Chatto & Windus's List of Books, July 1878
Date: 2018-08-27T00:00:00+00:00
Keywords: Publishers' catalogs -- England -- London; Chatto & Windus (Firm) -- Catalogs

The Project Gutenberg eBook of Chatto & Windus's List of Books, July 1878

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Chatto & Windus's List of Books, July 1878

Author: Chatto & Windus

Release date: August 27, 2018 [eBook #57784]

Language: English

Credits: Produced by MWS, Wayne Hammond and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK CHATTO & WINDUS'S LIST OF BOOKS, JULY 1878 ***

July, 1878.

CHATTO & WINDUS’S

List of Books.

ON BOOKS AND BOOK-BUYERS.
By John Ruskin, LL.D.

“I say we have despised literature; what do we, as a nation, care about books? How much do you think we spend altogether on our libraries, public or private, as compared with what we spend on our horses? If a man spends lavishly on his library, you call him mad—a bibliomaniac. But you never call one a horse-maniac, though men ruin themselves every day by their horses, and you do not hear of people ruining themselves by their books. Or, to go lower still, how much do you think the contents of the book-shelves of the United Kingdom, public and private, would fetch, as compared with the contents of its wine-cellars? What position would its expenditure on literature take as compared with its expenditure on luxurious eating? We talk of food for the mind, as of food for the body: now, a good book contains such food inexhaustible: it is provision for life, and for the best part of us; yet how long most people would look at the best book before they would give the price of a large turbot for it! Though there have been men who have pinched their stomachs and bared their backs to buy a book, whose libraries were cheaper to them, I think, in the end, than most men’s dinners are. We are few of us put to such a trial, and more the pity; for, indeed, a precious thing is all the more precious to us if it has been won by work or economy; and if public libraries were half as costly as public dinners, or books cost the tenth part of what bracelets do, even foolish men and women might sometimes suspect there was good in reading as well as in munching and sparkling; whereas the very cheapness of literature is making even wiser people forget that if a book is worth reading it is worth buying.”—Sesame and Lilies; or, King’s Treasures.

Chatto & Windus’s
List of Books.

Square 8vo, cloth, extra gilt, gilt edges, with Coloured Frontispiece and numerous Illustrations, 10s. 6d.

The Art of Beauty.

By Mrs. H. R. Haweis, Author of “Chaucer for Children.” With nearly One Hundred Illustrations by the Author.

“A most interesting book, full of valuable hints and suggestions.... If young ladies would but lend their ears for a little to Mrs. Haweis, we are quite sure that it would result in their being at once more tasteful, more happy, and more healthy than they now often are, with their false hair, high heels, tight corsets, and ever so much else of the same sort.”—Nonconformist.

Crown 4to, containing 24 Plates beautifully printed in Colours, with descriptive Text, cloth extra, gilt, 6s.; illustrated boards, 3s. 6d.

Æsop’s Fables.

Translated into Human Nature. By C. H. Bennett.

“For fun and frolic the new version of Æsop’s Fables must bear away the palm. There are plenty of grown-up children who like to be amused; and if this new version of old stories does not amuse them they must be very dull indeed, and their situation one much to be commiserated.”—Morning Post.

Crown 8vo, cloth extra, with 639 Illustrations, 7s. 6d., a New Edition (uniform with “The Englishman’s House”) of

A Handbook of Architectural Styles.

Translated from the German of A. Rosengarten by W. Collett-Sandars. With 639 Illustrations.

Crown 8vo, Coloured Frontispiece and Illustrations, cloth gilt, 7s. 6d.

A History of Advertising,

From the Earliest Times. Illustrated by Anecdotes, Curious Specimens, and Biographical Notes of Successful Advertisers. By Henry Sampson.

“We have here a book to be thankful for. We recommend the present volume, which takes us through antiquity, the middle ages, and the present time, illustrating all in turn by advertisements—serious, comic, roguish, or downright rascally. The volume is full of entertainment from the first page to the last.”—Athenæum.

Crown 8vo, with Portrait and Facsimile, cloth extra, 7s. 6d.

Artemus Ward’s Works:

The Works of Charles Farrer Browne, better known as Artemus Ward. With Portrait, facsimile of Handwriting, &c.

“The author combines the powers of Thackeray with those of Albert Smith. The salt is rubbed in with a native hand—one which has the gift of tickling.”—Saturday Review.

Small 4to, green and gold, 6s. 6d.; gilt edges, 7s. 6d.

As Pretty as Seven,

and other Popular German Stories. Collected by Ludwig Bechstein. With Additional Tales by the Brothers Grimm, and 100 Illustrations by Richter.

Crown 8vo, cloth extra, 7s. 6d.

A Handbook of London Bankers;

With some Account of their Predecessors, the Early Goldsmiths; together with Lists of Bankers, from 1677 to 1876. By F. G. Hilton Price.

Crown 8vo, cloth extra, 9s.

Bardsley’s Our English Surnames:

Their Sources and Significations. By Charles Wareing Bardsley, M.A. Second Edition, revised throughout, considerably enlarged, and partially rewritten.

“Mr. Bardsley has faithfully consulted the original mediæval documents and works from which the origin and development of surnames can alone be satisfactorily traced. He has furnished a valuable contribution to the literature of surnames, and we hope to hear more of him in this field.”—Times.

Demy 8vo, cloth extra, with Illustrations, 18s.

Baker’s Clouds in the East:

Travels and Adventures on the Perso-Turkoman Frontier. By Valentine Baker. With Maps and Illustrations, coloured and plain, from Original Sketches. Second Edition, revised and corrected.

“A man who not only thinks for himself, but who has risked his life in order to gain information.... A most graphic and lively narrative of travels and adventures which have nothing of the commonplace about them.”—Leeds Mercury.

Demy 8vo, illustrated, uniform in size for binding.

Henry Blackburn’s Art Handbooks:

Academy Notes, 1875.

With Forty Illustrations. 1s.

Academy Notes, 1876.

With One Hundred and Seven Illustrations. 1s.

Academy Notes, 1877.

With One Hundred and Forty-three Illustrations. 1s.

Academy Notes, 1878.

With One Hundred and Fifty Illustrations. 1s.

Grosvenor Notes, 1878.

With Sixty-eight Illustrations, 1s. [See end of this list.]

Dudley Notes, 1878.

(The Water-colour Exhibition.) With Sixty-four Illusts., 1s.

Pictures at South Kensington.

(The Raphael Cartoons, Sheepshanks Collection, &c.) With Seventy Illustrations. 1s.

The English Pictures at the National Gallery.

With One Hundred and Fourteen Illustrations. 1s.

The Old Masters at the National Gallery.

With One Hundred and Thirty Illustrations. 1s. 6d.

⁂ The two last form a complete Catalogue to the National Gallery, and may be had bound in one volume, cloth, 3s.

Other parts in preparation.

“Our Bank of Elegance notes are not in high credit. But our Bank of Arts notes ought to be, when the bank is Henry Blackburn’s & Co., and the notes are his Grosvenor Gallery Notes, and his Academy Notes for 1878. Never were more unmistakable cases of “value received,” than theirs who purchase these two wonderful shillingsworths—the best aids to memory, for the collections they relate to, that have ever been produced. The Illustrations, excellent records of the pictures, in many cases from sketches by the painters, are full of spirit, and, for their scale, wonderfully effective; the remarks terse, and to the point. After Punch’s Own Guide to the Academy, and the Grosvenor, the best, he has no hesitation in saying, are Mr. Blackburn’s.”—Punch, June 7, 1878.

UNIFORM WITH “ACADEMY NOTES.”

The Royal Scottish Academy Notes, 1878.

Containing One Hundred and Seventeen Illustrations of the Chief Works, from Drawings by the Artists. Edited by George R. Halkett. 1s.

Notes to the Seventeenth Exhibition of the Glasgow Institute of the Fine Arts, 1878.

Containing 95 Illustrations, chiefly from Drawings by the Artists. Edited by George R. Halkett. 1s.

Folio, half-bound boards, India proofs, 21s.

Blake (William).

Etchings from his Works. By William Bell Scott. With descriptive Text.

“The best side of Blake’s work is given here, and makes a really attractive volume, which all can enjoy.... The etching is of the best kind, more refined and delicate than the original work.”—Saturday Review.

Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Boccaccio’s Decameron;

or, Ten Days’ Entertainment. Translated into English, with an Introduction by Thomas Wright, Esq., M.A., F.S.A. With Portrait, and Stothard’s beautiful Copperplates.

Price One Shilling Monthly, with Four Illustrations.

Belgravia Magazine.

That the purpose with which “BELGRAVIA” was originated has been fulfilled, is shown by the popularity that has attended it since its first appearance. Aiming, as may be inferred from its name, at supplying the most refined and cultivated section of London society with intellectual pabulum suited to its requirements, it sprang at once into public favour, and has since remained one of the most extensively read and widely circulated of periodicals. In passing into new hands it has experienced no structural change or modification. Increased energy and increased capital have been employed in elevating it to the highest standard of excellence, but all the features that had won public appreciation have been retained, and the Magazine still seeks its principal support in the homes of Belgravia. As the means through which the writer most readily reaches the heart of the general public, and in consequence as the most important of aids in the establishment of morals and the formation of character, fiction still remains a principal feature in the Magazine. Two Serial Stories accordingly run through its pages; supplemented by short Stories, Novelettes, and narrative or dramatic Sketches: whilst Essays, Social, Biographical, and Humorous; Scientific Discoveries brought to the level of popular comprehension, and treated with a light touch; Poetry, of the highest character; and records of Adventure and Travel, form the remaining portion of the contents. Especial care is now bestowed upon the illustrations, of which no fewer than four appear in each number. Beyond the design of illustrating the article they accompany, these aim at maintaining a position as works of art, both as regards drawing and engraving. In short, whatever claims the Magazine before possessed to favour have now been enhanced, and the Publishers can but leave the result to a public that has seldom failed to appreciate all earnest, persistent, and well-directed efforts for its amusement and benefit.

⁂ The THIRTY-FIFTH Volume of BELGRAVIA, elegantly bound in crimson cloth, full gilt side and back, gilt edges, price 7s. 6d., is now ready.—Handsome Cases for binding the volume can be had at 2s. each.

Third Edition, crown 8vo, cloth extra, gilt, 6s.

Boudoir Ballads:

Vers de Société. By J. Ashby-Sterry.

Imperial 4to, cloth extra, gilt and gilt edges, price 21s. per volume.

Beautiful Pictures by British Artists:

A Gathering of Favourites from our Picture Galleries. In 2 Series.

The First Series including Examples by Wilkie, Constable, Turner, Mulready, Landseer, Maclise, E. M. Ward, Frith, Sir John Gilbert, Leslie, Ansdell, Marcus Stone, Sir Noel Paton, Faed, Eyre Crowe, Gavin O’Neil, and Madox Brown.

The Second Series containing Pictures by Armytage, Faed, Goodall, Hemsley, Horsley, Marks, Nicholls, Sir Noel Paton, Pickersgill, G. Smith, Marcus Stone, Solomon, Straight, E. M. Ward, and Warren.

All engraved on Steel in the highest style of Art. Edited, with Notices of the Artists, by Sydney Armytage, M.A.

“This book is well got up, and good engravings by Jeens, Lumb Stocks, and others, bring back to us pictures of Royal Academy Exhibitions of past years.”—Times.

Crown 8vo, with Photographic Portrait, cloth extra, 9s.

Blanchard’s (Laman) Poems.

Now first Collected. Edited, with a Life of the Author by Blanchard Jerrold.

Crown 8vo, cloth extra, 7s. 6d.

Bret Hart’s Select Works,

in Prose and Poetry. With Introductory Essay by J. M. Bellow, Portrait of the Author, and 50 Illustrations.

“Not many months before my friend’s death, he had sent me two sketches of a young American writer (Bret Harte), far away in California (‘The Outcasts of Poker Flat,’ and another), in which he had found such subtle strokes of character as he had not anywhere else in late years discovered; the manner resembling himself, but the matter fresh to a degree that had surprised him; the painting in all respects masterly, and the wild rude thing painted a quite wonderful reality. I have rarely known him more honestly moved.”—Forster’s Life of Dickens.

