't think we've time before breakfast."

"Well, their names are Faith, Hope, and Charity, also—this new litter, I mean. Grandfather let me name them. They are excruciatingly cunning, Daddy. Faith and Hope keep themselves a little messily, but Charity is as clean as a kitten. She knows her name, too, and comes when you call her by it."

"Her?"

"Well, him or her. All their names are nice and non-committal. They can be boys or girls, whichever they like."

"I should think they were committed to a great deal, in either event."

"Well, children," Grandmother appeared behind a platter heaped high with crisp, hot doughnuts, "have you got a good appetite for your breakfast?"

"It seems so funny to think of your being Grandmas child," Elizabeth said.

"But I am."

"Well, it's hard to believe it."

Grandfather, who had followed on his wife's heels, took his place at the head of the table, and shook out his napkin.

"I've heard tell of a feller that went driving down Chatham way one day," he said, "and he come to an old house in the woods, and there he found a little old man sitting on the doorstep that was so old and palsied and shaky, he could hardly make out to speak at all. Well, this feller he wanted to find out how the old man happened to be left alone at his great age, with no care nor companionship nor nothing, so he asked him; he says 'Do you live all alone here?' he says. The little old man he was so deaf he couldn't hardly hear nothing, but this feller he asked him again, and he put his hand up to his ears and just made out to catch the question. 'No,' he says in his high-pitched, quavering voice, 'No, I don't live here all alone, I live here with my father.'—'Your father?' this feller says, all taken aback, 'Your father? Have you got a father? Where is he?' The little old man he hardly made out to get this question at all, but after a long time, when it had been repeated to him over and over again, he managed to understand it. 'Where's Father?' he says. 'You ask me where my father is? Well, where should he be, 'cepting upstairs, putting Grandfather to bed.'"

Mr. Swift laughed immoderately.

"I suppose it does look a little like that to Elizabeth," he said. "She's used to thinking of me as being about as old as that kind of relative gets to be."

"Grandfather's whole life is spent in teasing me," Elizabeth said, "it's bread and butter and pie and cake to him."

"By the way, Father, where is your pie this morning? I didn't know that you ever started the day without it, but I don't see it on the table."

"Now, I am going to tell something on Father," Grandmother said, slyly. "He ain't had a piece o' pie for his breakfast since Elizabeth come, and he wouldn't let me put none on the table, either."

"I was afraid she'd get to making it the way she makes cake, and I'd have to eat it whether or no." Grandfather mopped his brow with a great show of vigour.

"It warn't that," Grandmother smiled. "He was just sprucing up for his city granddaughter a little. He went down street and got two new neckties and a white cotton vest before she'd been here a week. He had to kind of jerk Elizabeth down a peg and jerk himself up several to meet her."

"Why, Granddaddy Swift," Elizabeth said, "have you been going without your breakfast pie on my account?"

"Who said breakfast pie?" a gaunt figure in khaki appeared in the doorway, and Elizabeth, with one admonishing finger still uplifted, turned from her grandfather and with one leap hurled herself upon it. "I'm going to get out of these clothes to-morrow," Buddy continued, calmly, holding his sister off with one hand, "but I have forgotten how to get into regular trousers before breakfast. Emerson, the well-known sage of Concord, used to eat pie for his breakfast—pumpkin pie, and it goes very well with coffee."

"Grandfather won't let me have so much as a snitch of coffee," Elizabeth pouted, still clinging to him.

"Not even a demi-tassy," Grandfather put in, slyly.

"And a good thing, too," Buddy said. "Granddad, your ideas of bringing up Elizabeth are a good deal like my own—a firm, strong hand applied wherever necessary."

"And last but not least—Mother," said Elizabeth, pausing in the midst of a grimace at her brother. "I never knew you to be the last one at the breakfast table in my life before, Mother."

"I'm glad," Mrs. Swift said, as she took her place between her children, "and oh, John and I have our napkin rings! I was going to bear it with resignation if we didn't, but I am so glad to see them again. We had them on our honeymoon, you know."

"Elizabeth had one for a while, but she didn't seem to admire it, not what you might call beyond reason," Grandfather said.

"Oh, dear!" said Elizabeth, "the instances keep piling up of the way he has seen right through me from the first minute of my coming, but now I'm beginning to see through him," she added, triumphantly.

"When anybody makes up their mind they are beginning to see through Father, there is generally breakers ahead for them," Grandmother said, thoughtfully.

"It's from Father that I get whatever business acumen I have," John Swift said; "let the other fellow think he is getting away with everything, and then when he has given himself entirely away, never let up on him."

"Yes, that's my principle," Grandfather said, complacently.

"I'm going into Father's office, did you know it?" Buddy said. "Until day before yesterday I might just as well have thought of getting a job with J. P. Morgan, and then suddenly this opening came, and my old boss recommended me for it."

"We lost a good man suddenly," John Swift explained, "and yesterday morning old Howard came in to me and asked me what I knew of a youngster named John Smith that used to be with the Urner Company. I was pretty sure he had got the name wrong, so I told him I'd call up the Urner office and find out if he was the one I thought he was. In the afternoon, just before I left, Howard asked me if I found out anything about the boy, and if I knew anything to his advantage or disadvantage. 'I do,' I said, 'both. He's my son.' 'We'll take him in,' Howard said, 'I guess you know how to handle him by this time.'"

"You see," Buddy explained, "I began to get busy on the hospital wire just as soon as I realized I was cured, and my old boss is a white man, if ever there was one."

"Not going to Russia just at present?" his father asked.

"Not going to Russia," Buddy said, steadily.

After breakfast Elizabeth had her first minute alone with her brother. They were in the living room, in Grandmother's and Grandfather's chairs respectively, with the big fern branching between them.

"Well, Sister?" Buddy said.

"Well, Buddy!"

"What do you know about Ruth, now?"

"About Ruth?"

"Yes, Sister, darling, you heard me the first time."

"You mean how—how is she?"

"I mean, tell me everything you know that you haven't told me before."

"Haven't you talked with Mother about her since you came?"

"Not a word."

"Hasn't she told you——"

"Nothing."

"Well, then, I've got to."

"You certainly have—and quick," said Buddy. "What is it? Fire away."

"Ruth—Ruth is going to—to get married next week—Thursday."

"Oh!" Buddy's jaw shut on the monosyllable.

"It was hurried up all of a sudden. I saw her and talked with her on the beach once, and she said to tell you that your telegram was a day too late."

"Thanks," said Buddy, briefly.

"She sent her love, and said you were a day too late."

"We'll see about that. Is this Chambers fellow around?"

"No, he is in Boston, but he comes down to see her all the time."

"We'll see about that, too. What's her telephone number?"

"Thirty-two, ring eleven. You have to ring in, you know—that handle on the box, and ask Central."