Crown 8vo, cloth extra, gilt, 7s. 6d.

Brand’s Observations on Popular Antiquities,

chiefly Illustrating the Origin of our Vulgar Customs, Ceremonies, and Superstitions. With the Additions of Sir Henry Ellis. An entirely New and Revised Edition, with fine full-page Illustrations.

Small crown 8vo, cloth extra, gilt, with full-page Portraits, 4s. 6d.

Brewster’s (Sir David) Martyrs of Science.

Small crown 8vo, cloth extra, gilt, with Astronomical Plates, 4s. 6d.

Brewster’s (Sir David) More Worlds than One,

the Creed of the Philosopher and the Hope of the Christian.

Small crown 8vo, cloth extra, 6s.

Brillat-Savarin’s Gastronomy as a Fine Art;

or, The Science of Good Living. A Translation of the “Physiologie du Goût” of Brillat-Savarin, with an Introduction and Explanatory Notes by R. E. Anderson, M.A.

“We have read it with rare enjoyment, just as we have delightedly read and re-read quaint old Izaak. Mr. Anderson has done his work of translation daintily, with true appreciation of the points in his original; and altogether, though late, we cannot but believe that this book will be welcomed and much read by many.”—Nonconformist.

Demy 8vo, profusely Illustrated in Colours, price 30s.

The British Flora Medica:

A History of the Medicinal Plants of Great Britain. Illustrated by a Figure of each Plant, COLOURED BY HAND. By Benjamin H. Barton, F.L.S., and Thomas Castle, M.D., F.R.S. A New Edition, revised, condensed, and partly re-written, by John R. Jackson, A.L.S., Curator of the Museums of Economic Botany, Royal Gardens, Kew.

The Stothard Bunyan.—Crown 8vo, cloth extra, gilt, 7s. 6d.

Bunyan’s Pilgrim’s Progress.

Edited by Rev. T. Scott. With 17 beautiful Steel Plates by Stothard, engraved by Goodall; and numerous Woodcuts.

Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Byron’s Letters and Journals.

With Notices of his Life. By Thomas Moore. A Reprint of the Original Edition, newly revised, Complete in One thick Volume, with Twelve full-page Plates.

“We have read this book with the greatest pleasure. Considered merely as a composition, it deserves to be classed among the best specimens of English prose which our age has produced.... The style is agreeable, clear, and manly, and when it rises into eloquence, rises without effort or ostentation. It would be difficult to name a book which exhibits more kindness, fairness, and modesty.”—Macaulay, in the Edinburgh Review.

Crown 8vo, cloth extra, gilt, 7s. 6d.

Colman’s Humorous Works:

“Broad Grins,” “My Nightgown and Slippers,” and other Humorous Works, Prose and Poetical, of George Colman. With Life by G. B. Buckstone, and Frontispiece by Hogarth.

Demy 4to, cloth extra, gilt edges. 31s. 6d.

Canova’s Works in Sculpture and Modelling.

150 Plates, exquisitely engraved in Outline by Moses, and printed on an India tint. With Descriptions by the Countess Albrizzi, a Biographical Memoir by Cicognara, and Portrait by Worthington.

“The fertility of this master’s resources is amazing, and the manual labour expended on his works would have worn out many an ordinary workman. The outline engravings are finely executed. The descriptive notes are discriminating, and in the main exact.”—Spectator.

NEW VOLUME OF HUNTING SKETCHES.
Oblong 4to, half-bound boards, 21s.

Canters in Crampshire.

By G. Bowers. I. Gallops from Gorseborough. II. Scrambles with Scratch Packs. III. Studies with Stag Hounds.

“The fruit of the observation of an artist who has an eye for character, a sense of humour, and a firm and ready hand in delineating characteristic details.... Altogether, this is a very pleasant volume for the tables of country gentlemen, or of those town gentlemen who, like Mr. Black’s hero and heroine, divide their time between “Green Pastures and Piccadilly.”—Daily News.

“An amusing volume of sketches and adventures in the hunting-field, drawn with great spirit, a keen sense of humour and fun, and no lack of observation.”—Spectator.

Two Vols. imperial 8vo, cloth extra, gilt, the Plates beautifully printed in Colours, £3 3s.

Catlin’s Illustrations of the Manners, Customs, and Condition of the North American Indians:

the result of Eight Years of Travel and Adventure among the Wildest and most Remarkable Tribes now existing. Containing 360 Coloured Engravings from the Author’s original Paintings.

Small 4to, cloth gilt, with Coloured Illustrations, 10s. 6d.

Chaucer for Children:

A Golden Key. By Mrs. H. R. Haweis. With Eight Coloured Pictures and numerous Woodcuts by the Author.

“It must not only take a high place among the Christmas and New Year books of this season, but is also of permanent value as an introduction to the study of Chaucer, whose works, in selections of some kind or other, are now text-books in every school that aspires to give sound instruction in English.”—Academy.

Crown 8vo, cloth gilt, Two very thick Volumes, 7s. 6d. each.

Cruikshank’s Comic Almanack.

Complete in Two Series: The First from 1835 to 1843; the Second from 1844 to 1853. A Gathering of the Best Humour of Thackeray, Hood, Mayhew, Albert Smith, A’Beckett, Robert Brough, &c. With 2000 Woodcuts and Steel Engravings by Cruikshank, Hine, Landells, &c.

Demy 8vo, cloth extra, with Coloured Illustrations and Maps, 24s.

Cope’s History of the Rifle Brigade

(The Prince Consort’s Own), formerly the 95th. By Sir William H. Cope, formerly Lieutenant, Rifle Brigade.

“This latest contribution to the history of the British army is a work of the most varied information regarding the distinguished regiment whose life it narrates, and also of facts interesting to the student in military affairs.... Great credit is due to Sir W. Cope for the patience and labour, extending over many years, which he has given to the work.... In many cases well-executed plans of actions are given.”—Morning Post.

“Even a bare record of a corps which has so often been under fire, and has borne a part in important engagements all over the world, could not prove otherwise than full of matter acceptable to the military reader.”—Athenæum.

Crown 8vo, cloth extra, gilt, with Portraits, 7s. 6d.

Creasy’s Memoirs of Eminent Etonians;

with Notices of the Early History of Eton College. By Sir Edward Creasy, Author of “The Fifteen Decisive Battles of the World.” A New Edition, brought down to the Present Time, with 13 Illustrations.

“A new edition of ‘Creasy’s Etonians’ will be welcome. The book was a favourite a quarter of a century ago, and it has maintained its reputation. The value of this new edition is enhanced by the fact that Sir Edward Creasy has added to it several memoirs of Etonians who have died since the first edition appeared. The work is eminently interesting.”—Scotsman.

To be Completed in Twenty-four Parts, quarto, at 5s. each, profusely illustrated by Coloured and Plain Plates and Wood Engravings,

Cyclopædia of Costume;

or, A Dictionary of Dress—Regal, Ecclesiastical, Civil, and Military—from the Earliest Period in England to the reign of George the Third. Including Notices of Contemporaneous Fashions on the Continent, and a General History of the Costumes of the Principal Countries of Europe. By J. R. Planché, Somerset Herald. Part XXI. nearly ready.

“A most readable and interesting work—and it can scarcely be consulted in vain, whether the reader is in search for information as to military, court, ecclesiastical, legal, or professional costume.... All the chromo-lithographs, and most of the woodcut illustrations—the latter amounting to several thousands—are very elaborately executed; and the work forms a livre de luxe which renders it equally suited to the library and the ladies’ drawing-room.”—Times.

⁂ The DICTIONARY forms Vol. I., which may now be had bound in half red morocco, price £3 13s. 6d. Cases for binding 5s. each.

The remaining Parts will be occupied by the GENERAL HISTORY OF THE COSTUMES OF EUROPE, arranged Chronologically.

Demy 8vo, half-bound morocco, 21s.

Dibdin’s Bibliomania;

or, Book-Madness: A Bibliographical Romance. With numerous Illustrations. A New Edition, with a Supplement, including a Key to the Assumed Characters in the Drama.

Parts I. to XII. now ready, 21s. each.

Cussans’ History of Hertfordshire.

By John E. Cussans. Illustrated with full-page Plates on Copper and Stone, and a profusion of small Woodcuts.

“Mr. Cussans has, from sources not accessible to Clutterbuck, made most valuable additions to the manorial history of the county from the earliest period downwards, cleared up many doubtful points, and given original details concerning various subjects untouched or imperfectly treated by that writer. The pedigrees seem to have been constructed with great care, and are a valuable addition to the genealogical history of the county. Mr. Cussans appears to have done his work conscientiously, and to have spared neither time, labour, nor expense to render his volumes worthy of ranking in the highest class of County Histories.”—Academy.

Demy 8vo, cloth extra, 12s. 6d.

Doran’s Memories of our Great Towns.

With Anecdotic Gleanings concerning their Worthies and their Oddities. By Dr. John Doran, F.S.A.

“Lively and conversational; ‘brimful,’ as the introductory notice in the volume describes them, ‘of pleasant chatty interest and antiquarian lore.’... The volume will be found useful to ordinary visitors to the towns included within its range.... Many of the anecdotes contained in this pleasant collection have not, so far as we know, been published elsewhere.”—Saturday Review.

Second Edition, demy 8vo, cloth gilt, with Illustrations, 18s.

Dunraven’s The Great Divide:

A Narrative of Travels in the Upper Yellowstone in the Summer of 1874. By the Earl of Dunraven. With Maps and numerous striking full-page Illustrations by Valentine W. Bromley.

“There has not for a long time appeared a better book of travel than Lord Dunraven’s ‘The Great Divide.’... The book is full of clever observation, and both narrative and illustrations are thoroughly good.”—Athenæum.

Demy 8vo, cloth extra, with Illustrations, 24s.

Dodge’s (Colonel) The Hunting Grounds of the Great West:

A Description of the Plains, Game, and Indians of the Great North American Desert. By Richard Irving Dodge, Lieutenant-Colonel of the United States Army. With an Introduction by William Blackmore; Map, and numerous Illustrations drawn by Ernest Griset.

“This magnificent volume is one of the most able and most interesting works which has ever proceeded from an American pen, while its freshness is equal to that of any similar book. Colonel Dodge has chosen a subject of which he is master, and treated it with a fulness that leaves nothing more to be desired, and in a style which is charming equally for its picturesqueness and its purity.”—Nonconformist.

Crown 8vo, cloth extra, gilt, with Illustrations, 6s.

Emanuel On Diamonds and Precious Stones:

their History, Value, and Properties; with Simple Tests for ascertaining their Reality. By Harry Emanuel, F.R.G.S. With numerous Illustrations, Tinted and Plain.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

The Englishman’s House:

A Practical Guide to all interested in Selecting or Building a House, with full Estimates of Cost, Quantities, &c. By C. J. Richardson. Third Edition. With nearly 600 Illustrations.

⁂ This book is intended to supply a long-felt want, viz., a plain, non-technical account of every style of house, with the cost and manner of building; it gives every variety, from a workman’s cottage to a nobleman’s palace.

Crown 8vo, cloth boards, 6s. per Volume; a few Large Paper copies (only 50 printed), at 12s. per Vol.

Early English Poets.

Edited, with Introductions and Annotations, by Rev. A. B. Grosart.

“Mr. Grosart has spent the most laborious and the most enthusiastic care on the perfect restoration and preservation of the text; and it is very unlikely that any other edition of the poet can ever be called for.... From Mr. Grosart we always expect and always receive the final results of most patient and competent scholarship.”—Examiner.

1. Fletcher’s (Giles, B.D.)

Complete Poems: Christ’s Victorie in Heaven, Christ’s Victorie on Earth, Christ’s Triumph over Death, and Minor Poems. With Memorial-Introduction and Notes. One Vol.

2. Davies’ (Sir John)

Complete Poetical Works, including Psalms I. to L. in Verse, and other hitherto Unpublished MSS., for the first time Collected and Edited. With Memorial-Introduction and Notes. Two Vols.

3. Herrick’s (Robert) Hesperides.

Noble Numbers, and Complete Collected Poems. With Memorial-Introduction and Notes, Steel Portrait, Index of First Lines, and Glossarial Index, &c. Three Vols.

4. Sidney’s (Sir Philip)

Complete Poetical Works, including all those in “Arcadia.” With Portrait, Memorial-Introduction, Essay on the Poetry of Sidney, and Notes. Three Vols.

5. Donne’s (Dr. John)

Complete Poetical Works, including the Satires and various from MSS. With Memorial-Introduction and Notes.
[In preparation.]

IMPORTANT VOLUME OF ETCHINGS.
Folio, cloth extra, £1 11s. 6d.

Examples of Contemporary Art.

Etchings from Representative Works by living English and Foreign Artists. Edited, with Critical Notes, by J. Comyns Carr.

“It would not be easy to meet with a more sumptuous, and at the same time a more tasteful and instructive drawing-room book.”—Nonconformist.

Crown 8vo, cloth extra, with Illustrations, 6s.

Fairholt’s Tobacco:

Its History and Associations; with an Account of the Plant and its Manufacture, and its Modes of Use in all Ages and Countries. By F. W. Fairholt, F.S.A. A New Edition, with Coloured Frontispiece and upwards of 100 Illustrations by the Author.

“A very pleasant and instructive history of tobacco and its associations, which we cordially recommend alike to the votaries and to the enemies of the much-maligned but certainly not neglected weed.... Full of interest and information.”—Daily News.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Finger-Ring Lore:

Historical, Legendary, and Anecdotal.—Earliest Notices; Superstitions; Ring Investiture, Secular and Ecclesiastical; Betrothal and Wedding Rings; Ring-tokens; Memorial and Mortuary Rings; Posy-Rings; Customs and Incidents in Connection with Rings; Remarkable Rings, &c. By William Jones, F.S.A. With Hundreds of Illustrations of Curious Rings of all Ages and Countries.

“Enters fully into the whole subject, and gives an amount of information and general reading in reference thereto which is of very high interest. The book is not only a sort of history of finger-rings, but is a collection of anecdotes in connection with them.... The volume is admirably illustrated, and altogether affords an amount of amusement and information which is not otherwise easily accessible.”—Scotsman.

“One of those gossiping books which are as full of amusement as of instruction.”—Athenæum.

The Ruskin Grimm.—Square crown 8vo, cloth extra, 6s. 6d.; gilt edges, 7s. 6d.

German Popular Stories.

Collected by the Brothers Grimm, and Translated by Edgar Taylor. Edited, with an Introduction, by John Ruskin. With 22 Illustrations after the inimitable designs of George Cruikshank. Both Series Complete.

“The illustrations of this volume ... are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as I have before said in the Appendix to my ‘Elements of Drawing,’ were unrivalled in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him).... To make somewhat enlarged copies of them, looking at them through a magnifying glass, and never putting two lines where Cruikshank has put only one, would be an exercise in decision and severe drawing which would leave afterwards little to be learnt in schools.”—Extract from Introduction by John Ruskin.

One Vol. crown 8vo, cloth extra, 9s.

Gilbert’s (W. S.) Original Plays:

“A Wicked World,” “Charity,” “The Palace of Truth,” “Pygmalion,” “Trial by Jury,” &c.

“His workmanship is in its way perfect; it is very sound, very even, very well sustained, and excellently balanced throughout.”—Observer.

Crown 8vo, cloth extra, with Illustrations, 4s. 6d.

Faraday’s Chemical History of a Candle.

Lectures delivered to a Juvenile Audience. A New Edition. Edited by W. Crookes, F.C.S. With numerous Illustrations.

Crown 8vo, cloth extra, with Illustrations, 4s. 6d.

Faraday’s Various Forces of Nature.

A New Edition. Edited by W. Crookes, F.C.S. With numerous Illustrations.

One Shilling Monthly, Illustrated by Arthur Hopkins.

The Gentleman’s Magazine.

Edited by Sylvanus Urban, Gentleman.

In seeking to restore the “GENTLEMAN’S MAGAZINE” to the position it formerly held, the Publishers do not lose sight of the changed conditions under which it now appears. While maintaining an historical continuity which dates back to the reign of George the Second, there will be no attempt to burden the present with the weight of a distant past, or to adhere slavishly to traditions the application of which is unsuited to the altered conditions of society at the present time. It is sought to render the Magazine to the gentleman of to-day what in earlier times it proved to the gentleman of a past generation. New features will be introduced to take the place of those which disappear; in the most important respects, however, the connecting links between the present and the past will be closest. Biography and History, which have always formed a conspicuous portion of the contents, will retain the prominence assigned them, and will be treated with the added breadth that springs from increased familiarity with authorities and more exact appreciation of the province of the Biographer and the Historian. Science, which confers upon the age special eminence, will have its latest conclusions and forecasts presented in a manner which shall bring them within the grasp of the general reader. The philosophical aspect of Politics, the matters which affect Imperial interests, will be separated from the rivalries of party, and will receive a due share of attention. Archæology (under which comprehensive head may be included Genealogy, Topography, and other similar matters), Natural History, Sport and Adventure, Poetry, Belles Lettres, Art in all its manifestations, will constitute a portion of the contents; and Essays upon social subjects will, as heretofore, be interspersed. Under the head of Table Talk matters of current interest will be discussed, and facts of historic value will be preserved. A Work of Fiction by some novelist of highest position will run through the pages of the Magazine, and will be illustrated by artists of known excellence. With a full sense of what is involved in their promise, and with a firm resolution to abide by their pledges, the Publishers undertake to spare no exertion that is necessary to secure the highest class of contributions, to place the Magazine in the first rank of serials, and to fit it to take its place on the table and on the shelves of all classes of cultivated Englishmen.

⁂ Now ready, the Volume for January to June, 1878, cloth extra, price 8s. 6d.; and Cases for binding, price 2s. each.

Demy 4to, cloth extra, with Illustrations, 31s. 6d.

Gillray the Caricaturist:

The Story of his Life and Times, with Anecdotal Descriptions of his Engravings. Edited by Thomas Wright, Esq., M.A., F.S.A. With 83 full-page Plates, and numerous Wood Engravings.

Crown 8vo, cloth gilt and gilt edges, 7s. 6d.

The Golden Treasury of Thought:

An Encyclopædia of Quotations from Writers of all Times and Countries. Selected and Edited by Theodore Taylor.

Square 16mo (Tauchnitz size), cloth extra, 2s. per volume

The Golden Library:

Bayard Taylor’s Diversions of the Echo Club.

The Book of Clerical Anecdotes.

Byron’s Don Juan.

Carlyle (Thomas) on the Choice of Books.

With a Memoir. 1s. 6d.

Emerson’s Letters and Social Aims.

Godwin’s (William) Lives of the Necromancers.

Holmes’s Autocrat of the Breakfast Table.

With an Introduction by G. A. Sala.

Holmes’s Professor at the Breakfast Table.

Hood’s Whims and Oddities.

Complete. With all the original Illustrations.

Irving’s (Washington)

Tales of a Traveller.

Irving’s (Washington)

Tales of the Alhambra.

Jesse’s (Edward) Scenes and Occupations of Country Life.

Lamb’s Essays of Elia.

Both Series Complete in One Vol.

Leigh Hunt’s Essays:

A Tale for a Chimney Corner, and other Pieces. With Portrait, and Introduction by Edmund Ollier.

Mallory’s (Sir Thomas) Mort d’Arthur:

The Stories of King Arthur and of the Knights of the Round Table. Edited by B. Montgomerie Ranking.

Pascal’s Provincial Letters.

A New Translation, with Historical Introduction and Notes, by T. M’Crie, D.D., LL.D.

Pope’s Complete Poetical Works.

Rochefoucauld’s Maxims and Moral Reflections.

With Notes, and an Introductory Essay by Sainte-Beuve.

St. Pierre’s Paul and Virginia, and the Indian Cottage.

Edited, with Life, by the Rev. E. Clarke.

Shelley’s Early Poems and Queen Mab,
with Essay by Leigh Hunt.

Shelley’s Later Poems:

Laon and Cythna, &c.

Shelley’s Posthumous Poems,
the Shelley Papers, &c.

Shelley’s Prose Works,
including A Refutation of Deism, Zastrozzi, St. Irvyne, &c.

White’s Natural History of Selborne.

Edited, with additions, by Thomas Brown, F.L.S.

“A series of excellently printed and carefully annotated volumes, handy in size, and altogether attractive.”—Bookseller.

Small 8vo, cloth gilt, 6s.

Gosse’s King Erik:

A Tragedy. By Edmund W. Gosse. Vignette by W. B. Scott.

“We have seldom seen so marked an advance in a second book beyond a first. Its merits are solid and of a very high order.”—Academy.

Small 8vo, cloth gilt, 5s.

Gosse’s On Viol and Flute.

Second Edition. With a Vignette by W. B. Scott.

Half-bound, paper boards, 21s.; or elegantly half-bound crimson morocco, gilt, 25s.

The Graphic Portfolio.

Fifty Engravings from “The Graphic,” most carefully printed on the finest plate paper (18 in. by 15 in.) from the Original Engravings. The Drawings are by S. L. Fildes, Helen Paterson, Hubert Herkomer, Sydney Hall, E. J. Gregory, G. D. Leslie, W. Small, G. Du Maurier, Sir John Gilbert, G. J. Pinwell, Charles Green, G. Durand, M. E. Edwards, A. B. Houghton, H. S. Marks, F. W. Lawson, H. Weigall, and others.

“Contains some of the choicest specimens, both of drawing and wood-engraving. Admirable in details and expression, and engraved with rare delicacy.”—Daily News.

Demy 8vo, cloth extra, with Illustrations, 21s.

Greeks and Romans (The Life of the),

Described from Antique monuments. By Ernst Guhl and W. Koner. Translated from the Third German Edition, and Edited by Dr. F. Hueffer. With 545 Illustrations.

Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Greenwood’s Low Life Deeps:

An Account of the Strange Fish to be found there; including “The Man and Dog Fight,” with much additional and confirmatory evidence; “With a Tally-Man,” “A Fallen Star,” “The Betting Barber,” “A Coal Marriage,” &c. By James Greenwood. With Illustrations in tint by Alfred Concanen.

Crown 8vo, cloth extra, gilt, with Illustrations, 4s. 6d.

Guyot’s Earth and Man;

or, Physical Geography in its Relation to the History of Mankind. With Additions by Professors Agassiz, Pierce, and Gray. 12 Maps and Engravings on Steel, some Coloured, and a copious Index.

Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Greenwood’s Wilds of London:

Descriptive Sketches, from Personal Observations and Experience, of Remarkable Scenes, People, and Places in London. By James Greenwood. With 12 Tinted Illustrations by Alfred Concanen.

“Mr. James Greenwood presents himself once more in the character of ‘one whose delight it is to do his humble endeavour towards exposing and extirpating social abuses and those hole-and-corner evils which afflict society.’”—Saturday Review.

Large 4to, price One Guinea, with 14 facsimile plates.

The Grosvenor Gallery Illustrated Catalogue—

Winter Exhibition (1877-78) of Drawings by the Old Masters and Water-Colour Drawings by Deceased Artists of the British School. With a Critical Introduction by J. Comyns Carr.

“Turning to Mr. Comyns Carr’s essay on the drawings of the Italian Masters, we may say that it is undeniably the most finished piece of critical writing that has fallen from his hand.”—Academy.

“Mr. Comyns Carr’s Illustrated Catalogue of the Grosvenor Gallery Exhibition of Drawings last year, with his admirable introduction and careful photographic illustrations. It costs a guinea, and is worth a great deal more. Exquisite alike in its text and its illustrations.”—Punch.

Crown 8vo, cloth extra, 6s.

Hake’s New Symbols:

Poems. By Thomas Gordon Hake.