"Oh, I know," said Buddy, "telephone is nice and convenient, isn't it? Anybody on the farm can hear from this location," he picked up the instrument from the desk in the corner.

"Shall I go?" Elizabeth asked.

"No, dear."

"I want to speak to Miss Ruth Farraday—Mr. Swift." He put his hand over the mouthpiece, the fingers trembled slightly, but his voice was cool, "I guess that was your friend Peggy. Sounded like a flapper's voice. She's gone to call her. Oh, hello, Ruth," he said into the instrument, "this is John. Yes, I managed to squirm out. Fine, thank you. A little under weight, that's all. I want to see you. Now, this morning, may I come over there? I wouldn't take up much time. Yes it is important. Oh, all right, that will be better yet. I am perfectly able to make it, but I'd rather have you here if you'll come. All right. In about half an hour. All right. Good-bye."

"She's coming here," he explained to Elizabeth, "she was starting out to do some errands. She didn't want me there, at any rate. Perhaps Chambers is expected."

"The walls of that house are as thin as paper," Elizabeth said, "and I'm glad you don't have to go there. Her mother might be around."

"It's awfully decent of her to come here."

"She is awfully decent."

"She's scared."

"Who wouldn't be?" Elizabeth said. "My gracious!"

"I suppose I ought to try to get into some kind of decent clothes."

"No," said Elizabeth, "stay in those."

"But I've been mustered out. I ought to be in 'cits'."

"She'd like you better in those," Elizabeth said, positively.

"How do you know?"

"I don't know how I know, but I know," Elizabeth said. "I'm a girl, and I know."

"I guess you are," Buddy said. "I never thought of it before, but you're a girl and you've got a line on girls. Do I look pretty punk to you? Cadaverous and all that?"

"You are the handsomest thing," Elizabeth cried, "that I ever saw, Buddy. You used to be good looking, but now you've got a kind of—look—a soulful look—that——"

"That'll do. I was only interested in my physical aspect."

"Well, that's perfect," Elizabeth said.

"Is my face clean?"

"Let me see. Yes, it is, perfectly."

"Then I won't go upstairs at all. You just sit around and help me kill time till she comes."

"Oh, Buddy, can I kiss you just once?"

"You cannot," said Buddy. "I've changed a good deal in a great many ways, but I haven't got to the point where I like to be kissed after breakfast yet."

"You used to write pretty affectionately from those old trenches."

"There was an ocean between us then, and it was perfectly safe."

"I think men are the funniest things," Elizabeth said. "It isn't that they don't want to be loved——"

"No, it isn't," said Buddy. "So tell Mother to keep the coast clear, will you, and then come back. No, don't come back. I'll watch for Ruth and let her in. No, you watch for Ruth and let her in. You bring her in here, and then get out unless I tell you to stick around. See?"

"You can't tell me that before her."

"I can tell anybody anything before her."

"All right," Elizabeth said, "but—but I'm scared, Buddy."

"You—you go to the deuce," her brother said, and only then did Elizabeth realize the strain under which he was labouring.

It was with a face nearly as white as Buddy's own that she opened the door to Ruth a few minutes later.

"Buddy's in there," she said, weakly, to Ruth's inquiry.

"Come and show me," Ruth said.

"Right this way," Elizabeth said, superfluously. "Buddy, here's Ruth."

"All right," said Buddy, unfolding his long legs from the rocking chair, and advancing so slowly that Elizabeth knew he was trembling with weakness, "you may go now, Elizabeth."

"Please," said Ruth Farraday in her low voice, "let her stay."

"All right," said Buddy, "you may stay, Elizabeth."

"I'd rather go," said Elizabeth, miserably. But neither of the two paid any more attention to her.

Ruth put out her hand, and then when Buddy would have taken it, withdrew it.

"I am going to be married," she said, "next week. Did Elizabeth tell you?"

"Yes," said Buddy. "It's me you should be marrying. You know that, don't you?"

"No," said Ruth Farraday. "Yes, I do know it, I think. But it's too late now."

"It's not too late."

"You don't seem to understand that I am going to be married—married next week."

"I heard you the first time," said Buddy, grimly.

"Well?"

"You are my girl," said Buddy, "and you know it."

"Supposing I do," said Ruth Farraday, "what then?"

"Then this marriage is a lie. It can't happen."

"It has—happened, as far as I am concerned. I have given my word."

"Ruth, you can't mean that."

"But I do."

"It means a lifetime of misery for three people."

"But it's all done, now. That's all there is to say."

"You mean, you haven't the courage to break away?"

"I mean more than that. This has happened, that's all, I've given my word. I've let things get where they are. If you wanted to marry me, you should have told me when I was free. I waited for you, for just a word or a line from you."

"I was sick."

"I wasn't waiting for you to get well, and write me you were well. I wanted to know that you thought of me when you were sick."

"Oh, Ruth, I didn't think of anything else."

"I waited as long as I could, that was all."

"Ruth——" Buddy said, "Ruth——" He took a long step toward her, "Get out of this room, Elizabeth," he said, steadily, "you are willing for her to go, dear, aren't you?" he said, as Ruth put out a restraining hand.

"Oh, I don't know. Oh, I don't know."

"I'd better go," said Elizabeth, and Buddy nodded to her as she slipped out. Before the door had closed on her, he had walked across the floor and taken Ruth Farraday in his arms.

It was nearly half an hour later that Elizabeth, watching from the room above, saw Buddy walk with Ruth to the gate, open it for her, and stand with his head bared as she walked down the street. She ran down the stairs breathlessly to meet him as he came in.

"Is it all right?" she asked. "Oh, Buddy, is it all right?"

"It's all right, little sister," Buddy said, "it's all right anyway, the way she wants it. She won't break it off. She thinks it wouldn't be honourable."

"But she must break it off, Buddy. It'll kill you if she doesn't."

"No, it won't. She must do what she wants to do."

"But she doesn't know what she wants," Elizabeth cried.

"She knows what's right for her."

"I don't believe she does at all."

"You don't know."

"I do know this," Elizabeth cried, "you can't stand it, Buddy, it will kill you. It will kill you."

"All right, then," said Buddy, "let it. But I don't think it's going to. She wouldn't want it to, you see."

CHAPTER XVIII

Elizabeth Shakes Hands

"Well," Peggy said, surveying the picnic tables set up in the pine grove beyond their customary bathing beach, "this is certainly some party. I never saw so many pumpkin pies in conclave assembled in all my life."

"Pumpkin pies are just the background," Elizabeth said, "all these regular New England dishes don't count; they always have them. Brown bread and biscuits and cake and watermelon. They always have them. The stuff they are baking is the real party."

"This being your first clambake, you are just repeating what you've been told. I know. It was nice of the boys to send for us, so we could be sure and be here early, but where are they?"

"Mrs. Something-or-other Robbins, that tall woman with the earrings, told me the boys had been sent to Harwich for some more provisions, but they will be back right away."

"Rather a good-looking crowd of people, aren't they? And what a lot of work they've done. These tables were put up last night, and every family contributed some of this milder grub—I mean these foods on the tables, if I must be polite. The men dug the clams and furnished all the other things. I asked Tom how they managed. Look, there are Mabel and Madget down on the beach, right in the heart of the bake. I'll bet Tom told them they could hang around."

"Do you know what, Peggy?"

"What particular what?"

"Mabel is my last red-head."

"Well, she's my next to the last, come to think of it. It was lucky we went to the cattle show, and got all those white horses at once."

"I am not going to shake hands with anybody to-day. It's hard to remember, though. Just now I shook hands with Tom's father and his uncle."

"Those old men don't count, anyway."

"Are you sure? Tom's uncle is quite a young widower, Mother says."

"Well, you don't have to worry, because you didn't have Mabel when you shook hands. Now is the time to look out."

"You are safe until you see another red-head."

"Let's go down on the beach and see what the mound builders have accomplished," Peggy said, "that large woman in the yellow skirt is going to come over here and entertain us if we don't."

"I think we will go down on the beach," Elizabeth said to the large woman, as they turned to walk in her direction, "of course we would like to help if we could, but Mrs. Robbins said there wasn't anything left to do."

"We have everything done, I think," said the woman, whose name they did not know. "The boys are going to bring back some vines to trail over the table, and some paper napkins to twist up in the glasses. We do everything the same way every year, to keep up the tradition."

"I think it's awfully nice," said Peggy, "and we appreciate being included."

"We always have a table of young people. The boys are always privileged to invite their—friends. Dear me, I must count noses."

"There she bustles off, counting noses," Peggy said. "I don't like her so much, but I guess she's a good-hearted one. Now's our chance to break away."

They scrambled down the steep embankment to the beach.

"That's the only time I ever didn't slide down, sitting," Peggy said. "I don't believe in being civilized unless you have to. I only ate a cross-section of burnt toast this morning, and drank some feeble cocoa. I'll be too hungry to eat pretty soon. We now approach the most celebrated of all the relics of the mound builders, a perfectly intact mound about six feet long and broad in proportion. This mound is a perfect specimen of the mound builders art. It is made of bricks and sand. A huge fire was first built on the base of this erection, in the ashes of which are baking, at the present moment, luscious ears of corn dressed in their original wrappers, huge sweet, or garden potatoes, clams by the galore, as our cook says, and, I strongly suspect, lobsters and bluefish, to complete the assortment. Dost like the picture, Love?"

"What's all that seaweed sticking out?"

"The things are steamed in seaweed, darling. That's what gives them their galumptious flavour."

Mabel and Madget drew near as they saw their friends approaching.

"Is it a grave?" Madget asked in an awed whisper, as she indicated the erection respectfully.

"It's a giant's grave," Peggy said. "Fee, foo, fi, fum. Can't you smell the blood of an English giant?"

"No, I can't," said Mabel, "them's just clams, and we'm going to have some. Moses has gone to ride with Tom and he told me to stay here and watch, to see if the clams didn't burn. They ain't burnt yet."

"How's your mother?" Elizabeth asked, hastily, as she saw the rising laughter in Peggy's eyes.

"She's better, and she's got a purple velvet dress," Mabel said, "she got breakfast to-day, too."

"What did she get for breakfast?"

"Fried fish and potatoes, and elderberry wine."

"I shall choke," Peggy cried, "anything anybody says to-day strikes me so funny."

"You can laugh at me," Mabel said, unexpectedly, "I don't care. I ain't funny."

Peggy sank on the sand and gave way to merriment. Mabel regarded her kindly, and Elizabeth took advantage of the occasion to tie four shoe-strings in double bows, and comb two curly heads with the side comb of which she relieved the helpless Peggy.

"This week has been such an awful strain," Peggy said, wiping her eyes, "that whenever I get a reaction, I'm off. Oh, there come the boys, now."

"Awfully sorry," Tom said, hurrying down the beach. He gave a hand to Peggy, which she shook heartily, and then extended it to Elizabeth, who was a little farther away.

Elizabeth gave a little shriek, and put her own hands behind her back.

"I've got a kind of a sore finger," she said.

"I'll remember and not scrunch it," Tom said, "if I get the chance, that is."

"It's going to be sore all the week, isn't it, Elizabeth?" asked the irrepressible Peggy. "I'm all right, because I'm—oh!—oh!" she shrieked, glancing at Tom's blazing hair.

"What's all this mystery?" Bill said, joining the group.

"Peggy is just slightly indisposed, as usual," Tom said. "She has one of her light attacks of mental derangement."

"I'm a psycho—psycho—whatever—it—is case," Peggy said. "I'll be all right when I have had most of what's under there."

"It's a giant's grave full of clams and oysters and ice-cream and potato salud and pumpkin pie," Madget elucidated in a sing-song voice, "and I am going to have some of all of it."

"Doesn't leave much room for the giant, does it, Madget?" Tom said, "but you are right about having some of all of it. We have a nice New York guy coming pretty soon. I asked him specially for you, Elizabeth. I know you have a warm spot in your heart for anybody that lives around Grant's Tomb."

"Is he your cousin?" Elizabeth said.

"No, he's just a fellow I see around the town sometimes. We hit it off pretty well, and he doesn't know many people."

"What's his name?"

"Stoddard, Robert Stoddard."

"Where does he live?"

"New York City, New York State, Manhattan Island."

"I mean, what part of New York?"

"Oh, I don't know that. New York's all New York to me."

"I'm going to live in New York next year," Elizabeth said.

"I thought you always had."

"No, we lived in New Jersey, but now we're going to take an apartment in town. It's just been decided, and I am so excited about it, I can hardly breathe."

"What about school?" Peggy asked.

"I am going to study with Jean this winter. She has always had private teachers, you know."

"That will be fine for you," Peggy said, "but don't let's think about next winter. When do we eat, Bill?"

"In about half an hour, or less."

"Come on up to the grove," Tom said. "I told Bob I'd meet him by the road and kind of work him in among the crowd. We sure have a raft of relations when they are all got together."

"Shall we bring Madget and Mabel?"

"Sure. Moses is up there now, right in the heart of the picnic. He was trying to catch watermelon juice between the cracks of the table, where they were cutting it, the last I saw of him."

"I want some watermelon," said Madget, leading the procession.

"Did you see what I did?" Peggy whispered to Elizabeth as they followed the others. "I shook hands with Tom. I never thought. I just did, that's all."

"But you didn't have your last red-head."

"He made the last red-head, don't you see?"

"I never thought of that. Do you think he counts that way?"

"I don't know whether he does or not. I don't want to count him, but I want to play fair. Only I shouldn't think, as a general proposition, that shaking hands with your last red-head mattered one way or the other. I didn't even consciously remember that he was my last red-head."