“The entire book breathes a pure and ennobling influence, shows welcome originality of idea and illustration, and yields the highest proof of imaginative faculty and mature power of expression.”—Athenæum.

Medium 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Hall’s (Mrs. S. C.) Sketches of Irish Character.

With numerous Illustrations on Steel and Wood by Daniel Maclise, Sir John Gilbert, W. Harvey, and G. Cruikshank.

“The Irish Sketches of this lady resemble Miss Mitford’s beautiful English Sketches in ‘Our Village,’ but they are far more vigorous and picturesque and bright.”—Blackwood’s Magazine.

Small 8vo, cloth limp, with Illustrations, 2s. 6d.

The House of Life;

Human Physiology, with its Applications to the Preservation of Health. For use in Classes, and Popular Reading. With numerous Illustrations. By Mrs. F. Fenwick Miller.

Three Vols. royal 4to, cloth boards, £6 6s.

Historical Portraits;

Upwards of 430 Engravings of Rare Prints. Comprising the Collections of Rodd, Richardson, Caulfield, &c. With Descriptive Text to every Plate, giving a brief outline of the most important Historical and Biographical Facts and Dates connected with each Portrait, and references to original Authorities.

Two Vols. royal 8vo, with Coloured Frontispieces, cloth extra, £2 5s.

Hope’s Costume of the Ancients.

Illustrated in upwards of 320 Outline Engravings, containing Representations of Egyptian, Greek, and Roman Habits and Dresses.

“The substance of many expensive works, containing all that may be necessary to give to artists, and even to dramatic performers and to others engaged in classical representations, an idea of ancient costumes sufficiently ample to prevent their offending in their performances by gross and obvious blunders.”

Crown 8vo, cloth extra, gilt, 7s. 6d.

Hood’s (Thomas) Choice Works,

In Prose and Verse. Including the Cream of the Comic Annuals. With Life of the Author, Portrait, and over Two Hundred original Illustrations.

“Not only does the volume include the better-known poems by the author, but also what is happily described as ‘the Cream of the Comic Annuals.’ Such delicious things as ‘Don’t you smell Fire?’ ‘The Parish Revolution,’ and ‘Huggins and Duggins,’ will never want readers.”—Graphic.

Crown 8vo, cloth extra, with Photographic Portrait, 6s.

Hood’s (Tom) Poems, Humorous and Pathetic.

Edited, with a Memoir, by his Sister, Frances Freeling Broderip.

“There are many poems in the volume which the very best judge might well mistake for his father’s work.”—Standard.

Square crown 8vo, in a handsome and specially-designed binding, gilt edges, 6s.

Hood’s (Tom) From Nowhere to the North Pole:

A Noah’s Arkæological Narrative. With 25 Illustrations by W. Brunton and E. C. Barnes.

“The amusing letterpress is profusely interspersed with the jingling rhymes which children love and learn so easily. Messrs. Brunton and Barnes do full justice to the writer’s meaning, and a pleasanter result of the harmonious co-operation of author and artist could not be desired.”—Times.

Crown 8vo, cloth extra, gilt, 7s. 6d.

Hook’s (Theodore) Choice Humorous Works,

including his Ludicrous Adventures, Bons-mots, Puns, and Hoaxes. With a new Life of the Author, Portraits, Facsimiles, and Illustrations.

Demy 8vo, cloth extra, 12s. 6d.

Hueffer’s The Troubadours:

A History of Provençal Life and Literature in the Middle Ages. By Francis Hueffer.

“This attractive volume deals in a very fresh and exact way with a most interesting phase of culture and letters.... Mr. Hueffer claims for his volume the praise of being the first adequate study on so famous a subject as the Troubadours which has appeared in the English language; and we believe that we must allow that he is right. His book will be found exceedingly interesting and valuable.... It is a grateful task to review a volume where so firm aground of scholarship is under our feet, and where there is so little need to be on the watch for instances of inaccuracy or want of knowledge.... Mr. Hueffer is to be congratulated on a very important contribution to literature.”—Examiner.

Crown 8vo, cloth extra, 7s. 6d.

Howell’s The Conflicts of Capital and Labour,

Historically and Economically considered. Being a History and Review of the Trade Unions of Great Britain, showing their Origin, Progress, Constitution, and Objects, in their Political, Social, Economical, and Industrial Aspects. By George Howell.

“A complete account of trades unions, involving the most candid statement of their objects and aspirations, their virtues and faults, is of great value; and such Mr. Howell’s book will be found by those who consult it.... Far from being the impassioned utterance of an advocate, it is, on the contrary, a calm authoritative statement of facts, and the expression of the views of the workmen and their leaders.... The book is a storehouse of facts, some of them extremely well arranged.... His book is of profound interest. We have no hesitation in giving it our hearty praise.”—Echo.

“This book is an attempt, and on the whole a successful attempt, to place the work of trade unions in the past, and their objects in the future, fairly before the public from the working man’s point of view.”—Pall Mall Gazette.

Atlas folio, half morocco, gilt, £5 5s.

The Italian Masters:

Autotype Facsimiles of Original Drawings in the British Museum. With Critical and Descriptive Notes, Biographical and Artistic, by J. Comyns Carr.

“This splendid volume ... Mr. Carr’s choice of examples has been dictated by wide knowledge and fine tact.... The majority have been reproduced with remarkable accuracy. Of the criticism which accompanies the drawings we have not hitherto spoken, but it is this which gives the book its special value.”—Pall Mall Gazette.

Crown 8vo, cloth extra, 7s.

Horne’s Orion:

An Epic Poem, in Three Books. By Richard Hengist Horne. Tenth Edition.

“Orion will be admitted, by every man of genius, to be one of the noblest, if not the very noblest, poetical work of the age. Its defects are trivial and conventional, its beauties intrinsic and supreme.”—Edgar Allan Poe.

Small 8vo, cloth extra, 6s.

Jeux d’Esprit,

Written and Spoken, of the Later Wits and Humourists. Collected and Edited by Henry S. Leigh.

“This thoroughly congenial piece of work ... Mr. Leigh’s claim to praise is threefold: he has performed the duty of taster with care and judgment; he has restored many stolen or strayed bons-mots to their rightful owners; and he has exercised his editorial functions delicately and sparingly.”—Daily Telegraph.

Two Vols. 8vo, with 52 Illustrations and Maps, cloth extra, gilt, 14s.

Josephus’s Complete Works.

Translated by Whiston. Containing both “The Antiquities of the Jews,” and “The Wars of the Jews.”

Small 8vo, cloth, full gilt, gilt edges, with Illustrations, 6s.

Kavanaghs’ Pearl Fountain,

And other Fairy Stories. By Bridget and Julia Kavanagh. With Thirty Illustrations by J. Moyr Smith.

“Genuine new fairy stories of the old type, some of them as delightful as the best of Grimm’s ‘German Popular Stories.’... For the most part, the stories are downright, thorough-going fairy stories of the most admirable kind.... Mr. Moyr Smith’s illustrations, too, are admirable. Look at that white rabbit. Anyone would see at the first glance that he is a rabbit with a mind, and a very uncommon mind too—that he is a fairy rabbit, and that he is posing as chief adviser to some one—without reading even a word of the story. Again, notice the fairy-like effect of the little picture of the fairy-bird ‘Don’t-forget-me,’ flying away back into fairy-land. A more perfectly dream-like impression of fairy-land has hardly been given in any illustration of fairy tales within our knowledge.”—Spectator.

Small 8vo, cloth extra, 5s.

Lamb’s Poetry for Children, and Prince Dorus.

Carefully reprinted from unique copies.

“The quaint and delightful little book, over the recovery of which all the hearts of his lovers are yet warm with rejoicing.”—Mr. Swinburne, in the Athenæum.

Crown 8vo, cloth, full gilt, 6s. (uniform with “Boudoir Ballads.”)

Leigh’s A Town Garland.

By Henry S. Leigh, Author of “Carols of Cockayne.”

Crown 8vo, cloth extra, gilt, with Portraits, 7s. 6d.

Lamb’s Complete Works,

In Prose and Verse, reprinted from the Original Editions, with many Pieces hitherto unpublished. Edited, with Notes and Introduction, by R. H. Shepherd. With Two Portraits and Facsimile of a page of the “Essay on Roast Pig.”

“A complete edition of Lamb’s writings, in prose and verse, has long been wanted, and is now supplied. The editor appears to have taken great pains to bring together Lamb’s scattered contributions, and his collection contains a number of pieces which are now reproduced for the first time since their original appearance in various old periodicals.”—Saturday Review.

Crown 8vo, cloth extra, with numerous Illustrations, 10s. 6d.

Mary & Charles Lamb:

Their Poems, Letters, and Remains. With Reminiscences and Notes by W. Carew Hazlitt. With Hancock’s Portrait of the Essayist, Facsimiles of the Title-pages of the rare First Editions of Lamb’s and Coleridge’s Works, and numerous Illustrations.

“Very many passages will delight those fond of literary trifles; hardly any Portion will fail in interest for lovers of Charles Lamb and his sister.”—Standard.

Demy 8vo, cloth extra, with Maps and Illustrations, 18s.

Lamont’s Yachting in the Arctic Seas;

or, Notes of Five Voyages of Sport and Discovery in the Neighbourhood of Spitzbergen and Novaya Zemlya. By James Lamont, F.R.G.S. With numerous full-page Illustrations by Dr. Livesay.

“After wading through numberless volumes of icy fiction, concocted narrative, and spurious biography of Arctic voyagers, it is pleasant to meet with a real and genuine volume.... He shows much tact in recounting his adventures, and they are so interspersed with anecdotes and information as to make them anything but wearisome.... The book, as a whole, is the most important addition made to our Arctic literature for a long time.”—Athenæum.

Crown 8vo, cloth, full gilt, 7s. 6d.

Latter-Day Lyrics:

Poems of Sentiment and Reflection by Living Writers; selected and arranged, with Notes, by W. Davenport Adams. With a Note on some Foreign Forms of Verse, by Austin Dobson.

“A useful and eminently attractive book.”—Athenæum.

“One of the most attractive drawing-room volumes we have seen for a long time.”—Nonconformist.

“The volume is one that should find a place on the bookshelf of every cultivated man or woman. The lyrics are chosen with rare taste and perspicacity. Mr. Davenport Adams undoubtedly possesses the artistic art of selection.”—Liverpool Courier.

Crown 8vo, cloth extra, 8s. 6d.

Lee’s More Glimpses of the World Unseen.

Edited by the Rev. Frederick George Lee, D.C.L., Vicar of All Saints’, Lambeth; Editor of “The Other World; or, Glimpses of the Supernatural,” &c.

In preparation, crown 8vo, cloth extra, illustrated, 10s. 6d.

Leisure-Time Studies.

By Dr. Andrew Wilson, F.R.P.S., &c., Lecturer on Zoology and Comparative Anatomy, Edinburgh School of Medicine; Examiner in Medicine, University of Glasgow, &c.

The Volume will contain Chapters on the following among other subjects—Biology and its Teachings—Science and Education—A Study of Lower Life—Moot Points in Biology—Sea Serpents—Some Facts and Fictions of Zoology—Animal Architects—The Law of Likeness—The Distribution of Animals—The Origin of Nerves—Animal Development and what it Teaches—Animals and their Environments, &c. &c.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Life in London;

or, The History of Jerry Hawthorn and Corinthian Tom. With the whole of Cruikshank’s Illustrations, in Colours, after the Originals.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Longfellow’s Complete Prose Works.

Including “Outre Mer,” “Hyperion,” “Kavanagh,” “The Poets and Poetry of Europe,” and “Driftwood.” With Portrait and Illustrations by Valentine Bromley.

Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Longfellow’s Poetical Works.

Carefully Reprinted from the Original Editions. With numerous fine Illustrations on Steel and Wood.

“Mr. Longfellow has for many years been the best known and the most read of American poets; and his popularity is of the right kind, and rightly and fairly won. He has not stooped to catch attention by artifice, nor striven to force it by violence. His works have faced the test of parody and burlesque (which in these days is almost the common lot of writings of any mark), and have come off unharmed.”—Saturday Review.