"Well, then, I don't think he's the one. If you had really counted him first as a red-head and then shaken hands with him, you'd have to call him the first boy you shook hands with, but he really isn't, as it stands. Now that you've counted him, if you shook hands with him again, why——"

"Well, you bet I won't. I'll put my hands behind me the way you did."

"I thought just in time."

Tom dropped behind his friends.

"Bill wants you to walk with him," he said to Peggy.

"Sure I do, but Tom said it first," Bill grinned, "he wants to walk with you, Elizabeth."

"I'll beat you climbing up the bank," Peggy cried, making for the sheer wall of soil and roots ahead of them.

"You won't beat me," Elizabeth said, "I'll go round by the road, thank you."

"Some people have a great amount of superfluous energy," Tom said, "Bill and Peggy are pretty well matched for that."

"Peggy is only a tomboy at times," Elizabeth said, "she really has quite an old mind, when you get to know her as well as I do."

"I'd rather get to know you as well as she does."

"Well, she sees me every day, almost."

"I wish it hadn't been almost halfway through the summer before you and I met. I've got to go home Monday," Tom said, mournfully.

"I didn't know that. I thought you were going to stay through September, like the rest of us."

"Well, it's all decided for Monday."

"That's too bad. It will break up our summer crowd, sort of."

"Is that all you care?"

"I—I'm sorry," said Elizabeth.

"Well, I suppose I ought to be thankful for small favours. I haven't hardly seen you, except around at your grandfather's, and with Peggy and everything."

"I think we've had a good time," Elizabeth said.

Tom kicked out at a giant horseshoe that obstructed his path.

"Darn the good time," he said.

"Well," said Elizabeth, hastily, "we'd better catch up with the children. I don't know what they'll be into."

"They'll be all right," Tom muttered.

"Isn't that your friend waiting up there by the path?"

"Oh, I suppose so."

"Tom," Elizabeth said, "don't be cross. I haven't done anything, have I?"

"No, and you won't do anything. That's the trouble. Even say a kind word. Come ahead, I suppose I've got to collect that guy and drag him round among the animals."

"That isn't a very nice way to speak of your relations."

"Elizabeth, there's Bill and Peggy talking to Bob—he'll keep a minute. Aren't you sorry that I'm going away Monday?"

"Of course I am."

"How sorry?"

"Quite a lot."

"Will you write?"

"If Mother'll let me."

"Does she usually let you?"

"Well, she never has."

"You told me yourself that Peggy wrote to a boy. Bill's going to get her to write to him."

"I said I would if my mother will let me."

"The question is—will she?"

"If she does, I will. Aren't you satisfied?"

"No, you are just saying that to please me!"

"Don't you want to be pleased?"

"Not like that."

"I don't know what you want me to say."

"Would you say it if you did?"

"How do I know?"

"Girls are the hardest things to get anything out of—Elizabeth"—little beads of dampness stood out on Tom's forehead—"Elizabeth, will you, I mean, do you, I mean, would you care——"

"Hurry up there," Peggy called.

"Everybody's supposed to take their places," Bill cried, "come ahead, you two."

"They want us," Elizabeth said, relieved that the tête-à-tête was over.

"We're all introduced," Peggy said, "but Elizabeth."

"Miss Swift, I want you to meet my friend Mr. Stoddard," Tom said, doing the honours.

The tall boy standing between Peggy and Bill put out his hand, and Elizabeth slipped hers into it.

"I am very glad to meet you, Mr. Stoddard," she said.

The warning cry from Peggy came too late.

"Now, you've done it!" she said.

"What has she done?" the tall boy asked. His eyes were brown and amused, and he had to look down several inches even to reach the level of the lanky Peggy.

"Nothing, really. She had a—sore finger, and I was afraid——"

"I've heard about that sore finger before," Bill said, "there's some kind of a mystery about it."

"We're just full of the dickens to-day," Peggy explained, hastily, "this sparkly air has gone to my head—our heads, I guess. Elizabeth always behaves better than I do, but she's as far gone as she ever is to-day. We've just been giggling at nothing all the morning."

"If you can call Mabel and Madget nothing," Elizabeth supplemented.

"Let's go eat, let's go eat, let's go eat," Bill chanted. "I am so starved, I am weak. Tom and I didn't eat any breakfast this morning."

"I guess that's what's the matter with him," Elizabeth smiled at him.

"All right," Tom said in an undertone. "I'll come out of it—for you."

"It was me that you went into it for," Elizabeth whispered, saucily.

The Steppe children in a comparatively decorous row were much more nearly a social success than on their first public appearance. They ate steadily and conscientiously, and their table manners compared not unfavourably with those of the other children of the party. Most of these ate with their parents. Two boys of thirteen, twins, and two girls a little younger than Peggy and Elizabeth were at the low table, at the end of the two long rows of family tables that Tom had designed for his guests.

"Bet you I can eat more clams than you can," Bill challenged Peggy.

"I hope you can," said Peggy, "my idea is to go easy on the clams, eat two sweet potatoes, one lobster, a soupçon of bluefish, all the corn I can hold, because that's the best of all, with that grand, sea-weedy taste it's got, and this lovely, gooey, trickly butter. Then I shall really fill up on cake and pie. I'm not going to eat any bread, because that takes room."

"You are going to eat watermelon?" Bill asked, anxiously.

"I'm going to take one of those boatshaped pieces and get in," Peggy said.

"The beauty of this party," Bob Stoddard said, "is that you can treat everything like that. You can snuggle right down into all the edibles."

"I'm snuggling into my clams," Elizabeth said. "Isn't it funny that the clams you get in New York are so distinct from these clams? They are just like different animals."

"They are different animals," Bob said. "You like New York, don't you?"

"Love it."

"Well, here's to it, then," he lifted his clam shell gayly, and Elizabeth gravely lifted one of her own. They drained the liquor ceremoniously.

"I hope I shall see you in the winter," Bob Stoddard said.

"You'll see me," Tom interposed quickly, "I'm coming on to visit you in my Christmas vacation."

"You said that last year."

"Well, this year I'm coming."

"I'm in a comatose condition," Peggy complained at dusk, as they lingered under their favourite tree to talk over the events of the day. "I hope nobody will ever mention any kind or variety of food to me again. If Tom hadn't brought all that candy, I should feel better, and I think those ice-cream cones we had on the way were nasty."

"They tasted nice and cooling at the time," Elizabeth said. "I wouldn't want another one right now."

"And your family are all in the house there, eating," Peggy said. "Can't you hear the merry clatter of their knives and forks?"

"Don't mention it, Peggy. Do you realize what happened to me?"

"You shook hands with that boy, you mean. I tried to warn you, but it was all over before I could even cough."

"I know it, and I had been fortifying myself all summer long against doing anything like that."

"Well, you won't have to remain in suspense like me."

"Maybe it's Tom for you, after all."