Second Edition, crown 8vo, cloth extra, 5s.

MacColl’s Three Years of the Eastern Question.

By the Rev. Malcolm MacColl, M.A.

“I hope I shall not seem obtrusive in expressing to you the pleasure with which I have read your “Three Years of the Eastern Question.” The tide is running so hard against the better cause just now that one feels specially impelled to offer one’s thanks to those who stand firm, particularly when they state our case so admirably as you have.”—Goldwin Smith.

Small crown 8vo, cloth extra, 4s. 6d.

Linton’s Joshua Davidson,

Christian and Communist. By E. Lynn Linton. Sixth Edition, with a New Preface.

The Fraser Portraits.—Demy 4to, cloth gilt and gilt edges, with 83 characteristic Portraits, 31s. 6d.

Maclise’s Gallery of Illustrious Literary Characters.

With Notes by Dr. Maginn. Edited, with copious Additional Notes, by William Bates, B.A.

“One of the most interesting volumes of this year’s literature.”—Times.

“Deserves a place on every drawing-room table, and may not unfitly be removed from the drawing-room to the library.”—Spectator.

Crown 8vo, cloth extra, with Illustrations, 2s. 6d.

Madre Natura v. The Moloch of Fashion.

By Luke Limner. With 32 Illustrations by the Author. Fourth Edition, revised and enlarged.

“Agreeably written and amusingly illustrated. Common sense and erudition are brought to bear on the subjects discussed in it.”—Lancet.

Crown 8vo, cloth extra, 6s.

Lights on the Way:

Some Tales within a Tale. By the late J. H. Alexander, B.A. Edited, with an Explanatory Note, by H. A. Page, Author of “Thoreau: a Study.”

Handsomely printed in facsimile, price 5s.

Magna Charta.

An exact Facsimile of the Original Document in the British Museum, printed on fine plate paper, nearly 3 feet long by 2 feet wide, with the Arms and Seals of the Barons emblazoned in Gold and Colours.

⁂ A full Translation, with Notes, on a large sheet, 6d.

Crown 8vo, cloth extra, 7s. 6d.

Maid of Norway (The).

Translated from the German by Mrs. Birkbeck. With Pen and Ink Sketches of Norwegian Scenery.

Small 8vo, cloth extra, with Illustrations, 7s. 6d.

Mark Twain’s Adventures of Tom Sawyer.

With One Hundred Illustrations.

“A book to be read. There is a certain freshness and novelty about it, a practically romantic character, so to speak, which will make it very attractive.”—Spectator.

⁂ Also a Popular Edition, post 8vo, illustrated boards, 2s.

NEW COPYRIGHT WORK BY MARK TWAIN.
Post 8vo, illustrated boards, 2s.

An Idle Excursion, and other Papers.

By Mark Twain.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Mark Twain’s Choice Works.

Revised and Corrected throughout by the Author. With Life, Portrait, and numerous Illustrations.

Post 8vo, illustrated boards, 2s.

Mark Twain’s Pleasure Trip on the Continent of Europe.

(“The Innocents Abroad,” and “The New Pilgrim’s Progress.”)

Two Vols. crown 8vo, cloth extra, 18s.

Marston’s (Dr. Westland) Dramatic and Poetical Works.

Collected Library Edition.

“The ‘Patrician’s Daughter’ is an oasis in the desert of modern dramatic literature, a real emanation of mind. We do not recollect any modern work in which states of thought are so freely developed, except the ‘Torquato Tasso’ of Goethe. The play is a work of art in the same sense that a play of Sophocles is a work of art; it is one simple idea in a state of gradual development.... ‘The Favourite of Fortune’ is one of the most important additions to the stock of English prose comedy that has been made during the present century.”—Times.

Crown 8vo, cloth extra, 8s.

Marston’s (Philip B.) All in All:

Poems and Sonnets.

Handsomely half-bound, India Proofs, royal folio, £10; Large Paper copies, Artists’ India Proofs, elephant folio, £20.

Modern Art:

A Series of superb Line Engravings, from the Works of Distinguished Painters of the English and Foreign Schools, selected from Galleries and Private Collections in Great Britain. With descriptive Text by James Dafforne.

Crown 8vo, cloth extra, gilt, gilt edges, 7s. 6d.

Muses of Mayfair:

Vers de Société of the Nineteenth Century. Including Selections from Tennyson, Browning, Swinburne, Rossetti, Jean Ingelow, Locker, Ingoldsby, Hood, Lytton, C. S. C., Landor, Austin Dobson, &c. Edited by H. C. Pennell.

Crown 8vo, cloth extra, 8s.

Marston’s (Philip B.) Song Tide,

And other Poems. Second Edition.

Crown 8vo, cloth extra, 6s.

The New Republic;

or, Culture, Faith, and Philosophy in an English Country House. By W. H. Mallock.

“The great charm of the book lies in the clever and artistic way the dialogue is managed, and the diverse and various expedients by which, whilst the love of thought on every page is kept at a high pitch, it never loses its realistic aspect.... It is giving high praise to a work of this sort to say that it absolutely needs to be taken as a whole, and that disjointed extracts here and there would entirely fail to convey any idea of the artistic unity, the careful and conscientious sequence of what is evidently the brilliant outcome of much patient thought and study.... Enough has now been said to recommend these volumes to any reader who desires something above the usual novel, something which will open up lanes of thought in his own mind, and insensibly introduce a higher standard into his daily life.... Here is novelty indeed, as well as originality, and to anyone who can appreciate or understand ‘The New Republic’ it cannot fail to be a rare treat.”—Observer.

Square 8vo, cloth extra, with numerous Illustrations, 9s.

North Italian Folk.

By Mrs. Comyns Carr. With Illustrations by Randolph Caldecott.

“A delightful book, of a kind which is far too rare. If anyone wants to really know the North Italian folk, we can honestly advise him to omit the journey, and sit down to read Mrs. Carr’s pages instead.... Description with Mrs. Carr is a real gift.... It is rarely that a book is so happily illustrated.”—Contemporary Review.

MOORE’S HITHERTO UNCOLLECTED WRITINGS.
Crown 8vo, cloth extra, with Frontispiece, 9s.

Prose and Verse—Humorous, Satirical, and Sentimental—by THOMAS MOORE.

Including Suppressed Passages from the Memoirs of Lord Byron. Chiefly from the Author’s MSS., and all hitherto Inedited and Uncollected. Edited, with Notes, by Richard Herne Shepherd.

“Hitherto Thomas Moore has been mostly regarded as one of the lighter writers merely—a sentimental poet par excellence, in whom the ‘rapture of love and of wine’ determined him strictly to certain modes of sympathy and of utterance, and these to a large extent of a slightly artificial character. This volume will serve to show him in other, and certainly as attractive, aspects, while, at the same time, enabling us to a considerable extent to see how faithfully he developed himself on the poetical or fanciful side.... This is a book which claims, as it ought to obtain, various classes of readers, and we trust that the very mixed elements of interest in it may not conflict with its obtaining them. For the lightest reader there is much to enjoy; for the most thoughtful something to ponder over; and the thanks of both are due to editor and publisher alike.”—Nonconformist.

NEW WORK by the Author of “THE NEW REPUBLIC.”
Crown 8vo, cloth extra, 3s. 6d.

The New Paul and Virginia;

or, Positivism on an Island. By W. H. Mallock, Author of “The New Republic.”

Crown 8vo, cloth extra, with Vignette Portraits, price 6s. per Vol.

The Old Dramatists:

Ben Jonson’s Works.

With Notes, Critical and Explanatory, and a Biographical Memoir by William Gifford. Edited by Col. Cunningham. Three Vols.

Chapman’s Works.

Now First Collected. Complete in Three Vols. Vol. I. contains the Plays complete, including the doubtful ones; Vol. II. the Poems and Minor Translations, with an Introductory Essay by Algernon Charles Swinburne; Vol. III. the Translations of the Iliad and Odyssey.

Marlowe’s Works.

Including his Translations. Edited, with Notes and Introduction, by Col. Cunningham. One Vol.

Massinger’s Plays.

From the Text of William Gifford. With the addition of the Tragedy of “Believe as you List.” Edited by Col. Cunningham. One Vol.

Fcap. 8vo, cloth extra, 6s.

O’Shaughnessy’s (Arthur) An Epic of Women, and other Poems.

Second Edition.

Crown 8vo, cloth extra, 10s. 6d.

O’Shaughnessy’s Lays of France.

(Founded on the “Lays of Marie.”) Second Edition.

Fcap. 8vo, cloth extra, 7s. 6d.

O’Shaughnessy’s Music and Moonlight:

Poems and Songs.

Crown 8vo, illustrated boards, with numerous Plates, 2s. 6d.

Old Point Lace, and How to Copy and Imitate It.

By Daisy Waterhouse Hawkins. With 17 Illustrations by the Author.

Crown 8vo, carefully printed on creamy paper, and tastefully bound in cloth for the Library, price 6s. each.

The Piccadilly Novels:

Popular Stories by the Best Authors.

Antonina. By Wilkie Collins.

Illustrated by Sir J. Gilbert and Alfred Concanen.

Basil. By Wilkie Collins.

Illustrated by Sir John Gilbert and J. Mahoney.

Hide and Seek. By Wilkie Collins.

Illustrated by Sir John Gilbert and J. Mahoney.

The Dead Secret. By Wilkie Collins.

Illustrated by Sir John Gilbert and H. Furniss.

Queen of Hearts. By Wilkie Collins.

Illustrated by Sir J. Gilbert and A. Concanen.

My Miscellanies. By Wilkie Collins.

With Steel Portrait, and Illustrations by A. Concanen.

The Woman in White. By Wilkie Collins.

Illustrated by Sir J. Gilbert and F. A. Fraser.

The Moonstone. By Wilkie Collins.

Illustrated by G. Du Maurier and F. A. Fraser.

Man and Wife. By Wilkie Collins.

Illustrated by William Small.

Poor Miss Finch. By Wilkie Collins.

Illustrated by G. Du Maurier and Edward Hughes.

Miss or Mrs.? By Wilkie Collins.

Illustrated by S. L. Fildes and Henry Woods.

The New Magdalen. By Wilkie Collins.

Illustrated by G. Du Maurier and C. S. Rands.

The Frozen Deep. By Wilkie Collins.

Illustrated by G. Du Maurier and J. Mahoney.

The Law and the Lady. By Wilkie Collins.

Illustrated by S. L. Fildes and Sydney Hall.

The Two Destinies. By Wilkie Collins.

⁂ Also a POPULAR EDITION of WILKIE COLLINS’S NOVELS, post 8vo, illustrated boards, 2s. each.

Felicia. By M. Betham-Edwards.

With a Frontispiece by W. Bowles.

“A noble novel. Its teaching is elevated, its story is sympathetic, and the kind of feeling its perusal leaves behind is that more ordinarily derived from music or poetry than from prose fiction. Few works in modern fiction stand as high in our estimation as this.”—Sunday Times.

Olympia. By R. E. Francillon.

Under the Greenwood Tree. By Thomas Hardy.

Fated To Be Free. By Jean Ingelow.

The Queen of Connaught. By Harriett Jay.

The Dark Colleen. By Harriett Jay.

“A novel which possesses the rare and valuable quality of novelty.... The scenery will be strange to most readers, and in many passages the aspects of Nature are very cleverly described. Moreover, the book is a study of a very curious and interesting state of society. A novel which no novel-reader should miss, and which people who generally shun novels may enjoy.”—Saturday Review.

Patricia Kemball. By E. Lynn Linton.

With Frontispiece by G. Du Maurier.

“Displays genuine humour, as well as keen social observation. Enough graphic portraiture and witty observation to furnish materials for half-a-dozen novels of the ordinary kind.”—Saturday Review.

The Atonement of Leam Dundas. By E. Lynn Linton.

With a Frontispiece by Henry Woods.