"No, I know it isn't. That's a nice boy, though. It would be funny if you really did grow up and marry him."

"I'd rather marry somebody that I knew a little better."

"Well, if you do marry him, you will know him better, that's one comfort. How's your brother?"

"He's pretty good. He—he——Oh, he's the best we could hope for him to be."

"He's awfully handsome. Do you know what's happened over at my house? My sister is getting ready to marry a man she isn't even on speaking terms with. They had some kind of a ruction last night about the war or something. He drove down, meaning to stay two or three days, and they had this row, and he just turned around and went back. Meantime, we merrily make trousseau and wedding chest."

"I wish that he'd never come," said Elizabeth.

"Oh, but he will. He'll be back to-morrow morning, with the bells on, and the flags flying, and a footman on the step of his car to show how classy he is. Just you wait."

"Oh, dear," said Elizabeth, with a glance toward the open window of the dining room where her brother was sitting, "oh, dear, Peggy!"

CHAPTER XIX

Ruth

The small reception room in the Farraday cottage had been converted into a temporary sewing room, and here Elizabeth and Peggy were sewing on their own blue dimity frocks, fitted to them by the Boston seamstress, who had been working in the house, and finished except for the hemstitching to be done on sleeves and collar. Peggy sewed neatly but erratically, exploding into violent protestations when her thread knotted or her scissors fell. Elizabeth found the steady rhythm of hemming rather soothing to her, especially to-day, when her heart was so heavy for her brother.

"Piggy's—I mean, Mr. Chambers' parents have sent the flat silver," Peggy announced, "and to my taste it's very hideous. It's the kind with a beading all around it. If you are going to have elaborate silver, why—have it. Have Cupids and little birds building nests, but if you are going to have it simple, why, then it's a crime, I think, to have a little trimming on it."

"You've got very good natural taste, Peggy—my mother says so."

"I know it. So's Ruth. I bet she hates this. Just think, Elizabeth, if you marry a man it's not only for keeps, but it's for every day, all the time, whether he likes the things you loathe or not."

"Have you shaken hands with anybody yet, Peggy?"

"No, I haven't. Have you seen your future husband again?"

"I passed him on the street yesterday. I like a boy that really takes his hat off, instead of fumbling at it."

"Tom certainly takes his hat off—like a streak."

"Too much like a streak. Besides, he always wears a cap."

"I like caps," said Peggy.

"I don't. I like hats. Bob Stoddard had a hat even at the picnic."

"Look here, Elizabeth," Peggy said, seriously, "I hope you really won't get interested in that Stoddard boy. It would be kind of uncanny, and I should feel too awfully responsible."

"You didn't do anything about it."

"I got you into this counting business. I don't really think there is anything in it, but if there was, I should feel guilty all the rest of my life. I don't want to have your marital unhappiness to consider, the way I expect to consider Ruth's."

"Mr. Chambers came back, didn't he?"

"I told you he would. They are on the porch now, having a pow-wow. Mother was so rejoiced over the prodigal's return that it was pitiful."

"Peggy, don't you wish that Ruth had just happened to fancy my Buddy, and to have married him instead?"

"Goodness, yes. Anybody. That doesn't sound very flattering. You know I would have adored it, but that's too great a piece of luck even to contemplate. I'd rather she'd marry—Bill Dean than Piggy Chambers.

"I do not like you, Doctor Fell (Chambers) The reason why I cannot tell, But this alone I know full well, I do not like you, Doctor Fell (Chambers)."

"It would be nice to have lots of money," Elizabeth said, "and to have chauffeurs, and butlers, and tall, elegant footmen in green livery, and estates and things."

"Oh, yes, it would, if you didn't have to take any incumbrances with them. If you had to be handcuffed to a fat man, in addition, that would be something else again."

"Life is very bewildering. Don't you think so, Peggy?"

"It doesn't bewilder me. It disgusts me sometimes. All these mixups could be avoided, if people only wouldn't be short-sighted."

"Some trouble seems to come from other sources."

"Yes, but most all the things that people suffer from could be avoided if they weren't so silly. I notice that all the time."

"Well, so do I."

"Hark," said Peggy, "they're at it again. If they row like that before they are married, what will happen to them in their honeymoon stages?"

"He's going," Elizabeth said; "she's letting him out of the front door."

"Good riddance to perfectly good rubbish," said Peggy, "till dinner time."

"No," Ruth's clear voice rose, distinctly, "no, no. I mean what I say."

"So do I mean what I say. I'll see you at dinner."

"If you like."

"Oh, I like!"

"At seven then."

"At seven."

The door closed after him, and Ruth, looking wearier and paler than Elizabeth had ever seen her, opened the door that led from the reception room to the hallway, and came in.

"Take some seats," said Peggy, hospitably.

Ruth sank into a big wicker armchair without speaking.

"Lovely weather we're having for this time of year," Peggy continued, conversationally. "Ruth, dear, I love you."

"I'm glad of that," Ruth said.

"So do I!" said Elizabeth, timidly.

"I'm glad of that, too," said Ruth Farraday, with her charming, wistful smile. "Well, children, you don't need to go on with those dresses. You won't have occasion to wear them."

"What?" said Peggy.

"I've just told Mr. Chambers that I won't marry him."

"Does he know it?"

"Well, not exactly, Peggy—that's his trouble—but he will know it. I'm—I'm through."

"I don't believe it," Peggy said.

"I do, and that's the principal thing," Ruth said. "I never realized how he felt about certain things before. I hadn't given much thought to his attitude about the war and all that. I knew he had been a sort of pacifist, and that he had German friends and business connections. I like men to be broad-minded. I don't mind a man that sticks to honest conclusions, if they're sincere, but when I find they are coloured by physical or moral cowardice, why, then I—I'm through. Albert Chambers is a coward, and he's a selfish coward. We've had it all out and I know."

"Hooray," said Peggy, "I could have told you that any time this summer."

"And I'm through with marriage or any idea of marriage, so there we are."

"I don't envy you the sweet task of breaking it to Mother."

"Haven't you got any feeling, Peggy? Don't you care how hard the things are I've been going through?"

"Don't I?" said Peggy. She flung the folds of muslin wide, and made an impetuous dive for her sister. "Oh, Ruthie, Ruthie, Ruthie," she cried, "I'm so glad, I'm trying not to believe it, for fear it isn't so."

Ruth clung to her wordlessly.

"I love you, I love you," Peggy whispered.

"I tried to do the right thing," Ruth said. "It's been hard to know what was right."

"You're all right," said Peggy, feebly. "Excuse these tears all down your back, Ruthie."

"I've got to be at home for lunch," Elizabeth said. "I—I—they're expecting me."

"Don't mind us," Peggy said, "this is only a small family reunion."

"I think I'd really better go."

"I'll write a note to your brother, Elizabeth, when it's settled. Mr. Chambers doesn't even understand it yet, you know."