“In her narrowness and her depth, in her boundless loyalty, her self-forgetting Passion, that exclusiveness of love which is akin to cruelty, and the fierce humility which is vicarious pride, Leam Dundas is a striking figure. In one quality the authoress has in some measure surpassed herself.”—Pall Mall Gaz.

The Waterdale Neighbours. By Justin McCarthy.

My Enemy’s Daughter. By Justin McCarthy.

Linley Rochford. By Justin McCarthy.

A Fair Saxon. By Justin McCarthy.

Dear Lady Disdain. By Justin McCarthy.

The Evil Eye, and other Stories. By Katharine S. Macquoid.

Illustrated by Thomas R. Macquoid and Percy Macquoid.

“Cameos delicately, if not very minutely or vividly, wrought, and quite finished enough to give a pleasurable sense of artistic ease and faculty. A word of commendation is merited by the illustrations.”—Academy.

Number Seventeen. By Henry Kingsley.

Oakshott Castle. By Henry Kingsley.

With a Frontispiece by Shirley Hodson.

“A brisk and clear north wind of sentiment—sentiment that braces instead of enervating—blows through all his works, and makes all their readers at once healthier and more glad.”—Spectator.

Open! Sesame! By Florence Marryat.

Illustrated by F. A. Fraser.

“A story which arouses and sustains the reader’s interest to a higher degree than, perhaps, any of its author’s former works.”—Graphic.

Whiteladies. By Mrs. Oliphant.

With Illustrations by A. Hopkins and H. Woods.

“A pleasant and readable book, written with practical ease and grace.”—Times.

The Best of Husbands. By James Payn.

Illustrated by J. Moyr Smith.

Fallen Fortunes. By James Payn.

Halves. By James Payn.

With a Frontispiece by J. Mahoney.

Walter’s Word. By James Payn.

Illustrated by J. Moyr Smith.

What he Cost her. By James Payn.

“His novels are always commendable in the sense of art. They also possess another distinct claim to our liking: the girls in them are remarkably charming and true to nature, as most people, we believe, have the good fortune to observe nature represented by girls.”—Spectator.

Her Mother’s Darling. By Mrs. J. H. Riddell.

The Way we Live Now. By Anthony Trollope.

With Illustrations.

The American Senator. By Anthony Trollope.

“Mr. Trollope has a true artist’s idea of tone, of colour, of harmony: his pictures are one, and seldom out of drawing; he never strains after effect, is fidelity itself in expressing English life, is never guilty of caricature.”—Fortnightly Review.

Diamond Cut Diamond. By T. A. Trollope.

“Full of life, of interest, of close observation, and sympathy.... When Mr. Trollope paints a scene it is sure to be a scene worth painting.”—Saturday Review.

Bound to the Wheel. By John Saunders.

Guy Waterman. By John Saunders.

One Against the World. By John Saunders.

The Lion in the Path. By John Saunders.

“A carefully written and beautiful story—a story of goodness and truth, which is yet as interesting as though it dealt with the opposite qualities.... The author of this really clever story has been at great pains to work out all its details with elaborate conscientiousness, and the result is a very vivid picture of the ways of life and habits of thought of a hundred and fifty years ago.... Certainly a very interesting book.”—Times.

Ready-Money Mortiboy. By W. Besant and James Rice.

My Little Girl. By W. Besant and James Rice.

The Case of Mr. Lucraft. By W. Besant and James Rice.

This Son of Vulcan. By W. Besant and James Rice.

With Harp and Crown. By W. Besant and James Rice.

The Golden Butterfly. By W. Besant and James Rice.

With a Frontispiece by F. S. Walker.

“‘The Golden Butterfly’ will certainly add to the happiness of mankind, for defy anybody to read it with a gloomy countenance.”— Times.

NEW NOVEL BY JUSTIN McCARTHY.
Two vols. 8vo, cloth extra, Illustrated, 21s., the Third Edition of

Miss Misanthrope.

By Justin McCarthy, Author of “Dear Lady Disdain,” &c. With 12 Illustrations by Arthur Hopkins.

“In ‘Miss Misanthrope’ Mr. McCarthy has added a new and delightful portrait to his gallery of Englishwomen.... It is a novel which may be sipped like choice wine; it is one to linger over and ponder; to be enjoyed like fine, sweet air, or good company, for it is pervaded by a perfume of honesty and humour, of high feeling, of kindly penetrating humour, of good sense, and wide knowledge of the world, of a mind richly cultivated and amply stored. There is scarcely a page in these volumes in which we do not find some fine remark or felicitous reflection of piercing, yet gentle and indulgent irony.”—Daily News.

MRS. LINTON’S NEW NOVEL.
Two Vols. 8vo, cloth extra, Illustrated, 21s., the Second Edition of

The World Well Lost.

By E. Lynn Linton, Author of “Patricia Kemball,” &c. With 12 Illustrations by Henry French and J. Lawson.

“If Mrs. Linton had not already won a place among our foremost living novelists, she would have been entitled to it by her latest work of fiction—a book of singularly high and varied merit. The story rivets the attention of the reader at the outset, and holds him absorbed until the close.”—Scotsman.

MR. JAMES PAYN’S NEW NOVEL.
Two Vols., 8vo, cloth extra, Illustrated, 21s., the Second Edition of

By Proxy.

By James Payn, Author of “Walter’s Word,” &c. With 12 Illustrations by Arthur Hopkins.

“One of the most racy and entertaining of English novels.”—Illustrated London News.

NEW NOVEL BY MR. JAMES GRANT.
Three Vols., crown 8vo.

The Lord Hermitage.

By James Grant, Author of “The Romance of War,” &c.

OUIDA’S NEW NOVEL.
Now ready, in Three Vols., crown 8vo.

Friendship:

A Story of Society. By Ouida.

Crown 8vo, red cloth, extra, 5s. each.

Ouida’s Novels.—Uniform Edition.

Held in Bondage. By Ouida.

Strathmore. By Ouida.

Chandos. By Ouida.

Under Two Flags. By Ouida.

Idalia. By Ouida.

Tricotrin. By Ouida.

Cecil Castlemaine’s Gage. By Ouida.

Puck. By Ouida.

Folle Farine. By Ouida.

Dog of Flanders. By Ouida.

Pascarel. By Ouida.

Two Wooden Shoes. By Ouida.

Signa. By Ouida.

In a Winter City. By Ouida.

Ariadnê. By Ouida.

Small 8vo, cloth extra, with Illustrations, 3s. 6d.

The Prince of Argolis:

A Story of the Old Greek Fairy Time. By J. Moyr Smith. With 130 Illustrations by the Author.

Post 8vo, illustrated boards, 2s. each.

Cheap Editions of Popular Novels.

[Wilkie Collins’ Novels may also be had in cloth limp at 2s. 6d. See, too, the Piccadilly Novels, for Library Editions.]

The Woman in White. By Wilkie Collins.

Antonina. By Wilkie Collins.

Basil. By Wilkie Collins.

Hide and Seek. By Wilkie Collins.

The Dead Secret. By Wilkie Collins.

The Queen of Hearts. By Wilkie Collins.

My Miscellanies. By Wilkie Collins.

The Moonstone. By Wilkie Collins.

Man and Wife. By Wilkie Collins.

Poor Miss Finch. By Wilkie Collins.

Miss or Mrs.? By Wilkie Collins.

The New Magdalen. By Wilkie Collins.

The Frozen Deep. By Wilkie Collins.

The Law and the Lady. By Wilkie Collins.

Gaslight and Daylight. By George Augustus Sala.

The Waterdale Neighbours. By Justin McCarthy.

My Enemy’s Daughter. By Justin McCarthy.

Linley Rochford. By Justin McCarthy.

A Fair Saxon. By Justin McCarthy.

Dear Lady Disdain. By Justin McCarthy.

An Idle Excursion. By Mark Twain.

The Adventures of Tom Sawyer. By Mark Twain.

Pleasure Trip on the Continent of Europe. By Mark Twain.

Oakshott Castle. By Henry Kingsley.

Bound to the Wheel. By John Saunders.

Guy Waterman. By John Saunders.

One Against the World. By John Saunders.

The Lion in the Path. By John and Katherine Saunders.

Surly Tim. By the Author of “That Lass o’ Lowrie’s.”

Under the Greenwood Tree. By Thomas Hardy.

Ready-Money Mortiboy. By Walter Besant and James Rice.

The Golden Butterfly. By Authors of “Ready-Money Mortiboy.”

This Son of Vulcan. By the Authors of “Ready-Money Mortiboy.”

My Little Girl. By the Authors of “Ready-Money Mortiboy.”

The Case of Mr. Lucraft. Authors of “Ready-Money Mortiboy.”

With Harp and Crown. Authors of “Ready-Money Mortiboy.”

Two Vols. 8vo, cloth extra, with Illustrations, 10s. 6d.

Plutarch’s Lives of Illustrious Men.

Translated from the Greek, with Notes Critical and Historical, and a Life of Plutarch, by John and William Langhorne. New Edition, with Medallion Portraits.

Crown 8vo, cloth extra, with Portrait and Illustrations, 7s. 6d.

Poe’s Choice Prose and Poetical Works.

With Baudelaire’s “Essay.”

“Poe stands as much alone among verse-writers as Salvator Rosa among painters.”—Spectator.

Crown 8vo, cloth extra, Illustrated, 7s. 6d.

The Life of Edgar Allan Poe.

By William F. Gill. With numerous Illustrations and Facsimiles.

Demy 8vo, cloth extra, 12s. 6d.

Proctor’s Myths and Marvels of Astronomy.

By Richard A. Proctor, Author of “Other Worlds than Ours,” &c.

“Mr. Proctor, who is well and widely known for his faculty of popularising the latest results of the science of which he is a master, has brought together in these fascinating chapters a curious collection of popular beliefs concerning divination by the stars, the influences of the moon, the destination of the comets, the constellation figures, and the habitation of other worlds than ours.”—Daily News.

Crown 8vo, cloth extra, 5s.

Prometheus the Fire-Giver:

An attempted Restoration of the Lost First Part of the Trilogy of Æschylus.

“Another illustration of that classical revival which is due in no small degree to the influence of Mr. Swinburne.... Much really fine writing, and much appreciation of the Æschylean spirit.”—Home News.

“Well written in parts—soft, spirited, and vigorous, according to requirement.”—Illustrated London News.

In Two Series, small 4to, blue and gold, gilt edges, 6s. each.

Puniana;

or, Thoughts Wise and Other-Why’s. A New Collection of Riddles, Conundrums, Jokes, Sells, &c. In Two Series, each containing 3000 of the best Riddles, 10,000 most outrageous Puns, and upwards of Fifty beautifully executed Drawings by the Editor, the Hon. Hugh Rowley. Each Series is Complete in itself.

“A witty, droll, and most amusing work, profusely and elegantly illustrated.”—Standard.

Crown 8vo, cloth extra, with Portrait and Facsimile, 12s. 6d.

The Final Reliques of Father Prout.

Collected and Edited, from MSS. supplied by the family of the Rev. Francis Mahony, by Blanchard Jerrold.

Crown 8vo, cloth extra, gilt, 7s. 6d.

The Pursuivant of Arms;

or, Heraldry founded upon Facts. A Popular Guide to the Science of Heraldry. By J. R. Planché, Esq., Somerset Herald. With Coloured Frontispiece, Plates, and 200 Illustrations.

Crown 8vo, cloth extra, 7s. 6d.

Rabelais’ Works.

Faithfully Translated from the French, with variorum Notes, and numerous Characteristic Illustrations by Gustave Doré.

Crown 8vo, cloth gilt, with numerous Illustrations, and a beautifully executed Chart of the various Spectra, 7s. 6d., a New Edition of

Rambosson’s Astronomy.

By J. Rambosson, Laureate of the Institute of France. Translated by C. B. Pitman. Profusely Illustrated.

Crown 8vo, cloth extra, 6s.

Red-Spinner’s By Stream and Sea:

A Book for Wanderers and Anglers. By William Senior (Red-Spinner).