"I wouldn't have told Buddy unless you had told me to," Elizabeth said.

Ruth smiled.

"I might have known you wouldn't," she said, "your own kind of people have your own sense of decency, and the others never have."

"I'm so glad I seem to you like your own kind of people." Elizabeth took Ruth Farraday's out-stretched hand gratefully.

"Well, you do, dear, and you always have. On your own account, I mean." she added, quickly.

"That's what I meant, too," said Elizabeth, shyly.

It was hard to sit through the mid-day meal with the secret that would change Buddy's world for him locked in her breast, still Elizabeth managed it somehow. He looked very pale and worn, but the three men kept up a lively discussion of the impending Presidential campaign and other political matters. She noticed the respect that both her father and Buddy paid to Grandfather's opinions on all these subjects.

Elizabeth wondered how it could be that Buddy could laugh his hearty laugh, before he knew the thing that she could have told him or how, when the conversation turned to the question of bait for a day's fishing on the banks that the three men contemplated, he could discuss worms and fishing tackle so eagerly.

"Speaking of fish," Buddy said, "it seems to me that these are extraordinarily good herrings we are eating. I don't suppose there is any difference in herrings, but——"

"Well, you don't suppose right, then," Grandfather said, "there is as much difference in the herrings that come from Herring River and those you get over to the westward as there is between some folks. The meat's whiter and sweeter in the Herring River herrings. I used to think it was a great thing to go after them in the spring. It don't make no difference where a herring has been putting in his time in the other seasons, come spring he makes for the river bed where he was born. I've seen them so thick on their way up Herring River that they couldn't swim straight, but had to kind of flop over one side to make way for t'other. I used to get five cents a hundred for 'em, and kitch 'em as fast as I could haul 'em out."

"That isn't true, is it?" asked Elizabeth. "Do herrings go back to the place where they were born?"

"Yes, and sometimes they swim a great many hundreds of miles to get there. They seek the Southern waters in the cold weather, you know, but they always come back once a year to the stream in which they were born," Elizabeth's father explained to her.

"The place where their great-grandfathers were spawned. It's natural," Grandfather said.

"I guess it is natural," Elizabeth said, soberly.

"You bet it is," said Buddy.

They took a drive in the new roadster that afternoon, and Buddy seemed so happy and so free during the entire course of the day that Elizabeth was entirely unprepared to find him, as she found him some time after supper, flung across the bottom of the big four-poster bed in the guest room, with his head buried in his hands.

"Buddy," she said, "Buddy, dear."

"Oh, I'm all right, Sis. Run along."

"I thought perhaps you wanted to walk with me to the post office."

"I do, but it isn't time yet."

"It's nearly time."

"When it's time, we'll go."

"Buddy, I wouldn't feel too bad. Things mightn't be so dreadful as you think."

"They might, and then again they mightn't."

"I wouldn't give up."

"I've given up everything I can give up."

"You seem—pretty much all right."

"Live or die, sink or swim, survive or perish. Them's my slogans. I'll come through all right. I am all right. Got to be."

"Oh, Buddy," Elizabeth said, "you will be all right."

"It's a funny thing, little sister, that you don't irritate me more. It seems to me that you used to be quite an irritating child, and now I scarcely mind you, no matter how Paul Pryish or Polly Anna-ish you get."

"I could irritate you more if I wanted to."

"I'm perfectly willing to take that for granted."

Just as they reached the post office they met the Chambers' car piled with a full luggage equipment. Albert Chambers sat in lonely state within, looking neither to right nor left.

"He didn't go back to dinner, after all," Elizabeth thought, "or at any rate, he didn't stay."

Buddy made no comment on this encounter, but he walked composedly through the crowd overflowing the little building, his head held high, and all the colour drained from his white face. He even insisted on stopping at the drug store and regaling Elizabeth with her favourite marshmallow and maple nut sundae, though he refused all refreshment for himself.

"One thing that the life over there taught you was that you've got to get through every day somehow," he said, thoughtfully. "I wish ice-cream soda didn't drip so much. There's a row of pink rings and chocolate rings all along this counter. I don't like them."

"He thinks everything is perfectly horrid," Elizabeth said to herself, "and yet he doesn't give in. Oh, I think he's perfectly splendid!"

They made a detour and came out by the Flatiron field, where the station road divided itself into two separate byways in the crux of which was a letter box. Ruth Farraday was in the act of mailing a letter there. It dropped inside as Elizabeth and Buddy approached.

"I was just mailing you a letter," Ruth said.

"Can't I get it out?" Buddy asked.

"No," Ruth said, "turn and walk with me home, and I'll tell you. Elizabeth knows already. I've broken my engagement. No, don't say anything. I—I just want to tell you, that's all."

"There is so much I might say!" Buddy said.

"The reason I broke it has nothing to do with anything else—except that I broke it," she explained, incoherently. "It doesn't mean anything but that. I shall never marry now, I'm going into reconstruction work abroad."

"Not—not right away," Buddy said.

"As soon as I can make my plans—but there is one thing I want you to believe. I've written it in the letter, but I don't know whether I've managed to make it as clear as I meant to. I've broken my engagement only because Mr. Chambers and I were not suited to each other."

"I—know that," Buddy said.

"So this might just as well be good-bye between us."

"If you wish it so?"

"Do you doubt I wish it?"

"No," Buddy said, "I know how you feel."

"Then—then good-bye."

"Right here?" said Buddy. "I thought we were going to walk home with you."

"I'm nearly home," Ruth said. "Say it now, please."

"Good-bye," said Buddy. He stood looking at her for a moment, levelly into her eyes. Then he turned away, wheeling as if he were under orders to march.

"Tell me what you know, Elizabeth," he said, as they walked on, and Elizabeth told him of what had happened at the Farradays that morning.

"But I thought things were going to be all fixed," she concluded, miserably, "and now they seem to be in a worse tangle than ever. I don't see what she's sending you away for."

"That's all right," said Buddy. "I see."

"But she said it was good-bye between you."

"That's all right. It's an ethical question with her. She split up with him because she couldn't stand him, not because she wanted me. It's like a gentleman's agreement, you see. You enter into a mutual arrangement under the supposition that the other fellow is as decent as yourself. When you find he isn't, that releases you, unless the contract is actually signed. If he'd been all right, she would have stuck. She wants me to understand that."

"But you do understand it, and I don't see why she has to be so cool."

"I want her to be cool," said Buddy. "What do you think I wanted? To go in and spend the evening?"

"Well, that would be better than this."

"No, it wouldn't," said Buddy.

"I don't understand you," Elizabeth said. "Perhaps you are not feeling very well, Buddy. You looked awfully pale there in the post office."

"I'm not pale now, am I?"

"No-o, but you look so kind of queer, and you act queer, too, Buddy. I understood why you respected her feelings when she wouldn't break her engagement, but now that she has, I don't see why you go right on respecting them. I—I thought you wanted to marry her yourself."

"Marry her? Why, I'm going to," said Buddy. "That's the point."

"When—when?" said Elizabeth.

"Just as soon as I can get three weeks' salary in my jeans."

"But she said she was going away, and—and everything."

"Oh, I'll attend to all that!" said Buddy, happily. "Don't you worry, Sister."

CHAPTER XX

Good-bye

Elizabeth was making a round of farewell calls. Her summer on Cape Cod was over. Her trunk had already been packed and sent by express to New York, with all the other family baggage excepting the light motor trunk and bags that they were to carry in the car.

Moses and Madget and Mabel surrounded her when she arrived at the Steppes.

"You look like a lady in them clothes," Moses said, "I didn't know you."

"She's got gloves on," Mabel said, "and a pink hat."

"Loverly gloves," said Madget, dreamily. "I want a pink hat."

"I want flowers on my hat," said Mabel, critically.

"How nice your house looks," Elizabeth said. "The kitchen floor is clean, and everything put away."

"Mis' Laury Ann, she's learning me how to do housework, and I learn Mabel pretty good. Marmer she bought some dishes. See 'em there. Mabel and me, we like to keep 'em shined up."

On the two shelves over the pump an array of formidably coloured, coarse crockery had made its appearance. Large pink roses heavily smeared with gilt were the prevailing decoration. Three pink coffee cups, with a gilded moustache protector in each, occupied a place of honour.

"Me and Marmer and Mabel has these," Moses informed her proudly. "Madget, she drinks out of a mug. It's only a plain white mug, so we don't put it where it will show. Ma, she says she had just as soon we would eat out o' them dishes if we'll clean 'em up after."

"Who does the cooking?"

"I told you I done the cooking once," Moses said, "how many times have you got to be said it over to?"

"Moses!"

"Well," said Moses, argumentatively, "if you was old enough to boss me, it would be different, but you ain't."

"I'm bigger than you are, Moses, and you are not big enough to boss me."

"No," said Moses, "but I'm big enough to fight you to see who's got the most strength. Only girls can't fight."

"Only morally," said Elizabeth.

"Huh?" said Moses, staring blankly.

"Well, never mind. You take care of your mother and sister and be a nice, clean boy, and—and learn your lessons at school."

"Then what'll I get?"

"You'll get to be comfortable and happy by your own efforts."

"Well, I ain't going to do what anybody tells me—much."

"Tell yourself, Moses. Tell yourself to be good, and then mind yourself. I do."

"But you'm a girl," Moses said.

"It doesn't make any difference who you are, Moses. If you don't try to learn that lesson about minding yourself, you won't get on very well."

"Who says so?"

"Miss Laury Ann says so, for one."

"Did she tell you to mind yourself?"

"She—she showed me how to do it."

"Does she mind herself?"

"Always, that's what makes her—so nice and kind. You see, Moses, you are the man of the family, and the man of the family has to be responsible for it and have a good control of it. So you've got to have a good control of yourself." The word was unfortunate.

"Ma's got a control," Moses said. "Little Eva."

"I didn't mean that kind of control, Moses. I meant—well, you just think what I meant. I want you to promise me that you will watch yourself and tell yourself what's right and wrong, just as if you were telling it to somebody else."

"Well, I'll see about it," said Moses, "but if I do it, they got to," he pointed to his sisters.

"Try it a while for yourself, and then if it works, teach it to them," said Elizabeth with sudden inspiration.

"Well, I'll teach it to them, anyway," Moses decided.

"Here comes Marmer," Mabel cried.

"I just slipped over to Mis' Hawes'," Mrs. Steppe explained, apologetically. "I had a matter I wanted to consult her about. My spine kinder give way last night, and I thought when she was going into a trance, she might see if Little Eva had anything to say about it. It ain't important enough for her to go into one special for."

Elizabeth stared at the vision in purple velvet—a tight-fitting basque of obsolete make gripped the eighteen-inch waist inexorably, and the skirt, cut to the prevailing eight inches above the floor, exposed high white canvas shoes with knotted laces, shoes that had apparently never been cleaned in the course of their long and useful existence. Mrs. Steppe had not prefaced this elaborate toilet by arranging her hair, and the light strands stood out from her face, straggling and unkempt as usual.

"I'm glad to see you," Elizabeth said, a little confusedly. "I just came in to say good-bye. I'm going away to-night, you know."

"What train be you taking?"

"I'm not taking any train. We're motoring."

"Well," said Mrs. Steppe. "I'm glad you got an automobile to go in. I'm one of those that likes to see my friends get on in the world."

"So—so do I," said Elizabeth. "What a pretty colour that dress is."

"I like to wear silks and velvets," Mrs. Steppe said, with the slightest emphasis on the I. "Some people don't care nothing about it."

"I love silks and velvets myself, and that's a lovely quality."

"When I put my money in anything, I like to put it in something good."

"Yes, indeed. I think that's my brother tooting his horn for me, so I'll have to say good-bye."

"It's quite a little car, ain't it?" Mrs. Steppe surveyed the new roadster from the vantage point of the window. "For my taste, I like these limousines, but anything that will go is better than nothing."

"Yes, indeed," said Elizabeth, "good-bye."

"Good-bye," said Mrs. Steppe, "take care of yourself. I hope you'll find me in better health next summer than you have this."

"Good-bye, Mabel. Good-bye, Madget."

"Good-bye," said Mabel, "come again."

"Kiss me again, Madget," said Elizabeth, "aren't you a little sorry I am going? Oh, be good children, won't you?"

"Bring me a present some time," said Mabel.

"I will."

"Well, if you say you will, you will—I know that," said Mabel.

"Leggo," said their mother, "leggo. That little automobile out there is waiting for her. Tell Moses to get off that front seat and come back into the house. I don't know where the boy's manners is. I ain't never seen any sign of them."

"Oh, dear!" said Elizabeth, as she drove away with Buddy, "it doesn't seem as if anybody with so little intelligence could be so selfish as that Mis' Steppe is. It saddens me every time I go there. I know I've had a funny call, but it doesn't seem funny to me. It never does."

"Now, you want to be dropped at Peggy's, don't you?"

"Yes, please."

"Give Peggy my love and tell her to keep us informed about her sister."

"I guess you've kept informed about her ever since she left."

"A little additional information at times won't do any harm. I don't want her to spring anything on me—like getting out of the country."

"She's getting ready to go abroad."

"She thinks she's getting ready to go abroad. I just want about ten days before the day she thinks she's going."

"She's getting her passport."

"I want her to," said Buddy, affectionately, "I want her to have everything go the way she thinks she wants it to go, and then at the end I want to step right in and smash it."

"Just like that?" said Elizabeth.

"Just like that," said Buddy, happily.