“Mr. Senior has long been known as an interesting and original essayist. He is a keen observer, a confessed lover of ‘the gentle sport,’ and combines with a fine picturesque touch a quaint and efficient humour. All these qualities come out in a most attractive manner in this delightful volume.... It is pre-eminently a bright and breezy book, full of nature and odd out-of-the-way references.... We can conceive of no better book for the holiday tour or the seaside.”—Nonconformist.

“Very delightful reading; just the sort of book which an angler or a rambler will be glad to have in the side pocket of his jacket. Altogether, ‘By Stream and Sea’ is one of the best books of its kind which we have come across for many a long day.”—Oxford University Herald.

Crown 8vo, cloth extra, 7s. 6d.

Memoirs of the Sanson Family:

Seven Generations of Executioners. By Henri Sanson. Translated from the French, with Introduction, by Camille Barrère.

“A faithful translation of this curious work, which will certainly repay perusal—not on the ground of its being full of horrors, for the original author seems to be rather ashamed of the technical aspect of his profession, and is commendably reticent as to its details, but because it contains a lucid account of the most notable causes célèbres from the time of Louis XIV. to a period within the memory of persons still living.... Can scarcely fail to be extremely entertaining.”—Daily Telegraph.

Handsomely printed, price 5s.

The Roll of Battle Abbey;

or, A List of the Principal Warriors who came over from Normandy with William the Conqueror, and Settled in this Country, A.D. 1066-7. Printed on fine plate paper, nearly three feet by two, with the principal Arms emblazoned in Gold and Colours.

In 4to, very handsomely printed, extra gold cloth, 12s.

The Roll of Caerlaverock.

The Oldest Heraldic Roll; including the Original Anglo-Norman Poem, and an English Translation of the MS. in the British Museum. By Thomas Wright, M.A. The Arms emblazoned in Gold and Colours.

Crown 8vo, cloth extra, profusely Illustrated, 4s. 6d. each.

The “Secret Out” Series.

The Art of Amusing:

A Collection of Graceful Arts, Games, Tricks, Puzzles, and Charades. By Frank Bellew. 300 Illustrations.

Hanky-Panky:

Very Easy Tricks, Very Difficult Tricks, White Magic, Sleight of Hand. Edited by W. H. Cremer. 200 Illustrations.

Magician’s Own Book:

Performances with Cups and Balls, Eggs, Hats, Handkerchiefs, &c. All from Actual Experience. Edited by W. H. Cremer. 200 Illustrations.

Magic No Mystery:

Tricks with Cards, Dice, Balls, &c., with fully descriptive Directions; the Art of Secret Writing; the Training of Performing Animals, &c. With Coloured Frontispiece and many Illustrations.

The Merry Circle:

A Book of New Intellectual Games and Amusements. By Clara Bellew. Many Illustrations.

The Secret Out:

One Thousand Tricks with Cards, and other Recreations; with Entertaining Experiments in Drawing-room or “White Magic.” By W. H. Cremer. 300 Engravings.

NEW VOLUME OF THE “SECRET OUT” SERIES.
Crown 8vo, cloth extra, with numerous Plates, 4s. 6d.

The Pyrotechnist’s Treasury;

or, Complete Art of Making Fireworks. By Thomas Kentish.

Post 8vo, with Illustrations, cloth extra, gilt edges, 18s.

The Lansdowne Shakespeare.

Beautifully printed in red and black, in small but very clear type. With engraved facsimile of Droeshout’s Portrait, and 37 beautiful Steel Plates, after Stothard.

In reduced facsimile, small 8vo, half Roxburghe, 10s. 6d.

The First Folio Shakespeare.

Mr. William Shakespeare’s Comedies, Histories, and Tragedies. Published according to the true Originall Copies. London, Printed by Isaac Iaggard and Ed. Blount, 1623.—An exact Reproduction of the extremely rare original, in reduced facsimile by a photographic process—ensuring the strictest accuracy in every detail. A full Prospectus will be sent upon application.

“To Messrs. Chatto and Windus belongs the merit of having done more to facilitate the critical study of the text of our great dramatist than all the Shakespeare clubs and societies put together. A complete facsimile of the celebrated First Folio edition of 1623 for half-a-guinea is at once a miracle of cheapness and enterprise. Being in a reduced form, the type is necessarily rather diminutive, but it is as distinct as in a genuine copy of the original, and will be found to be as useful and far more handy to the student than the latter.”—Athenæum.

Two Vols. crown 8vo, cloth extra, 18s.

The School of Shakspere.

Including “The Life and Death of Captain Thomas Stukeley,” with a New Life of Stucley, from Unpublished Sources; “Nobody and Somebody,” “Histriomastix,” “The Prodigal Son,” “Jack Drum’s Entertainement,” “A Warning for Fair Women,” with Reprints of the Accounts of the Murder; and “Faire Em.” Edited, with Introductions and Notes, and an Account of Robert Green and his Quarrels with Shakspere, by Richard Simpson, B.A., Author of “The Philosophy of Shakspere’s Sonnets,” “The Life of Campion,” &c. With an Introduction by F. J. Furnivall.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Signboards:

Their History. With Anecdotes of Famous Taverns and Remarkable Characters. By Jacob Larwood and John Camden Hotten. With nearly 100 Illustrations.

“Even if we were ever so maliciously inclined, we could not pick out all Messrs. Larwood and Hotten’s plums, because the good things are so numerous as to defy the most wholesale depredation.”—Times.

Crown 8vo, cloth extra, gilt, 6s. 6d.

The Slang Dictionary:

Etymological, Historical, and Anecdotal. An Entirely New Edition, revised throughout, and considerably Enlarged.

“We are glad to see the Slang Dictionary reprinted and enlarged. From a high scientific point of view this book is not to be despised. Of course it cannot fail to be amusing also. It contains the very vocabulary of unrestrained humour, and oddity, and grotesqueness. In a word, it provides valuable material both for the student of language and the student of human nature.”—Academy.

Exquisitely printed in miniature, cloth extra, gilt edges, 2s. 6d.

The Smoker’s Text-Book.

By J. Hamer, F.R.S.L.

Crown 8vo, cloth extra, gilt, with 10 full-page Tinted Illustrations, 7s. 6d.

Sheridan’s Complete Works,

with Life and Anecdotes. Including his Dramatic Writings, printed from the Original Editions, his Works in Prose and Poetry, Translations, Speeches, Jokes, Puns, &c.; with a Collection of Sheridaniana.

“The editor has brought together within a manageable compass not only the seven plays by which Sheridan is best known, but a collection also of his poetical pieces which are less familiar to the public, sketches of unfinished dramas, selections from his reported witticisms, and extracts from his principal speeches. To these is prefixed a short but well-written memoir, giving the chief facts in Sheridan’s literary and political career; so that, with this volume in his hand, the student may consider himself tolerably well furnished with all that is necessary for a general comprehension of the subject of it.”—Pall Mall Gazette.

Crown 4to, uniform with “Chaucer for Children,” with Coloured Illustrations, cloth gilt, 10s. 6d.

Spenser for Children.

By M. H. Towry. With Illustrations in Colours by Walter J. Morgan.

“Spenser has simply been transferred into plain prose, with here and there a line or stanza quoted, where the meaning and the diction are within a child’s comprehension, and additional point is thus given to the narrative without the cost of obscurity.... Altogether the work has been well and carefully done.”—The Times.

Imperial 4to, containing 150 beautifully-finished full-page Engravings and Nine Vignettes, all tinted, and some illuminated in gold and colours, half-morocco, £9 9s.

Stothard’s Monumental Effigies of Great Britain.

With Historical Description and Introduction by John Kempe, F.S.A. A New Edition, with a large body of Additional Notes by John Hewitt.

⁂ A few Large Paper copies, royal folio, with the arms illuminated in gold and colours, and the plates very carefully finished in body-colours, heightened with gold in the very finest style, half-morocco, £15 15s.

Crown 8vo, cloth extra, 9s.

Stedman’s Victorian Poets:

Critical Essays. By Edmund Clarence Stedman.

“We ought to be thankful to those who do critical work with competent skill and understanding, with honesty of purpose, and with diligence and thoroughness of execution. And Mr. Stedman, having chosen to work in this line, deserves the thanks of English scholars by these qualities and by something more; ... he is faithful, studious, and discerning.”—Saturday Review.

Mr. Swinburne’s Works:

The Queen Mother and Rosamond.

Fcap. 8vo, 5s.

Atalanta in Calydon.

A New Edition. Crown 8vo, 6s.

Chastelard.

A Tragedy. Crown 8vo, 7s.

Poems and Ballads.

Fcap. 8vo, 9s. Also in crown 8vo, at same price.

Notes on “Poems and Ballads.”

8vo, 1s.

William Blake:

A Critical Essay. With Facsimile Paintings. Demy 8vo, 16s.

Songs before Sunrise.

Crown 8vo, 10s. 6d.

Bothwell:

A Tragedy. Two Vols. crown 8vo, 12s. 6d.

George Chapman:

An Essay. Crown 8vo, 7s.

Songs of Two Nations.

Crown 8vo, 6s.

Essays and Studies.

Crown 8vo, 12s.

Erechtheus:

A Tragedy. Crown 8vo, 6s.

Note of an English Republican on the Muscovite Crusade.

8vo, 1s.

A Note on Charlotte Brontë.

Crown 8vo, 6s.

MR. SWINBURNE’S NEW WORK.
Crown 8vo, cloth extra, 9s.

Poems and Ballads. Second Series.

By Algernon Charles Swinburne.

⁂ Also in fcap. 8vo, at same price, uniform with the First Series.

Fcap. 8vo, cloth extra, 3s. 6d.

Rossetti’s (W. M.) Criticism upon Swinburne’s “Poems and Ballads.”

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Swift’s Choice Works,

in Prose and Verse. With Memoir, Portrait, and Facsimiles of the Maps in the Original Edition of “Gulliver’s Travels.”

“The ‘Tale of a Tub’ is, in my apprehension, the masterpiece of Swift; certainly Rabelais has nothing superior, even in invention, nor anything so condensed, so pointed, so full of real meaning, of biting satire, of felicitous analogy. The ‘Battle of the Books’ is such an improvement on the similar combat in the Lutrin, that we can hardly own it as an imitation.”—Hallam.

“If he had never written either the ‘Tale of a Tub’ or ‘Gulliver’s Travels,’ his name merely as a poet would have come down to us, and have gone down to posterity, with well-earned honours.”—Hazlitt.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Strutt’s Sports and Pastimes of the People of England;

including the Rural and Domestic Recreations, May Games, Mummeries, Shows, Processions, Pageants, and Pompous Spectacles, from the Earliest Period to the Present Time. With 140 Illustrations. Edited by William Hone.

⁂ A few Large Paper Copies, with an extra set of Copperplate Illustrations, carefully Coloured by Hand, from the Originals, 50s.

Medium 8vo, cloth extra, with Illustrations, 7s. 6d.

Dr. Syntax’s Three Tours,

in Search of the Picturesque, in Search of Consolation, and in Search of a Wife. With the whole of Rowlandson’s droll page Illustrations, in Colours, and Life of the Author by J. C. Hotten.

Large post 8vo, cloth, full gilt, gilt top, with Illustrations, 12s. 6d.

Thackerayana:

Notes and Anecdotes: Illustrated by a profusion of Sketches by William Makepeace Thackeray, depicting Humorous Incidents in his School-life, and Favourite Characters in the books of his everyday reading. With Hundreds of Wood Engravings and Five Coloured Plates, from Mr. Thackeray’s Original Drawings.

“It would have been a real loss to bibliographical literature had copyright difficulties deprived the general public of this very amusing collection. One of Thackeray’s habits, from his schoolboy days, was to ornament the margins and blank pages of the books he had in use with caricature illustrations of their contents. This gave special value to the sale of his library, and is almost cause for regret that it could not have been preserved in its integrity. Thackeray’s place in literature is eminent enough to have made this an interest to future generations. The anonymous editor has done the best that he could to compensate for the lack of this. It is an admirable addendum, not only to his collected works, but also to any memoir of him that has been, or that is likely to be, written.”—British Quarterly Review.