"I don't believe I'm going to be able to bear this," said Peggy. "I thought it was going to be all right to say good-bye. Everybody has to at this time of the year, but—but that doesn't make it any easier. I don't want to part with you at all. I couldn't sleep last night, thinking of it."

"Neither could I," said Elizabeth.

"It's a whole year till next summer."

"I know it."

"I figured it out. It will be at least two hundred and seventy-two days before we are down here together again."

"Will it? We might visit each other in the winter."

"We might, but will we? You know my parents and I know yours. They always have other plans for their offspring in the vacations."

"How is your mother?" Elizabeth asked.

"She's pretty good. I did Mother an injustice. She's a better loser than I thought she'd be. She's been awfully decent to Ruth. Elizabeth, do you know what I found out about Ruth?"

"Oh, what?"

"I found out why she broke her engagement. I would have broken mine. She found out that he falsified his income tax report. He bragged about it to her. He thought it was smart. She wouldn't stand for it, that's all. If he hadn't given himself away, she'd be Mrs. Millionaire-slacker-Piggy Chambers, and half over to Europe by this time."

"I don't like to think of it."

"Well, then, think of me," said Peggy. "You don't care as much as I care. You are going back to your Jean and you like her best. There, I said I would bite my tongue out before I said that to you, and now I've gone and said it."

"Let's not care what we say," Elizabeth said. "I do love Jean. Grandmother always says it doesn't make any difference how many children a woman has, she always has a different place in her heart for every one. I guess that's the way it is with friends. None of them can occupy the same place."

"I only have one in my place," said Peggy, "you are my most intimate friend and I am not yours. Well, I guess I'll have to get reconciled to it."

"I have two most intimate friends," said Elizabeth, "don't cry, Peggy."

"Well, you're crying yourself, that's something. It's—it's a great deal."

"Good-bye," said Elizabeth, "there's Buddy's horn again."

"Good-bye," said Peggy. "Oh, I won't say good-bye. I—I guess I'll come over there and see you off."

"She won't," Elizabeth thought, "she's just saying that to postpone the evil hour. All right, Peggy, dear," she said aloud, "good-bye till—good-bye!" and she flung her arms around Peggy's neck in a suffocating embrace.

In the old valanced rocking chairs before the living-room windows Grandfather and Grandmother Swift sat alone in the gathering darkness.

"House seems kinder lonesome to-night, don't it, Mother? Hard lines to lose the whole family all to once. They ought to gone off one by one, so's we wouldn't notice it so much."

"Times come and seasons change," said Grandmother. "We have to expect to let 'em go. We are lucky to have them coming, even if we do have to let them go again."

"Young John—Buddy she calls him—is as likely a young feller as I ever see."

"And as handsome."

"John—he's made a fine job of his business and a fine job of his life, as far as I can see. He keeps remarkable young for a man of his way of living, too. Don't dissipate none. I expect that's the secret of it. He picked himself up a pretty likely wife, too—good looking and sweet natured and no nonsense about her. She looks like her, too."

"She's going to be about her mother's size, I should say, when she gets her growth. She ain't quite so fair, but she's got the same eyes, and the same long, light-coloured lashes."

"But her mouth's all Swift," said Grandfather. "You know that tintype we got of John. Why, cut her hair off, and put her in a boy's shirt and necktie and she'd be the image of him."

"When they stood up there together by the door just before they started, and he put his arm around your shoulder, the likeness stood out plain then."

"Where's Judidy to-night? Gone out with her feller?"

"No, not to-night. The poor critter felt so bad when she see that car pulling out of the yard that she burst out into a fit of crying, and put her apron over her head and run off. She hasn't been heard from since."

"Judidy was fond of her, and she had cause to be. I guess she give her almost a complete wedding outfit out of her own fixings that she brought down."

"It was pretty cunning of her to give away the silk things she set such a store by. She washed 'em all out herself and run new ribbons in them, and then went and laid them out on Judidy's bed, with her eyes full of tears because she was parting with them. She found out that Judidy had set her heart on silk underwear for her wedding outfit, and she thought it all out that she had ought to give them to her. 'I have about everything I want, Grandma,' she said, 'and I've had a summer's wear out of them.' She don't exaggerate nothing much, that she does."

"She's been pretty plucky, the way she took right hold helping you in the kitchen. She's helped me, too. When we was getting in the hay, and Zeckal was busy all the time she mixed up the hog's vittles and fed the hens, and carted big pails of water around. Faith, Hope, and Charity, they've been squealing considerable to-night, I notice. I guess they kinder feel the absence of a friend."

"You remember the first night she come, Father? You was kind o' disappointed in her."

"So was you, but you didn't let on nothing."

"You said that you kinder hoped that John's girl was going to be a little more like folks."

Grandfather chuckled.

"Did I?" he said. "Well, she turned out to be a good deal more like folks than most people ever gets to be."

Grandmother wiped her eyes.

"There," she said, "I'm most always able to be philosophical about everything, but to tell the truth, I don't know how I am going to be able to get along without that child."

"Well—" Grandfather took off his spectacles and wiped them carefully before he transferred his attention to the process of mopping his forehead—"well, I don't know how I'm going to get along without her, either," he said.

THE END

THE COUNTRY LIFE PRESS GARDEN CITY, N. Y.

Transcriber Notes:

Throughout the dialogues, there were words used to mimic accents of the speakers. Those words were retained as-is.

The illustrations have been moved so that they do not break up paragraphs and so that they are next to the text they illustrate.

Errors in punctuations and inconsistent hyphenation were not corrected unless otherwise noted.

In the caption of the illustration on page 46, a period was added at the end of the last sentence.

On page 6, "look a might" was replaced with "look a mite".

On page 40, "strangers smile" was replaced with "stranger's smile".

On page 60, "Peggy s!" was replaced with "Peggy's".

On page 181, "Promethueus Bound" was replaced with "Prometheus Bound".

On page 185, a single quotation mark was replaced with a double quotation mark.

On page 207, a quotation mark was added before "Do you want to come".

On page 279, "overt he pump" was replaced with "over the pump".

*** END OF THE PROJECT GUTENBERG EBOOK ELIZABETH, HER FOLKS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- CONTENTS.
- LIST OF ILLUSTRATIONS.
- ELIZABETH, HER FOLKS
- CHAPTER I
- CHAPTER II
- CHAPTER III
- CHAPTER IV
- CHAPTER V
- CHAPTER VI
- CHAPTER VII
- CHAPTER VIII
- CHAPTER IX
- CHAPTER X
- CHAPTER XI
- CHAPTER XII
- CHAPTER XIII
- CHAPTER XIV
- CHAPTER XV
- CHAPTER XVI
- CHAPTER XVII
- CHAPTER XVIII
- CHAPTER XIX
- CHAPTER XX
- Transcriber Notes:
- THE FULL PROJECT GUTENBERG LICENSE