Crown 8vo, cloth extra, gilt edges, with Illustrations, 7s. 6d.

Thomson’s Seasons and Castle of Indolence.

With a Biographical and Critical Introduction by Allan Cunningham, and over 50 fine Illustrations on Steel and Wood.

Crown 8vo, cloth extra, with Coloured Illustrations, 7s. 6d.

J. M. W. Turner’s Life and Correspondence.

Founded upon Letters and Papers furnished by his Friends and fellow Academicians. By Walter Thornbury. A New Edition, considerably Enlarged. With numerous Illustrations in Colours, facsimiled from Turner’s original Drawings.

Taine’s History of English Literature.

Translated by Henry Van Laun. Four Vols. small 8vo, 30s.

⁂ Also a Popular Edition, in Two Vols., crown 8vo, cloth extra, 15s.

Two Vols. crown 8vo, cloth boards, 18s.; Large Paper copies (only 50 printed), 36s.

Cyril Tourneur’s Collected Works,

Plays and Poems. Edited, with Critical Introduction and Notes, by J. Churton Collins.

“Tourneur’s plays are an essential part of the literary history of his period. For this reason chiefly they deserve Mr. Collins’s careful editing. His notes are brief and to the point; his illustrations, drawn from a store of curious and recondite learning, are apt and pregnant.... The book, which is prettily printed, is one which the student of Elizabethan literature cannot dispense with.”—Saturday Review.

Small 8vo, cloth gilt, with Portrait, 6s.

Thoreau: His Life and Aims.

A Study. By H. A. Page, Author of “The Life of Thomas De Quincey,” &c.

“Mr. Page has done a good deed in making the ‘Poet Naturalist’ known to English readers. Thoreau’s story is one of the most attractive stories of our time, and we have to thank Mr. Page for reproducing it for us. The ‘New England Hermit’ ought, one would think, to be almost as great a favourite with English boys of this generation as ‘Robinson Crusoe.’ Mr. Page’s study has, besides other merits, that of brevity, so rare in these days; and we rose from the book with a strong desire for more, a feeling that we had only had half a meal.”—Spectator.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Timbs’ Clubs and Club Life in London.

With Anecdotes of its famous Coffee-houses, Hostelries, and Taverns. By John Timbs, F.S.A. With numerous Illustrations.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Timbs’ English Eccentrics and Eccentricities:

Stories of Wealth and Fashion, Delusions, Impostures, and Fanatic Missions, Strange Sights and Sporting Scenes, Eccentric Artists, Theatrical Folks, Men of Letters, &c. By John Timbs, F.S.A. With nearly 50 Illustrations.

One Vol. crown 8vo, cloth extra, 7s. 6d.

Tom Taylor’s Historical Plays.

“Clancarty,” “Jeanne d’Arc,” “’Twixt Axe and Crown,” “The Fool’s Revenge,” “Arkwright’s Wife,” “Anne Boleyn,” “Plot and Passion.”

⁂ The Plays may also be had separately, at 1s. each.

Crown 4to, half-Roxburghe, 12s. 6d.

Vagabondiana;

or, Anecdotes of Mendicant Wanderers through the Streets of London; with Portraits of the most Remarkable, drawn from the Life by John Thomas Smith, late Keeper of the Prints in the British Museum. With Introduction by Francis Douce, and Descriptive Text. With the Woodcuts and the 32 Plates, from the original Coppers.

Large crown 8vo, cloth antique, with Illustrations, 7s. 6d.

Walton and Cotton’s Complete Angler;

or, The Contemplative Man’s Recreation: being a Discourse of Rivers, Fishponds, Fish and Fishing, written by Izaak Walton; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by Charles Cotton. With Original Memoirs and Notes by Sir Harris Nicolas, and 61 Copperplate Illustrations.

Carefully printed on paper to imitate the Original, 22 in. by 14 in., 2s.

Warrant to Execute Charles I.

An exact Facsimile of this important Document, with the Fifty-nine Signatures of the Regicides, and corresponding Seals.

Beautifully printed on paper to imitate the Original MS., price 2s.

Warrant to Execute Mary Q. of Scots.

An exact Facsimile, including the Signature of Queen Elizabeth, and a Facsimile of the Great Seal.

Crown 8vo, cloth extra, with Illustrations, 7s. 6d.

Wright’s Caricature History of the Georges. (The House of Hanover.)

With 400 Pictures, Caricatures, Squibs, Broadsides, Window Pictures, &c. By Thomas Wright, Esq., M.A., F.S.A.

Large post 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.

Wright’s History of Caricature and of the Grotesque in Art, Literature, Sculpture, and Painting,

from the Earliest Times to the Present Day. By Thomas Wright, M.A., F.S.A. Profusely illustrated by F. W. Fairholt, F.S.A.

J. OGDEN AND CO., PRINTERS, 172, ST. JOHN STREET, E.C.

Transcriber’s Note:

Obvious printer errors corrected silently.

Inconsistent spelling and hyphenation are as in the original.

*** END OF THE PROJECT GUTENBERG EBOOK CHATTO & WINDUS'S LIST OF BOOKS, JULY 1878 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

July, 1878. CHATTO & WINDUS’S List of Books.

ON BOOKS AND BOOK-BUYERS. By John Ruskin, LL.D.

Chatto & Windus’s List of Books.

The Art of Beauty.

Æsop’s Fables.

A Handbook of Architectural Styles.

A History of Advertising,

Artemus Ward’s Works:

As Pretty as Seven,

A Handbook of London Bankers;

Bardsley’s Our English Surnames:

Baker’s Clouds in the East:

Henry Blackburn’s Art Handbooks:

The Royal Scottish Academy Notes, 1878.

Notes to the Seventeenth Exhibition of the Glasgow Institute of the Fine Arts, 1878.

Blake (William).

Boccaccio’s Decameron;

Belgravia Magazine.

Boudoir Ballads:

Beautiful Pictures by British Artists:

Blanchard’s (Laman) Poems.

Bret Hart’s Select Works,

Brand’s Observations on Popular Antiquities,

Brewster’s (Sir David) Martyrs of Science.

Brewster’s (Sir David) More Worlds than One,

Brillat-Savarin’s Gastronomy as a Fine Art;

The British Flora Medica:

Bunyan’s Pilgrim’s Progress.

Byron’s Letters and Journals.

Colman’s Humorous Works:

Canova’s Works in Sculpture and Modelling.

Canters in Crampshire.

Catlin’s Illustrations of the Manners, Customs, and Condition of the North American Indians:

Chaucer for Children:

Cruikshank’s Comic Almanack.

Cope’s History of the Rifle Brigade

Creasy’s Memoirs of Eminent Etonians;

Cyclopædia of Costume;

Dibdin’s Bibliomania;

Cussans’ History of Hertfordshire.

Doran’s Memories of our Great Towns.

Dunraven’s The Great Divide:

Dodge’s (Colonel) The Hunting Grounds of the Great West:

Emanuel On Diamonds and Precious Stones:

The Englishman’s House:

Early English Poets.

Examples of Contemporary Art.

Fairholt’s Tobacco:

Finger-Ring Lore:

German Popular Stories.

Gilbert’s (W. S.) Original Plays:

Faraday’s Chemical History of a Candle.

Faraday’s Various Forces of Nature.

The Gentleman’s Magazine.

Gillray the Caricaturist:

The Golden Treasury of Thought:

The Golden Library:

Gosse’s King Erik:

Gosse’s On Viol and Flute.

The Graphic Portfolio.

Greeks and Romans (The Life of the),

Greenwood’s Low Life Deeps:

Guyot’s Earth and Man;

Greenwood’s Wilds of London:

The Grosvenor Gallery Illustrated Catalogue—

Hake’s New Symbols:

Hall’s (Mrs. S. C.) Sketches of Irish Character.

The House of Life;

Historical Portraits;

Hope’s Costume of the Ancients.

Hood’s (Thomas) Choice Works,

Hood’s (Tom) Poems, Humorous and Pathetic.

Hood’s (Tom) From Nowhere to the North Pole:

Hook’s (Theodore) Choice Humorous Works,

Hueffer’s The Troubadours:

Howell’s The Conflicts of Capital and Labour,

The Italian Masters:

Horne’s Orion:

Jeux d’Esprit,

Josephus’s Complete Works.

Kavanaghs’ Pearl Fountain,

Lamb’s Poetry for Children, and Prince Dorus.

Leigh’s A Town Garland.

Lamb’s Complete Works,

Mary & Charles Lamb:

Lamont’s Yachting in the Arctic Seas;

Latter-Day Lyrics:

Lee’s More Glimpses of the World Unseen.

Leisure-Time Studies.

Life in London;

Longfellow’s Complete Prose Works.

Longfellow’s Poetical Works.

MacColl’s Three Years of the Eastern Question.

Linton’s Joshua Davidson,

Maclise’s Gallery of Illustrious Literary Characters.

Madre Natura v. The Moloch of Fashion.

Lights on the Way:

Magna Charta.

Maid of Norway (The).

Mark Twain’s Adventures of Tom Sawyer.

An Idle Excursion, and other Papers.

Mark Twain’s Choice Works.

Mark Twain’s Pleasure Trip on the Continent of Europe.

Marston’s (Dr. Westland) Dramatic and Poetical Works.

Marston’s (Philip B.) All in All:

Modern Art:

Muses of Mayfair:

Marston’s (Philip B.) Song Tide,

The New Republic;

North Italian Folk.

Prose and Verse—Humorous, Satirical, and Sentimental—by THOMAS MOORE.

The New Paul and Virginia;

The Old Dramatists:

O’Shaughnessy’s (Arthur) An Epic of Women, and other Poems.

O’Shaughnessy’s Lays of France.

O’Shaughnessy’s Music and Moonlight:

Old Point Lace, and How to Copy and Imitate It.

The Piccadilly Novels:

Miss Misanthrope.

The World Well Lost.

The Lord Hermitage.

Friendship:

The Prince of Argolis:

Cheap Editions of Popular Novels.

Plutarch’s Lives of Illustrious Men.

Poe’s Choice Prose and Poetical Works.

The Life of Edgar Allan Poe.

Proctor’s Myths and Marvels of Astronomy.

Prometheus the Fire-Giver:

Puniana;

The Final Reliques of Father Prout.

The Pursuivant of Arms;

Rabelais’ Works.

Rambosson’s Astronomy.

Red-Spinner’s By Stream and Sea:

Memoirs of the Sanson Family:

The Roll of Battle Abbey;

The Roll of Caerlaverock.

The “Secret Out” Series.

The Pyrotechnist’s Treasury;

The Lansdowne Shakespeare.

The First Folio Shakespeare.

The School of Shakspere.

Signboards:

The Slang Dictionary:

The Smoker’s Text-Book.

Sheridan’s Complete Works,

Spenser for Children.

Stothard’s Monumental Effigies of Great Britain.

Stedman’s Victorian Poets:

Mr. Swinburne’s Works:

Poems and Ballads. Second Series.

Rossetti’s (W. M.) Criticism upon Swinburne’s “Poems and Ballads.”

Swift’s Choice Works,

Strutt’s Sports and Pastimes of the People of England;

Dr. Syntax’s Three Tours,

Thackerayana:

Thomson’s Seasons and Castle of Indolence.

J. M. W. Turner’s Life and Correspondence.

Taine’s History of English Literature.

Cyril Tourneur’s Collected Works,

Thoreau: His Life and Aims.

Timbs’ Clubs and Club Life in London.

Timbs’ English Eccentrics and Eccentricities:

Tom Taylor’s Historical Plays.

Vagabondiana;

Walton and Cotton’s Complete Angler;

Warrant to Execute Charles I.

Warrant to Execute Mary Q. of Scots.

Wright’s Caricature History of the Georges. (The House of Hanover.)

Wright’s History of Caricature and of the Grotesque in Art, Literature, Sculpture, and Painting,

Transcriber’s Note:

THE FULL PROJECT GUTENBERG LICENSE